Towards Integrating Antiracism Into Teaching English As a Second Language Training Programs in Ontario
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Golden Threads Copyright © Rossen, 2011 Tuesday, March 5, 2013
Draft: Golden Threads Copyright © Rossen, 2011 Tuesday, March 5, 2013 Golden Threads Preamble My Family in Greece John Augustus Toole Who can tell which Angel of Good Fortune must have smiled upon the young loyalist Irishman, John Augustus Toole, when he joined the British Navy as a midshipman and sailed out to the Mediterranean sometime in the first decade of the 19th Century? He was landed on the enchanted island of Zante where he met the great love of his life, the Contessina Barbara Querini. In this book I will tell the story of their love, the disapproval of Barbara’s family and how it came about that the young British officer prevailed. It was his good fortune and hers that resulted in my family on the Ionian Islands in Greece. My life, four generations later, was succoured in the cradle of luxury and privilege that he, his children and grandchildren had created. Before I tell you the story of my remarkable life on these islands, a story resonant with living memory and fondness for the people who touched my life, I will describe in this preamble the times, places and people who came before me: the tales told to me as a child. Most of Greece was part of the Ottoman Empire at the time of John Augustus Toole’s arrival. The seven Ionian Islands, located on the west coast of Greece, had escaped Ottoman occupation as part of the Venetian Empire. In 1796 Venice fell to the French under Napoléon Bonaparte. In 1809, British forces liberated the island of Zante and soon after Cephalonia, Kythria and Lefkada. -
Annual Report and Accounts 2004/2005
THE BFI PRESENTSANNUAL REPORT AND ACCOUNTS 2004/2005 WWW.BFI.ORG.UK The bfi annual report 2004-2005 2 The British Film Institute at a glance 4 Director’s foreword 9 The bfi’s cultural commitment 13 Governors’ report 13 – 20 Reaching out (13) What you saw (13) Big screen, little screen (14) bfi online (14) Working with our partners (15) Where you saw it (16) Big, bigger, biggest (16) Accessibility (18) Festivals (19) Looking forward: Aims for 2005–2006 Reaching out 22 – 25 Looking after the past to enrich the future (24) Consciousness raising (25) Looking forward: Aims for 2005–2006 Film and TV heritage 26 – 27 Archive Spectacular The Mitchell & Kenyon Collection 28 – 31 Lifelong learning (30) Best practice (30) bfi National Library (30) Sight & Sound (31) bfi Publishing (31) Looking forward: Aims for 2005–2006 Lifelong learning 32 – 35 About the bfi (33) Summary of legal objectives (33) Partnerships and collaborations 36 – 42 How the bfi is governed (37) Governors (37/38) Methods of appointment (39) Organisational structure (40) Statement of Governors’ responsibilities (41) bfi Executive (42) Risk management statement 43 – 54 Financial review (44) Statement of financial activities (45) Consolidated and charity balance sheets (46) Consolidated cash flow statement (47) Reference details (52) Independent auditors’ report 55 – 74 Appendices The bfi annual report 2004-2005 The bfi annual report 2004-2005 The British Film Institute at a glance What we do How we did: The British Film .4 million Up 46% People saw a film distributed Visits to -
S.Sz. Rendező Ország Angol Cím Mufaj Hossz 1 Anshuman SHASTRI India
s.sz. rendező ország angol cím mufaj hossz 1 Anshuman SHASTRI India That Girl, a Wonderful Tale kisjátékfilm 12 2 Petr KELEPTRISHVILI & Artem OZHOGOVRussia Landscape of Music zenefilm 85 3 Lucas GLOPPE France It's Rising kisjátékfilm 20 4 Slawomir MILEWSKI Poland, UK Bust Of The Young Man kísérletifilm 4 5 Slawomir MILEWSKI Poland, United Kingdom Nostalgia for Existing Without Delay játékfilm 60 6 Bernardo ZANOTTA Netherlands Heart of Hunger kísérletifilm 29 7 Kirill KULAGIN Russia, Great Britain Let It Soul játékfilm 38 8 Gerard FREIXES RIBERA Spain Identity Parade kísérletifilm 4 9 Steeve FITOUSSI & Daniel BRENER Israel Agent 555: Operation S.A.D.O. kisjátékfilm 6 10 Branislav MILATOVIć Montenegro A Head Full of Joy kisjátékfilm 18 11 Damian KOCUR Poland 1410 kisjátékfilm 28 12 Klaudia KESKA Poland Casting dokumentumfilm 18 13 Wojciech KLIMALA Poland Elizabeth kisjátékfilm 24 14 Ernest WENCEL Poland Esprits Animaux kisjátékfilm 13 15 Julian TALANDZIEWICZ Poland Lesson kisjátékfilm 12 16 Anna URBANCZYK Poland The Last Client kisjátékfilm 20 17 Magdalena SEWERYN & Igor POLANIEWICZPoland The Last Tale About Earth kisjátékfilm 17 18 Bartosz REETZ Poland The Stop kisjátékfilm 15 19 Michal CHMIELEWSKI Poland Ravik the Steppe Turtle kisjátékfilm 11 20 Iwo KONDEFER Poland I've Got Something For You Too kisjátékfilm 20 21 Sylwia ROSAK Poland All's Well kisjátékfilm 16 22 Anastazja DABROWSKA Poland Wonder Girls kisjátékfilm 20 23 Tadeusz KABICZ Poland The Castle dokumentumfilm 22 24 Dominika GNATEK Poland Ordinary Life of Sophie kisjátékfilm 18 -
Teaching the Short Story: a Guide to Using Stories from Around the World. INSTITUTION National Council of Teachers of English, Urbana
DOCUMENT RESUME ED 397 453 CS 215 435 AUTHOR Neumann, Bonnie H., Ed.; McDonnell, Helen M., Ed. TITLE Teaching the Short Story: A Guide to Using Stories from around the World. INSTITUTION National Council of Teachers of English, Urbana, REPORT NO ISBN-0-8141-1947-6 PUB DATE 96 NOTE 311p. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 19476: $15.95 members, $21.95 nonmembers). PUB 'TYPE Guides Classroom Use Teaching Guides (For Teacher) (052) Collected Works General (020) Books (010) EDRS PRICE MF01/PC13 Plus Postage. DESCRIPTORS Authors; Higher Education; High Schools; *Literary Criticism; Literary Devices; *Literature Appreciation; Multicultural Education; *Short Stories; *World Literature IDENTIFIERS *Comparative Literature; *Literature in Translation; Response to Literature ABSTRACT An innovative and practical resource for teachers looking to move beyond English and American works, this book explores 175 highly teachable short stories from nearly 50 countries, highlighting the work of recognized authors from practically every continent, authors such as Chinua Achebe, Anita Desai, Nadine Gordimer, Milan Kundera, Isak Dinesen, Octavio Paz, Jorge Amado, and Yukio Mishima. The stories in the book were selected and annotated by experienced teachers, and include information about the author, a synopsis of the story, and comparisons to frequently anthologized stories and readily available literary and artistic works. Also provided are six practical indexes, including those'that help teachers select short stories by title, country of origin, English-languag- source, comparison by themes, or comparison by literary devices. The final index, the cross-reference index, summarizes all the comparative material cited within the book,with the titles of annotated books appearing in capital letters. -
The Music of Relationality in the Cinema of Claire Denis
ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output Concert and disconcertion: the music of relationality in the cinema of Claire Denis https://eprints.bbk.ac.uk/id/eprint/40453/ Version: Full Version Citation: Brown, Geoffrey (2019) Concert and disconcertion: the music of relationality in the cinema of Claire Denis. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email 1 Concert and Disconcertion : the music of relationality in the cinema of Claire Denis Geoffrey Brown Thesis submitted for the degree of PhD in French 2019 Department of European Cultures and Languages Birkbeck, University of London 2 Declaration I declare that the work presented in this thesis is my own, and that this thesis is the one on which I expect to be examined. Geoffrey Brown 3 This thesis is dedicated to Agnès Calatayud, an inspirational teacher, who reconnected me to French cinema after a long carence, and who, crucially, first introduced me to the films of Claire Denis. 4 Abstract This thesis argues that the interest which the films of Claire Denis display in the ever-shifting modes of relations between people is illustrated through analysis of how music is used throughout her corpus of feature films. Denis draws on an extremely eclectic palette of musical styles, and the thesis proposes that these varying musical modalities are central to her treatment of relational issues, as are the ways in which she deploys her chosen musical selections. -
Oral History Interview with Rachel Adler, 2009 June 18-23
Oral history interview with Rachel Adler, 2009 June 18-23 Funding for this interview was provided by the Art Dealers Association of America. Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a tape-recorded interview with Rachel Adler on 2009 June 18- 23. The interview took place at Adler's home in New York, NY, and was conducted by James McElhinney for the Archives of American Art, Smithsonian Institution. Funding for this interview was provided by a grant from the Art Dealers Association of America. Rachel Adler has reviewed the transcript and has made corrections and emendations. The reader should bear in mind that he or she is reading a transcript of spoken, rather than written, prose. Interview JAMES McELHINNEY: This is James McElhinney speaking with Rachel Adler on June 18, 2009, at 1200 Broadway in New York City. A lovely place. RACHEL ADLER: Thank you. MR. McELHINNEY: You had an architect, I imagine. MS. ADLER: Oh, yes. Yes, but 30 years ago. MR. McELHINNEY: Oh, really. MS. ADLER: Yes. MR. McELHINNEY: Who was it? MS. ADLER: Carmi Bee. MR. McELHINNEY: Carmi Bee. MS. ADLER: Yes. MR. McELHINNEY: It's a wonderful space. MS. ADLER: It was complicated because the beams are very strong, and they're always present visually. MR. McELHINNEY: Right. -
Koamalu; a Story of Pioneers on Kauai, and of What They Built in That Island
Painted by J. May Fraser in I929 from old photographs KOAMVALU 1865 OF KOAifALU Q-H, Story of RPioneers on and of [fh a t They B uilt in Is/and Garden Kaua i Tha t By Ethel M'' Damon Volume 1 Privately Printed Honolulu 1931 Having worked Itself out Through the Soil of its Native Garden This Story of Koamalu Is now laid at that Garden Gate By One from Without In the Hope that it may bring Something of Beauty or Truth or Both To a Certain Child of that Island And to any other Child born Within the Ocean-cut Circle Of that Enchanted Island Garden. -a -e,, 367 7 P,. ~PREFACE Intended primarily as a permanent setting for many of the family letters and much of the family history, this true story of the island home at Koamalu has come to include not a little from the growth of neighboring communities, together with attendant developments in trade and the tilling of the soil. Almost unconsciously, something in the nature of an epic of the island has thus gradually taken shape. To members of the several families our narrative conveys an affectionate regard, linked with a deep interest in the unfolding of the family trees in all their roots and branches. To the friends, who in many varied ways have furthered the telling of the tale, its completed form carries our most grateful appreciation. To the general reader it is offered with the assurance that a deal of human nature, interwoven with more than a few threads of romance, lies folded away not only between, but also within, the lines of history itself. -
Area Handbook for Cuba
DOCUMENT RESUME ED 056 949 SO 002 056 AUTHoR Hlutstein, Howard T.; And 0 hers TITLE 2Nrea Handbook for Cuba. INSTITUTION American Univ., Washington, D.C. ForeignArea StUdies. REPORT NO DA-PAM-550-152 PUB DATE Mar 70 NOTE 494p. AVAILABLE FROMsuperintendent of Documents, U.S. GovernmentPrinting Office, Washington, D.C. 20402 ($3.75) EDRS PRICE MF-$0.65 HC Not Available from EDRS. DESCPIPTORS AMerican History; *Area Studies;Communism; Courts; pemography; *Developing Nations;Economics; Ethnic 5roUps; *Foreign Culture;Geography; Governmental strlIcture; Guides; History; Institutions;*Latin American Culture; MilitaryOrganizations; Religion; Social Structure; Social systems;Values IDENTIFIERS *Cuba; Educational Systems ABSTRACT This volume is one of a series ofhcindbooks designed to be useful toMilitary and other personnel who need aconvenient compilation of basic facts about thesocial, economic, political, and military institutions andpractices of various countries. It is intended to be an objectivedescription of the nation's present society, especially since theresolution of 1959, and the kinds of possible or probable changesthat might be expected in thefuture. It was compiled froMinformation available in openlypublished materials. A bibliography of sourcesof more detailed informationis provided in the appendix, aswell as a glossary of Spanish words. (Author) - - - - - "PERMISSION TO REPRODUCE THIS COPY- RIGHTED MATERIAL BY MIC ROFICHE ONLY HAS BEEN GRANTED BY SUL- e 0 CDrIc_Unlil e TO ER C AND ORGANIZATIONS OPERATING LINDER AGREEMENTS WITH THE U.S. OFFICE OF EDUCATION: FURTHER REPRODUCTION OUTSIDE THE ERIC SYSTEM REQUIRES PER- MISSION OF THE COPYRIGHT OWNER AREA HANDBOOK for CUBA Co-Authors Howard I. Blutstein Lynne Cox Anderson Elinor C. Betters Deborah Lane Jonathan A. Leonard Charles Townsend Research and writing werecompleted on March 1970 Published 1971 U.S. -
ICTY Prosecutor V. Momcilo Perisic
International Tribunal for the Prosecution of Persons Case: IT-00-39-T Responsible for Serious Violations of International Humanitarian Law Date: 27 September 2006 UNITED Committed in the Territory of the NATIONS Former Yugoslavia since 1991 Original: English TRIALU CHAMBER I Before: Judge Alphons Orie, Presiding Judge Joaquín Martín Canivell Judge Claude Hanoteau Registrar: Mr Hans Holthuis Judgement of: 27 September 2006 PROSECUTOR v. MOMČILO KRAJIŠNIK _________________________________________________________________________ JUDGEMENT _________________________________________________________________________ OfficeU of the Prosecutor Mr Mark Harmon Mr Alan Tieger Mr Stephen Margetts Mr Fergal Gaynor Ms Carolyn Edgerton Ms Katrina Gustafson DefenceU Counsel Mr Nicholas Stewart, QC Mr David Josse Prosecutor v. Momčilo Krajišnik Preliminary ContentsU General abbreviations 6 1. Introduction and overview 9 1.1 The Accused 9 1.2 Indictment 10 1.3 Bosnia-Herzegovina: geography, population, history 12 1.4 Structure of judgement 14 2. Political precursors 16 2.1 Political developments, 1990 to early 1991 16 2.1.1 Creation of the SDS 16 2.1.2 Division of power among the coalition parties 17 2.2 Arming and mobilization of population 19 2.3 State of fear 24 2.4 Creation of Serb autonomous regions and districts 26 2.5 Creation of Bosnian-Serb Assembly 31 2.6 SDS Instructions of 19 December 1991 36 2.7 Proclamation of Bosnian-Serb Republic 43 2.8 Establishment of Bosnian-Serb Republic 50 3. Administration of Bosnian-Serb Republic 54 3.1 Bosnian-Serb -
JAPANESE CINEMA DONALD Eichie Has Lodg Been the Internationally Acclaimed Expert on the Japanese Film
JAPANESE CINEMA DONALD EiCHiE has loDg been the internationally acclaimed expert on the Japanese film. He is a former member of Uni- Japan Film and film critic for The Japan Times, and is pres- ently Curator of the Film Department at the Museum of Modern Art, New York. He designed and presented the Kurosawa and Ozu retrospectives, as well as the massive 1970 retrospective at the museum, The Japanese Film. His book on The Films of Akira Kurosawa has been called a "virtual model for future studies in the field." Mr. Richie has been a resident of Japan for the past twenty-five years. Film books by Donald Richie: The Cinematographic View: A Study of the Film. 1958. The Japanese Film: Art and Industry. 1959. Co-authored with Joseph L. Anderson. Japanese Movies. 1961. The Japanese Movie: An Illustrated History. 1965. The Films of Akira Kurosawa. 1965. George Stevens: An American Romantic. 1970. Japanese Cine2wa Film Style and National Character Donald Ricliie Anchor Books DOUBLEDAY & COMPANY, INC., GABDKN CTTY, NEW YORK This book is an extensively revised, expanded, and updated version of Japanese Movies, © 1961 by Japan Travel Bureau. Original material reprinted by pemMSsion of the Japan Travel Bureau, Inc., Japan. Library of Congress Catalog Card Number 77-163122 Copyright © 1971 by Donald Richie Copyright © 1961 by Japan Travel Bureau All Rights Reserved Printed in the United States of America CONTENTS List of Illiistrations vii Introduction xvii 1896-1945 1 194&-1971 59 Appendix 239 Index 250 LIST OF ILLUSTRATIONS The Abe Clan, 1938. 29 An Actor's Revenge, 1963. -
Using Corridos As a Source for Learning and Development
USING CORRIDOS AS A SOURCE FOR LEARNING AND DEVELOPMENT THROUGH COUNTERSTORIES by Cruz Angela Barajas-Briones, A.A., B.A. A thesis submitted to the Graduate Council of Texas State University in partial fulfillment of the requirements for the degree of Master of Arts with a Major in Rhetoric and Composition December 2020 Committee Members: Jaime Armin Mejía, Chair Eric Leake Sergio Martínez COPYRIGHT by Cruz Angela Barajas-Briones 2020 FAIR USE AND AUTHOR’S PERMISSION STATEMENT Fair Use This work is protected by the Copyright Laws of the United States (Public Law 94-553, section 107). Consistent with fair use as defined in the Copyright Laws, brief quotations from this material are allowed with proper acknowledgement. Use of this material for financial gain without the author’s express written permission is not allowed. Duplication Permission As the copyright holder of this work I, Cruz Angela Barajas-Briones, authorize duplication of this work, in whole or in part, for educational or scholarly purposes only. ACKNOWLEDGEMENTS I would like to thank my thesis advisor Dr. Jaime Armin Mejía for his support and encouragement throughout this project. I would also like to thank my parents, Francisco and María Basilisa, my brothers, Javier, Misael, Ernesto, and Rod, and close friends, Karla, Maya, Fah, and Ivette for their patience and advice. This project would not have been possible without their constant support over the last year. Finally, I would also like to express my gratitude to my committee members, Dr. Eric Leake and Dr. Sergio Martínez. iv TABLE OF CONTENTS Page ACKNOWLEDGEMENTS .............................................................................................. iv CHAPTER I. -
V·M·I University Microfilms International a Beil & Howell Information Company 300 ~~Orth Zeeb Road
The myth of the Amazon woman in Latin American literatures and cultures. Item Type text; Dissertation-Reproduction (electronic) Authors Dewey, Janice Laraine. Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 07/10/2021 18:06:32 Link to Item http://hdl.handle.net/10150/185579 INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may / be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy.