19TH CENTURY EUROPEAN VICTORIAN and BRITISH IMPRESSIONIST ART Wednesday 2 March 2016

Total Page:16

File Type:pdf, Size:1020Kb

19TH CENTURY EUROPEAN VICTORIAN and BRITISH IMPRESSIONIST ART Wednesday 2 March 2016 19TH CENTURY EUROPEAN VICTORIAN AND BRITISH IMPRESSIONIST ART Wednesday 2 March 2016 19TH CENTURY EUROPEAN, VICTORIAN AND BRITISH IMPRESSIONIST ART Wednesday 2 March at 14.00 New Bond Street, London VIEWING BIDS ENQUIRIES PHYSICAL CONDITION OF Friday 26 February +44 (0) 20 7447 7447 Peter Rees (Head of Sale) LOTS IN THIS AUCTION 14.00 to 17.00 +44 (0) 20 7447 7401 fax +44 (0) 20 7468 8201 Sunday 28 February To bid via the internet please [email protected] PLEASE NOTE THAT THERE IS 11.00 to 15.00 visit bonhams.com NO REFERENCE IN THIS Monday 29 February Charles O’Brien CATALOGUE TO THE PHYSICAL 9.00 to 19.00 Please note that bids should be (Head of Department) CONDITION OF ANY LOT. Tuesday 1 March submitted no later than 4pm on +44 (0) 20 7468 8360 INTENDING BIDDERS MUST 9.00 to 16.30 the day prior to the sale. New [email protected] SATISFY THEMSELVES AS TO Wednesday 2 March bidders must also provide proof THE CONDITION OF ANY LOT 9.00 to 12.00 of identity when submitting bids. Alistair Laird AS SPECIFIED IN CLAUSE 14 Failure to do this may result in +44 (0) 20 7468 8211 OF THE NOTICE TO BIDDERS SALE NUMBER your bid not being processed. [email protected] CONTAINED AT THE END OF 23166 THIS CATALOGUE. Bidding by telephone will only Sam Travers CATALOGUE be accepted on a lot with a +44 (0) 20 7468 8232 As a courtesy to intending £25.00 lower estimate or of or in [email protected] bidders, Bonhams will provide a excess of £1,000 written Indication of the physical ILLUSTRATIONS Lucy Oury condition of lots in this sale if a Front cover: Lot 72 Live online bidding is available +44 (0) 20 7468 8356 request is received up to 24 Back cover: Lot 59 for this sale [email protected] hours before the auction starts. Inside front: Lot 49 Please email [email protected] This written Indication is issued Inside back: Lot 44 with ‘live bidding’ in the subject Deborah Cliffe subject to Clause 3 of the Notice line 48 hours before the auction +44 20 7468 8337 to Bidders. to register for this service. [email protected] CUSTOMER SERVICES IMPORTANT INFORMATION New York Monday to Friday 8.30 to 6.00 The United States Government Madalina Lazen +44 (0) 20 7447 7447 has banned the import of ivory +1 (212) 644 9108 into the USA. Lots containing [email protected] Please see page 2 for bidder ivory are indicated by the information including after-sale collection and shipment symbol Ф printed beside the lot number in this catalogue. Bonhams 1793 Limited Bonhams 1793 Ltd Directors Bonhams UK Ltd Directors Registered No. 4326560 Robert Brooks Co-Chairman, Colin Sheaf Chairman, Gordon McFarlan, Andrew McKenzie, Registered Office: Montpelier Galleries Malcolm Barber Co-Chairman, Harvey Cammell Deputy Chairman, Simon Mitchell, Jeff Muse, Mike Neill, Montpelier Street, London SW7 1HH Colin Sheaf Deputy Chairman, Jonathan Baddeley, Antony Bennett, Matthew Charlie O’Brien, Giles Peppiatt, Peter Rees, Matthew Girling CEO, Bradbury, Lucinda Bredin, Simon Cottle, Iain Rushbrook, John Sandon, Tim Schofield, +44 (0) 20 7393 3900 Patrick Meade Group Vice Chairman, Andrew Currie, Paul Davidson, Jean Ghika, Veronique Scorer, James Stratton, Roger Tappin, +44 (0) 20 7393 3905 fax Geoffrey Davies, James Knight, Charles Graham-Campbell, Miranda Leslie, Ralph Taylor, Shahin Virani, David Williams, Caroline Oliphant. Richard Harvey, Robin Hereford, Asaph Hyman, Michael Wynell-Mayow, Suzannah Yip. David Johnson, Charles Lanning, Waxlow Rd Acton Ln SALE N Acton Rd INFORMATION Barretts Green Rd Front Entrance