R. G. Wanek Center Art Collection President's Club
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Old Master Paintings Master Old
Wednesday 29 April 2015 Wednesday Knightsbridge, London OLD MASTER PAINTINGS OLD MASTER PAINTINGS | Knightsbridge, London | Wednesday 29 April 2015 22274 OLD MASTER PAINTINGS Wednesday 29 April 2015 at 13.00 Knightsbridge, London BONHAMS BIDS ENQUIRIES PRESS ENQUIRIES Montpelier Street +44 (0) 20 7447 7447 [email protected] [email protected] Knightsbridge +44 (0) 20 7447 7401 fax +44 (0) 20 7468 8307 London SW7 1HH To bid via the internet please visit CUSTOMER SERVICES www.bonhams.com www.bonhams.com SPECIALISTS Monday to Friday 08.30 – 18.00 Andrew McKenzie +44 (0) 20 7447 7447 VIEWING TELEPHONE BIDDING +44 (0) 20 7468 8261 Sunday 26 April Bidding by telephone will only [email protected] Please see back of catalogue 11.00 – 15.00 be accepted on lots with a low for important notice to bidders Monday 27 April estimate in excess of £500. Caroline Oliphant 09.00 – 16.30 +44 (0) 20 7468 8271 ILLUSTRATIONS Tuesday 28 April Please note that bids should be [email protected] Front cover: Lot 84 (detail) 09.00 – 16.30 submitted no later than 4pm on Back cover: Lot 1 Wednesday 29 April the day prior to the sale. New Lisa Greaves 09.00 – 11.00 bidders must also provide proof +44 (0) 20 7468 8325 IMPORTANT INFORMATION of identity when submitting bids. [email protected] The United States Government SALE NUMBER Failure to do this may result in has banned the import of ivory 22274 your bid not being processed. Archie Parker into the USA. Lots containing +44 (0) 20 7468 5877 ivory are indicated by the symbol CATALOGUE LIVE ONLINE BIDDING IS [email protected] Ф printed beside the lot number £18 AVAILABLE FOR THIS SALE in this catalogue. -
Sidney Richard Percy - “Across the Common” - Ref 2307
Sidney Richard Percy - “Across the Common” - Ref 2307 A crisply painted summer scene depicting two children watching some sheep grazing at the side of a path winding its way across the common, painted by renowned 19th century artist Sidney Richard Percy. Born in London, 5th son of Edward Williams of the famous William’s family of painters, Sidney began his career when his elder brothers were already well established. His very early work was signed Sidney Williams but at 20 adopted the surname Percy, under which his paintings of Home Counties, Devon, Yorkshire, the Lake District, Skye and North Wales, were to achieve a greater popularity than those of any other member of the Williams family. When Sidney married in 1863, he and his new family settled in Buckinghamshire. Their Regency home, Hill House was ideally placed for the study of the English wooded landscape, as it looked across the Misbourne Valley to the beech woods and beyond. Percy reached the peak of his popularity as an artist during the years he spent there and was able to support the extravagant tastes of his wife Percy’s palette was bright and realistic, his style meticulous and highly detailed, with a natural air and look to all his work. He regularly exhibited at the Royal Academy (1842-1886), and the British Institute. His works are also found in museums and galleries such as the Victoria Art Gallery, Bath; the National Museum of Wales, Cardiff; The Museum of Fine Arts, Canada; and museums and city art galleries in Leicester, Nottingham, Sheffield, Sunderland, Salford and York. -
Titel Der Magisterarbeit
DIPLOMARBEIT Titel der Diplomarbeit „Der Vesuvausbruch als Bildsujet und die Emanzipation des Blicks in der Landschaftsmalerei vom Barock bis in die Romantik“ verfasst von Angelika Steinwidder angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, 2013 Studienkennzahl lt. Studienblatt: A315 Studienrichtung lt. Studienblatt: Kunstgeschichte Betreuer: Univ.-Doz. HR Dr. Werner Kitlitschka 1 2 Danksagung Ein Herzliches Dankeschön möchte ich an dieser Stelle all jenen aussprechen, die mir Raum, Zeit, viel Mut und Hilfe für diese Arbeit geschenkt haben! Im Besonderen danke ich Angelo, meinen Eltern Hermine und Alfred, meinen Geschwistern Christina, Thomas, Elisabeth und Philipp, meiner Oma Josefine, meiner Tante Gerti und vor allem meinen Freunden Franziska und Ilse, Johannes, Liesi und Sabrina, Kate, Laura, Luisa, Donatella, Renate, Goran, Natasa, Sully, Emma, Ute, Flora und Helmut für ihre einzigartige Unterstützung. Bei Søren Grammel bedanke ich mich für die Einladung zur Ausstellungseröffnung ATTITUDE AND CANON in der Akademie der bildenden Künste Wien. Matts Leiderstam bin ich für sein großzügiges Entgegenkommen verbunden: Sein Paket aus Finnland mit Ausstellungskatalogen zur Serie der Grand Tour war sehr anregend. Bedanken möchte ich mich auch bei Herrn Fabio Speranza, Archivar im Museo della Certosa di San Martino, für die aufschlussreiche Führung durch die Sammlung, Frau Mag. Claudia Koch, Kuratorin der Gemäldegalerie der Akademie der bildenden Künste Wien, für hilfreiche Hinweise, Herrn Norbert Nabernik für die Betreuung in der Kupferstichsammlung sowie Lucy Salt vom Derby Museum and Art Gallery für die Zusendung von Bildmaterial. Abschließend danke ich ganz herzlich Herrn Univ.-Doz. HR. Dr. Werner Kitlitschka für die besonders verständnisvolle und geduldige Betreuung sowie die kompetente inhaltliche Unterstützung! 3 4 VORWORT Analog mit der Neueröffnung der Galerie der Akademie der bildenden Künste Wien im Herbst 2010 eröffnete auch xhibit die neuen Ausstellungsräume der Akademie mit der Ausstellung Attitude and Canon1. -
Old Master, British and European Art
OLD MASTER, BRITISH AND EUROPEAN ART DONNINGTON PRIORY | THURSDAY 27 MAY 2021 OLD MASTER, BRITISH AND EUROPEAN ART DONNINGTON PRIORY | THURSDAY 27 MAY 2021 | 10.30am Coming Up at Dreweatts Auctions 5 May | Live Online Jewellery, Silver, Watches, Pens, Coins and Medals – Part 1 6 May | Live Online Piet Jonker | Garden Statuary and Ornament 6 May | Timed Online Jewellery, Silver, Watches, Pens, Coins and Medals – Part 2 12 May | Live Online Interiors to include the selected contents of Berwick House, Shropshire and other properties 13 May | Timed Online Hambridge Sale 19 May | Live Online Chinese Ceramics and Works of Art (Part 1) 20 May | Live Online Japanese & Chinese (Part 2) and Indian & Islamic Ceramics & Works of Art 27 May | Live Online Old Master, British and European Art 8 June | Live Online Interiors Day 1: to include Decorative Arts since 1860 9 June | Live Online Interiors Day 2 30 June | Live Online Fine Furniture, Sculpture, Carpets, Ceramics and Works of Art 1 July | Live Online Fine and Rare Wine and Spirits 2 July | Timed Online Hambridge Sale We hold regular auctions of fine art, antiques, jewellery and other collectibles. Our specialists carry out valuations nationwide so if you are unable to attend one of our valuation days, please request a valuation via our website or call us to discuss a home visit. NOW INVITING ENTRIES FOR OUR 2021 AUCTIONS CHINESE AND JAPANESE WORKS OF ART INCLUDING ISLAMIC AND INDIAN ART 19 & 20 MAY 2021 | 10.30am NEWBURY LONDON HAMBRIDGE LANE ENQUIRIES Dreweatts Dreweatts / Bloomsbury Auctions -
