DOCSLIB.ORG

A Review Journal

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
A Review Journal Ethnicity and Race in a Changing World: A Review Journal Volume 3 Issue 2 2012 Copyright © 2012 Manchester University Press While copyright in the journal as a whole is vested in Manchester University Press, copyright in individual articles belongs to their respective authors and no chapters may be reproduced wholly or in part without the express permission in writing of both author and publisher. Articles, comments and reviews express only the personal views of the author. Published by Manchester University Press, Oxford Road, Manchester, M13 9NR www.manchesteruniversitypress.co.uk ISSN 1758-8685 Ethnicity and Race in a Changing World: A Review Journal is a biannual journal, semi peer reviewed and freely available online. Those planning to submit to the journal are advised to consult the guidelines found on the website. The journal is created and edited by the Ahmed Iqbal Ullah Race Relations Resource Centre, University of Manchester, J Floor, Sackville Street Building, Sackville Street Area, M60 1QD Telephone: 0161 275 2920 Email: [email protected] Ethnicity and Race in a Changing World: A Review Journal Volume 3 Issue 2 Winter 2012 Ethnicity and Race in a Changing World: A Review Journal Volume 3, Issue 2, 2012 Journal Editors: Emma Britain, University of Manchester Julie Devonald, University of Manchester Journal Sub-editors: Ruth Tait, University of Manchester Associate Editors: Professor Emeritus Lou Kushnick, University of Manchester The Editorial Board: Akwasi Assensoh, Professor, Indiana University Bloomington Alexander O. Boulton, Professor, Stevenson University Andrew Pilkington, Professor, University of Northampton and Director of Equality and Diversity Research Group Aubrey W. Bonnett, Professor, State University of New York Beverly Bunch-Lyons, Associate Professor, Virginia Tech Brian Ward, Professor, Northumbria University C. Richard King, Associate Professor, Washington State University Catherine Gomes, Dr., RMIT, University Melbourne Celine-Marie Pascale, Assistant Professor, American University Dana-ain Davis, Associate Professor, Queens College David Brown, Dr., University of Manchester David Brunsma, Associate Professor, Virgina Tech David Embrick, Assistant Professor, Loyola University Dorothy Aguilera, Assistant Professor, Lewis and Clark College Fazila Bhimji, Dr., University of Central Lancashire Glenn Omatsu, Professor, California State University H. L. T. Quan, Assistant Professor, Arizona Sate University James Frideres, Professor, University of Calgary and Director of International Indigenous Studies James Jennings, Professor, Tufts University Jo Frankham, Dr., CERES, Liverpool John Moore’s University Kris Clarke, Assistant Professor, California State University Laura Penketh, Dr., Liverpool Hope University Lionel Mandy, Professor, California State University Lisa Maya Knauer, Professor, University of Massachusetts Lucia Ann McSpadden, Coordinator of International Support and Adjunct Faculty, Pacific School of Religion Mairela Nunez-Janes, Assistant Professor, University of North Texas Marta I. Cruz-Janzen, Professor, Florida Atlantic University Melanie E. Bush, Associate Professor , Adelphi University Melissa Checker, Assistant Professor, City University of New York Michele Simms-Burton, Associate Professor, Howard University Mojúbàolú Olúfúnké Okome, Professor, Brooklyn College, City University of New York Monica White Ndounou, Assistant Professor, Tufts University Nuran Savaskan Akdogan, Dr. , TODAIE Paul Okojie, Dr. , Manchester Metropolitan University Pedro Caban, Professor, University at Albany Rajinder Dudrah, Dr., University of Manchester Richard Schur, Associate Professor and Director of Law and Society, Drury University Roderick D. Bush, Professor, St. John’s University Roland Armando Alum, DeVry University Saima Latif, Dr., University of Manchester Silvia Carrasco Pons, Professor, Universitat Autonoma De Barcelona Teal Rothschild, Associate Professor, Roger Williams University Thomas L. Blair, Professor, Editor, The Chronicle Thomas J. Keil, Professor, Arizona State University Traci P. Baxley, Assistant Professor, Florida Atlantic University Uvanney Maylor, Dr., University of Bedfordshire Willie J. Harrell, Jr., Associate Professor, Kent State University Zachery Williams, Assistant Professor, University of Akron Contents Editorial Statement: by Associate Editor, Professor Emeritus Louis Kushnick i Essays: ‘How can we help you?’ Hugh Greene and the BBC Coloured Conferences 3 by Darrell. M. Newton, Salisbury University Discourses of Race & Racism Within Environmental Justice Studies: An Eco- 17 racial Intervention by Perlita R. Dicochea, Santa Clara University Comment and Opinion: Race, the Other and Resident Evil 30 by Laura Wilson, University of Manchester Britishness in Bermondsey: Being and Belonging 35 by Sadia Habib, Goldsmiths Book Reviews 42 Ethnicity and Race in a Changing World: A Review Journal Editorial Statement This issue has an interesting range of subjects being discussed in the two essays and the Commentary piece. One theme is that of the construction of identity, in these pieces, in the UK. The essay by Darrell Newton, “’How Can We Help You?’: Hugh Greene and the BBC Coloured Conferences” is an historical analysis of BBC archives, which considers early attempts to shape BBC responses to post- war immigration from the Commonwealth to the UK. Sadia Habib’s Comment piece, “Bermondsey Being and Belonging”, addresses these issues in a contemporary setting in a multi-ethnic area of inner-city London. The other theme, Environmental Racism, is of great importance throughout the world and Perlita R. Dicochea’s essay, “Discourses of Race & Racism Within Environmental Justice Studies: An Eco-racial Intervention”, provides a critique of the existing literature and a model for future research. Although Sadia Habib’s piece is based on detailed interviews with two students, the perceptions of her interviewees about their lives, communities and identities, and of ‘Britishness’, are of great salience. She argues in her Conclusion, that the “students discuss the “racial” aspects of being British – and what this specifically means in their personal experience of Bermondsey. The students show us that any discourse on Britishness will inevitably highlight the complex relationship between family/home and identity/belonging. Lastly, the students are extremely articulate in voicing the ever evolving nature of Britishness, as well as its intricate mingling with multiculturalism”. Darrell Newton’s essay examines the cultural and ideological framework which shaped the BBC’s approach to the highly sensitive issues of race, immigration and xenophobia. He concludes that: ...racial formation and postcolonial difference continued to be a social construct, which subsequently became a way of comprehending and explaining these new citizens. However, West Indian settlers as the focus of these programmes often remained muted by comparison, able to offer little input on these representations and their ultimate affect upon the British public. These immigrants as settlers needed further opportunities as agents of change to tell their own stories and develop multiple narratives of the Afro-Caribbean experience; particularly through the seemingly liberal social framework of the BBC. Despite these limitations, Even if not fully acknowledged by these dominant producers as fundamental in their programming schema, management it to engage with these subjects, due in large part to constructs of postcolonialism, nationalism, and subjectivity. Simultaneously however, discourses of those West Indian cultures represented resonated within the gathering, and challenged constructs of Britishness and whiteness. Perlita R. Dicochea’s theoretical critique of the dominant view of Environmental Racism in the study of Environmental Justice includes a case study and concludes that there is a need for a new approach which she defines as an ‘eco-racial consciousness’ which ...may guide more captivating evaluations of race and racism as discursive and material forces allowing for the intentional consideration of the full spectrum of race-thinking and race-making as processes of power that are engaged by the more and less privileged within and beyond political borders and revealed in our complex, ever changing relationships with an equally dynamic and powerful natural world. We are pleased to be bringing such a valuable range of articles to our users and hope that many of you will share them with colleagues and we encourage. I Ethnicity and Race in a Changing World: A Review Journal Editorial note In this issue we feature the essay ‘How can we help you?’ Hugh Greene and the BBC Coloured Conferences by Darrell. M. Newton. This in-depth examination of the BBC’s approach to programming featuring Black and Ethnic Minority (BME) communities provides a window on the way in which BME communities were referred to, and treated, not just in the media, but by the general public. One of the most obvious expressions of this is the commonality of using the word ‘coloured’ to refer to Black people until the 1980s. The use of the adjective ‘coloured’ throughout the essay is in keeping with the use of the word as part of the name of the conferences discussed, but also in the everyday language of those involved in said conferences. The editorial team thought it important to retain the use of the word throughout the essay for these reasons. II Essays ‘How can we help you?’ Hugh Greene and the BBC Coloured Conferences by Darrell. M.