Acton Ln Wesley Ave BIDS IMPORTANT NOTICE COLLECTION Payment +44 (0) 20 7447 7447 A surcharge of 2% is applicable Lots will be available for collection All charges due to Ward Thomas +44 (0) 20 7447 7401 fax when using Mastercard, Visa and from Ward Thomas Removals Ltd Removals Ltd must be paid by To bid via the internet please visit overseas debit cards. on Monday 7 March 2016 from the time of collection from their www.bonhams.com 9.30am and then every working day warehouse. The following symbol is used between 9.30am and 4.30pm PAYMENTS to denote that VAT is due on (please note buyers need to be Payment in Advance Buyers the hammer price and buyer’s onsite at Ward Thomas Removals (Telephone to ascertain amount due) +44 (0) 20 7447 7447 premium Ltd by 4.00pm). A booking email or by: cash, cheque with banker’s card, +44 (0) 20 7447 7401 fax phone call will be required to ensure credit, or debit card, or travellers † VAT 20% on hammer price lots are ready at time of collection. cheque. Sellers and buyer’s premium Payment of sale proceeds STORAGE AND HANDLING Payment at time of collection by: +44 (0) 20 7447 7447 * VAT on imported items at a CHARGES ON SOLD LOTS cash, cheque with banker’s card, +44 (0) 20 7447 7401 fax preferential rate of 5% on hammer RETURNED TO WARD THOMAS credit, or debit card, or travellers price and the prevailing rate on REMOVALS LTD cheque. VALUATIONS, TAXATION buyer’s premium & HERITAGE Storage Lots may only be released from Ward +44 (0) 20 7468 8340 Y These lots are subject to CITES Storage will be free of charge for the Thomas Removals Ltd on production +44 (0) 20 7468 5860 fax regulations, please read the first 14 calendar days following the of the “Collection Order” obtained [email protected] information in the back of sale, charges commence at the start from the cashier’s office at Bonhams the catalogue. of business on Wednesday 23 March and a form of photographic I.D. if a CATALOGUE SUBSCRIPTIONS 2016. After the storage-free period, third party is collecting on a client’s To obtain any Bonhams catalogue BUYERS COLLECTION & the following charges apply: behalf, they must also produce a or to take out an annual STORAGE AFTER SALE £4.00 per week day for small lots client’s letter of authorization. The subscription: Sold lots, unless marked WT, will (requiring up to 1 man to handle) removal and / or storage by Ward Subscriptions Department remain in the Collections room at £8.00 per week day for normal lots Thomas Removals Ltd of any Lots +44 (0) 1666 502200 Bonhams New Bond Street for a (requiring up to 2 men to handle) will be subject to their standard +44 (0) 1666 505107 fax period of not less than 14 days £15.00 per week day for oversized Conditions of Business, copies of [email protected] from the sale date. lots (requiring more than 2 men or which are available at Bonhams. mechanical handling) SHIPPING Lots not collected by 17 March Please note in particular the For information and estimates 2016 will be removed to the Handling following: on domestic and international warehouse of Ward Thomas After the first 14 calendar days shipping as well as export licenses Removals Ltd where charges following the sale, the following 1. Ward Thomas Removals Ltd please contact Bonhams Shipping will be payable. handling charges apply: do not accept liability for loss or Department on: £35.00 per lot for small lots (requiring damage, due to negligence or +44 (0) 20 8963 2849 LOTS MARKED WT up to 1 man to handle) otherwise, exceeding either the sale +44 (0) 20 8963 2850 All lots marked WT will be removed £40.00 per lot for normal lots price of such goods or at their option +44 (0) 20 7629 9673 fax to Ward Thomas Removals Ltd, (requiring up to 2 men to