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20TH CENTURY & CONTEMPORARY PICTURES, STUDIO POTTERY, SCULPTURE & DESIGN PICTURES, STUDIO POTTERY, & CONTEMPORARY 20TH CENTURY 20th Century & Contemporary Pictures, Studio Pottery, Sculpture & Design Tuesday 27th February 2018 I 2018 ST. EDMUND’S COURT I OKEHAMPTON STREET I EXETER EX4 1DU SS04 01392 413100 I [email protected] I www.BHandL.co.uk SALEROOM FORTHCOMING SALE DATES 2018 St Edmund’s Court, Okehampton Street, Exeter EX4 1DU Telephone 01392 413100 [email protected] | www.bhandl.co.uk MANAGING DIRECTOR MARCH C.J. Hampton, A.S.F.A.V. Tues 6th Antiques & Interiors EX203 DIRECTORS Weds 14th Antiquarian Book Sale BK19 D.J.K.Goddard, B.A. (Hons), A.S.F.A.V., R.E. Littlewood, B.A. (Hons), N.J. Saintey, A.S.F.A.V. Tues 20th Antiques & Interiors including jewellery EX204 VALUATIONS Inheritance Tax Assessment and Probate: Bearnes Hampton & Littlewood Probate Valuation Department offer a complete and comprehensive service to Executors, Solicitors and Bank APRIL Trustees administering an Estate containing all forms of art and antiques including Books, Ceramics, Clocks, Furniture, Jewellery, Pictures, Silver, Works of Art including collections of Wed 4th Antiques & Interiors EX205 coins and stamps. Tues 10th & Weds 11th Fine Art Sale FS38 Tues 24th Antiques & Interiors EX206 Insurance: Bearnes Hampton & Littlewood are specialists with over sixty five years experience in preparing insurance valuations and inventories for the purpose of substantiating claims in the event of losses resulting from accident, fire or theft. MAY Weds 9th Antiques & Interiors EX207 Bearnes Hampton & Littlewood will be pleased to give preliminary advice, without charge or obligation to clients considering a valuation for Insurance, Capital Gains Tax, Family Division or Weds 16th Sporting & Collectors Sale SC26 other purposes. Tues 22nd Antiques & Interiors EX208 For further information please contact: Andrew Thomas or Christopher Hampton JUNE ADMINISTRATION Tues 5th Antiques & Interiors Operations Director: Rachel Littlewood including jewellery EX209 Susan Tharby Company Secretary: Weds 13th Maritime Sale MA18 SPECIALIST DEPARTMENTS Tues 19th Antiques & Interiors EX210 Books, Manuscripts and Photographs Rachel Littlewood, Roger Collicot (Consultant) JULY Ceramics and Glass Nicholas Saintey, Andrew Thomas Clocks Leigh Extence Tues 3rd Antiques & Interiors EX211 Furniture Christopher Hampton, Tues 10th & Weds 11th Fine Art Sale FS39 Gillian Westell (Consultant) Tues 24th Antiques & Interiors EX212 Jewellery Jethro Marles, Lucy Marles Maritime and Sporting Brian Goodison-Blanks IMPORTANT: Please note this list Pictures Daniel Goddard, AUGUST Martin Scadgell (Consultant) is printed only as a Tues 7th Antiques & Interiors Silver Brian Goodison-Blanks, Martin McIlroy guide and clients are Works of Art, Collectors’ Items Martin McIlroy requested to contact including jewellery EX213 Valuations for Probate and Insurance Andrew Thomas A.S.F.A.V., Bearnes, Hampton Tues 21st Antiques & Interiors EX214 Christopher Hampton, & Littlewood for confirmation of sale SALE ADVICE dates and special SEPTEMBER Bearnes Hampton & Littlewood make no charge for giving verbal advice on items brought to advisory days. Tues 4th Antiques & Interiors EX215 their offices which are open: Monday to Friday 9.00am to 5.15pm and Saturdays when on view Weds 12th Antiquarian Book Sale BK20 9.00am to 12 noon. Alternatively a representative will be pleased to call by appointment without Tues 18th Antiques & Interiors Catalogue production by charge or obligation. Acanthus Press Ltd including jewellery E X216 Dorset Representative: Sally Bartlett can be contacted on 01308 456208 www.acanthuspress.ltd.uk Cornwall Representative: Richard Hamm can be contacted on 01208 813593 01823 663339 Bearnes Hampton & Littlewood Ltd. Registered in England No. 3857887 © Bearnes Hampton & Registered Office: St. Edmund’s Court, Okehampton Street, Exeter Littlewood 2018 Ref SS04 St Edmund’s Court, Okehampton Street, Exeter EX4 1DU Telephone 01392 413100 [email protected] | www.bhandl.co.uk 20th Century & Contemporary Pictures, Studio Pottery, Sculpture & Design Tuesday 27th February 2018 Auction commences at 2pm ON VIEW: Friday 23rd February 9.00am to 5.15pm Saturday 24th February 9.00am to 1.00pm Monday 26th February 9.00am to 7.00pm Tuesday 27th February 9.00am to 2.00pm Enquiries: Dan Goddard; [email protected] Martin Scadgell; [email protected] Nic Saintey; [email protected] Illustrated Catalogue £8 Members of the Society of Fine Art Auctioneers Front cover lot 16 Live bidding available at: Back cover lot 45 When leaving commission bids this sale may be referred to as SS04 1 • Lydia Corbett [b.1934] Boy and Dove signed watercolour 40 x 30cm, within the artist’s pen and ink decorated mount and painted frame *£150 - 250 ‘I’m always grateful to Picasso for his huge kindness. He gave me confidence in life and I have followed in his footsteps. I was very lucky. There were lots of beautiful girls around and he encouraged me to be a painter’. Lydia Corbett In 1954, the pony-tailed teenager, Lydia Corbett was introduced to Pablo Picasso at Vallauris on the French Riviera when the artist was separating from his wife Francois Gilot. Her presence brought a new energy to his work and she became the favoured model for various works of art, including The Heads of Sylvette, a series of moulded metal sculptures produced by Picasso. She was known then as Sylvette David, and changed her name to Corbett during this period. In 1968, Lydia moved to England and gave her creative energy to painting. She has since exhibited in London, Europe and Japan. The Anthony Petullo Foundation in America has a collection of her watercolours. In 1993 the Tate Gallery staged a major exhibition of Picasso’s sculpture and paintings to coincide with a documentary film on Lydia and Picasso shown on BBC2. In 2014 parallel exhibitions in London and Germany showcased the work of Corbett and Picasso. Corbett’s fluid lines bring life to familiar themes and her ‘assured and gentle approach to the human figure’, recalls the work of Marc Chagall. • denotes lots affected by Artist’s resale rights - refer to conditions of sale. 2 2 • Lydia Corbett [b.1934] a stoneware jug in the form of a female figure, decorated in black and pale lilac tones on an ivory ground, impressed personal seal at base of handle, 21cm high. *£40 - 60 3 • Lydia Corbett [b.1934] Sail Away; a painted driftwood model, signed, inscribed and dated ‘98 on the reverse 35cm long. *£40 - 60 Provenance Gifted by Lydia Corbett to the present owners. * All lots subject to a buyers premium of 21% plus vat @ 20% 3 4 Cassina after Gerrit Rietveld A Red & Blue Zig Zag Chair, laminated wood and metal construction trademarked and stamped 1916 87cm high. *£200 - 300 • denotes lots affected by Artist’s resale rights - refer to conditions of sale. 4 5 • Patrick Hughes [b.1939] Rubbish Rainbows screenprint numbered 60/100 signed, inscribed and dated ‘78 sheet size 89 x 63cm. *£200 - 300 6 • Terry Frost, R.A. [1915-2003] Swing Blue silkscreen print signed and numbered 67/150 in pencil in the bottom margin image size 46 x 31.5cm. *£1000 - 1500 * All lots subject to a buyers premium of 21% plus vat @ 20% 5 7 • Sir Terry Frost [1915-2003] Red and Black, squeezed screenprint signed and numbered 86/100 23 x 27.5cm. *£200 - 300 8 • Sir Terry Frost [1915-2003] Blue and Black screenprint signed and numbered 201/300 in pencil 23 x 28cm. *£200 - 300 9 • Sandra Blow [1925-2006] Allegro screenprint and collage signed and numbered 10/125 21 x 21cm. *£200 - 300 • denotes lots affected by Artist’s resale rights - refer to conditions of sale. 6 10 • Erica Rutherford [1923-2008] Tokyo Toughies silkscreen print in colours numbered 42/60 signed, inscribed and dated ‘71 sheet size 69 x 58cm. *£80 - 120 11 • Anthony Frost [b.1951] Cobalt Wedge, Blue Stop signed and dated ‘02 further signed, inscribed and dated on the backboard acrylics 27 x 53cm. *£200 - 300 12 • Anthony Frost [b.1951] Senseless Thing IX signed, inscribed and dated ‘04 on the backboard acrylics on hessian 34 x 54cm overall *£200 - 300 13 Modern Art books Kurt Jackson, Sketchbooks 2003-2004, Kurt Jackson, Paintings of Cornwall & The Scillies Sandra Blow by Michael Bird, Terry Frost, Six Decades Terry Frost by Lund Humphries. [5] *£20 - 30 14 No Lot. * All lots subject to a buyers premium of 21% plus vat @ 20% 7 15 Sir Terry Frost with His Wallpaper Design, 1986, black and white photograph, numbered 1 in an edition of 100 52 x 34cm. *£80 - 100 • denotes lots affected by Artist’s resale rights - refer to conditions of sale. 8 16 • Sir Terry Frost R.A. [1915-2003] Bowl of Cherries, Late Spring, signed, inscribed and dated ‘03 on the backboard oil on canvas collage 87 x 87cm, in perspex case frame. *£8000 - 12000 The present lot was favoured by the artist and hung at the foot of his bed. Provenance Acquired directly from the artist in 2003. * All lots subject to a buyers premium of 21% plus vat @ 20% 9 10 12 17 • Sir Terry Frost R.A. [1915-2003] Lustful Blue,- triptych signed, inscribed and dated ‘03 on the reverse of each part oil on canvas collage each 71 x 86.5cm. *£12000 - 18000 Exhibited. The Royal Academy Summer Exhibition 2003 • denotes lots affected by Artist’s resale rights - refer to conditions of sale. 13 18 • Ray Atkins [b.1937] From The Studio Window 2012, a view in the Pyrenees, signed, inscribed and dated on the reverse oil on canvas 50 x 50cm. *£200 - 300 Provenance. Art Space Gallery. Michael Richardson Contemporary Art, June 2015 “ Ray Atkins uses the outside world as a studio. The landscape emerges from day to day involvement with an ever changing subject which is finally committed to a specific visual experience. I have admired these paintings for many years”.
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  • Making Images Talk: Picasso's Minotauromachy

    Making Images Talk: Picasso's Minotauromachy

    UDK: 7.01:111.852 https://doi.org/10.2298/FID1901019L Original Scientific Article PHILOSOPHY AND SOCIETY Received: 14.11.2018. Accepted: 15.01.2019. VOL. 30, NO. 1, 001-196 Ana María Leyra Soriano MAKING IMAGES TALK: PICASSO’S MINOTAUROMACHY ABSTRACT KEYWORDS We can say that Picasso’s images speak to us, and, as writing, speak to Labyrinth, Archetypes, us from that space in which any text – far from being reduced to a single Spanish Civil War, sense – “disseminates” its “truths”. Using the figure and the story of the Minotauromachy, Minotaur, Picasso devoted himself to one of the great themes of his Guernica, Aesthetics. pictorial work. The word “labyrinth” connotes, to the European mind, Greece, Knossos, Dedalus, Ariadne and the Minotaur. However, the Greek formula already represents a mythic and poetic outcome thoroughly developed from an imagery forged in the remotest eras of our evolution. The relationship between the image, the spiral, and the word, labyrinth is also linked to the perception of a drilled earth, excavated, with numberless tortuous tunnels which, in our imagination, provoke concern because they lead to the world of the inferi, the unknown depths of the realms of the dead. Juan Larrea, a little-known essayist in the sphere of philosophical studies, although, from the outset of international renown for Picasso’s work, he gives what is perhaps the best interpretation of Guernica and consequently also sheds much light on the engravings immediately preceding the execution of this painting, theMinotauromachy among them. The artist is not a prophet. He is not foreseeing what the future holds for humanity, but he does possess a heightened sensitivity that drives him to minutely scrutinise the conditions of the time that he has had to live, and he has a transforming eye for the symbols that constitute the deepest threads in the fabric of his culture.