20Th Century & Contemporary Pictures, Studio Pottery, Sculpture & Design

20TH CENTURY & CONTEMPORARY PICTURES, STUDIO POTTERY, SCULPTURE & DESIGN 20th Century & Contemporary Pictures, Studio Pottery, Sculpture & Design

Tuesday 27th February 2018

I 2018

ST. EDMUND’S COURT I OKEHAMPTON STREET I EXETER EX4 1DU SS04 01392 413100 I [email protected] I www.BHandL.co.uk SALEROOM FORTHCOMING SALE DATES 2018 St Edmund’s Court, Okehampton Street, Exeter EX4 1DU Telephone 01392 413100 [email protected] | www.bhandl.co.uk

MANAGING DIRECTOR MARCH C.J. Hampton, A.S.F.A.V. Tues 6th Antiques & Interiors EX203 DIRECTORS Weds 14th Antiquarian Book Sale BK19 D.J.K.Goddard, B.A. (Hons), A.S.F.A.V., R.E. Littlewood, B.A. (Hons), N.J. Saintey, A.S.F.A.V. Tues 20th Antiques & Interiors including jewellery EX204 VALUATIONS Inheritance Tax Assessment and Probate: Bearnes Hampton & Littlewood Probate Valuation Department offer a complete and comprehensive service to Executors, Solicitors and Bank APRIL Trustees administering an Estate containing all forms of art and antiques including Books, Ceramics, Clocks, Furniture, Jewellery, Pictures, Silver, Works of Art including collections of Wed 4th Antiques & Interiors EX205 coins and stamps. Tues 10th & Weds 11th Fine Art Sale FS38 Tues 24th Antiques & Interiors EX206 Insurance: Bearnes Hampton & Littlewood are specialists with over sixty five years experience in preparing insurance valuations and inventories for the purpose of substantiating claims in the event of losses resulting from accident, fire or theft. MAY Weds 9th Antiques & Interiors EX207 Bearnes Hampton & Littlewood will be pleased to give preliminary advice, without charge or obligation to clients considering a valuation for Insurance, Capital Gains Tax, Family Division or Weds 16th Sporting & Collectors Sale SC26 other purposes. Tues 22nd Antiques & Interiors EX208

For further information please contact: Andrew Thomas or Christopher Hampton JUNE ADMINISTRATION Tues 5th Antiques & Interiors Operations Director: Rachel Littlewood including jewellery EX209 Susan Tharby Company Secretary: Weds 13th Maritime Sale MA18 SPECIALIST DEPARTMENTS Tues 19th Antiques & Interiors EX210 Books, Manuscripts and Photographs Rachel Littlewood, Roger Collicot (Consultant) JULY Ceramics and Glass Nicholas Saintey, Andrew Thomas Clocks Leigh Extence Tues 3rd Antiques & Interiors EX211 Furniture Christopher Hampton, Tues 10th & Weds 11th Fine Art Sale FS39 Gillian Westell (Consultant) Tues 24th Antiques & Interiors EX212 Jewellery Jethro Marles, Lucy Marles

Maritime and Sporting Brian Goodison-Blanks IMPORTANT: Please note this list Pictures Daniel Goddard, AUGUST Martin Scadgell (Consultant) is printed only as a Tues 7th Antiques & Interiors Silver Brian Goodison-Blanks, Martin McIlroy guide and clients are Works of Art, Collectors’ Items Martin McIlroy requested to contact including jewellery EX213 Valuations for Probate and Insurance Andrew Thomas A.S.F.A.V., Bearnes, Hampton Tues 21st Antiques & Interiors EX214 Christopher Hampton, & Littlewood for confirmation of sale SALE ADVICE dates and special SEPTEMBER Bearnes Hampton & Littlewood make no charge for giving verbal advice on items brought to advisory days. Tues 4th Antiques & Interiors EX215 their offices which are open: Monday to Friday 9.00am to 5.15pm and Saturdays when on view Weds 12th Antiquarian Book Sale BK20 9.00am to 12 noon. Alternatively a representative will be pleased to call by appointment without Tues 18th Antiques & Interiors Catalogue production by charge or obligation. Acanthus Press Ltd including jewellery E X216 Dorset Representative: Sally Bartlett can be contacted on 01308 456208 www.acanthuspress.ltd.uk Cornwall Representative: Richard Hamm can be contacted on 01208 813593 01823 663339

Bearnes Hampton & Littlewood Ltd. Registered in England No. 3857887 © Bearnes Hampton & Registered Office: St. Edmund’s Court, Okehampton Street, Exeter Littlewood 2018 Ref SS04 St Edmund’s Court, Okehampton Street, Exeter EX4 1DU Telephone 01392 413100 [email protected] | www.bhandl.co.uk

20th Century & Contemporary Pictures, Studio Pottery, Sculpture & Design

Tuesday 27th February 2018 Auction commences at 2pm

ON VIEW: Friday 23rd February 9.00am to 5.15pm Saturday 24th February 9.00am to 1.00pm Monday 26th February 9.00am to 7.00pm Tuesday 27th February 9.00am to 2.00pm

Enquiries: Dan Goddard; [email protected] Martin Scadgell; [email protected] Nic Saintey; [email protected]

Illustrated Catalogue £8

Members of the Society of Fine Art Auctioneers

Front cover lot 16 Live bidding available at: Back cover lot 45 When leaving commission bids this sale may be referred to as SS04 1 • Lydia Corbett [b.1934] Boy and Dove signed watercolour 40 x 30cm, within the artist’s pen and ink decorated mount and painted frame *£150 - 250

‘I’m always grateful to Picasso for his huge kindness. He gave me confidence in life and I have followed in his footsteps. I was very lucky. There were lots of beautiful girls around and he encouraged me to be a painter’. Lydia Corbett

In 1954, the pony-tailed teenager, Lydia Corbett was introduced to Pablo Picasso at Vallauris on the French Riviera when the artist was separating from his wife Francois Gilot. Her presence brought a new energy to his work and she became the favoured model for various works of art, including The Heads of Sylvette, a series of moulded metal sculptures produced by Picasso. She was known then as Sylvette David, and changed her name to Corbett during this period. In 1968, Lydia moved to England and gave her creative energy to painting. She has since exhibited in London, Europe and Japan. The Anthony Petullo Foundation in America has a collection of her watercolours. In 1993 the Tate Gallery staged a major exhibition of Picasso’s sculpture and paintings to coincide with a documentary film on Lydia and Picasso shown on BBC2. In 2014 parallel exhibitions in London and Germany showcased the work of Corbett and Picasso. Corbett’s fluid lines bring life to familiar themes and her ‘assured and gentle approach to the human figure’, recalls the work of Marc Chagall.

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 2 2 • Lydia Corbett [b.1934] a stoneware jug in the form of a female figure, decorated in black and pale lilac tones on an ivory ground, impressed personal seal at base of handle, 21cm high. *£40 - 60

3 • Lydia Corbett [b.1934] Sail Away; a painted driftwood model, signed, inscribed and dated ‘98 on the reverse 35cm long. *£40 - 60

Provenance Gifted by Lydia Corbett to the present owners.

* All lots subject to a buyers premium of 21% plus vat @ 20% 3 4 Cassina after Gerrit Rietveld A Red & Blue Zig Zag Chair, laminated wood and metal construction trademarked and stamped 1916 87cm high. *£200 - 300

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 4 5 • Patrick Hughes [b.1939] Rubbish Rainbows screenprint numbered 60/100 signed, inscribed and dated ‘78 sheet size 89 x 63cm. *£200 - 300

6 • Terry Frost, R.A. [1915-2003] Swing Blue silkscreen print signed and numbered 67/150 in pencil in the bottom margin image size 46 x 31.5cm. *£1000 - 1500

* All lots subject to a buyers premium of 21% plus vat @ 20% 5 7 • Sir Terry Frost [1915-2003] Red and Black, squeezed screenprint signed and numbered 86/100 23 x 27.5cm. *£200 - 300

8 • Sir Terry Frost [1915-2003] Blue and Black screenprint signed and numbered 201/300 in pencil 23 x 28cm. *£200 - 300

9 • Sandra Blow [1925-2006] Allegro screenprint and collage signed and numbered 10/125 21 x 21cm. *£200 - 300

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 6 10 • Erica Rutherford [1923-2008] Tokyo Toughies silkscreen print in colours numbered 42/60 signed, inscribed and dated ‘71 sheet size 69 x 58cm. *£80 - 120

11 • Anthony Frost [b.1951] Cobalt Wedge, Blue Stop signed and dated ‘02 further signed, inscribed and dated on the backboard acrylics 27 x 53cm. *£200 - 300

12 • Anthony Frost [b.1951] Senseless Thing IX signed, inscribed and dated ‘04 on the backboard acrylics on hessian 34 x 54cm overall *£200 - 300

13 Modern Art books Kurt Jackson, Sketchbooks 2003-2004, Kurt Jackson, Paintings of Cornwall & The Scillies Sandra Blow by Michael Bird, Terry Frost, Six Decades Terry Frost by Lund Humphries. [5] *£20 - 30 14 No Lot.

* All lots subject to a buyers premium of 21% plus vat @ 20% 7 15 Sir Terry Frost with His Wallpaper Design, 1986, black and white photograph, numbered 1 in an edition of 100 52 x 34cm. *£80 - 100

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 8 16 • Sir Terry Frost R.A. [1915-2003] Bowl of Cherries, Late Spring, signed, inscribed and dated ‘03 on the backboard oil on canvas collage 87 x 87cm, in perspex case frame. *£8000 - 12000

The present lot was favoured by the artist and hung at the foot of his bed.

Provenance Acquired directly from the artist in 2003.

* All lots subject to a buyers premium of 21% plus vat @ 20% 9 10

12 17 • Sir Terry Frost R.A. [1915-2003] Lustful Blue,- triptych signed, inscribed and dated ‘03 on the reverse of each part oil on canvas collage each 71 x 86.5cm. *£12000 - 18000

Exhibited. The Royal Academy Summer Exhibition 2003

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 13 18 • Ray Atkins [b.1937] From The Studio Window 2012, a view in the Pyrenees, signed, inscribed and dated on the reverse oil on canvas 50 x 50cm. *£200 - 300

Provenance. Art Space Gallery. Michael Richardson Contemporary Art, June 2015

“ Ray Atkins uses the outside world as a studio. The landscape emerges from day to day involvement with an ever changing subject which is finally committed to a specific visual experience. I have admired these paintings for many years”. Leon Kossoff [b.1926] British figure and cityscape painter

19 • Ray Atkins [b.1937] Summer Study II, Saplings in Front of Broom, signed, inscribed and dated ‘96 on the reverse oil on ply panel 50 x 50cm *£200 - 300

Exhibited ING Discerning Eye, 2006.

20 • Fred Yates [1922-2008] Pont Mill, Lostwithiel, Cornwall, signed bottom left oil on board 61 x 122cm. *£400 - 600

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 14 21 • Fred Yates [1922-2008] Self-portrait with African and other figures, Fred Yates studio stamps verso oil on canvas 54 x 73cm. *£600 - 800

22 • Fred Yates [1922-2008] The Karaoke Singer, with an audience signed bottom left side oil on wood panel 42.5 x 28cm. *£300 - 500

23 • Fred Yates [1922-2008] Monsieur Bonjour, Fred Yates and figures in a park, signed and inscribed oil on board 25 x 20.5cm. *£400 - 600

Provenance. With Thompson’s Gallery, Aldeburgh

* All lots subject to a buyers premium of 21% plus vat @ 20% 15 24 • Fred Yates [1922-2008] The Walk, figures in parkland, verso paint palette signed on White Lane Press label on the reverse of the frame oil on board 25 x 39cm. *£300 - 500

25 • Fred Yates [1922-2008] Dancing Crowd, signed bottom centre oil on wood panel 108 x 22.5cm. *£800 - 1200

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 16 26 • John Randall Bratby [1928-1992] Venice; gondola beneath a Venetian bridge, signed top left oil on camvas 118 x 92cm. *£5000 - 7000

Provenance. Bonhams, 2nd June 2015

* All lots subject to a buyers premium of 21% plus vat @ 20% 17 27 • Ben Hartley [1933-1996] Forty Winks, sleeping pig in a sty, signed on the reverse gouache on canvas 50 x 65cm. *£1000 - 1500

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 18 28 • Ben Hartley [1933-1996] Orange Dog and Umbrella, signed on the reverse gouache on canvas 67.5 x 54cm *£1000 - 1500

* All lots subject to a buyers premium of 21% plus vat @ 20% 19 29 • Desiree Lucienne Lisbeth Dulcie Day (1917-2010) A set of four ‘Herb Anthony’ pattern screen print cotton curtains circa 1956, titled to hem and also marked ‘Lucienne Day’, 140cm x 120cm. *£100 - 200

Biography Lucienne Day was born in Surrey and at the age of 17 studied at the Croyden School of Art where she took a great interest in printed fabrics and design. While at the Royal London College of Art, where she began to specialise in fabric design, she worked for two months at Sanderson in the wallpaper design section for the company. The experience of working for a very traditional and conservative company was no doubt at great odds to her desire to produce modern up to date designs. In 1949 she was commissioned by Heals to design floral fabrics and continued to do so until 1974. In 1951 she produced her most famous pattern ‘Caylx’ as one of several furnishing designs for the interior of the Homes & Gardens Pavilion at the Festival of Britain.

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 20 30 • Ernest Thesiger [1879-1961] A needlework sampler,- worked in coloured threads with geometric and patterned designs, signed and dated 1946, 31 x 36cm. *£50 - 80

31 Attributed to Napoleone Martinuzzi (1892-1977) a pulegoso glass vase the white body of footed amphora form with fold over rim and a pair of triple ribbed five loop handles, with paper label for E. Ferro & C. Vetreria Artistica Murano, 33 cm high. *£300 - 500

32 An Austrian vase and charger with geometric decoration, circa 1950s. *£40 - 60

* All lots subject to a buyers premium of 21% plus vat @ 20% 21 33 After P Trudeau, a pair of faux marble figures of reclining panthers raised on geometric lozenge-shaped bases, signed P Trudeau, 37cm. long. *£300 - 500

34 After Just Anderson [20th Century] A bronzed metal Study of a Foal the hoof stamped Just, Danmark, D 2333, 29cm. high. *£300 - 500

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 22 35 • David A. Scott [20/21st Century] Rain Tree Refuge, Leopard in a Jackalberry Tree, signed bottom right further signed, inscribed and dated June 2014 on the reverse oils on board 71 x 121cm. *£1000 - 1500

35A • Sophie Ryder [b.1963] Blue Hare screenprint signed in pencil and numbered 35/70 sheet size 56 x 76cm. *£200 - 300

* All lots subject to a buyers premium of 21% plus vat @ 20% 23 36 • Michael Neville Seward Snow [1930-2012] Kenidjack signed, inscribed and dated 1964 on the reverse oil on canvas 112 x 152cm, unframed. *£1500 - 2500

The Kenidjack coast takes in historical and industrial sites set in coastal heathland within the Cornish Mining World Heritage Site. Biography With no formal training Michael Snow showed an early interest in poetry, literature and the arts at school in Rugby and as a librarian in Manchester, with Tony Connor and Malcolm Bishop, he founded the Peterloo Group. After seeing an exhibition of St Ives artists in Liverpool, including Alexander Mackenzie, Snow moved there in 1951. Two years later he was elected member of the newly found Penwith Society along with Hepworth and Nicholson. Snow was particularly enamoured with the lyrical expression of John Wells, W.Barns Graham, Alex Mackenzie, George Dannatt and Ben Nicholson. His work continued to change and evolve; his 1960s works bearing more resemblance to the painterly expressionism of Bryan Winter, Terry Frost and Roger Hilton. By the 1970s Snow’s personal interest in science, ranging from mineralogy to cosmology, resulted in works such as Sun & Moon and Blue Planet. From 1965 to 1985 Snow entered the field of education. He taught at the vibrant Exeter College of Art where he became Director of the Combined Honours Course. His interdisciplinary openness made him popular with his students. Michael’s succinct catalogue statement for his 24 work show at London’s Rowan Gallery in 1964 explained his pictures as ‘additions to nature, not imitations of it. I may receive a stimulus to start work from a new landscape but my real problem is the solution of the canvas - painting matters if it is honest...because it is not only a visual addition to our environment..it is the only way to learn to see’. Michael Seward Snow, painter and teacher, born Manchester 27 June 1930, married 1950 Sylvia Jarrett (divorced 1956), 1957 Margaret Lambert (one son, Justin). Died Hillerton Cross, Devon, 15 July 2012. Solo Exhibition Belgrave Gallery, 2015.

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 24 37 • Michael Neville Seward Snow [1930-2012] Archangel signed, inscribed and dated April ‘62 on the reverse of the canvas oil on canvas 91 x 122cm, unframed *£1000 - 1500

38 • Michael Neville Seward Snow [1930-2012] Hommage to Stevie Smith signed, inscribed and dated 1964 on the reverse of the canvas oil and collage on canvas 40 x 40cm, unframed *£400 - 600

Stevie Smith was a Yorkshire born poet and author known to the artist. She broadcast on the BBC and in 1969 was awarded the Queen’s Gold Medal for Poetry.

* All lots subject to a buyers premium of 21% plus vat @ 20% 25 39 • Michael Neville Seward Snow [1930-2012] Sea Cliffs, Botallack signed and dated M Seward Snow ‘58 bottom left further signed, inscribed and dated 1958 ink and graphite drawing 54.5 x 73.5cm. *£400 - 600

40 • Michael Neville Seward Snow [1930-2012] Ornos signed, inscribed and dated Feb ‘64 on the reverse of canvas oil and pencil drawing on canvas 61 x 45.5cm, unframed. *£600 - 900

Exhibited. Rowan Gallery, London 1964.

Ornos is a beach on the south west coast of the Island of Mykonos

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 26 41 42 • Michael Neville Seward Snow [1930-2012] • Michael Neville Seward Snow [1930-2012] Breakthrough Oval Forms, brass openwork sculpture with perspex base white metal sculpture, signed Michael Snow initialled on base inscribed and dated 1967 on the underside 12cm high *£300 - 500 of the base 54cm high *£400 - 600

* All lots subject to a buyers premium of 21% plus vat @ 20% 27 43 • Eric Henri Kennington [British 1888-1960] Bronze study of Bacchus, the smiling figure standing with a glass in his right hand, on a circular base initialled EHK, 34cm. high. *£2000 - 3000

This figure was illustrated in The Studio Yearbook for 1926 and is believed to be one of several figures cast as bollards for Pope- Hennesy’s yacht.

44 • Seth Cardew [1934-2016] a white clay portrait head of Julie Christie under white, ochre and blue glazes, impressed personal 45 and Wenford Bridge seals to the reverse, 27 cm high. *£300 - 500 An Elizabeth II silver topped marmite Seth, born to Michael Cardew at the Winchcombe Pottery, jar, maker Practical studied at the Chelsea School of Art and the Camberwell Silverware, London, Sculpture School under Karel Vogel. He spent ten years as a 2008, 7.5cm. high modeller at Shepperton and Pinewood Studios before returning [see catalogue cover for in 1974 to work with his father at Wenford Bridge, Cornwall illustration]. *£60 - 80

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 28 46 • Margaret Morris [1891-1980] Portrait of John Gilpin, in the Alhambra Theatre, 1951 Festival Ballet pencil drawing 20 x 17.5cm *£200 - 300

Exhibited. Cyril Gerber Fine Art, Glasgow, 1984. The Art of Margaret Morris.

47 • Anna Katrina Zinkeisen [1901-1976] Portrait of a girl with flowers signed bottom right oil on canvas 39 x 29.5cm. *£400 - 600

48 After Georges Rouault [1871-1958] Tete de Jeune Fille lithograph printed by Mourlot, Paris 34 x 25cm. *£50 - 70

* All lots subject to a buyers premium of 21% plus vat @ 20% 29 49 David Eustace [b.1950] His Master’s Voice; The Sound of Summer, two, both signed and further signed and inscribed on the reverse oils and acrylic on board each 23 x 19cm. [2] *£200 - 300

50 David Eustace was born in Birmingham in 1950 and now lives David Eustace [b.1950] in Exeter where he has a small modern studio in a complex of Football Mad, A Tense workshops for local craftsmen and designers. Moment; Eustace works in a tradition of English imaginative painters like Watching The Game, Stanley Spencer, Alfred Wallace and Beryl Cook and he cites two, both signed influences from Magritte and Rousseau, Atkinson Grimshaw, and further signed and William Blake and David Hockney. inscribed on the reverse There are two strong themes within his body of work. The oils and acrylic on anecdotal and narrative paintings that embrace the street, the board ‘man-in-the-pub’ and the contemporary townscape as a theatre each 23 x 19cm. [2] to observe and from which to draw inspiration and ideas. And the *£200 - 300 more eccentric and reflective dips into the sub-conscious with a Freudian-like interpretation of dreams, memories and emotions.

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 30 51 David Eustace [b.1950] Nervous Eddie; Sorry, two, both signed and further signed and inscribed on the reverse oils and acrylic on board each 23 x 19cm. [2] *£150 - 250

52 David Eustace [b.1950] A Swift Halve, signed bottom right further signed and inscribed on the reverse oil and acrylic on board 23 x 19cm. *£100 - 150

* All lots subject to a buyers premium of 21% plus vat @ 20% 31 53 • Robert O. Lenkiewicz [1941-2002] Peron in Hampstead signed, inscribed and dated c.1960 pen and ink drawing, 24 x 16.5cm, together with a signed, framed and mounted studio palette. [2] *£150 - 250

54 • Robert O Lenkiewicz [1941-2002] Father and Son, Project 3, Mental Handicap, circa 1970, signed and inscribed pencil drawing 51 x 27.5cm. *£150 - 200

Provenance. The Lenkiewicz Studio Sale 2004, Bearnes, Westpoint, Exeter, Lot 522

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 32 55 • Robert O Lenkiewicz [1941-2002] Portrait of a man, three-quarter length seated, reading A Prime Minister on Prime Ministers by Harold Wilson, Project 17, Observations on Local Education, 1998 oil on canvas 121 x 92cm. *£600 - 800

Provenance. The Lenkiewicz Studio Sale 2004, Bearnes, Westpoint, Exeter, Lot 120

56 • Robert O. Lenkiewicz [1941-2002] Hilary Sylvia Kennington Project 3, Mental Handicap, circa 1976 signed, inscribed by the sitter and the father of the sitter on a label attached to the reverse oil on canvas, 45 x 60.5cm. *£300 - 500

Provenance. The Lenkiewicz Studio Sale. Bearnes, Westpoint, Exeter. 2004

57-58 No Lot.

* All lots subject to a buyers premium of 21% plus vat @ 20% 33 59 • Robert O Lenkiewicz [1941-2002] Death And The Maiden, No.10, Project 2, Relationship Series, 1972 signed on the reverse of the canvas and on the overlap further signed, inscribed and dated 1972 on a label attached to the reverse oil on canvas, 59 x 49cm. *£4000 - 6000

Provenance. The Lenkiewicz Studio Sale 2004, Bearnes, Westpoint, Exeter, Lot 612, sold for £4,500

60 • Robert O. Lenkiewicz [1941-2002] Young Hasid signed twice and dated 1965 on the reverse also inscribed ‘[Hampstead] Eton Avenue- Study/ Young Hasid for life size Four Figures Hasidic [Cabala] Painting now in Glasgow. [Hotel Shemtof 85-87 Fordwych Rd]’ oil on board, 44 x 28.5cm. *£3000 - 5000

Provenance. The Lenkiewicz Studio Sale, Bearne’s, Westpoint, Exeter, April 2008

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 34 61 • Robert O Lenkiewicz [1941-2002] The Painter with Model, oil on canvas 122 x 122cm *£5000 - 7000

Provenance. The Lenkiewicz Studio Sale 2004, Bearnes, Westpoint, Exeter, Lot 393, sold for £13,000.

62 • Robert O Lenkiewicz [1941-2002] Lisa, oil on canvas 183 x 183cm *£3000 - 5000

Provenance. The Lenkiewicz Studio Sale 2004, Bearnes, Westpoint, Exeter, Lot 396, sold for £9,500.

* All lots subject to a buyers premium of 21% plus vat @ 20% 35 63 • Alan Cotton [b.1936] Venice Morning, looking towards The Lido signed oil on canvas 29.5 x 24cm. *£300 - 500

64 • Alan Cotton [b.1938] Venice, The Old Fish Market, signed bottom left pastel drawing 53 x 39cm *£400 - 600

65 • Alan Cotton [b.1936] A Venetian Backwater signed pastel drawing 25 x 16cm *£80 - 120

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 36 66 • Alan Cotton [b.1938] Branscombe Village from the Road to Beer, signed oil on canvas 64 x 80cm. *£800 - 1200

67 No Lot.

* All lots subject to a buyers premium of 21% plus vat @ 20% 37 68 • Alan Cotton [b.1938] City at Night, 1969, signed and inscribed on the stretcher oil on canvas 24 x 56cm. *£100 - 150

69 • Alan Cotton [b.1938] Evening, Tardebigge Canal, signed bottom right oil on [old] canvas 29 x 45cm. *£200 - 300

70 • John Maddison [b.1952] Dining Room; The Mantelpiece; The Sitting Room three, all signed with initials and further signed, inscribed and dated 2003/2004 on the reverse two oils on board, one gouache largest 39 x 48cm. [3] *£600 - 900

Provenance. The Wickham Gallery, Stockbridge.

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 38 71 • Alan Cotton [b.1936] Landscape, Evening signed and dated ‘72 bottom centre further signed and inscribed on the reverse oil on board 11.5 x 16.5cm. *£100 - 150

72 • Alan Cotton [b.1938] River Otter, Golden Light, signed bottom left further signed and inscribed on the stretcher oil on canvas 24 x 29.5cm. *£300 - 500

73 A Bleszynski [20th Century] Fish signed and dated ‘63 top right, mixed media on board, 21 x 46cm. *£80 - 120

Exhibited. C.N.D. Exhibition 1964

* All lots subject to a buyers premium of 21% plus vat @ 20% 39 74 • Beryl Cook [1926-2008] Tea In The Garden; In The Snug two, both signed in pencil in the bottom right margin published by Alexander Gallery editions of 650 each 56 x 46cm. (2) *£80 - 120

76 • Beryl Cook [1926-2008] 75 Ladies Who Lunch • Beryl Cook [1926-2008] signed in pencil in the bottom right margin The Birthday Cake published by Alexander Gallery in an edition signed in pencil in the bottom right margin of 650 published by Alexander Gallery in an edition 59 x 49cm. *£60 - 90 of 650 69 x 49cm. *£80 - 120 77 No Lot.

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 40 78 • M Werner [fl.1950s] Coco The Clown (Nicolai Poliakoff, 1900- 1974), signed bottom right oil on canvas 71 x 61cm. *£200 - 300

Werner was a graphic designer working for the Bertram Mills Circus

79 • Clifford Hall [1904-1973] Albi Austin, a study, signed and dated 1936 bottom left charcoal and crayon drawing 37 x 27cm. *£200 - 300

Albi Austin was a clown in the Bertram Mills Circus where for many years his wife, Mona Austin, who was a bare back rider, in the 1950s, was often drawn by Laura Knight. Albi is pictured here acting as Ring Master and he too rode bare back in circus performances.

80 After Paul Klee [1879-1940] Tete d’Enfant lithograph printed by Mourlot, Paris 34 x 25cm. *£50 - 70

* All lots subject to a buyers premium of 21% plus vat @ 20% 41 81 • Dame Elisabeth Frink [1930-1993] Chanticleer and Pertelote, from The Canterbury Tales etching numbered 56/70 signed and inscribed sight size 31 x 35cm. *£200 - 300

82 • Bryan Organ [b.1935] Lion lithograph signed and dated 1975, numbered 119/150 26.5 x 26.5cm. *£20 - 30

83 • Patrick O’Regan [b.1943] Reclining Nude, 84 bottom lower right • Jean Frelaut [1879-1954] pencil and wash drawing A field labourer 33 x 55cm. *£100 - 120 etching signed in pencil and numbered 8/20 in the Provenance. Heals, Mansard Art Gallery, margin Tottenham Court Road, London image size 17 x 25.5cm. *£50 - 70

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 42 85 • Charles William Cain [1893-1962] The Hunter etching, signed and numbered 20.100 in brown ink in the margin image size 17 x 25cm, together with one other etching by Lucien Madrassi [1881-1956] A Polish Jew signed in the margin image size 12.5 x 10.5cm. [2] *£50 - 80

86 • Kathe Kollwitz [1867-1945] Self Portrait, 1924 woodcut, signed in pencil in the margin bottom right sight size 25 x 33cm. *£500 - 700

87 – 8 No Lots.

* All lots subject to a buyers premium of 21% plus vat @ 20% 43 89 • William Brooker [1918-1983] The Dressing Table, a Portrait of The Artist’s Wife, signed and dated ‘48 oil on board 36 x 51.5cm. *£1000 - 1500

90 • Roy Turner Durrant [1925-1998] Inscape Blue 1966, signed and dated lower left inscribed with title on the reverse gouache on paper 43 x 53cm. *£1400 - 1800

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 44 91 • Roy Turner Durrant [1925-1998] Ochre & Black, signed and dated 21.2.73 bottom right gouache 54 x 42cm. *£1000 - 1500

92 • Clifford Fishwick [1923-1997] Spigolo Giallo, signed and dated ‘61 bottom right oil on board 121 x 75cm. *£2000 - 2500

* All lots subject to a buyers premium of 21% plus vat @ 20% 45 93 • Maurice Cockerill [1936-2013] Untitled Abstract Composition, signed in the reverse oil on ply panel 37 x 15cm. *£300 - 500

94 • John Piper [1903-1992] Vaux-le-Vicomte, screen print in colours signed in pencil and numbered 59/70 sheet size 70 x 102cm. *£600 - 800

Catalogue Raisonne, Levinson 208

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 46 95 • Margaret Lovell [b.1939] Musicians, signed on the reverse oil on panel 30 x 25cm *£300 - 500

96 • Eileen Cooper [b.1953] Dreamers II signed and dated ‘96 bottom right watercolour 12 x 18cm. *£200 - 300

* All lots subject to a buyers premium of 21% plus vat @ 20% 47 97 • Nick Botting [b.1963] Lyme Bay, Early Morning, signed bottom left oil on canvas 92 x 101cm. *£2000 - 3000 Provenance. Purchased directly from the artist.

Nick Bottings early interest in painting was ignited at Winchester College from where he went on to take a foundation course at Hertfordshire College. A degree in Visual & Performing Arts at Kent University 1983-1986 completed his early training.

He had his first Solo exhibition at the Gulbenkian Theatre in Canterbury. There followed solo exhibitions in Australia and London. In 2001 he was the official Artist to the England touring cricket team to Pakistan. From 2003 Botting has exhibited regularly at the Portland Gallery up to and including 2017.

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 48 98 • Joye Lindstrom [20th Century] Love Song, signed bottom right, further signed and inscribed on the reverse oil on canvas 68 x 76cm *£300 - 500

99 T. Yoshi [20/21 Century] Still life of Violin and Cherries, coloured etching, signed and numbered 9/100 in pencil image size 30 x 32cm. *£50 - 80

Provenance. With CCA Galleries

100 H. Osterschmidt [20th Century] A cafe interior at night signed top right oil on board 32 x 24cm. *£80 - 120

* All lots subject to a buyers premium of 21% plus vat @ 20% 49 101 • Barabara McGivern [b.1955] Abstract signed bottom left inscribed and dated April 2005 on the overlap oil and mixed media on canvas 18 x 25.5cm. *£200 - 300

102 • Edward Wolfe [1897-1982] Still Life with Fruit; abstract composition 1930s, signed bottom right 34 x 38cm. *£800 - 1000

103 • Jacqueline Stanley [b.1932] Butterflies and Thistles signed Stanley bottom right oil on board 29 x 39cm. *£250 - 350

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 50 104 • Alfred Cohen [1920-2001] Daisies signed top left oil on paper mounted to board 29.5 x 22cm. *£300 - 500

Alfred Cohen was born in Chicago where he studied art and graduated in 1949 with a scholarship to travel to Europe. Here he exhibited in Germany and Paris before 1960 when he moved to England, living in Kent and then Norfolk. His work was influenced by post- Impressionism, Expressionism and Fauvism with a particular vision of England. One man exhibitions have been held at The Brook Street Gallery and Roland, Browse & Delbanco.

105 • Andre Jonault [1904-1987] Fleurs; still life of flowers and grasses in a jug, signed oil on canvas 64 x 52cm. *£200 - 300

Provenance. Frost & Reed.

106 • Helen Kapp [1901-1978] From My Window at Eastleigh, signed and dated 1945 watercolour and pencil drawing 25 x 35cm *£80 - 120

Provenance. British Institute of Adult Education, loaned by Mrs Baker

107 No Lot.

* All lots subject to a buyers premium of 21% plus vat @ 20% 51 108 • William Bowyer [1926-2015] The Beach, signed bottom right oil on board 38 x 49cm. *£300 - 500

109 • John Brunsden [1933-2014] A Country Lane in Wiltshire; Avebury two, coloured etchings, each signed, inscribed and numbered in editions of 100 each image size 45 x 60cm. [2] *£120 - 180

110 L Fonseca [20th Century] A river landscape, palm trees, birds and butterflies in the foreground, a volcano beyond signed oil on canvas, 48 x 58cm. *£100 - 150

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 52 111 • Frank Harding [1935-1990], Australian] Gold Seekers signed and inscribed oil on board 49 x 59cm. *£250 - 350

112 • Frank Harding [1935-1990], Australian] Miners signed and inscribed oil on board, 9.5cm x 30.5cm. *£120 - 150

113 • Alfred Daniels [1924-2015] Banana Stall, Jerusalem signed and dated 1980 bottom left oil on board 45 x 30cm. *£300 - 500

* All lots subject to a buyers premium of 21% plus vat @ 20% 53 114 • John Spencer Churchill [1909-1992] Waterloo Bridge with St Paul’s Cathedral, signed and dated 1981 inscribed with title on a label attached to the reverse oil on board 24.5 x 54.5cm. *£250 - 350

115 • Anthony Robert Klitz [1917-2000] Clifton, Bristol, signed oil on canvas 60 x 122. *£600 - 900

Provenance. Alexander Gallery Bristol, 1970.

116 • Anthony Robert Klitz [1917-2000] Mounted life guards, London signed KLITZ bottom right oil on canvas 45 x 35cm. *£200 - 300

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 54 117 • Edward Waite [b.1989] Fifth Avenue, New York signed with a monogram bottom right oil on canvas 75 x 101cm. *£800 - 1200

118 • Alexander Macfaul [b.1972] Street Scene, Midtown, New York signed and dated 2003 on the reverse of the frame oil on canvas 61 x 76cm. *£100 - 150

Provenance. The Wickham Gallery, Stockbridge.

119 • John Christopherson [1921-1996] Volcano and Moon, signed bottom right further signed, inscribed and dated on the reverse oil on panel 36 x 35.5cm *£500 - 700

* All lots subject to a buyers premium of 21% plus vat @ 20% 55 120 • John Tunnard [1900-1971] Abstract Form, watercolour, ink and pencil drawing with scratching-out 9 x 13cm. *£700 - 900

Provenance. Gifted to the vendor’s father by Peter Tunnard.

A favourite drawing of the artist which hung in his house at Cadgwith.

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 56 121 • John Tunnard [1900-1971] Flying Fish and Angel Fish signed and dated ‘55 bottom left mixed media 27 x 37cm. *£3000 - 5000

Provenance Purchased directly from the artists’s estate, thence by descent through a Devon family.

* All lots subject to a buyers premium of 21% plus vat @ 20% 57 122 • Richard Dack [Contemporary] Earth Dance, Redland signed bottom right pastel drawing 42.5 x 61.5cm. *£80 - 120

123 • Kenneth Draper [b.1944] Angel’s Lake, Utah signed, inscribed and dated 1996 bottom left pastel on paper 54 x 64cm. *£300 - 500

124 • Kurt Jackson [b.1961] An off shore wind, weak sun, Priest Cove; Priest Cove, fog & sparkle two etchings each signed and dated 1999 in editions of 80 each sheet size 28 x 24cm. [2] *£100 - 150

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 58 125 • Roy Fairchild-Woodward [b.1953] Harlequin mixed media serigraph signed, inscribed and numbered AP42/45 78 x 58cm. *£100 - 200

126 • Roy Fairchild Woodward [b.1953] Patience mixed media serigraph signed, inscribed and numbered 391/465 81 x 65cm. *£100 - 150

127 • Roy Fairchild-Woodward [b.1953] Gift of Many Coins mixed media serigraph signed, inscribed and numbered 164/385 86 x 101cm. *£200 - 300

128 • Roy Fairchild-Woodward [b.1953] Masked Figure mixed media serigraph signed, inscribed and numbered 306/385 73 x 59cm. *£100 - 150

* All lots subject to a buyers premium of 21% plus vat @ 20% 59 129 • Hans Coper (1920-1981) a stoneware cycladic vase of arrow head form, the pitted matt ivory body with manganese rubbings set on a cylindrical manganese base with incised spiral, impressed personal seal to underside, 30.5 cm high.

*£4000 - 6000

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 60 130 • Dame Lucie Rie DBE (1902-1995) a porcelain bottle vase of shouldered oviform with raised slender neck and flaring rim decorated with mildly pitted, curdled and banded bronze glazes with linear sgrafitto or ‘knitted’ decoration inside the rim, on the shoulders and under the foot, impressed personal seal, 24 cm high.

*£8000 - 12000

Provenance Purchased by the current owner from The British Crafts Centre, Earlham Street, London 9th August 1977

A similar vase was acquired for the Boymans Museum, Rotterdam in 1977 and is illustrated by Tony Birks, Lucie Rie, page 147

* All lots subject to a buyers premium of 21% plus vat @ 20% 61 131 • Waistel Cooper (1921-2003) four stoneware vases each of squat form with raised flaring neck under textured matt finishes, each signed Waistel, 9-16 cm high. *£150 - 200

132 • Waistel Cooper (1921-2003) four stoneware lamp bases of squat form with raised necks, one with horizontal ribs under textured matt or glossy ash glazes, 15 - 22 cm high, excluding fittings, each signed Waistel. *£150 - 250

133 • Waistel Cooper (1921-2003) three stoneware bowls and two jugs the former of shallow form, the latter of waisted ribbed form under textured, oatmeal and glossy ash glazes, signed or incised Waistel, [one chip]. *£50 - 80

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 62 134 • Michael Casson OBE (1925-2003) a large stoneware jug of oviform with raised ribbed neck and ribbed strap handle the lustrous bronze and brown body with brush work motifs and finger trails, glazed filled impressed seal mark beneath handle, 42 cm high. *£200 - 300

135 Three pieces of Lowerdown Pottery stoneware comprising a jug under oatmeal glazes, a small globular vase with banded neck and a sleeve vase of square profile under lustrous brown glazes, impressed seal marks. *£50 - 80

136 No Lot.

* All lots subject to a buyers premium of 21% plus vat @ 20% 63 137 • Marrianne de Trey (1913-2016) a group of stoneware domestic items comprising seven jugs, included one lidded example, three preserve pots and covers, three plates, four cups, four saucers and four egg cups all under ivory and banded brown glazes, the plates with flower motifs, impressed personal seals, circa 1975-85, [chip to one jug and one cover]. *£150 - 200

138 A Lowerdown Pottery, probably by David Leach, stoneware coffee service comprising a coffee pot and cover, milk jug and five cups each with brushwork foliate designs on an oatmeal ground, impressed seals. *£100 - 150

139 • David Leach (1911-2005) a group of studio pottery comprising a shallow terracotta tray with incised foliate decoration, a terracotta cream jug with banded decoration, a stoneware shallow bowl and cover and a celadon glazed stoneware preserve pot and cover [cracked], all with impressed personal seals. *£100 - 150

140 Eric Ravilious for Wedgwood, a part tea set in the Garden pattern comprising a teapot and cover, hot water jug and cover, cup, saucer, side plate and tea plate, printed in black enhanced with yellow, black backstamps circa 1938. *£200 - 250

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 64 141 A pair of Minton Secessionist vases and a Royal Doulton flambé veined vase the former of bell-shaped form decorated with stylised foliate designs on a blue green ground, black backstamp and model no.46, 15.5 cm high, the latter of slender oviform with raised notched neck, printed marks, 19.5 cm high. *£60 - 80

142 Five Burmantofts faience art pottery vases of slender form, three with impressed decoration under red, orange and turquoise glazes, impressed marks and shape numbers, circa 1890-1900, 13 - 31 cm high. *£70 - 90

143 Four pieces of Pilkington Royal Lancastrian pottery comprising a ribbed oviform jar with embossed foliate decoration under clouded blue glazes, a garlic shaped vase under streaked red glazes, a slender vase under blue green crystalline glazes and a circular powder box and cover under turquoise vellum glazes, impressed marks and shape numbers the garlic shaped example with datecode for 1907, 26, 14, 13 and 7 cm high. *£100 - 150

144 Six pieces of art pottery comprising a Bretby ‘stork’ vase, a Linthorpe tea pot, Wardle vase, Pilkington Royal Lancastrian vase and a pair of candlesticks after Christopher Dresser. *£70 - 90

* All lots subject to a buyers premium of 21% plus vat @ 20% 65 145 • Jerzy Marek [1925-2014] Sheep May Safely Graze signed bottom left signed, inscribed and dated 2005 on the reverse oil on board 31 x 29.5cm. *£120 - 160

146 • Stuart Maxwell Armfield [1916-2000] Still life of bulbs and clay pots signed bottom right tempera 33 x 53cm. *£100 - 150

147 • Allin Braund [1915-2004] Riverside Tree lithograph, signed, inscribed and dated 1956 in pencil along the bottom margin, 40 x 58cm, together with a Surrealist landscape oil on board, signed and dated, by the same hand. [2] *£150 - 200

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 66 148 • Katherine Guthrie [1905-1981] Butterfly Collecting, Kenwood House, signed bottom centre gouache and oil 35 x 46cm. *£700 - 900

Provenance. With Mulburry Gallery

149 • John Ridgewell [1937-2004] Door IV, 1981; a surreal fantasy, signed bottom right oil on canvas 127 x 101.5cm. *£400 - 600

Provenance. With Fisher Fine Art Ltd.

150 • John Ridgewell [1937-2004] Tree Roots; a surreal landscape, signed bottom right oil on canvas 74 x 60cm. *£200 - 300

* All lots subject to a buyers premium of 21% plus vat @ 20% 67 151 • John Farleigh [1900-1965] Hampstead Pond, signed and dated ‘36 bottom left watercolour and pencil drawing 49 x 33cm. *£150 - 200

Provenance. With Leicester Museum & Art Gallery. British Institute of Adult Education, loaned by Miss Katharine Chick

152 Renee Halpern [b.1915] L’Horloge lithograph signed and numbered 36/150 in pencil published by Christie’s Contemporary Art sheet size 69 x 49cm. *£100 - 150

153 • John Farleigh [1900-1965] Fuschia, lithograph signed and dated ‘38 inscribed and numbered 8/12 30 x 20cm. *£40 - 60

154 Barbara Robertson [20/21st Century] A Spell of Poppies signed, inscribed and dated ‘81 lithograph 49 x 25cm. *£40 - 60

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 68 155 • Ken Symonds [1927-2010] China Clay Mine, 1968 signed bottom right inscribed on the reverse oil on canvas 50 x 59cm. *£100 - 200

156 • Ken Symonds [1927-2010] Delabole Quarry signed bottom right oil on canvas 101 x 168cm. *£200 - 300

157 • John Doubleday [b1947] No.26. Nude Back View signed with initials and dated JD’67 oil on board 34 x 44cm. *£100 - 200

* All lots subject to a buyers premium of 21% plus vat @ 20% 69 158 • Dick Lee [1923-2001] Gillie Practicing; figure in an interior seated at a piano circa 1986 gouache 31 x 22cm, together with Toqueville - Hot Afternoon, watercolour, by the same hand, 24 x 37. [2] *£200 - 250

Biography Dick Lee trained at Camberwell and had strong associations with The Euston Road School artists such as William Coldstream and Victor Pasmore. He has exhibited at the New Grafton Gallery and Oriel Fine Art.

159 • Graham Clarke [b.1941] Notte Todaye coloured etching signed, inscribed and numbered 279/400 59 x 72cm, within an arched mount. *£150 - 200

160 • Graham Clarke [b.1941] Crabbers Retreat coloured etching, signed, inscribed and numbered 42/350 31 x 38cm, in an arched mount. *£50 - 80

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 70 161 • Jack Pender [1918-1998] Fishermen attending a small boat at low tide, signed bottom right further signed twice and inscribed with the artist’s address in Mousehole on the reverse oil on canvas 50 x 60cm. *£600 - 800

162 • John Spencer Churchill [1909-1992] Sailing yacht in choppy seas, signed bottom right inscribed on the reverse Property of Ailene Benson / Chartwell / Churchill oil on canvas 40.5 x 50.5cm. *£250 - 350

163 • Edward Wesson [1910-1983] At Pinn Hill on the Orwell signed oil on canvas 69.5 x 90cm. *£2000 - 2500

* All lots subject to a buyers premium of 21% plus vat @ 20% 71 164 • Paul Ashford, Lord Methuen [1886-1974] The City of London from Whitehall Place signed, inscribed and dated 1952 watercolour, pen and ink 42 x 61cm *£400 - 600

Provenance. With P & D Colnaghi & Co Ltd

165 • Paul Ashford, Lord Methuen [1886-1974] Villeneuve les Avignon and Mont Ventoux, 1956 signed, inscribed and dated pastel and pencil drawing 18 x 25.5cm. *£120 - 180

166 • Paul Ashford, Lord Methuen [1886-1974] The Dordogne from Beynac looking West signed, inscribed and dated 1954 watercolour, pen and ink drawing 30 x 42.5cm. *£200 - 300

Exhibited. Fieldbourne Galleries May 1973. Retrospective Exhibition of Works.

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 72 167 • Paul Ashford, Lord Methuen [1886-1974] The Baptistry, Pisa, 1956 signed bottom right pastel 18 x 26cm. *£120 - 180

168 • Paul Ashford, Lord Methuen [1886-1974] Palazzo del Senato, Rome, 1959 signed bottom right pastel and pencil drawing 18 x 25cm. *£100 - 150

* All lots subject to a buyers premium of 21% plus vat @ 20% 73 169 • Barbara Robinson [b.1928] Joxe’s House, 1967, oil on canvas 80 x 115cm. *£100 - 200

Provenance. With The New Art Centre, Sloane St., London

170 • Rowland Suddaby [1912-1972] Low Tide, Orwell Estuary, Suffolk signed and dated ‘47 bottom right watercolour, pen and ink drawing 25 x 40cm. *£200 - 300

Provenance The Redfern Gallery 1948.

171 • Robert Woolner [b.1946] Mind and Matter signed bottom right mixed media, 28 x 35cm, together with a watercolour of a nude by Vernon Gibberd. [2] *£100 - 150

172 No Lot.

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 74 173 Attributed to Ethelbert White [1891-1972] Winter landscape, oil on canvas 39 x 49cm. *£300 - 500

174 • Bernard Ninnes [1899-1971] Bickley and The Trout Inn, signed bottom left oil on canvas 49 x 75cm *£300 - 500

175 • Norman Clarke [1913-1992] Spring Ramble signed and dated ‘58 bottom right watercolour and pencil drawing 31 x 48cm. *£250 - 350

Provenance. Royal Watercolour Society Galleries, Conduit St., London

* All lots subject to a buyers premium of 21% plus vat @ 20% 75 176 • William Waite [b.1953] Oriental Gentlemen Amongst Statues; Cabbalist, two, both signed, dated 1990 and 1989 both inscribed on the reverse, one inscribed Birch Studio, Lamorna oils on canvas 100 x 59cm & 74 x 60cm. [2] *£50 - 90

177 • Mark Andrews (Godwin) [b.1957] Metropolis IV etching and aquatint in colours signed and inscribed in pencil in the mount numbered 56/200 image size 58 x 75cm . *£60 - 80

178 • Hugh Dunford-Wood [Contemporary] A Community of Quiet Council collage, signed and inscribed 52 x 73cm overall *£50 - 80

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 76 179 • Matthew Draper [b.1973] Mysterious Light signed and dated 2004 bottom right further signed and inscribed on the backboard pastel drawing on paper 79 x 106cm. *£300 - 500

181 • Geoffrey Roper [b.1942] The Coalmen oil on canvas 58 x 23cm, in a good quality fluted wood frame *£300 - 500

Provenance. With Duncan R Miller, Hampstead, London, 1997 where acquired by the family of the present owner. 180 James Pryde [1866-1941] Stage design, watercolour heightened with gum Arabic 12 x 7.5cm *£200 - 300

* All lots subject to a buyers premium of 21% plus vat @ 20% 77 182 His Master’s Voice! A large polished steel dog and gramophone display stand 159 x 125cm & 150 x 183cm. [2] *£500 - 1000

The HMV trademark originates from a painting by Francis Barraud [1856-1924] titled His Master’s Voice that was acquired in 1899 by the newly formed Gramophone Company and then adopted by the Victor Talking Machine Company in the United States. Therefore the company was not formally called HMV or His Master’s Voice but rapidly became identified by that term. According to contemporary Gramophone Company records, the dog, a terrier named Nipper, had belonged to Barraud’s brother, Mark, and when Mark Barraud died, Francis inherited Nipper together with a cylinder phonograph and recordings of Mark’s voice. Francis noted the peculiar interest that the dog took in the recorded voice of his late master emanating from the horn.

183 • Kay Bojesen (1886-1958) three limba wood and teak articulated Monkey figures, the two larger monkeys stamped ‘Kay Bojesen Denmark Copyright’ to base of foot, 20cm and 13cm tall. *£200 - 300

Biography. Kay Bojesen trained as a silversmith and was apprenticed to Georg Jensen. He worked in France , Germany and Copenhagen. Conceived in 1951, the wooden monkey is considered a design classic.

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 78 184 • Guiseppe Lund [Contemporary] Openwork forged steel gate 193 x 92cm overall. *£400 - 600

Guiseppe Lund is a Master Ironsmith and Sculptor who studied at Bristol University and apprenticed in England, German and Italy. His work is in public and private collections throughout the UK, Europe and North America. In 1984 he organised the V&A International Exhibition of Forged Metalwork titled Towards a New Iron Age. After winning the design competition he was commissioned to produce the Hyde Park Queen Elizabeth Gates, railings and lamps. Lund is committed to healthy solutions to public spaces that inspire well being and joyful living.

* All lots subject to a buyers premium of 21% plus vat @ 20% 79 Upcoming Sales

Royal Worcester Fine Porcelain 11th April 2018

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 80 Bronzes from a Private Collection 11th April 2018

* All lots subject to a buyers premium of 21% plus vat @ 20% 81 Miniatures from a Private Collection 10th April 2018

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 82 Entries now invited for our next 20th Century & Contemporary Pictures, Studio Pottery, Sculpture & Design Sale on 4th December 2018

John Craxton [1922-2002] Roman Pots, sold for £19,100 (including premium & ARR)

To discuss and consign please contact: Dan Goddard; [email protected] Martin Scadgell; [email protected] Nic Saintey; [email protected]

* All lots subject to a buyers premium of 21% plus vat @ 20% 83 Information for Buyers 1. Introduction. The following informative notes are intended whether an export licence is required and (b) whether there is to assist Buyers, particularly those inexperienced or new any specific prohibition on importing goods of that character to our salerooms. All sales are conducted on our printed because, e.g. they may contain prohibited materials such as Conditions of Sale which are readily available for inspection ivory. Ask us if you need help. and normally accompany catalogues. Our staff will be happy 9. Bidding. Bidders may be required to register before the to help you if there is anything you do not fully understand. sale commences and lots will be invoiced to the name and 2. Agency. As auctioneers we usually contract as agents for address on the registration form. Some form of identification the seller whose identity, for reasons of confidentiality, is may be required if you are unknown to us. Please enquire in not normally disclosed. Accordingly if you buy your primary advance about our arrangements for telephone bidding. contract is with the seller. 10. Commission bidding. Commission bids may be left with 3. Estimates. Estimates are designed to help buyers gauge the auctioneers indicating the maximum amount to be what sort of sum might be involved for the purchase of a bid excluding buyers’ premium. They will be executed as particular lot. The lower estimate may represent the reserve cheaply as possible having regard to the reserve (if any) and price and certainly will not be below it. Estimates do not competing bids. If two buyers submit identical commission include the Buyer’s Premium or VAT (where chargeable). bids the auctioneers may prefer the first bid received. Please Estimates are prepared some time before the sale and may enquire in advance about our arrangements for the leaving of be altered by announcement before the sale. They are in no commission bids by telephone or FAX. sense definitive. 11. Methods of Payment. If a purchaser is unknown to the 4. Buyer’s Premium. The Conditions of Sale oblige buyers auctioneers and is intending to pay by credit or debit card we to pay a buyer’s premium at 21% + VAT (25.2%) which shall will require the card holder to attend in person with suitable include VAT on the premium at the rate imposed by law (see photographic identification, otherwise payment is required by below). There is a surcharge when bidding on the internet. BACS/CHAPS or electronic bank transfer. As a general rule any cheques tendered will need to be cleared before removal of the 5. VAT. A ‘dagger’ symbol indicates that VAT is payable by the purchaser at the standard rate (presently 20%) on the goods is permitted. Please discuss with our Office in advance of hammer price as well as being an element in the buyer’s the sale if other methods of payment are envisaged. premium. This imposition of VAT is likely to be because the Card payments where the card holder is not present will only seller is registered for VAT within the European Union and is be accepted for transactions up to £1,000 not operating the Dealers Margin Scheme or because VAT is Collection and storage. Please note what the Conditions of Sale due at 15% on importation into the UK. The double ‘dagger’ state about collection and storage. It is important that goods are symbol indicates that the lot has been imported from outside paid for and collected promptly. Any delay may involve the buyer the European Union and the present position is that these in paying storage charges. lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols Methods of Payment indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin All payments by mail, bank transfer, etc, must be made in Scheme and it should be noted that the VAT included within sterling. The following methods of payment are available: the Premium is not recoverable as input tax. CASH (Up to a Sterling equivalent of ; CHEQUE; STERLING BANK 6. We are, primarily, agents for the seller. We are dependent 10,000 Euros) on information provided by the seller and whilst we may DRAFT; DIRECT BANK TRANSFER IN STERLING; inspect lots and act reasonably in taking a general view about CREDIT CARD (VISA AND ACCESS-MASTERCARD them we are normally unable to carry out a detailed or any ISSUED IN THE UK ONLY); DEBIT CARDS (SWITCH, examination of lots in order to ascertain their condition in the CONNECT, ETC) way in which it would be wise for a buyer to do. Intending Cheques and drafts should be made payable to Bearnes buyers have ample opportunity for inspection of goods Hampton & Littlewood. and, therefore, accept responsibility for inspecting and Bank transfers should be made to: investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of National Westminster Bank, lots contained in the Conditions of Sale. Neither the seller 59 High Street, Exeter. EX4 3DP. nor we, as the auctioneers, accept any responsibility for their Sort Code: 56-00-49 condition. In particular, mechanical objects of any age are For all the account of Bearnes, Hampton & not guaranteed to be in working order. However, in so far Littlewood. as we have examined the goods and make a representation Account Number 32303483. about their condition, we shall be liable for any defect which IBAN Number GB88 NWBK 560049 32303483. that examination ought to have revealed to the auctioneer SWIFT Number NWBK GB2L but which would not have been revealed to the buyer had Card payments where the card holder is not present will the buyer examined the goods. Additionally, in specified only be accepted for transactions up to £1,000 circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is Clearance Times defined in our Conditions of Sale). Sterling cheques drawn on UK banks and supported by 7. Electrical goods. These are sold as ‘antiques’ only and if a cheque card valid for the amount due can be cleared bought for use must be checked over for compliance with immediately. All other sterling cheques drawn on UK banks safety regulations by a qualified electrician first. will generally clear on the fifth working day after receipt. 8. Export of goods. The export of any lot from the UK or Sterling bank drafts drawn on UK banks can generally be import into any other country may be subject to one or more cleared immediately. export or import licences being granted. It is the buyers Bank transfers clear as soon as our bank receives funds responsibility to obtain any relevant export or import licence. (which does not happen instantaneously after payment The denial of any licence required or delay in obtaining such instructions are given). licence cannot justify the cancellation of the sale or any delay in making payment of the total amount due. Credit and debit card payments can be cleared immediately, Buyers intending to export goods should ascertain (a) subject to paragraph 11 above. Artist Index

ARTIST LOT NUMBER ARTIST LOT NUMBER Andrews (M.) 177 Hartley (B.) 27, 28 Armfield (S. M.) 146 Hughes (P.) 5 Ashford (P.) 164, 165, 166, 167, 168 Jackson (K.) 124 Atkins (R.) 18, 19 Jonault (A.) 105 Bleszynski (A.) 73 Kapp (H.) 106 Blow (S.) 9 Kennington (E. H.) 43 Bojesen (K.) 183 Klitz (A. R.) 115, 116 Botting (N.) 97 Kollwitz (K.) 86 Bowyer (W.) 108 Leach (J.) 139 Bratby (J. R.) 26 Lee (D.) 158 Braund (A.) 147 Lenkiewicz (R. O.) 53, 54, 55, 56, 57, 59, 60, Brooker (W.) 89 61, 62 Brunsden (J.) 109 Lindstrom (J.) 98 Cain (C. W.) 85 Lovell (M.) 95 Cardew (S.) 44 Lund (G.) 184 Casson (M.) 134 Macfaul (A.) 118 Christopherson (J.) 119 Maddison (J.) 70 Churchill (J. S.) 114, 162 Marek (J.) 145 Clarke (G.) 159, 160 McGivern (B.) 101 Clarke (N.) 175 Morris (M.) 46 Cockerill (M.) 93 Ninnes (B.) 174 Cohen (A.) 104 O’Regan (P.) 83 Cook (B.) 74, 75, 76 Organ (B.) 82 Cooper (E.) 96 Osterschmidt (H.) 100 Cooper (W.) 131, 132, 133 Pender (J.) 161 Coper (H.) 129 Piper (J.) 94 Corbett (L.) 1, 2, 3 Pryde (J.) 180 Cotton (A.) 63, 64, 65, 66, 68, 69, Ravilious (E.) 140 71, 72 Ridgewell (J.) 149, 150 Dack (R.) 122 Rie (L.) 130 Daniels (A.) 113 Roberston (B.) 154 Day (D. L. L. D.) 29 Robinson (B.) 169 De Trey (M.) 137 Roper (G.) 181 Doubleday (J.) 157 Rutherford (E.) 10 Draper (K.) 123 Ryder (S.) 35A Draper (M.) 179 Scott (D. A.) 35 Dunford-Wood (H.) 178 Snow (M. N. S.) 36, 37, 38, 39, 40, 41, 42 Durrant (R. T.) 90, 91 Stanley (J.) 103 Eustace (D.) 49, 50, 51, 52 Suddaby (R.) 170 Fairchild-Woodward (R.) 125, 126, 127, 128 Symonds (K.) 155, 156 Farleigh (J.) 151, 153 Thesiger (E.) 30 Fishwick (C.) 92 Tunnard (J.) 120, 121 Fonseca (L.) 110 Waite (W.) 176 Frelaut (J.) 84 Waite (E.) 117 Frink (E.) 81 Werner (M.) 78 Frost (A.) 11, 12 Wesson (E.) 163 Frost (T.) 6, 7, 8, 15, 16, 17 Wolfe (E.) 102 Guthrie (K.) 148 Woolner (R.) 171 Hall (C.) 79 Yates (F.) 20, 21, 22, 23, 24, 25 Halpern (R.) 152 Yoshi (T.) 99 Harding (F.) 111, 112 Zinkeisen (A. K.) 47 Conditions of Sale Bearnes, Hampton & Littlewood carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS S. VALUE ADDED TAX In these Conditions: Value Added Tax on the hammer price is imposed by law on all items affixed with a ‘dagger’ or double ‘dagger’. Value Added (a) “auctioneer” means the firm of Bearnes, Hampton & Tax is charged at the appropriate rate prevailing by law at the Littlewood or its authorised auctioneer, as appropriate; date of sale and is payable by buyers of relevant lots. (Please (b) “deliberate forgery” means an imitation made with the refer to “Information for Buyers” for a brief explanation of the intention of deceiving as to authorship, origin, date, age, VAT position). period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator 6. PAYMENT and SHIPPING and which at the date of the sale had a value materially less (1) Immediately a Lot is sold you will: than it would have had if it had been in accordance with the (a) give to us, if requested, proof of identity, and description; (b) pay to us the total amount due in cash or in such other way as is agreed by us. (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the (2) Any payments by you to us may be applied by us towards hammer; any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether (d) “terms of consignment” means the stipulated terms and express or implied. rates of commission on which Bearnes Hampton & Littlewood accepts instructions from sellers or their agents; (3) Unfortunately Bearnes Hampton and Littlewood are unable to provide any other wrapping, packing and despatch service (e) “total amount due” means the hammer price in respect of their own but can provide a list of Companies to contact. of the lot sold together with any premium, Value Added Competitive rates have been negotiated with Mail Boxes Etc., Tax chargeable and any additional charges payable by a specialist in the provision of wrapping, packing and despatch defaulting buyer under these Conditions; services to the Antiques and Fine Art business sector. They (f) “sale proceeds” means the net amount due to the seller, provide for all services for lots purchased from our saleroom. being the hammer price of the lot sold less commission at Mail Boxes Etc. collect items weekly from our saleroom, the stated rate, Value Added Tax chargeable and any other though special collections can be arranged if required. They amounts due to us by the seller in whatever capacity and offer a professional, domestic and International service by however arising; post, courier, road, air and sea, depending on the lot size, (g) “You”, “Your”, etc. refer to the buyer as identified in destination and speed required. Bespoke cases can also Condition 2. be made up for your lot or lots. While indicative pricing is always obtainable by contacting Mail Boxes Etc., firm pricing (h) The singular includes the plural and vice versa as appropriate. is agreed after wrapping and packing prior to despatch. 2. BIDDING PROCEDURES AND THE BUYER The minimum cost with Mail Boxes Etc., is £24.50 plus VAT, which will include collection, professional (a) Bidders are required to register their particulars before wrapping, packing and domestic delivery. bidding and to satisfy any security arrangements before Payment can be made with all major credit and debit cards. entering the auction room to view or bid; (b) The maker of the highest bid accepted by the auctioneer 7. TITLE AND COLLECTION OF PURCHASES conducting the sale shall be the buyer at the hammer (1) The ownership of any Lots purchased shall not pass to you price and any dispute about a bid shall be settled at the until you have made payment in full to us of the total amount auctioneer’s absolute discretion by reoffering the Lot during due. the course of the auction or otherwise. The auctioneer shall (2) You shall at your own risk and expense take away any lots act reasonably in exercising this discretion. that you have purchased and paid for not later than 3 working (c) Bidders shall be deemed to act as principals. days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be (d) Our right to bid on behalf of the seller is expressly reserved responsible for any removal, storage and insurance charges. up to the amount of any reserve and the right to refuse any bid is also reserved. (3) No purchase can be claimed or removed until it has been paid for. 3. INCREMENTS 8. EXPORT Bidding increments shall be at the auctioneer’s sole discretion. The export of any lot from the UK or import into any other country 4. THE PURCHASE PRICE may be subject to one or more export or import licences being The buyer shall pay the hammer price together with a premium granted. It is the buyers responsibility to obtain any relevant of 21% + VAT (25.2%), which shall include VAT on the premium export or import licence. The denial of any licence required or at the rate imposed by law. There is a surcharge when using delay in obtaining such licence cannot justify the cancellation of internet bidding. the sale or any delay in making payment of the total amount due. 9. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT 14. TERMS OF SALE PURCHASES The seller acknowledges that Lots are sold subject to the (1) If any Lot is not paid for in full and taken away in accordance stipulations of these Conditions in their entirety and on the with these Conditions or if there is any other breach of Terms of Consignment as notified to the consignor at the time these Conditions, we, as agent for the seller and on our of the entry of the lot. own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to 15. DESCRIPTIONS AND CONDITION exercise one or more of the following rights and remedies: (1) Whilst we seek to describe lots accurately, it may be impractical (a) to proceed against you for damages for breach of contract; for us to carry out exhaustive due diligence on each lot. (b) to rescind the sale of that Lot and/or any other Lots Prospective buyers are given ample opportunities to view and sold by us to you; inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy (c) to resell the Lot (by auction or private treaty) in of any description applied to a lot. Prospective buyers also which case you shall be responsible for any resulting bid on the understanding that, inevitably, representations or deficiency in the total amount due (after crediting statements by us as to authorship, genuineness, origin, date, any part payment and adding any resale costs). Any age, provenance, condition or estimated selling price involve surplus so arising shall belong to the seller; matters of opinion. We undertake that any such opinion (d) to remove, store and insure the Lot at your expense shall be honestly and reasonably held and accept liability and, in the case of storage, either at our premises or for opinions given negligently or fraudulently. Subject to the elsewhere; foregoing neither we the auctioneer nor our employees or (e) to charge interest at a rate not exceeding 1.5% per agents nor the seller accept liability for the correctness of month on the total amount due to the extent it such opinions and all conditions and warranties, whether remains unpaid for more than 3 working days after the relating to description, condition or quality of lots, express, sale; please note there will be an additional late implied or statutory, are hereby excluded. This Condition is payment penalty of £40 if your account is unpaid subject to the next following Condition concerning deliberate after 28 days. forgeries and applies save as provided for in paragraph 6 “information to buyers”. (f) to retain that or any other Lot sold to you until you pay the total amount due; (2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any 16. FORGERIES such bids shall be accepted; Notwithstanding the preceding Condition, any Lot which proves (h) to apply any proceeds of sale of other Lots due or in to be a deliberate forgery (as defined) may be returned to us future becoming due to you towards the settlement by you within 21 days of the auction provided it is in the same of the total amount due and to exercise a lien (that is condition as when bought, and is accompanied by particulars a right to retain possession of) any of your property in identifying it from the relevant catalogue description and a our possession for any purpose until the debt due is written statement of defects. If we are satisfied from the evidence satisfied. presented that the Lot is a deliberate forgery we shall refund the (2) We shall, as agent for the seller and on our own behalf money paid by you for the lot including any buyer’s premium pursue these rights and remedies only so far as is provided that (1) if the catalogue description reflected the reasonable to make appropriate recovery in respect of accepted view of scholars and experts as at the date of sale or breach of these conditions (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. 10. THIRD PARTY LIABILITY The right of return provided by this Condition is additional to any All members of the public on our premises are there at their right or remedy provided by law or by these Conditions of Sale. own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor GENERAL our employees or agents shall incur liability for death or personal 17. We shall have the right at our discretion, to refuse admission injury (except as required by law by reason of our negligence) or to our premises or attendance at our auctions by any person. similarly for the safety of the property of persons visiting prior to or at a sale. 18. (1) any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these 11. COMMISSION BIDS Conditions and any exclusions provided by them shall be Whilst prospective buyers are strongly advised to attend the available to the seller and/or the auctioneer as appropriate. auction and are always responsible for any decision to bid (2) Such rights and exclusions shall extend to and be deemed for a particular Lot and shall be assumed to have carefully to be for the benefit of employees and agents of the seller inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. and/or the auctioneer who may themselves enforce them. Neither the auctioneer nor our employees or agents shall be 19. Any notice to any buyer, seller, bidder or viewer may be given responsible for any failure to do so save where such failure is by first class mail or Swiftmail in which case it shall be deemed unreasonable. Where two or more commission bids at the same to have been received by the addressee 48 hours after posting. level are recorded we reserve the right in our absolute discretion 20. Special terms may be used in catalogue descriptions of to prefer the first bid so made. particular classes of items in which case the descriptions must 12. WARRANTY OF TITLE AND AVAILABILITY be interpreted in accordance with any glossary appearing at The seller warrants to the auctioneer and you that the seller the commencement of the catalogue. is the true owner of the property consigned or is properly 21. Any indulgence extended to bidders buyers or sellers by us authorised by the true owner to consign it for sale and is able notwithstanding the strict terms of these Conditions or of the to transfer good and marketable title to the property free from Terms of Consignment shall affect the position at the relevant any third party claims. time only and in respect of that particular concession only; in all 13. AGENCY other respects these Conditions shall be construed as having full force and effect. The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 22. English law applies to the interpretation of these Conditions. Glossary of cataloguing terms

Any statement as to authorship, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of representation of fact. 1. SIDNEY RICHARD PERCY – In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named.) 2. ATTRIBUTED TO SIDNEY RICHARD PERCY – In our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category. 3. STUDIO OF SIDNEY RICHARD PERCY – In our opinion a work by an unknown hand in the studio of the artist which may or may not have been executed by under the artist’s direction. 4. CIRCLE OF SIDNEY RICHARD PERCY - In our opinion a work by an as yet unidentified but distinct hand – closely associated with the named artist but not necessarily his pupil. 5. STYLE OF . . . ; FOLLOWER OF SIDNEY RICHARD PERCY - In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. 6. MANNER OF SIDNEY RICHARD PERCY – In our opinion a work in the style of the artist and of a later date. 7. AFTER SIDNEY RICHARD PERCY – In our opinion a copy of a known work of the artist. 8. The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. 9. The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. 10. Dimensions are given height before width. Artist’s resale right (“droit de suite”)

If a lot is affected by this right it will be identified by the symbol ”•” next to the lot number. The buyer agrees to pay Bearnes Hampton & Littlewood an amount equal to the resale royalty and we will pay such amount to the artist’s collecting agent. Resale royalty applies where the hammer price is 1,000 Euro or more and the amount cannot be more than 12,500 Euro per lot. The amount is calculated as follows:

Royalty for the portion of the Hammer Price (in Euro)

4.00% up to 50,000 3.00% between 50,000.1 and 200,000 1.00% between 200,000.01 and 350,000 0.50% between 350,000.01 and 500,000 00.25% in excess of 500,000

Invoices will, as usual, be issued in Pounds Sterling. For the purposes of calculating the resale royalty the Pounds Sterling/Euro ratio rate of exchange will be European Central Bank reference rate on the day of the sale. Raising vital funds for

Friday 9th March at BearnesFriday 9 tHamptonh March a&t BLittlewoodearnes H ampton & Helping local older people Auctioneers,Littlewood A uOkehamptonctioneers, O kStreet,eham pton get the most from life ExeterStreet, EX1Exe 1DU.ter EX4 1DU. DrinksDrinks receptionreception atat 7pm. 7pm. TicketsTickets £17.50£17.50 each. each.

Charity Number: 1010973 To purchase ticket for this event please call 01392 202092 or visit our To purchase tickets for this event please call 01392 202092 or visit ourweb swebsiteite www .www.ageukexeter.org.ukageukexeter.org.uk Wrapping, Packing and Despatch

Preferential rates have been negotiated with Mail Boxes Etc., specialist in the provision of wrapping, packing and despatch services to the Antiques and Fine Art business sector. They provide for all services for lots purchased from our saleroom.

Unfortunately Bearnes Hampton & Littlewood are unable to provide any other wrapping, packing and despatch service of their own.

Mail Boxes Etc. collect items regularly from our saleroom, though special collections can be arranged if required. They offer a professional, domestic and International service by post, courier, road, air and sea, depending on the lot size, destination and speed required. Bespoke cases can also be made up for your lot or lots. While indicative pricing is always obtainable by contacting Mail Boxes Etc., firm pricing is agreed after wrapping and packing prior to despatch. The minimum cost with Mail Boxes Etc. is £15.00 plus VAT for small, lightweight non fragile items under 2kgs. This will include collection, professional wrapping, packing and domestic delivery. Payment can be made with all major credit and debit cards.

Insurance If you do not have your own transit insurance, enhanced compensation cover is available from Mail Boxes Etc., to provide either full cover or loss only, as required. For any further information please call the team at Mail Boxes Etc. Tel: 0800 783 1381 or 01752 257224 Email: [email protected] Fax: 01752 257225 Website: www.mbeplymouth.co.uk Mail Boxes Etc., 91 Mayflower Street, Plymouth PL1 1SB

Delivery instructions Please complete the following and leave or return to: Bearnes Hampton & Littlewood St. Edmund’s Court, Okehampton Street, Exeter EX4 1DU. Telephone 01392 413100 or send direct to Mail Boxes Etc.

Name

Address

Postcode

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Lot No. Description

Lot No Description Mail Boxes Etc. will call you after collecting prior to despatch to confirm costs and payment instructions SALEROOM FORTHCOMING SALE DATES 2018 St Edmund’s Court, Okehampton Street, Exeter EX4 1DU Telephone 01392 413100 [email protected] | www.bhandl.co.uk

Bearnes Hampton & Littlewood Ltd. Registered in England No. 3857887 © Bearnes Hampton & Registered Office: St. Edmund’s Court, Okehampton Street, Exeter Littlewood 2018 Ref SS04 20TH CENTURY & CONTEMPORARY PICTURES, STUDIO POTTERY, SCULPTURE & DESIGN 20th Century & Contemporary Pictures, Studio Pottery, Sculpture & Design

Tuesday 27th February 2018

I 2018

ST. EDMUND’S COURT I OKEHAMPTON STREET I EXETER EX4 1DU SS04 01392 413100 I [email protected] I www.BHandL.co.uk