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Page 1 a N R E G U N G E N Z U R L I T E R a T U R a U S W a H L ANREGUNGEN ZUR LITERATURAUSWAHL Inhalt Vorwort 4 Hinweise 5 Wahlpflichtwerke 6 Anregungen zur Literaturauswahl für Gemischte Chöre 12 für Frauen- und Mädchenchöre 58 für Männerchöre 82 für Kinderchöre 104 für Populäre Chormusik 120 Verlagsverzeichnis 142 Impressum 154 9. Deutscher Chorwettbewerb 2014 3 Vorwort Hinweise Die nachstehende Literaturliste enthält eine Auswahl von Die Verlagsangaben können wegen der zahlreichen Verän- A-cappella-Chorwerken für gemischte Chöre (Erwachsenen-, derungen innerhalb der Branche und ihrer zunehmenden Inter- Jugend-, Knabenchöre), Frauen- und Mädchenchöre, Männer- nationalisierung keinen Anspruch auf bleibende Aktualität chöre, Kinderchöre und für die Chöre der Kategorie Populäre und Vollständigkeit erheben. Der Fachhandel, über den das Chormusik. Sie soll dazu dienen Laienchören und ihren Leitern Notenmaterial in der Regel bestellt werden muss, gibt Ihnen Anregungen zur Literaturauswahl zu geben, insbesondere im weitergehende Auskünfte. Sollten Sie trotzdem Schwierigkei- Hinblick auf die Teilnahme am Deutschen Chorwettbewerb ten bei der Beschaffung von Noten haben, versucht Ihnen das und den vorher stattfindenden Landes-Chorwettbewerben. Projektbüro Deutscher Chorwettbewerb weiterzuhelfen. Dieser Zielsetzung entsprechend erhebt die Liste keinen Bitte beachten Sie, dass die ungenehmigte Vervielfältigung Anspruch auf Vollständigkeit oder Ausschließlichkeit. Auf die von urheberrechtlich geschütztem Notenmaterial verboten ist Aufnahme von Werken, die sich ohnehin im Repertoire der und sowohl strafrechtlich als auch zivilrechtlich verfolgt wer- meisten Chöre finden, haben wir weitgehend verzichtet. den kann. Einige Verlage sind bereit, bei Einzelwerken aus Sam- Dagegen wurde eine Gewichtung auf die Chorliteratur des melbänden oder Zyklen so genannte Verlagskopien gegen Ent- 20. Jahrhunderts gelegt, deren besondere Beachtung und gelt zur Verfügung zu stellen. Wenn Sie auf dieses Angebot Förderung ein Ziel des Deutschen Chorwettbewerbs ist. zurückgreifen möchten, geben Sie bitte die entsprechende Be- stellung mit dem Hinweis auf den Deutschen Chorwettbewerb Der Schwierigkeitsgrad der angegebenen Chorliteratur des Deutschen Musikrates auf. orientiert sich im Allgemeinen an dem Anspruch, der an die Teilnehmer des Deutschen Chorwettbewerbs gestellt wird. Aus Manuskripten darf ein Chor nur dann singen, wenn die Allerdings sind hier durchaus Unterschiede anzutreffen, da Komposition noch nicht verlegt ist und dem Projektbüro Deut- die Literaturkommissionen die unterschiedliche Zusammen- scher Chorwettbewerb eine Einverständniserklärung des Kom- setzung und Arbeitsmöglichkeit der Chöre berücksichtigt ponisten beziehungsweise des Arrangeurs bei der Anmeldung wissen wollten. zum 9. Deutschen Chorwettbewerb vorgelegt wird. Die Verantwortung dafür, eine den Leistungsmöglichkeiten Bei den Wahlpflichtwerken liegt der Wettbewerbsjury die in des eigenen Chores angemessene Literaturauswahl zu treffen, der Ausschreibung genannte Verlagsausgabe vor. Benutzt ein soll und kann den Chorleiterinnen und -leitern durch diese Chor die Ausgabe eines anderen Verlages, so liegt es im eigenen Literaturliste nicht abgenommen werden. Insofern entstehen Interesse, sorgfältig zu prüfen, ob die gewählte Notenausgabe denjenigen Chören keine Nachteile bei der Bewertung, die in Tonart und Notentext vollständig mit der in der Liste der ihr Wettbewerbsprogramm nicht oder nur teilweise den Wahlpflichtwerke angegebenen Ausgabe übereinstimmt. „Anregungen zur Literaturauswahl“ entnehmen. Bitte beachten Sie für die Kategorie G | Populäre Chormusik Die Verpflichtung zum Vortrag eines der Wahlpflichtstücke die speziellen Hinweise auf Seite 120. und zur Erfüllung der Ausschreibungsbedingungen zur Pro- grammgestaltung und zu den Wertungszeiten bleibt hiervon Alle mit markierten und in dunkel- unberührt. blau gesetzten Werke wurden neu in die Literaturliste aufgenommen. 4 5 WAHLPFLICHTWERKE für den B | Frauenchöre – ab 16 Mitwirkende 9. Deutschen Chorwettbewerb 2014 A | Arnold von Bruck aus: Rhau „Geistliche Gesänge“ 1490 – 1554 Pater noster Möseler (Verlagskopie aus ars | A Alte Musik (polyphone Werke aus Renaissance oder Barock) musica, Band V, M 52.035) B | Romantik C | Neue Musik (komponiert nach 1950) B | Josef G. Rheinberger aus: Sechs Gesänge op. 131 1839 – 1901 Nr. 4: Im Erdenraum Carus CV 50.131/60 A.1 | Gemischte Kammerchöre – 16 bis 36 Mitwirkende C | Alfred Koerppen aus: Geschichten v. d. Sonne(2002) A | Thomas Weelkes When David heard 1926 Nr. 3: Fahrt und Fall 1576 – 1623 OUP TCM 110 des Sonnenknaben Tonger T 3220-2 B | Charles Villiers Stanford aus: Three Motets op. 38 1852 – 1924 Nr. 3: Beati quorum via Bank 11.900.036 C.1 | Männerchöre – 16 bis 36 Mitwirkende C | Wolfram Buchenberg Von 55 Engeln behütet (2008) 1962 (Weingartner Reisesegen) A | Tomás L. de Victoria Domine, non sum dignus Buchenberg (PDF-Download 1548 – 1611 Ferrimontana EF 3569 unter www.musikrat.de/dcw) B | Max Reger aus: Lieder für Männerchor op. 83 1873 – 1916 Nr. 4: Husarendurchmarsch Bote B & B 17052 (292) A.2 | Gemischte Chöre – ab 32 Mitwirkende C | Ivo Antognini O Fortuna (2009) A | Johann Hermann Schein aus: Israelsbrünnlein 1623 1963 Porfiri PHP 210021 1586 – 1630 Nr. 21: Was betrübst du dich, meine Seele Carus CV 1.821 C.2 | Männerchöre – ab 32 Mitwirkende B | Charles Hubert H. Parry aus: Songs of Farewell 1848 – 1918 Nr. 4: There is an old belief A | Tomás L. de Victoria Una hora Cramer 90465 1548 – 1611 Ferrimontana EF 3576 C | Eric Whitacre Nox Aurumque (2009) B | Anton Bruckner Der Abendhimmel 1970 Chester CH75438 1824 – 1896 Braun 451 C | Peter Suitner Meine alte Schiffsuhr op. 148(2006) 1928 Ferrimontana EF 3766 6 7 Wahlpflichtwerke D.1 | Jugendchöre – gemischte Stimmen F.1 | Kinderchöre – gleiche Stimmen, Höchstalter 16 Jahre A | Felice Anerio Christus factus est A | William Byrd Memento salutis auctor um 1560 – 1614 Bank GW 89 1543 – 1623 Engelhart ME 1795 B | Josef G. Rheinberger aus: Am Walchensee – B | Robert Radecke aus: Drei Terzette op. 17 1839 – 1901 Acht Lieder op. 63 1830 – 1911 Nr. 2: Im Wald, im hellen Nr. 4: Nordwind Sonnenschein Ferrimontana EF 2537 Hofmeister FH 13 183 C | Knut Nystedt aus: Three motets op. 43 C | Herman Rechberger Tokkata – Ode an J. S. Bach 1915 Nr. 2: Peace I leave with you 1947 Sulasol S 1102 Augsburg Fortress 11-1216 F.2 | Kinderchöre – gleiche Stimmen, Höchstalter 13 Jahre D.2 | Mädchenchöre/Jugendchöre – gleiche Stimmen Paul Hindemith aus: Acht Kanons op. 45 A | Michael Praetorius Ecce Maria 1895 – 1963 Nr. 2: Wer sich die Musik erkiest 1571 – 1621 Möseler Schott B 107-01 (Verlagskopie aus M 52.035) B | Charles Villiers Stanford aus: Four Part Songs op. 110 1852 – 1924 Nr. 3: The Fairies G.1 | Populäre Chormusik – a cappella Bank 11.900.452 l Gemischte Chöre C | Miklós Kocsár Super flumina Babilonis (2003) J. Lennon/P. McCartney Good Day Sunshine 1933 Ferrimontana EF 3674 Martin Carbow (Arr.) Ferrimontana EF 4100 l Frauenchöre James Taylor Shower the People E | Knabenchöre – gemischte Stimmen Juan M. V. Garcia (Arr.) Ferrimontana EF 3903 A | Heinrich Schütz aus: Geistliche Chormusik 1648 l Männerchöre 1585 – 1672 Nr. 9: Herr, auf dich traue ich James Taylor Shower the People (SWV 377) Juan M. V. Garcia (Arr.) Ferrimontana EF 3902 Bärenreiter BA 5959 B | F. Mendelssohn aus: Drei Motetten op. 69 Bartholdy Nr. 2: Jauchzet dem Herrn alle 1809 – 1847 Welt (A-Dur) Carus CV 40.126/20 C | Pekka Kostiainen Jaakobin isot pojat (1984) 1944 Fennica FG 55009-011-8 8 9 Wahlpflichtwerke ANREGUNGEN ZUR G.2 | Populäre Chormusik – mit Trio LITERATURAUSWAHL l Gemischte Chöre Stevie Wonder As für den 9. Deutschen Jens Johansen (Arr.) Schott C 54271 Chorwettbewerb 2014 l Frauenchöre Joe McCarthy You made me love you Michele Weir (Arr.) Lorenz 15/1957H l Männerchöre Hoagy Carmichael Georgia on my mind Kirby Shaw (Arr.) Hal Leonard HL 08657634 H.1 | Vokalensembles – 4 bis 12 Mitwirkende Kein Pflichtstück H.2 | Vokalensembles Populäre Musik – 4 bis 12 Mitwirkende James Taylor Shower the People Juan M. V. Garcia (Arr.) Ferrimontana EF 3901 (Gemischte Chöre) EF 3903 (Frauenchöre) EF 3902 (Männerchöre) 10 11 Mass for 5 voices z. B.: Sanctus Gemischte Erwachsenenchöre Eulenburg, Chester, Stainer Gemischte Jugendchöre Chöre Gemischte Miserere mei deus Gemischte Knabenchöre OUP Alle mit markierten und in dunkelblau gesetzten Werke Sing joyfully wurden neu in die Literaturliste aufgenommen. OUP A | Klassische Vokalpolyphonie This sweet and merry (aus Renaissance oder Barock) month of may OUP Johann Christoph Altnikol Nun danket alle Gott 1720 – 1759 Breitkopf, Carus John Farmer Fair Phyllis I saw 1565 – 1605 OUP, Bosse (Chor aktuell), Felice Anerio Christus factus est Ferrimontana um 1560 – 1614 Bank Giovanni Gabrieli Jubilate Deo Johann Christoph Bach Fürchte dich nicht 1557 – 1612 Carus 1642 – 1703 Carus Jacobus Gallus (Handl) Duo Seraphim Johann Michael Bach Herr, wenn ich nur dich habe 1550 – 1591 Jubilate 1648 – 1694 Hänssler aus: Opus musicum I Johann Sebastian Bach Ich lasse dich nicht, Nr. 8: Jerusalem gaude 1685 – 1750 du segnest mich denn Helbling Carus Pater noster John Bennet All creatures now are Bärenreiter, Breitkopf 1570 – 1614 merry-minded Möseler Veni Domine Jubilate Guillaume Bouzignac Noé, Noé! Pastores um 1592 – 1641 Cantate Domino Giovanni Gastoldi Balletti a cinque voci Broude um 1556 – 1622 Peters William Byrd Ave verum corpus Gesualdo di Venosa aus: Sacrae Cantiones I 1543 – 1623 Bank, Hal Leonard 1560 – 1613 Nr. 3: Ave, dulcissima Maria DVfM, Carus Ego sum panis vivus Ferrimontana Madrigale (Libri
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