Descendants of Henry Reynolds
Descendants of Henry Reynolds Charles E. G. Pease Pennyghael Isle of Mull Descendants of Henry Reynolds 1-Henry Reynolds1 was born on 2 Jun 1639 in Chippenham, Wiltshire and died in 1723 at age 84. Henry married Jane1 about 1671. Jane was born about 1645 and died in 1712 about age 67. They had four children: Henry, Richard, Thomas, and George. 2-Henry Reynolds1 was born in 1673 and died in 1712 at age 39. 2-Richard Reynolds1 was born in 1675 and died in 1745 at age 70. Richard married Anne Adams. They had one daughter: Mariah. 3-Mariah Reynolds1 was born on 29 Mar 1715 and died in 1715. 2-Thomas Reynolds1 was born about 1677 in Southwark, London and died about 1755 in Southwark, London about age 78. Noted events in his life were: • He worked as a Colour maker. Thomas married Susannah Cowley1 on 22 Apr 1710 in FMH Southwark. Susannah was born in 1683 and died in 1743 at age 60. They had three children: Thomas, Thomas, and Rachel. 3-Thomas Reynolds1 was born in 1712 and died in 1713 at age 1. 3-Thomas Reynolds1,2,3 was born on 22 May 1714 in Southwark, London and died on 22 Mar 1771 in Westminster, London at age 56. Noted events in his life were: • He worked as a Linen Draper. • He worked as a Clothworker in London. Thomas married Mary Foster,1,2 daughter of William Foster and Sarah, on 16 Oct 1733 in Southwark, London. Mary was born on 20 Oct 1712 in Southwark, London and died on 23 Jul 1741 in London at age 28. -
Télécharger Neptunia
— — — — — — — — SOMMAIRE Avant propos, par le Capitaine de Corvette Vichot . 1 Sur l'exposition "Vieille Marine", par La Varende . 2 Adrien Manglard (16951760), par Mlle Jacqueline Loyer . 6 Les "Ports de France" de Garneray, par M. Gustave Alaux, Membre de l'Académie de Marine . 8 L'Histoire de la Marine à travers les vignettes d'archives, par M. Jean Denizet, Chef du Service des Archives et Biblio thèques de la Marine . 13 Les Uniformes de la Marine, par M. le Commissaire Général de la Marine P. Jullien. 15 Reliques de Lapérouse, par le lieute nant de Vaisseau de Renusson d'Hauteville . 19 Vieux livres de voyage, Anciens Traités de construction navale par J.V. 20 Sur les Pontons (18031814), par M. P. Bohé, Professeur en chef de la Marine Marchande . 21 Imagerie Maritime, par M. Emile Condroyer . 24 — — — — AVANTPROPOS NZE mois d’une laborieuse et brillante renaissance et l'Association des Amis du Musée de la Marine, sans désemparer, décide l’organisation d’une exposition « Vieille Marine » qui groupera objets d’art, instruments, sou venirs ou curiosités du folklore maritime, antérieurs à 1870. Le but de cette manifestation est double. Le premier, celui qui figure en tête des statuts de l’Association : accroître le rayonnement du Musée de la Marine et favoriser ainsi la propagande maritime dans le Pays. Le second : faire connaître les objets d’art et documents anciens dispersés dans des collec tions privées ou officielles et enrichir ainsi notre documentation iconographique maritime. Peu de finances, mais nombre de bonnes volontés, de l’enthousiasme et déjà l’on peut affirmer que l’un et l’autre buts sont atteints. -
Burlington Paintings
