Ripples of Modernity: Language Shift and Resistance in the Valley of Etla
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ENTIDAD MUNICIPIO LOCALIDAD LONG LAT Oaxaca Asunción
ENTIDAD MUNICIPIO LOCALIDAD LONG LAT Oaxaca Asunción Nochixtlán EL CORTIJO 970730 172018 Oaxaca Asunción Nochixtlán NUEVO MORELOS 970644 172117 Oaxaca Asunción Nochixtlán SAN ANDRÉS ACHIO (SACHÍO) 971133 172325 Oaxaca Asunción Nochixtlán SAN MIGUEL ADÉQUEZ (ADEQUÉS) 970845 172728 Oaxaca Asunción Nochixtlán SAN PEDRO QUILITONGO 970939 172755 Oaxaca Asunción Nochixtlán SANTA CATARINA ADÉQUEZ (ADEQUÉS) 970840 172604 Oaxaca Asunción Nochixtlán SANTA CRUZ RÍO SALINAS 970849 172321 Oaxaca Asunción Nochixtlán SANTA MARÍA AÑUMA 971055 172421 Oaxaca Asunción Nochixtlán SANTA MARÍA TINÚ 970739 172223 Oaxaca Asunción Nochixtlán OJO DE AGUA MITLATONGO 971600 171324 Oaxaca Asunción Nochixtlán CANTERA 971235 172558 Oaxaca Asunción Nochixtlán SANTIAGO CAMOTLÁN 970123 172733 Oaxaca Asunción Nochixtlán YUDANCHICA 970843 172140 Oaxaca Asunción Nochixtlán LOMA LARGA 970853 172110 Oaxaca Asunción Nochixtlán EL ENCINAL 970821 172036 Oaxaca Asunción Nochixtlán RÍO GRANDE 970711 172248 Oaxaca Asunción Nochixtlán REFORMA 970843 172206 Oaxaca Asunción Nochixtlán UNIDAD PIEDRA DE SANGRE (MORELOS UNO) 970533 173142 Oaxaca Asunción Nochixtlán AGUA DE LA VIRGEN (YUTUU) 970751 172720 Oaxaca Asunción Nochixtlán TIZA-COTO 971141 172440 Oaxaca Asunción Nochixtlán LOMA DE HIELO 970637 172229 Oaxaca Asunción Nochixtlán LOMA ESCOBILLA 970817 172057 Oaxaca Asunción Nochixtlán CUESTA COLORADA 970704 172012 Oaxaca Asunción Nochixtlán CUESTA BLANCA 970822 171949 Oaxaca Asunción Nochixtlán REFORMA (EL GUAJAL) 970746 172046 Oaxaca Asunción Nochixtlán CASA BLANCA 970142 172803 -
Ancient Mexico: the Legacy of the Plumed Serpent
LACMA | Evenings for Educators | April 17, 2012 Ancient Mexico: The Legacy of the Plumed Serpent _____________________________________________________________________________________________________ The greatness of Mexico is that its past is always alive . Mexico exists in the present, its dawn is occurring right now, because it carries with it the wealth 1 of a living past, an unburied memory. —Carlos Fuentes MUCH OF THE HISTORY AND TRADITIONS OF MESOAMERICA, The system of pictographic communication a cultural region encompassing most of Mexico and and its accompanying shared art style was an northern Central America, can be traced through ingenious response to the needs of communities a pictorial language, or writing system, that was whose leaders spoke as many as twelve different introduced around AD 950. By 1300 it had been languages. Beginning in the tenth century, widely adopted throughout Southern Mexico. Southern Mexico was dominated by a confeder- This shared art style and writing system was used acy of city-states (autonomous states consisting to record and preserve the history, genealogy, and of a city and surrounding territories). Largely mythology of the region. It documents systems controlled by the nobility of the Nahua, Mixtec, of trade and migration, royal marriage, wars, and and Zapotec peoples, these city-states claimed records epic stories that continue to be passed on a common heritage. They believed that their through a pictorial and oral tradition today. kingdoms had been founded by the hero Quetzalcoatl, the human incarnation of the This pictorial language was composed of highly Plumed Serpent. They shared a culture, world- conventionalized symbols characterized by an view, and some religious practices but operated almost geometric precision of line. -