Load more

Recommended publications
  • BBC Oral History Collection, Transcript, Robin Scott
    ORAL HISTORY OF THE BBC: ROBIN SC INTERVIEWED BY FRANK GILLARD. SECOND SESSION RECORDED IN BROADCASTING HOUSE, LONDON, 14th January 1981. GILLARD: Let's move on now to the period you spent, quite a brief period really but a very important one, in Radio in the second half of the sixties, when you became Controller Radio 1 8 2. Tell us first of all how the job came to you and forget that I'm here. SCOTT: I had after some three years, three and a half years or so, back with Television Outside Broadcasts, I'd become, not discontented with the job I was doing, but really felt that if I was to realise what I believed to be my potential I should look for an executive position somewhere in the BBC. And thought well why not go back to my first love which was after all Radio, and so I applied for the job of assistant head of Gramophone Department in Broadcasting House. Working therefore to Anna Instone who was Head of the Department for many years, a great many. And I duly applied for this job although it was not at a grade above my own, in fact I don't think it certainly didn't produce any more money, but I wanted in fact to get onto the rung of a different ladder, possibly. I also wanted to get into domestic radio broadcasting which I'd really only contributed programmes to but never enjoyed any kind of executive position, or producer position, having always in radio worked at Bush House.
    [Show full text]
  • DOCUMENT RESUME ED 360 972 IR 054 650 TITLE More Mysteries
    DOCUMENT RESUME ED 360 972 IR 054 650 TITLE More Mysteries. INSTITUTION Library of Congress, Washington,D.C. National Library Service for the Blind andPhysically Handicapped. REPORT NO ISBN-0-8444-0763-1 PUB DATE 92 NOTE 172p. PUB TYPE Reference Materials Bibliographies (131) EDRS PRICE MF01/PC07 Plus Postage. DESCRIPTORS Annotated Bibliographies; Audiodisks; *Audiotape Recordings; Authors; *Blindness; *Braille;Government Libraries; Large Type Materials; NonprintMedia; *Novels; *Short Stories; *TalkingBooks IDENTIFIERS *Detective Stories; Library ofCongress; *Mysteries (Literature) ABSTRACT This document is a guide to selecteddetective and mystery stories produced after thepublication of the 1982 bibliography "Mysteries." All books listedare available on cassette or in braille in the network library collectionsprovided by the National Library Service for theBlind and Physically Handicapped of the Library of Congress. In additionto this largn-print edition, the bibliography is availableon disc and braille formats. This edition contains approximately 700 titles availableon cassette and in braille, while the disc edition listsonly cassettes, and the braille edition, only braille. Books availableon flexible disk are cited at the end of the annotation of thecassette version. The bibliography is divided into 2 Prol;fic Authorssection, for authors with more than six titles listed, and OtherAuthors section, a short stories section and a section for multiple authors. Each citation containsa short summary of the plot. An order formfor the cited
    [Show full text]
  • To Be Independent Or Not to Be Independent, That Is the Question BBC-UK Government Relations, 2016
    Publizistik (2016) 61:305–320 DOI 10.1007/s11616-016-0284-6 MEDIENPOLITIK INTERNATIONAL To be independent or not to be independent, that is the question BBC-UK Government relations, 2016 Jay G. Blumler Published online: 18 July 2016 © The Author(s) 2016. This article is available at SpringerLink with Open Access. It may seem strange to outsiders that this question should be asked. After all, the BBC has long enjoyed an international reputation for its – especially its journalism’s – independence from political influence. It was, for example, the model for German public service broadcasting, introduced by the Allied powers after World War II in the three Western occupation zones. Hugh Greene, who was responsible for the establishment of the central broadcasting corporation in Northwest Germany (and later became Director General of the BBC), resisted all attempts by politicians to take control of it. The influences likely to affect the answer are multi-faceted and complex. The out- come will eventually depend on the terms of the next Royal Charter of the BBC, due to run for 11 years from January 2017, the government’s prospectus for which was published in a White Paper in May 2016 (Department for Culture, Media and Sport 2016a). This article examines associated BBC-government relations successively in historical, political and systemic (about the BBC’s vulnerabilities and defenses) contexts, after which the White Paper’s proposals for the future of the BBC will be successively outlined, explained and evaluated. 1 Until recent times Historically, the political independence of the BBC was underpinned by strong structural and normative sources of support.
    [Show full text]
  • Mapping New Jerusalem: Space, National Identity and Power in British Espionage Fiction 1945-79
    Mapping New Jerusalem: Space, National Identity and Power in British Espionage Fiction 1945-79. Submitted by Samuel Geoffrey Goodman to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English, March 2012. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. Signature……………… ………………… .... 1 Abstract This thesis argues that the espionage fiction of Graham Greene, Ian Fleming and John le Carré published between 1945 and 1979 illustrates a number of discontinuities, disjunctions and paradoxes related to space, sovereignty and national identity in post- war Britain. To this effect, the thesis has three broad aims. Firstly, to approach the representations of space and sovereign power in the work of these authors published during the period 1945-1979, examining the way in which sovereign power produces space, and then how that power is distributed and maintained. Secondly, to analyse the effect that sovereign power has on a variety of social and cultural environments represented within spy fiction and how the exercise of power affects the response of individuals within them. Thirdly, to establish how the intervention of sovereign power within environments relates to the creation, propagation and exclusion of national identities within each author’s work. By mapping the application of sovereign power throughout various environments, the thesis demonstrates that the control of environment is inextricably linked to the sovereign control of British subjects in espionage fiction.
    [Show full text]
  • British TV Comedies
    Copyrighted material – 978–1–137–55294–5 Introduction, editorial matter and selection © Jürgen Kamm and Birgit Neumann 2016 Individual chapters © Contributors 2016 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No portion of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, Saffron House, 6–10 Kirby Street, London EC1N 8TS. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The authors have asserted their rights to be identifi ed as the authors of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2016 by PALGRAVE MACMILLAN Palgrave Macmillan in the UK is an imprint of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan in the US is a division of St Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave® and Macmillan® are registered trademarks in the United States, the United Kingdom, Europe and other countries. ISBN 978–1–137–55294–5 This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. Logging, pulping and manufacturing processes are expected to conform to the environmental regulations of the country of origin.
    [Show full text]
  • Record Number Simple Name Brief Description
    Record number Simple Name Brief Description DACHT : GG 1 newspaper Copy of "The Times" newspaper of 16 October 1975 which includes a letter written by Graham and Hugh Greene among others regarding Berkhamsted Town Hall. DACHT : GG 2 photograph Kodak private cinema DACHT : GG 3 photograph Kodak private cinema DACHT : GG 4 photograph Philip French on left DACHT : GG 5 photograph Philip French on left DACHT : GG 6 photograph Philip French on left DACHT : GG 7 photograph Philip French DACHT : GG 8 photograph Neil Sinyard and Martin Corner DACHT : GG 9 photograph Neil Sinyard DACHT : GG 10 postcard Brighton Rock DACHT : GG 11 newspaper 16 page supplement re Brighton Rock DACHT : GG 11.1 newspaper 16 page supplement re Brighton Rock DACHT : GG 11.2 newspaper 16 page supplement re Brighton Rock DACHT : GG 12.1 photograph Ken Sherwood, Peter Risley and a street piano DACHT : GG 12.2 photograph Ken Sherwood, Peter Risley and a street piano DACHT : GG 12.3 newspaper 'Tramping around the town to help boost Greene's first festival'. Ken Sherwood, Peter Risley and a street piano DACHT : GG 13.1 newspaper 'A master remembered': Article and photograph promoting first Graham Greene Festival DACHT : GG 13.2 photograph Roger Watkins, the Festival organiser, and Ken Sherwood DACHT : GG 13.3 photograph Roger Watkins, the Festival organiser, and Ken Sherwood DACHT : GG 14.1 photograph David Pearce and Ken Sherwood addressing members of the tour in the Old Hall DACHT : GG 14.2 photograph David Pearce and Ken Sherwood addressing members of the tour in the Old
    [Show full text]
  • An Introductory History of British Broadcasting
    An Introductory History of British Broadcasting ‘. a timely and provocative combination of historical narrative and social analysis. Crisell’s book provides an important historical and analytical introduc- tion to a subject which has long needed an overview of this kind.’ Sian Nicholas, Historical Journal of Film, Radio and Television ‘Absolutely excellent for an overview of British broadcasting history: detailed, systematic and written in an engaging style.’ Stephen Gordon, Sandwell College An Introductory History of British Broadcasting is a concise and accessible history of British radio and television. It begins with the birth of radio at the beginning of the twentieth century and discusses key moments in media history, from the first wireless broadcast in 1920 through to recent developments in digital broadcasting and the internet. Distinguishing broadcasting from other kinds of mass media, and evaluating the way in which audiences have experienced the medium, Andrew Crisell considers the nature and evolution of broadcasting, the growth of broadcasting institutions and the relation of broadcasting to a wider political and social context. This fully updated and expanded second edition includes: ■ The latest developments in digital broadcasting and the internet ■ Broadcasting in a multimedia era and its prospects for the future ■ The concept of public service broadcasting and its changing role in an era of interactivity, multiple channels and pay per view ■ An evaluation of recent political pressures on the BBC and ITV duopoly ■ A timeline of key broadcasting events and annotated advice on further reading Andrew Crisell is Professor of Broadcasting Studies at the University of Sunderland. He is the author of Understanding Radio, also published by Routledge.