Burlington Paintings Burlington Paintings 10 and 12 Burlington Gardens London W1S 3EY Telephone : 020 7734 9984 Website : www.burlington.co.uk Burlington Paintings FINE 19TH and 20TH CENTURY BRITISH and EUROPEAN PAINTINGS MEMBER OF THE BRITISH ANTIQUE DEALERS’ ASSOCIATION ANGELA HARDY PAUL HARDY Managing Director Director JAMES LLOYD Chairman 10 and 12 BURLINGTON GARDENS, LONDON W1S 3EY Telephone : 020 7734 9984 Facsimile : 020 7494 3770 E-mail : [email protected] Website : www.burlington.co.uk GALLERY OPENING HOURS : Monday - Friday 9.30 - 5.30 Saturday 10.00 - 5.00 or by appointment Front Cover : Fredrik Marinus Kruseman, Dutch Winter Landscape with Skaters, Cat No.3 Back Cover : Charles Haigh-Wood, The Picture Book, Cat No.13 Burlington Paintings exhibit at: Contents: Andersen-Lundby, Anders .........................................................24 Atamian, Charles Garabed...........................................................27 Blanchard, Antoine.........................................................................25, 26 Brandeis, Antonietta ......................................................................6, 7 Brereton, James................................................................................36, 37 Burns, Colin W...................................................................................33, 34, 35 Clarke, Joseph ....................................................................................19 Clausade, Pierre de .........................................................................31, -
19TH CENTURY EUROPEAN VICTORIAN and BRITISH IMPRESSIONIST ART Wednesday 28 September 2016
19TH CENTURY EUROPEAN VICTORIAN AND BRITISH IMPRESSIONIST ART Wednesday 28 September 2016 19TH CENTURY EUROPEAN, VICTORIAN AND BRITISH IMPRESSIONIST ART Wednesday 28 September at 2.00pm New Bond Street, London VIEWING BIDS ENQUIRIES PHYSICAL CONDITION OF Friday 23 September +44 (0) 20 7447 7447 Peter Rees (Head of Sale) LOTS IN THIS AUCTION 2.00pm to 5.00pm +44 (0) 20 7447 7401 fax +44 (0) 20 7468 8201 Sunday 25 September To bid via the internet please [email protected] PLEASE NOTE THAT THERE IS 11.00 to 3.00pm visit bonhams.com NO REFERENCE IN THIS Monday 26 September Charles O’Brien CATALOGUE TO THE PHYSICAL 9.00am to 7.00pm Please note that bids should be (Head of Department) CONDITION OF ANY LOT. Tuesday 27 September submitted no later than 4pm on +44 (0) 20 7468 8360 INTENDING BIDDERS MUST 9.00am to 4.30pm the day prior to the sale. New [email protected] SATISFY THEMSELVES AS TO Wednesday 28 September bidders must also provide proof THE CONDITION OF ANY LOT 9.00am to 12.00pm of identity when submitting bids. Alistair Laird AS SPECIFIED IN CLAUSE 14 Failure to do this may result in +44 (0) 20 7468 8211 OF THE NOTICE TO BIDDERS SALE NUMBER your bid not being processed. [email protected] CONTAINED AT THE END OF 23581 THIS CATALOGUE. Bidding by telephone will only Sam Travers CATALOGUE be accepted on a lot with a +44 (0) 20 7468 8232 As a courtesy to intending £25.00 lower estimate or of or in [email protected] bidders, Bonhams will provide a excess of £1,000 written Indication of the physical ILLUSTRATIONS Lucy Oury condition of lots in this sale if a Front cover: Lot 41 Live online bidding is available +44 (0) 20 7468 8356 request is received up to 24 Back cover: Lot 26 for this sale [email protected] hours before the auction starts. -
19TH CENTURY EUROPEAN VICTORIAN and BRITISH IMPRESSIONIST ART Wednesday 2 March 2016