What Do People from Other Countries/Cultures Wear? 4-H Clothing and Textiles Project Part of the Family and Consumer Sciences 4-H Project Series
1-2 YEARS IN PROJECT What do People from Other Countries/Cultures Wear? 4-H Clothing and Textiles Project Part of the Family and Consumer Sciences 4-H Project Series Understanding Textiles (Fabric) Project Outcome: Global/ Ethnic- Identify various fabric as belonging to specific ethnic cultures. Project Indicator: Completed exploration of specific items worn in identified countries/cultures, the clothes worn during festivals/celebrations, and fabrics used. Do you know someone from another country? Or have you ever seen, in person or on TV, a festival or celebration from another country? Have you noticed that they wear clothes that are different from what you and I wear? While some of their celebrations are the same as ours, the clothes they wear may be different. It is fun and interesting to learn about what people from other countries wear during their festivals and celebrations. In learning this, you can also learn about the fabrics that they use to make their garments for these festivals. For this activity, you will learn about four different cultures, what they wear, especially for their festivals/celebrations or based on their religion, and what fabrics they make and use for clothing worn. Then you will be asked to do your own research to discover more about the clothing of these and other cultures. First, let’s define the word culture. Culture means: the beliefs and customs of a particular group of people which guides their interaction among themselves and others. A country can contain people from more than one cultural background. They may or may not observe the same celebrations or traditions in the same way. -
Aztec Culture Education Update
Aztec Culture Education Committee Ideas Report Draft August 2018 ORIGINAL CHARGE/FRAMEWORK A committee of cross campus partners including faculty, staff and students was formed at the end of the 2016- 2017 academic year to work on and develop a comprehensive Aztec culture educational plan. As a result of the committee meetings, a number of proposed initiatives were identified. The charge of the group and the basis of the conversations have revolved around fulfilling prior commitments made by the campus, as an example: Associated Students Referendum Spring 2008, passed Implementation of an Aztec Culture Project. The Project will include three elements intended to promote historically accurate portrayals of the Aztec Culture: new botanical gardens around the campus that include indigenous plantings from areas where the Aztecs thrived, a glass-mosaic mural that depicts historically accurate images portraying the origins of the Aztec Culture, and educational programs about the Aztec Culture that would be offered to all new SDSU students As the committee incorporated the recognition of the University’s relationship to local Indian groups as well as other indigenous groups from Mexico that comprise the larger University community. To begin prioritizing ideas and potential campus efforts, the following framework has been created from the current committee’s discussions, to categorize the overarching topical areas and objectives identified to date: San Diego State University will enrich the environment and deepen campus learning, both inside and outside the classroom, by enhancing Aztec Culture Education knowledge and understanding by strategically: • Expanding opportunities for scholarship regarding Aztec Culture, as well as local indigenous and Native American groups, through innovative courses, experiences, and engagement. -
The Cultural Significance of Women's Textile Co Operatives in Guatemala
HECHO A MANO: THE CULTURAL SIGNIFICANCE OF WOMEN’S TEXTILE CO OPERATIVES IN GUATEMALA A* A thesis submitted to the faculty of 'ZQ IB San Francisco State .University M ^ In partial fulfillment of the requirements for the Degree Master of Arts In Humanities by Morgan Alex McNees San Francisco, California Summer 2018 Copyright by Morgan Alex McNees 2018 CERTIFICATION OF APPROVAL I certify that I have read Hecho a Mano: The Significance o f Women s Textile Cooperatives in Guatemala by Morgan Alex McNees, and that in my opinion this work meets the criteria for approving a thesis submitted in partial fulfillment of the requirement for the degree Master in Humanities at San Francisco State University. Cristina Ruotolo, Ph.D. Professor of Humanities —^ t y i t u A . to Laura Garci'a-Moreno, Ph.D. Professor of Humanities HECHOAMANO: THE CULTURAL SIGNIFICANCE OF WOMEN’S TEXTILE COOPERATIVES IN GUATEMALA Morgan McNees San Francisco, California 2018 After the civil war Mayan women in Guatemala are utilizing their traditional skills, specifically weaving, to rebuild communities and rediscover what it means to be Mayan today. This thesis will explore the impact of the textile market on the social standing of Mayan women and how weaving allows them to be entrepreneurs in their own right. I will also analyze the significance of Mayan textiles as a unifier and symbol of solidarity among the devastated Mayan communities, and the visual narratives depicted in the artwork and their relationship to the preservation of Mayan heritage. This research will focus on several women’s textile cooperatives in Guatemala. -
0368 0365 Instituto Nacional Electoral 0999
P 0368 0365 INSTITUTO NACIONAL ELECTORAL 0999 1980 REGISTRO FEDERAL DE ELECTORES 0667 1982 1981 COORDINACIÓN DE OPERACIÓN EN CAMPO 2408 SANTIAGO CHAZUMBA 1001 REYES ETLA 074 2409 DIRECCIÓN DE CARTOGRAFÍA ELECTORAL 1983 459 1979 PUEBLA 1984 0666 1978 2410 0765 0145 1979 S I M B O L O G Í A 0144 1595 VILLA DE ETLA 560 1985 0719 0667 LÍMITES COSOLTEPEC SAN ANTONIO 025 1598 1596 INTERNACIONAL 1597 1599 NANAHUATIPAM 106 2411 0146 SAN PEDRO 1986 ESTATAL Y SAN PABLO 2337 NAZARENO DISTRITAL FEDERAL PUEBLA TEQUIXTEPEC 335 ETLA 063 DELEGACIONAL Y/O MUNICIPAL 0460 GUADALUPE ETLA SECCIONAL 0459 1600 1683 033 SANTA TEPELMEME 0192 1594 SAN JUAN CATARINA BAUTISTA 2303 CLAVES GEOELECTORALES ZAPOQUILA VILLA DE SUCHITEPEC 179 374 DISTRITO ELECTORAL FEDERAL 00 0126 1425 0223 1006 MORELOS 2301 MUNICIPIO 000 SANTIAGO SECCIÓN MILTEPEC 477 548 0000 1005 1972 0941 2070 SANTA MARIA SAN JOSE CONCEPCION TECOMAVACA 432 AYUQUILA 163 09 0224 BUENAVISTA 021 FRESNILLO DE 1325 42 ASUNCION 0042 CABECERAS TRUJANO 031 CUYOTEPEJI SANTA MARIA HEROICA 005 CAMOTLAN 401 2338 CAPITAL DEL ESTADO JLE 1326 0225 CIUDAD DE 0125 VOCALÍA ESTATAL SANTIAGO 1787 ZAPOTITLAN HUAJUAPAN 1788 SAN FRANCISCO AYUQUILILLA 1327 PALMAS 569 TEOPAN 148 2362 VOCALÍA DISTRITAL 456 DE LEON 037 2336 1324 TLACOTEPEC CABECERA DE MUNICIPIO MARISCALA DE 1971 0226 2435 1996 0906 PLUMAS 551 1328 0227 1405 JUAREZ 055 SANTIAGO SANTIAGO IHUITLAN SANTA MARIA DISTRITO 02 SAN SIMON PLUMAS 465 1329 HUAJOLOTITLAN 2002 SAN MIGUEL IXCATLAN 417 ZAHUATLAN 0214 463 MN SAN MARTIN 349 SAN MIGUEL 0203 04 1995 1513 2 2003 TEQUIXTEPEC -
Animal Economies in Pre-Hispanic Southern Mexico 155
The The Recognition of the role of animals in ancient diet, economy, politics, and ritual is vital to understanding ancient cultures fully, while following the clues available from Archaeobiology 1 animal remains in reconstructing environments is vital to understanding the ancient relationship between humans and the world around them. In response to the growing interest in the field of zooarchaeology, this volume presents current research from across the many cultures and regions of Mesoamerica, dealing specifically with the Archaeology most current issues in zooarchaeological literature. Geographically, the essays collected here index the The Archaeology of different aspects of animal use by the indigenous populations of the entire area between the northern borders of Mexico and the southern borders of lower Central America. This includes such diverse cultures as the Olmec, Maya, Zapotec, Mixtec, and Central American Indians. The time frame of the volume extends from the Preclassic to recent times. The book’s chapters, written by experts in the field of Mesoamerican Mesoamerican Animals of Mesoamerican zooarchaeology, provide important general background on the domestic and ritual use of animals in early and classic Mesoamerica and Central America, but deal also with special aspects of human–animal relationships such as early domestication and symbolism of animals, and important yet edited by Christopher M. Götz and Kitty F. Emery otherwise poorly represented aspects of taphonomy and zooarchaeological methodology. Christopher M. Götz is Profesor-Investigador (lecturer & researcher), Facultad de Ciencias Antropológicas, UADY, Mexico. Kitty F. Emery is Associate Curator of Environmental Archaeology, Florida Museum of Natural History, University of Florida, USA. Animals “A must for those interested in the interaction of human and animals in Mesoamerica or elsewhere. -
Passport to the World (Mexico) Haleigh Wilcox About Mexico
Passport to the World (Mexico) Haleigh Wilcox About Mexico Official name : United Mexican States Established : September 16th ,1810 Type of Goverment : Federal, Republic, Constitution Republic and has a Presidential Representitive Current President of Mexico : Andres Manuel Lopez Obrabor Haleigh Wilcox Mexico’s Geography in the World Mexico’s Own Geography Continent it’s in : South America Capital City : Mexico City Latitude : 23.6345 Other Major Cities : Ecatepec, Puebla, Guadalajara, Juarez Other Geographic Features : Lake Chapala, Sonoran Desert, Sierra Side of Equator : North Madres, Chihuahuan Desert o o Average Tempurature : December-71 F/21.67 C Size : 758,449 sq. miles June-57oF/13.89oC Major Tourist Sites : Teotihuacan, Copper Canyon, Cozumel, Tulum, El Arco, San Ignacio Lagoon Haleigh Wilcox About The People Mexico’s Economy Population : 110,939,132 Basic Unit of Currency : Peso Major Languages Spoken : Nahuatl (22.89%), Mayan Major Agricultural Products : sorghum, chili peppers, barley*, (12.63), Mixteco (7.04%), Zapoteco (6.84%), Tzeltal (6.18%) avocados*, blue agave, coffee* Manufactured Products : Oil, Cotton, Silver, Cars, Insulated Wires Area Percentage Where People Live : 33% Rural, 77% and Cables, Tractors Urban Type of region : Developing Haleigh Wilcox Mexico’s Culture House Type : Mexican houses, Mexican Ranch Homes, Some famous People : Salma Hayek (2002 Film Actress and Spanish villa, Adobe, Misision Style Mansion Producer) and Espinoza Paz (2006 Latin Musician) Clothing Type : Slacks or jeans with a button-down shirt or Foods We Eat That Are Prepared In Mexico : Tacos, T-shirt for men and a skirt or slacks with a blouse or T-shirt Burritos, Tostadas for women. -
Índice De Desarrollo Humano 2005
ÍNDICE DE DESARROLLO HUMANO 2005 ESTADO MUNICIPIO ID_ESTADO ID_MUNICIPIO INDICE DE DESARROLLO HUMANO GRADO DE DESARROLLO HUMANO Oaxaca Total del estado Oaxaca 20 0 0.7336 M Oaxaca Abejones 20 1 0.6748 M Oaxaca Acatlán de Pérez Figueroa 20 2 0.7684 M Oaxaca Asunción Cacalotepec 20 3 0.6714 M Oaxaca Asunción Cuyotepeji 20 4 0.7515 M Oaxaca Asunción Ixtaltepec 20 5 0.8097 A Oaxaca Asunción Nochixtlán 20 6 0.7984 M Oaxaca Asunción Ocotlán 20 7 0.6756 M Oaxaca Asunción Tlacolulita 20 8 0.7459 M Oaxaca Ayotzintepec 20 9 0.7291 M Oaxaca El Barrio de la Soledad 20 10 0.8359 A Oaxaca Calihualá 20 11 0.6909 M Oaxaca Candelaria Loxicha 20 12 0.6769 M Oaxaca Ciénega de Zimatlán 20 13 0.8139 A Oaxaca Ciudad Ixtepec 20 14 0.8487 A Oaxaca Coatecas Altas 20 15 0.6403 M Oaxaca Coicoyán de las Flores 20 16 0.4768 B Oaxaca La Compañía 20 17 0.7106 M Oaxaca Concepción Buenavista 20 18 0.7452 M Oaxaca Concepción Pápalo 20 19 0.6971 M Oaxaca Constancia del Rosario 20 20 0.6338 M Oaxaca Cosolapa 20 21 0.7836 M Oaxaca Cosoltepec 20 22 0.7721 M Oaxaca Cuilápam de Guerrero 20 23 0.8151 A Oaxaca Cuyamecalco Villa de Zaragoza 20 24 0.6502 M Oaxaca Chahuites 20 25 0.7657 M Dirección General de Población ESTADO MUNICIPIO ID_ESTADO ID_MUNICIPIO INDICE DE DESARROLLO HUMANO GRADO DE DESARROLLO HUMANO Oaxaca Chalcatongo de Hidalgo 20 26 0.7388 M Oaxaca Chiquihuitlán de Benito Juárez 20 27 0.6377 M Oaxaca Heroica Ciudad de Ejutla de Crespo 20 28 0.7402 M Oaxaca Eloxochitlán de Flores Magón 20 29 0.606 M Oaxaca El Espinal 20 30 0.8741 A Oaxaca Tamazulápam del Espíritu Santo -
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Polar bear with Cub (AC1) Boy Fishing (AC2) Humpback whale (AC3) Spirit of the Mountain (AC4) Two-Headed Statue (AC5) Stages of Marriage Bracelet (AC7) Eagle and Fish (AC8) Caribou Skin Mask with Black Ink Tattoos (AC6) Miniature Mountain Spirit Mask (AC9) Loon Birds Earrings (AC10) Kayak Necklace (AC11) Ivory Swan Pendant (AC12) Page 1 Lucky Halibut (AC13) Round Earrings (AC14) Rhombus Earrings (AC15) Beluga Whale (AC16) Baby Seal (AC17) Baby Polar Bear (AC18) Bird Pendant (AC19) Button Face Native Doll (AC20) Yupik Bone Doll (AC21) Yupik Bone Doll (AC22) Chevak Cup'ik Doll holding Berries (AC23) Chevak Cup'ik Doll (AC24) Page 2 Chiapas Magdalena Huipil (AFFA3) Big Jaguar Wrap Skirt (AFFA1) Chiapas Tenejapa Huipil (AFFA4) Blue Hearts Huipil (AFFA2) Chiapas Tenejapa Shawl (AFFA5) Chiapas Zinacantan Huipil (AFFA6) Chichicastenango Flowers Huipil (AFFA8) Chiapas Zinacantan Serape (AFFA7) Chichicastenango Huipil (AFFA9) Colotenango Huipil (AFFA10) Joyabaj Huipil (AFFA12) Jalapa de Diaz Oaxaca Multicolored Bird and Flower Huipil (AFFA11) Page 3 Market Apron (AFFA13) Men's Poncho (AFFA14) Oaxacan Huautla Huipil and Falda (AFFA16) Oaxacan Amuzgo Huipil (AFFA15) Chichicastenango Huipil with gold threading (AFFA17) Patzún Huipil 1 (AFFA18) Patzún Huipil 2 (AFFA19) Pink Belt (AFFA20) San Antonio Aguas Calientes Huipil San Lucas Toliman Huipil (AFFA23) (AFFA21) Santa Maria Nebaj Huipil (AFFA24) San Juan Sacatepequez Faja (AFFA22) Page 4 Santiago Atitlán Bird Huipil #2 (AFFA26) Santiago Atitlán Bird Huipil (AFFA25) Santiago Atitlán Turkey Huipil (AFFA27) Trique Huipil (AFFA28) Ecuadorian Women's Outfit (AFFA32) Two Peacocks Black and White Dress White Campesina Blouse (AFFA30) (AFFA29) White Skirt with Woman and Horse Scene on Edge (AFFA31) St. -
Fitting Words Fit These Bingos Into Your Word Wardrobe: CLOTHES, FASHION, WEARABLES, ACCESSORIES Compiled by Jacob Cohen, Asheville Scrabble Club
Fitting Words Fit these bingos into your word wardrobe: CLOTHES, FASHION, WEARABLES, ACCESSORIES compiled by Jacob Cohen, Asheville Scrabble Club A 8s ACOUSTIC ACCIOSTU hearing aid [n -S] AIGRETTE AEEGIRTT tuft of feathers worn as head ornament [n -S] ALGERINE AEEGILNR woolen fabric [n -S] APPLIQUE AEILPPQU to apply as decoration to larger surface [v -D, -ING, -S] APRONING AGINNOPR APRON, to provide with apron (garment worn to protect one's clothing) [v] ARMATURE AAEMRRTU to furnish with armor [v -D, -RING, -S] ARMGUARD ADGMNRRU covering to protect arm [n -S] ARMIGERO AEGIMORR armiger (one who carries armor of knight) [n -S] ARMORING AGIMNORR ARMOR, to furnish with armor (defensive covering) [v] ARMOURED ADEMORRU ARMOUR, to armor (to furnish with armor (defensive covering)) [v] ARMOURER AEMORRRU armorer (one that makes or repairs armor) [n -S] ATTIRING AGIINRTT ATTIRE, to clothe (to provide with clothing) [v] AVENTAIL AAEILNTV ventail (adjustable front of medieval helmet) [n -S] B 8s BABOUCHE ABBCEHOU heelless slipper [n -S] BABUSHKA AABBHKSU woman's scarf [n -S] BABYDOLL ABBDLLOY short sheer pajamas for women [n -S] BACKWRAP AABCKPRW wraparound garment that fastens in back [n -S] BAGGIEST ABEGGIST BAGGY, loose-fitting [adj] BALDRICK ABCDIKLR baldric (shoulder belt) [n -S] BALMORAL AABLLMOR type of shoe (covering for foot) [n -S] BANDANNA AAABDNNN large, colored handkerchief [n -S] BARATHEA AAABEHRT silk fabric [n -S] BAREHEAD AABDEEHR without hat [adv] BARENESS ABEENRSS state of being bare (naked (being without clothing or covering)) -
Ellen Hoobler Primary Source Materials on Oaxacan Zapotec Urns
FAMSI © 2008: Ellen Hoobler Primary Source Materials on Oaxacan Zapotec Urns from Monte Albán: A New Look at the Fondo Alfonso Caso and other archives in Mexico Research Year: 2007 Culture: Zapotec, Mixtec Chronology: Preclassic - Classic Location: México D.F. and Pachuca, Hildago Site: Various archives at UNAM, MNAH, INAH, etc. Table of Contents Abstract Resumen Introduction Background Objectives Methodology Biographical Information Overview of the Materials Biblioteca "Juan Comas", Instituto Investigaciones Antropológicas Biblioteca Nacional de Antropología e Historia (BNAH) Instituto Nacional Indigenista INAH – Archivo Técnico Photo Collections Other Possible Sources of Information on the Monte Albán Excavations Conclusion Acknowledgements List of Figures Sources Cited Appendix A – Chronology of Alfonso Caso's Life and Career Appendix B – Research Resources Abstract I proposed a two-week trip to review the archival materials of the Fondo Alfonso Caso in Mexico City. Within the Fondo, essentially a repository of the Mexican archaeologist Caso’s papers, I was particularly interested in works relating to his excavations of Zapotec tombs at Monte Albán, in the modern-day state of Oaxaca, in México. The Fondo’s collection is distributed among three locations in Mexico City, at the Biblioteca Nacional de Antropología e Historia (BNAH), housed in the Museo Nacional de Antropología e Historia; at the Instituto de Investigaciones Antropológicas (IIA) of the National Autonomous University of Mexico (UNAM); and at the former Instituto Nacional Indigenista (now Comisión Nacional para el Desarrollo de Pueblos Indígenas, CNDPI). My main goal in reviewing the materials of the Fondo Alfonso Caso was to obtain additional notes and images relating to Caso’s excavations in Monte Albán in the 1930s and ‘40s.