    [Show full text]
  • Politics and the Popular in British Music Theatre of the Vietnam Era.Pdf
    University of Huddersfield Repository Adlington, Robert C. Politics and the popular in British Music Theatre of the Vietnam era Original Citation Adlington, Robert C. (2018) Politics and the popular in British Music Theatre of the Vietnam era. Journal of the Royal Musical Association, 143 (2). pp. 433-471. ISSN 0269-0403 This version is available at http://eprints.hud.ac.uk/id/eprint/33967/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ Politics and the popular in British music theatre of the Vietnam era 12,104 words (15,921 words including footnotes) Abstract: British music theatre works of the 1960s and early 1970s largely avoided direct engagement with contemporary political topics. Intriguing in this light is Michael Hall’s recent proposition that Brecht’s music theatre set the terms for younger British composers’ experiments with the genre.
    [Show full text]
  • Appendix a Governments and Ministers Responsible For
    APPENDIX A GOVERNMENTS AND MINISTERS RESPONSIBLE FOR BROADCASTING, 1954-80 Party Prime Minister Date of Appointment Postmaster-General Date of Appointment Conservative Sir Winston Churchill 26 October 1951 Earl De La Warr 5 November 1951 Sir Anthony Eden 6 April 1955 Dr Charles Hill 7 April 1955 Harold Macmillan 10 January 1957 Ernest Marples 16 January 1957 Reginald Bevins 22 October 1959 Sir Alec Douglas-Home 18 October 1963 Vl 0 Labour Harold Wilson 16 October 1964 Anthony Wedgwood Benn 19 October 1964 0- Edward Short 4 July 1966 Roy Mason 6 April 1968 John Stonehouse 1 July 1968 Minister of Posts and Telecommunications John Stonehouse 1 October 1969 Conservative Edward Heath 19 June 1970 Christopher Chataway 24 June 1970 Sir John Eden 7 April 1972 Labour Harold Wilson 4 March 1974 Anthony Wedgwood Benn 7 March 1974 Home Secretary Roy Jenkins 30 March 1974 Merlyn Rees 10 September 1976 James Callaghan 5 April 1976 Conservative Margaret Thatcher 4 May 1979 William Whitelaw 5 May 1979 APPENDIX B MEMBERS OF THE AUTHORITY, 1954-80 Chairmen Terms of Office Background Sir Kenneth Clark KCB 4 August 1954-31 August 1957 Former Director of the National Gallery and Surveyor (later Lord Clark OM,CH) of the King's Pictures; Chairman, Arts Council of Great Britain Sir Ivone Kirkpatrick GCB,GCMG 7 November 1957-6 November 1962 Former UK High Commissioner for Germany; former Permanent Under-Secretary, Foreign Office Rt Hon. Lord Hill of Luton PC 1 July 1963-30 August 1967 Former Secretary, British Medical Association; former Postmaster-General; former Chancellor of Duchy of Lancaster; former Minister of Housing & Local Government and Minister for Welsh Affairs Rt Hon.
    [Show full text]
  • Inmedia, 1 | 2012 Sharing the Joke? ‘Britcom’ Remakes in the United States: a Historical and So
    InMedia The French Journal of Media Studies 1 | 2012 Global Film and Television Industries Today Sharing the Joke? ‘Britcom’ Remakes in the United States: A Historical and Socio-Cultural Perspective Amandine Ducray Electronic version URL: http://journals.openedition.org/inmedia/132 DOI: 10.4000/inmedia.132 ISSN: 2259-4728 Publisher Center for Research on the English-Speaking World (CREW) Electronic reference Amandine Ducray, « Sharing the Joke? ‘Britcom’ Remakes in the United States: A Historical and Socio- Cultural Perspective », InMedia [Online], 1 | 2012, Online since 23 March 2012, connection on 07 September 2020. URL : http://journals.openedition.org/inmedia/132 ; DOI : https://doi.org/10.4000/ inmedia.132 This text was automatically generated on 7 September 2020. © InMedia Sharing the Joke? ‘Britcom’ Remakes in the United States: A Historical and So... 1 Sharing the Joke? ‘Britcom’ Remakes in the United States: A Historical and Socio-Cultural Perspective Amandine Ducray 1 Since the publication of Herbert Schiller’s Mass Communications and American Empire in 1969, theories of North American ‘cultural imperialism’ have been seminal in the fields of transnational broadcasting and cultural studies. As Jeffrey Miller underlines, however: “At the very moment Schiller was identifying […] the role of American media in creating ‘its emergent imperial society,’ the domestic producers and consumers of those media were themselves experiencing a new flow of messages and texts from Britain.”1 In 1964, NBC blazed a trail when it remade the BBC satirical show That Was the Week That Was (1962-63).2 This was soon followed by another ‘entertainment’ transfer, the Bond-inspired series The Avengers (ITV, 1961-69), broadcast on ABC (1965-69) in its original version, and, a few years later, by All in the Family (CBS, 1971-79), adapted from Till Death Us Do Part, launched on BBC1 in 1966.
    [Show full text]
  • Representations of Men and Masculinity May Influence How Men Behave and Feel About Themselves and How This Process Contributes to Social Change for Men
    University of Huddersfield Repository King, Martin S "Running like big daft girls." A multi-method study of representations of and reflections on men and masculinities through "The Beatles" Original Citation King, Martin S (2009) "Running like big daft girls." A multi-method study of representations of and reflections on men and masculinities through "The Beatles". Doctoral thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/9054/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ “RUNNING LIKE BIG DAFT GIRLS.” A MULTI-METHOD STUDY OF REPRESENTATIONS OF AND REFLECTIONS ON MEN AND MASCULINITIES THROUGH “THE BEATLES.” MARTIN KING A Thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of Doctor of Philosophy.
    [Show full text]
  • Paul Theroux Papers Msstheroux
    http://oac.cdlib.org/findaid/ark:/13030/c8ww7qq9 No online items Paul Theroux papers mssTheroux Gayle Richardson The Huntington Library November 2019 1151 Oxford Road San Marino, California 91108 [email protected] URL: http://www.huntington.org Paul Theroux papers mssTheroux mssTheroux 1 Contributing Institution: The Huntington Library Title: Paul Theroux papers Creator: Theroux, Paul Identifier/Call Number: mssTheroux Physical Description: 62.13 Linear Feet(149 boxes) Date (inclusive): 1939-2016 Abstract: The professional and personal papers of American author Paul Theroux; the collection includes novels, travel books, notebooks, diaries, correspondence, photographs, and ephemera. Language of Material: Material in collection is in English. Conditions Governing Access Open to qualified researchers by prior application through the Reader Services Department. For more information, contact Reader Services. Restrictions apply to: Box 140a: Black and white photograph of Milton Fuller Roberts Junior High School, Class of 1956. Due to the fragile nature of the photograph, closed to researchers until conservation work completed. Boxes 142-149: At the donor's request, all personal diaries, notebooks, appointment books, and partial family material and correspondence are sealed until January 1, 2040. Physical Characteristics and Technical Requirements Box 141: Photographic negatives housed in cold storage; extended retrieval and delivery time required. Born-digital items: 2 CDs in box 38(1); CD in box 99(11); 2 CDs in box 105(9); DVD in box 122(47); CD in box 131(8); 2 CDs in box 139(18). Born-digital materials are not available for paging until reformatted. Please contact Reader Services for more information. Conditions Governing Use The Huntington Library does not require that researchers request permission to quote from or publish images of this material, nor does it charge fees for such activities.
    [Show full text]