handle) the cost of repairing or replacing the [email protected] 141 Acton Lane from 9.00am on 3 £45.00 per lot for oversized lots damaged or missing goods. March 2016. (requiring more than 2 men or ELECTRICAL EQUIPMENT mechanical handling) 2. Ward Thomas Removals Ltd All electrical equipment in this reserve a lien over all goods in their sale has either been tested by Loss and Damage possession for payment of storage a suitably qualified electrician or All items removed to Ward Thomas and all other charges due to them. has been operationally disabled. Removals Ltd are covered for loss or If the intention is to reconnect this damage at the sum of the hammer Contact details for Ward Thomas equipment we recommend that price plus the buyer’s premium at Removals Ltd: this is carried out by a suitably a rate of 0.4% of the invoice value Alana Wright qualified electrician. plus IPT of 9.5%, payable annual Direct line: +44(0) 20 8267 6363 Main line: +44(0) 20 7038 0449 Fax: +44(0) 20 7038 0439 Email: [email protected] 19TH CENTURY EUROPEAN, VICTORIAN AND BRITISH IMPRESSIONIST ART Lots 1 - 120 1AR EDOUARD HENRI LEON CORTÈS (FRENCH, 1882-1969) Paris sous la neige signed 'E. CORTES.' (lower right) oil on canvas 44 x 62cm (17 5/16 x 24 7/16in). £12,000 - 18,000 €16,000 - 24,000 US$17,000 - 26,000 6 | BONHAMS 2AR EDOUARD HENRI LEON CORTÈS (FRENCH, 1882-1969) L'Institute, Paris signed 'EDOUARD CORTES' (lower right) oil on canvas 33 x 46cm (13 x 18 1/8in). £8,000 - 12,000 €11,000 - 16,000 US$11,000 - 17,000 Provenance with W B Simpson, Glasgow Private collection, UK 19TH CENTURY EUROPEAN, VICTORIAN AND BRITISH IMPRESSIONIST ART | 7 3AR EDOUARD HENRI LEON CORTÈS (FRENCH, 1882-1969) Boulevard de la Madeleine signed 'EDOUARD CORTES' (lower right) oil on canvas 33 x 45.7cm (13 x 18in).
Recommended publications
  • Hubert Herkomer, William Powell Frith, and the Artistic Advertisement
    Andrea Korda “The Streets as Art Galleries”: Hubert Herkomer, William Powell Frith, and the Artistic Advertisement Nineteenth-Century Art Worldwide 11, no. 1 (Spring 2012) Citation: Andrea Korda, “‘The Streets as Art Galleries’: Hubert Herkomer, William Powell Frith, and the Artistic Advertisement,” Nineteenth-Century Art Worldwide 11, no. 1 (Spring 2012), http://www.19thc-artworldwide.org/spring12/korda-on-the-streets-as-art-galleries-hubert- herkomer-william-powell-frith-and-the-artistic-advertisement. Published by: Association of Historians of Nineteenth-Century Art. Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. Korda: Hubert Herkomer, William Powell Frith, and the Artistic Advertisement Nineteenth-Century Art Worldwide 11, no. 1 (Spring 2012) “The Streets as Art Galleries”: Hubert Herkomer, William Powell Frith, and the Artistic Advertisement by Andrea Korda By the second half of the nineteenth century, advertising posters that plastered the streets of London were denounced as one of the evils of modern life. In the article “The Horrors of Street Advertisements,” one writer lamented that “no one can avoid it.… It defaces the streets, and in time must debase the natural sense of colour, and destroy the natural pleasure in design.” For this observer, advertising was “grandiose in its ugliness,” and the advertiser’s only concern was with “bigness, bigness, bigness,” “crudity of colour” and “offensiveness of attitude.”[1] Another commentator added to this criticism with more specific complaints, describing the deficiencies in color, drawing, composition, and the subjects of advertisements in turn. Using adjectives such as garish, hideous, reckless, execrable and horrible, he concluded that advertisers did not aim to appeal to the intellect, but only aimed to attract the public’s attention.
    [Show full text]
  • The Covenanter
    The Covenanter DECEMBER 2013 Fenwick Parish Church Community Magazine no 445 THE COVENANTER December 2013 CHURCH SERVICES – SUNDAYS 10.30am JUNIOR CHURCH and Ycam – 10.30am MINISTER: Rev Geoff Redmayne BSc. B.D., M.Phil, the Manse, 2 Kirkton Place, Fenwick KA3 6DW Telephone 01560 600217 E-mail : [email protected] Session Clerk: Mrs Nora Shanks,12Skernieland Rd, Fenwick Telephone: 01560 600202 E-mail : [email protected] Gift Aid/Freewill Offerings: Mr A.Crosbie Telephone: 01560 322229 4 Campbell Street, Darvel, KA17 0DA Email:[email protected] Church Treasurer: Mrs Tracy Geddes,1 Skernieland Rd Fenwick Telephone 01560 600374 Roll Keeper: Mrs Nora Shanks,12Skernieland Rd, Fenwick Telephone: 01560 600202 E-mail : [email protected] Organist: Alistair Peter, 37 South Hamilton St Kilmarnock, KA1 2DT Email : [email protected] The Covenanter: Production/Distribution: Jean Bowes, 2 Rysland Drive Fenwick Telephone: 01560600259 Convener/ Advertising: Bill McNab, Avrilea, Kingsford, Stewarton . KA3 5JS Telephone 01560 482468 Email:[email protected] Please note new Email address The Covenanter can now be found on the internet as part of the Church website at www.fenwickparishchurch.org.uk/covenanter. All copy for the magazine should be received at least two weeks before the first Sunday of the publication month. Fenwick Parish Church (Church of Scotland) Registered Scottish Charity No SC010062 Covenanter Page 2 When did the “t” go silent? The official publication date of this edition of The Covenanter
    [Show full text]
  • Francesco Lojacono (1838-1915) E Il Suo Rapporto Con L’Orto Botanico Di Palermo
    Quad. Bot. Ambientale Appl., 27 (2016): 43-49. Pubblicato online: 09.10.2019 http://www.quadernibotanicambientaleappl.it Francesco Lojacono (1838-1915) e il suo rapporto con l’Orto Botanico di Palermo V. Magro1, F. La Sorte1 & F.M. raiMondo2 1Società cooperativa Cultura Botanica, via Lincoln 13-15, i - 90123 Palermo. 2dipartimento SteBiCeF/Sezione di Botanica ed ecologia vegetale, Via archirafi 38, i - 90123 Palermo. aBStraCt.–Francesco Lojacono (1838-1915) and his relationship with the Botanical Garden of Palermo – the figure of the painter Francesco Lojacono (1838-1915), defined as the most famous Sicilian landscape painter of the 1800’s, and in particular his paintings inspired by the Botanical garden of Palermo are here analyzed and commented. after brief biographic references of the famous artist, the authors analyze the works inspired to the Botanical garden placed in Public institutions and private collections. they are five works for each of which synthetic description cards with their own pictures are presented. Finally, the evaluation of places and subjects is offered. Key words: botany and art, painting, Sicilian ‘800, landscape painting, Verismo. introduzione note BiograFiChe e artiStiChe Su FranCeSCo LojaCono non tutti gli orti botanici offrono valori estetici suscettibili Francesco Lojacono nasce a Palermo il 16 maggio 1838 da attrarre l’attenzione di artisti sensibilizzati dalle piante che dove muore il 27 febbraio 1915. il padre, Luigi, pittore ospitano o dal paesaggio che esprimono per farne oggetto di anche lui, lo istrada nell’arte dallo stesso praticata. Luigi soggetti della loro arte. in realtà, quello di Palermo comincia Lojacono dipingeva scenari di battaglia soprattutto.
    [Show full text]
  • Portraits of a Brother and Sister of the Luppé Family (A Pair) Oil on Panel 9¼ X 6 In
    Louise Abbéma (1927 1853 - ) Portraits of a brother and sister of the Luppé family (a pair) oil on panel 9¼ x 6 in. (23.5 x 15.2 cm.) Louise Abbéma was a French painter and designer, born in Etampes. She began painting in her early teens, and studied under such notables of the period as Charles Joshua Chaplin, Jean-Jacques Henner and Carolus-Duran. She first received recognition for her work at 23 when she painted a portrait of Sarah Bernhardt, her life-long friend and, many believe, her lover. She excelled at portraiture and flower painting equally at ease in all mediums and also painted panels and murals which adorned the Paris Town Hall, the Paris Opera House, numerous theatres including the "Theatre Sarah Bernhardt", and the "Palace of the Colonial Governor" at Dakar, Senegal. She was a regular exhibitor at the Paris Salon, where she received an honorable mention for her panels in 1881. Abbéma was also among the female artists whose works were exhibited in the Women's Building at the 1893 World Columbian Exposition in Chicago. A bust Sarah Bernhardt sculpted of Abbéma was also exhibited at the exposition. Her most remarkable work is, perhaps, Le Déjeuner dans la serre, in the Pau Museum, not unworthy of comparison with her Impressionist friends, Bazille and Manet. The characteristics of her painterly style are apparent in this small pair of typically fashionable sitters, a brother and sister of the Luppé family. Among the many honors conferred upon Abbéma was nomination as official painter of the Third Republic.
    [Show full text]
  • Calendar of Events
    Calendar the September/October 2010 hrysler of events CTHE MAGAZINE OF THE CHRYSLER MUSEUM OF ART p 5 Exhibitions • p 7 News • p 10 Daily Calendar • p 14 Public Programs • p 18 Member Programs G ENERAL INFORMATION COVER Contact Us The Museum Shop Group and School Tours William Powell Frith Open during Museum hours (English, 1819–1909) Chrysler Museum of Art (757) 333-6269 The Railway 245 W. Olney Road (757) 333-6297 www.chrysler.org/programs.asp Station (detail), 1862 Norfolk, VA 23510 Oil on canvas Phone: (757) 664-6200 Cuisine & Company Board of Trustees Courtesy of Royal Fax: (757) 664-6201 at The Chrysler Café 2010–2011 Holloway Collection, E-mail: [email protected] Wednesdays, 11 a.m.–8 p.m. Shirley C. Baldwin University of London Website: www.chrysler.org Thursdays–Saturdays, 11 a.m.–3 p.m. Carolyn K. Barry Sundays, 12–3 p.m. Robert M. Boyd Museum Hours (757) 333-6291 Nancy W. Branch Wednesday, 10 a.m.–9 p.m. Macon F. Brock, Jr., Chairman Thursday–Saturday, 10 a.m.–5 p.m. Historic Houses Robert W. Carter Sunday, 12–5 p.m. Free Admission Andrew S. Fine The Museum galleries are closed each The Moses Myers House Elizabeth Fraim Monday and Tuesday, as well as on 323 E. Freemason St. (at Bank St.), Norfolk David R. Goode, Vice Chairman major holidays. The Norfolk History Museum at the Cyrus W. Grandy V Marc Jacobson Admission Willoughby-Baylor House 601 E. Freemason Street, Norfolk Maurice A. Jones General admission to the Chrysler Museum Linda H.
    [Show full text]
  • Salon De 1857
    Jules Verne SALON DE 1857 Texte intégral établi, présenté et annoté par Volker Dehs 2 Sommaire En guise d’introduction ……………………………………………………. 3 Sources abrégées …………………………………………………………. 4 Préface. Jules Verne critique d’art ………………………………………. 5 Une institution éminemment française………………………………. 7 Les chroniqueurs du Salon……………………………………………. 11 L’exemple de Courbet…………………………………………………. 17 Le premier livre de Verne ?………………………………………….... 21 Peintres et peinture dans les « Voyages extraordinaires »………... 24 M. Verne et les beaux-arts……………………………………………. 30 Chronologie de 1857 ………………………………………………………. 34 SALON DE 1857 Article préliminaire……………………………………………………… 38 Premier article………………………………………………………….. 46 Deuxième article……………………………………………………….. 61 Troisième article……………………………………………………….. 73 Quatrième article………………………………………………………. 87 Cinquième article………………………………………………………. 103 Sixième article………………………………………………………….. 112 Annexes : Portraits d’artistes. XVIII. (Victor Massé)……………………………….. 124 Conseil municipal d’Amiens. Séance du 13 mai 1891……….……….. 130 Liste des illustrations ……………………………………………………… 137 Répertoire des artistes cités ……………………………………………… 139 L’auteur ………………………………………………………………………160 Tous droits réservés. © Volker Dehs, 29 septembre 2008 Dernière mise à jour : 5 novembre 2008 3 En guise d’introduction Le texte suivant de Jules Verne – Salon de Paris , qui se compose d’un « ar- ticle préliminaire » ainsi que de six articles numérotés – a paru pour la première fois dans la Revue des Beaux-Arts. Tribune des artistes (Paris), tome huitième, livraisons
    [Show full text]
  • Japonisme in Britain - a Source of Inspiration: J
    Japonisme in Britain - A Source of Inspiration: J. McN. Whistler, Mortimer Menpes, George Henry, E.A. Hornel and nineteenth century Japan. Thesis Submitted for the Degree of Doctor of Philosophy in the Department of History of Art, University of Glasgow. By Ayako Ono vol. 1. © Ayako Ono 2001 ProQuest Number: 13818783 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818783 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 4 8 1 0 6 - 1346 GLASGOW UNIVERSITY LIBRARY 122%'Cop7 I Abstract Japan held a profound fascination for Western artists in the latter half of the nineteenth century. The influence of Japanese art is a phenomenon that is now called Japonisme , and it spread widely throughout Western art. It is quite hard to make a clear definition of Japonisme because of the breadth of the phenomenon, but it could be generally agreed that it is an attempt to understand and adapt the essential qualities of Japanese art. This thesis explores Japanese influences on British Art and will focus on four artists working in Britain: the American James McNeill Whistler (1834-1903), the Australian Mortimer Menpes (1855-1938), and two artists from the group known as the Glasgow Boys, George Henry (1858-1934) and Edward Atkinson Hornel (1864-1933).
    [Show full text]
  • The Ballads and Songs of Ayrshire
    LIBRARY OF THE University of California. Class VZQlo ' i" /// s Digitized by the Internet Archive in 2007 with funding from Microsoft Corporation http://www.archive.org/details/balladssongsofayOOpaterich THE BALLADS AND SONGS OF AYRSHIRE, ILLUSTRATED WITH SKETCHES, HISTORICAL, TRADITIONAL, NARRATIVE AND BIOGRAPHICAL. Old King Coul was a merry old soul, And a jolly old soul was he ; Old King Coul he had a brown bowl, And they brought him in fiddlers three. EDINBURGH: THOMAS G. STEVENSON, HISTORICAL AND ANTIQUARIAN BOOKSELLER, 87 PRINCES STREET. MDCCCXLVII. — ; — CFTMS IVCRSI1 c INTRODUCTION. Renfrewshire has her Harp—why not Ayrshire her Lyre ? The land that gave birth to Burns may well claim the distinction of a separate Re- pository for the Ballads and Songs which belong to it. In this, the First Series, it has been the chief object of the Editor to gather together the older lyrical productions connected with the county, intermixed with a slight sprinkling of the more recent, by way of lightsome variation. The aim of the work is to collect those pieces, ancient and modern, which, scattered throughout various publications, are inaccessible to many readers ; and to glean from, oral recitation the floating relics of a former age that still exist in living remembrance, as well as to supply such in- formation respecting the subject or author as maybe deemed interesting. The songs of Burns—save, perhaps, a few of the more rare—having been already collected in numerous editions, and consequently well known, will form no part of the Repository. In distinguishing the Ballads and Songs of Ayrshire, the Editor has been, and will be, guided by the connec- tion they have with the district, either as to the author or subject ; and now that the First Series is before the public, he trusts that, whatever may be its defects, the credit at least will be given Jiim of aiming, how- ever feebly, at the construction of a lasting monument of the lyrical literature of Ayrshire.
    [Show full text]
  • Sidney Richard Percy - “Across the Common” - Ref 2307
    Sidney Richard Percy - “Across the Common” - Ref 2307 A crisply painted summer scene depicting two children watching some sheep grazing at the side of a path winding its way across the common, painted by renowned 19th century artist Sidney Richard Percy. Born in London, 5th son of Edward Williams of the famous William’s family of painters, Sidney began his career when his elder brothers were already well established. His very early work was signed Sidney Williams but at 20 adopted the surname Percy, under which his paintings of Home Counties, Devon, Yorkshire, the Lake District, Skye and North Wales, were to achieve a greater popularity than those of any other member of the Williams family. When Sidney married in 1863, he and his new family settled in Buckinghamshire. Their Regency home, Hill House was ideally placed for the study of the English wooded landscape, as it looked across the Misbourne Valley to the beech woods and beyond. Percy reached the peak of his popularity as an artist during the years he spent there and was able to support the extravagant tastes of his wife Percy’s palette was bright and realistic, his style meticulous and highly detailed, with a natural air and look to all his work. He regularly exhibited at the Royal Academy (1842-1886), and the British Institute. His works are also found in museums and galleries such as the Victoria Art Gallery, Bath; the National Museum of Wales, Cardiff; The Museum of Fine Arts, Canada; and museums and city art galleries in Leicester, Nottingham, Sheffield, Sunderland, Salford and York.
    [Show full text]
  • Old Master, British and European Art
    OLD MASTER, BRITISH AND EUROPEAN ART DONNINGTON PRIORY | THURSDAY 27 MAY 2021 OLD MASTER, BRITISH AND EUROPEAN ART DONNINGTON PRIORY | THURSDAY 27 MAY 2021 | 10.30am Coming Up at Dreweatts Auctions 5 May | Live Online Jewellery, Silver, Watches, Pens, Coins and Medals – Part 1 6 May | Live Online Piet Jonker | Garden Statuary and Ornament 6 May | Timed Online Jewellery, Silver, Watches, Pens, Coins and Medals – Part 2 12 May | Live Online Interiors to include the selected contents of Berwick House, Shropshire and other properties 13 May | Timed Online Hambridge Sale 19 May | Live Online Chinese Ceramics and Works of Art (Part 1) 20 May | Live Online Japanese & Chinese (Part 2) and Indian & Islamic Ceramics & Works of Art 27 May | Live Online Old Master, British and European Art 8 June | Live Online Interiors Day 1: to include Decorative Arts since 1860 9 June | Live Online Interiors Day 2 30 June | Live Online Fine Furniture, Sculpture, Carpets, Ceramics and Works of Art 1 July | Live Online Fine and Rare Wine and Spirits 2 July | Timed Online Hambridge Sale We hold regular auctions of fine art, antiques, jewellery and other collectibles. Our specialists carry out valuations nationwide so if you are unable to attend one of our valuation days, please request a valuation via our website or call us to discuss a home visit. NOW INVITING ENTRIES FOR OUR 2021 AUCTIONS CHINESE AND JAPANESE WORKS OF ART INCLUDING ISLAMIC AND INDIAN ART 19 & 20 MAY 2021 | 10.30am NEWBURY LONDON HAMBRIDGE LANE ENQUIRIES Dreweatts Dreweatts / Bloomsbury Auctions
    [Show full text]
  • 19Th Century European, Victorian and British Impressionist Art New Bond Street, London I 26 September 2018
    19th Century European, Victorian and British Impressionist Art New Bond Street, London I 26 September 2018 19th Century European, Victorian and British Impressionist Art Wednesday 26 September 2018 at 2pm New Bond Street, London VIEWING ENQUIRIES REGISTRATION PHYSICAL CONDITION OF Thursday 20 September Peter Rees (Head of Sale) IMPORTANT NOTICE LOTS IN THIS AUCTION 9am to 4.30pm +44 (0) 20 7468 8201 Please note that all customers, PLEASE NOTE THAT THERE IS Friday 21 September [email protected] irrespective of any previous NO REFERENCE IN THIS 9am to 4.30pm activity with Bonhams, are Sunday 23 September Charles O’Brien CATALOGUE TO THE PHYSICAL 11am to 3pm (Head of Department) required to complete the Bidder CONDITION OF ANY LOT. Monday 24 September +44 (0) 20 7468 8360 Registration Form in advance of INTENDING BIDDERS MUST 9am to 4.30pm [email protected] the sale. The form can be found SATISFY THEMSELVES AS TO Tuesday 25 September at the back of every catalogue THE CONDITION OF ANY LOT 9am to 4.30pm Emma Gordon and on our website at www. AS SPECIFIED IN CLAUSE 14 Wednesday 26 September +44 (0) 20 7468 8232 bonhams.com and should be OF THE NOTICE TO BIDDERS 9am to 12pm [email protected] returned by email or post to the CONTAINED AT THE END OF THIS CATALOGUE. specialist department or to the SALE NUMBER Alistair Laird bids department at 24742 +44 (0) 20 7468 8211 As a courtesy to intending [email protected] [email protected] bidders, Bonhams will provide a written Indication of the physical CATALOGUE To bid live online and / or leave condition of lots in this sale if a £25.00 Deborah Cliffe internet bids please go to +44 (0) 20 7468 8337 request is received up to 24 www.bonhams.com/ ILLUSTRATIONS [email protected] hours before the auction starts.
    [Show full text]
  • Land East of Plot 7 Ladyrig Farm Heiton Kelso APPLICANT: Robert Ian Jones and Lynda Jones AGENT: Brodies LLP
    SCOTTISH BORDERS COUNCIL PLANNING AND BUILDING STANDARDS COMMITTEE 2 SEPTEMBER 2019 APPLICATION FOR PLANNING PERMISSION ITEM: REFERENCE NUMBER: 19/00593/FUL OFFICER: Euan Calvert WARD: Jedburgh and District PROPOSAL: Removal of Condition No 3 from planning consent 16/00160/FUL SITE: Land East Of Plot 7 Ladyrig Farm Heiton Kelso APPLICANT: Robert Ian Jones And Lynda Jones AGENT: Brodies LLP PLANNING PROCESSING AGREEMENT: 5th August 2019 SITE DESCRIPTION Ladyrig is located half a mile to the east of Heiton on an unclassified road (leading to Bowmont forest). Ladyrig is a group of traditional agricultural buildings which have been converted to four dwellinghouses. Ladyrig Farmhouse and Lodge are situated south of this former steading. On the opposite side of the public road are 3 houses (one conversion and 2 new build hoses) which were developed following the grant of planning permission in 2002. The application site (Middlemarch) is set back from the road and east of the property known as Seven Oaks. It is situated to the rear of Ladyrig Farm Cottages, which comprises of 3 small terraces each consisting of 3 houses. Westfield (a converted agricultural building) is located on the south west side of the public road and accessed by a farm track. This farm track is opposite the entrance to Middlemarch and the Claimed right of way BR20. The track forms the southern edge of the designed gardens of Ladyrig Farmhouse and the southern edge of the group. The application site area extends to 0.33 ha, being the western portion of a paddock which extends to 0.57ha.
    [Show full text]