19TH CENTURY EUROPEAN VICTORIAN AND BRITISH IMPRESSIONIST ART Wednesday 2 March 2016 19TH CENTURY EUROPEAN, VICTORIAN AND BRITISH IMPRESSIONIST ART Wednesday 2 March at 14.00 New Bond Street, London VIEWING BIDS ENQUIRIES PHYSICAL CONDITION OF Friday 26 February +44 (0) 20 7447 7447 Peter Rees (Head of Sale) LOTS IN THIS AUCTION 14.00 to 17.00 +44 (0) 20 7447 7401 fax +44 (0) 20 7468 8201 Sunday 28 February To bid via the internet please [email protected] PLEASE NOTE THAT THERE IS 11.00 to 15.00 visit bonhams.com NO REFERENCE IN THIS Monday 29 February Charles O’Brien CATALOGUE TO THE PHYSICAL 9.00 to 19.00 Please note that bids should be (Head of Department) CONDITION OF ANY LOT. Tuesday 1 March submitted no later than 4pm on +44 (0) 20 7468 8360 INTENDING BIDDERS MUST 9.00 to 16.30 the day prior to the sale. New [email protected] SATISFY THEMSELVES AS TO Wednesday 2 March bidders must also provide proof THE CONDITION OF ANY LOT 9.00 to 12.00 of identity when submitting bids. Alistair Laird AS SPECIFIED IN CLAUSE 14 Failure to do this may result in +44 (0) 20 7468 8211 OF THE NOTICE TO BIDDERS SALE NUMBER your bid not being processed. [email protected] CONTAINED AT THE END OF 23166 THIS CATALOGUE. Bidding by telephone will only Sam Travers CATALOGUE be accepted on a lot with a +44 (0) 20 7468 8232 As a courtesy to intending £25.00 lower estimate or of or in [email protected] bidders, Bonhams will provide a excess of £1,000 written Indication of the physical ILLUSTRATIONS Lucy Oury condition of lots in this sale if a Front cover: Lot 72 Live online bidding is available +44 (0) 20 7468 8356 request is received up to 24 Back cover: Lot 59 for this sale [email protected] hours before the auction starts. -
The Chigi Palace in Ariccia Illustrated Guide
The Chigi Palace in Ariccia Illustrated guide The Chigi Palace in Ariccia THE CHIGI PALACE IN ARICCIA Illustrated guide Photography Edited by City of Ariccia Mauro Aspri (Ariccia) Daniele Petrucci Arte Fotografica (Roma) Roberto Di Felice Mauro Coen (Roma) Francesco Petrucci Mayor Augusto Naldoni (Roma) Claudio Fortini Daniele Petrucci 1st Area Director Burial Ground of II Partic Legion (Empereor Septimius Severus) Francesco Petrucci Chigi’s Palace curator Noble Floor Princess Antonietta Green room Bedroom Fountains 17th c. Nun’s room Studio of Albani Service Prince Mario room room Sayn Park Avenue Chapel Wittgenstein Aviary (Cappella) Summer dining Bedroom hall (Camera Rosa) (Uccelliera) Ariosto room Gallery Red and yellow hall Master Hall Landscape Tr ucco room Borghese room Mario de’ Fiori Beauties gallery room room Ruins of Fountains S. Roch 17th c. Grotesque room Pharmacy Neviera Monument of Pandusa (Piazzale Mascherone) 1st c. Ground Floor Square of the mask Ancient Quarry Pump House Chapel Garden of the fallen Peschiera Large Square Room of Room of Room of the Chinese Arquebus Big Flocked Paper wallpaper Kitchen (Cucinone) Public gardens Monumental Bridge of Ariccia Chigi Palace 19th c. Gemini room Piazza di Corte Dog’s hall (Bernini, 1662-65) Leo Virgo Antechamber e Cancer room room room The Chigi Palace in Ariccia Piazza di Corte 14 -00072 Ariccia (Roma) ph. +39 069330053 - fax +39 069330988 - Red bedroom www.palazzochigiariccia.com - [email protected] Publisher Arti Grafiche Ariccia Ariccia - printed in october 2019 View of the Chigi Palace on the Piazza di Corte by Bernini. The Ducal Palace of Ariccia represents an unique example of Roman Baroque residence unaltered in its own context and original furnishings, documenting the splendour of one of the major Italian papal families, once owners of the Chigi Palace in Rome, nowadays seat of the Presidency of the Council of Ministries. -
Vision and Revision: Mountain Scenery in Snowdonia 1750-1880
Vision and Revision: Mountain Scenery in Snowdonia 1750-1880 Peter Bishop PhD 2001 Vol.1 - Text Dissertation submitted in candidature for the degree of Doctor of Philosophy. School of Art, University of Wales, Aberystwyth. Summer 2001. Thesis Abstract This thesis examines the visual depiction of mountain scenery in Snowdonia by artists, writers, illustrators and photographers from 1750 onwards. The scenery became associated with particular visual aesthetics. These are the topographical, the classical, the picturesque and the sublime. Its fundamental point is to demonstrate how these identities became established via a process of vision and revision. This study demonstrates the extensive range of visual material that has hitherto remained unknown. It is essentially a history of the mountain landscape of Snowdonia from the artist's point of view. Chapter one introduces four aesthetic categories that have been applied to this mountain scenery. The second chapter examines the role that Richard Wilson played in the visual establishment of Snowdonia and discusses how his painting came to serve the needs of the Welsh landed gentry and how, in the late twentieth century, this imagery is still being used in the promotion of north Wales. Chapter three examines the topographical aesthetic in relation to Dolbadarn Castle and Snowdon and demonstrates how this early viewpoint has predominantly retained its topographical status. Chapter four discusses Snowdon from Capel Curig and examines the classical identities that have been applied to this view from its first appearance at the Royal Academy in 1787 to its photographic appropriation in contemporary tourist literature. Chapter five examines the picturesque viewpoint of the Pont Aberglaslyn in connection with the tour guide literature, first recorded in the late 1770s but now ceased. -
ANTIQUARIAN BOOKS, MAPS and PRINTS Antiquarian Books, ST
ANTIQUARIAN BOOKS, MAPS AND PRINTS Antiquarian Books, ST. EDMUND’S COURT I OKEHAMPTON STREET EXETER EX4 1DU I 01392 413100 Maps and Prints [email protected] I www.BHandL.co.uk Wednesday 18th March 2020 I 2020 BK23 SALEROOM St Edmund’s Court, Okehampton Street, Exeter EX4 1DU Telephone 01392 413100 [email protected] | www.bhandl.co.uk MANAGING DIRECTOR C.J. Hampton, A.S.F.A.V. FORTHCOMING SALE DATES 2020 DIRECTORS D.J.K.Goddard, B.A. (Hons), A.S.F.A.V., R.E. Littlewood, B.A. (Hons), N.J. Saintey, A.S.F.A.V. MARCH VALUATIONS th Inheritance Tax Assessment and Probate: Bearnes Hampton & Littlewood Probate Valuation Tue 24 Antiques & Interiors Department offer a complete and comprehensive service to Executors, Solicitors and Bank including Jewellery EX245 Trustees administering an Estate containing all forms of art and antiques including Books, Ceramics, Clocks, Furniture, Jewellery, Pictures, Silver, Works of Art including collections of coins and stamps. APRIL Insurance: Bearnes Hampton & Littlewood are specialists with over sixty five years experience Tue 7th Antiques & Interiors EX246 in preparing insurance valuations and inventories for the purpose of substantiating claims in the th event of losses resulting from accident, fire or theft. Tue 28 & Wed 29th Quarterly Fine Art FS46 Bearnes Hampton & Littlewood will be pleased to give preliminary advice, without charge or obligation to clients considering a valuation for Insurance, Capital Gains Tax, Family Division or other purposes. MAY For further information please contact: