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Ken Lopez Bookseller Modern Literature 165 1 Lopezbooks.Com
MODERN LITERATURE 165 KEN LOPEZ BOOKSELLER MODERN LITERATURE 165 1 LOPEZBOOKS.COM KEN LOPEZ BOOKSELLER MODERN LITERATURE 165 2 KEN LOPEZ, Bookseller MODERN LITERATURE 165 51 Huntington Rd. Hadley, MA 01035 (413) 584-4827 FAX (413) 584-2045 [email protected] | www.lopezbooks.com 1. (ABBEY, Edward). The 1983 Western Wilderness Calendar. (Salt Lake City): (Dream Garden) CATALOG 165 — MODERN LITERATURE (1982). The second of the Wilderness calendars, with text by Abbey, Tom McGuane, Leslie Marmon Silko, All books are first printings of the first edition or first American edition unless otherwise noted. Our highest Ann Zwinger, Lawrence Clark Powell, Wallace Stegner, grade is fine. Barry Lopez, Frank Waters, William Eastlake, John New arrivals are first listed on our website. For automatic email notification about specific titles, please create Nichols, and others, as well as work by a number of an account at our website and enter your want list. To be notified whenever we post new arrivals, just send your prominent photographers. Each day is annotated with email address to [email protected]. a quote, a birthday, or an anniversary of a notable event, most pertaining to the West and its history and Books can be ordered through our website or reserved by phone or e-mail. New customers are requested to pay natural history. A virtual Who’s Who of writers and in advance; existing customers may pay in 30 days; institutions will be billed according to their needs. All major photographers of the West, a number of them, including credit cards accepted. Any book may be returned for any reason within 30 days, but we request notification. -
Muriel Spark's Stylish Spinsters: Miss Jean Brodie Past Her Prime
Muriel Spark’s Stylish Spinsters: Miss Jean Brodie Past Her Prime Hope Howell Hodgkins Maggie Smith in The Prime of Miss Jean Brodie (1969) Fashion succeeds by promising to annul the fragmented conditions of modernity with the imposition of a coherent subjectivity. Leslie Rabine / Joanne Finkelstein Baudelairean dédoublement: The wise man is “one who had acquired by habit a power of rapid self-division (dédoublement) and thus of assisting as a disinterested spectator at the phenomena of his own ego.” -D’Essence de la Rire Alexander Moffat, 1984 (Scottish National Portrait Gallery) “. head up, like Sybil Thorndike, her nose arched and proud.” She left the web, she left the loom, She made three paces thro’ the room, She saw the water-lily bloom, She saw the helmet and the plume, She look’d down to Camelot. Alfred, Lord Tennyson “The Lady of Shalott” The Lady of Shalott, William Holman Hunt, 1889-92 (Wadsworth Museum of Art) The Girls of Slender Means Edinburgh Festival 2009 Edwardian blue silk damask dress: “Bluebell” Bluebell the cat Schiaparelli Pink Schiaparelli hat, 1948 Schiaparelli dress, 1938 The Driver’s Seat, 1970 The Driver’s Seat (European title: Identikit), 1974 Mona Washbourne & Elizabeth Taylor Her own work of art: Spark in Rome, 1970 (Jerry Bauer, NLS) “Plump, motherly”: Spark with her son, early 1940s Stylish into old age. [A]n artist is only an artist on condition that he is a double man and that there is not one single phenomenon of his double nature of which he is ignorant. Charles Baudelaire, “D’Essence de la rire”. -
Introduction
Colby Quarterly Volume 38 Issue 3 September Article 3 September 2002 Introduction Douglas Archibald Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Quarterly, Volume 38, no.3, September 2002, pg. 269-279 This Front Matter is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Archibald: Introduction Introduction By DOUGLAS ARCHIBALD s HOLMES FAMOUSLY REMARKED, the curious incident is that the dogs are A not barking. Why has the Irish Studies establishment made so little of William Trevor? Nothing in Terry Eagleton. Nothing in W.J. McCormack, even though he writes about almost everything. Nothing in David Lloyd in spite of a well-informed interest in fiction. Nothing in Margot Backus's The Gothic Family Romance: Heterosexuality, Child Sacrifice, and the Anglo-Irish Colonial Order (1999), a Texas thesis become a Duke book which-aside from the required, lurid glow of the title-sounds like a book about Trevor. Nothing in Sex, Nation, and Dissent in Irish Literature (1997), or Representing Ireland: Gender, Class, Nationality (1997), or Decolonisation and Criticism: The Construction ofIrish Literature (1998), or New Voices in Irish Criticism (2000). Nothing in the Irish University Review special issue on "Contemporary Irish Fiction" (Spring/Summer 2000). Little on the program in recent meetings of ACIS or IASIL. Hardly any mention in the summer schools. Seamus Deane and Declan Kiberd are silent, except in their comprehensive literary histories, in which mention is unavoidable, and even then Kiberd is perfunctory: Both [Brian] Moore and Trevor are rightly renowned for the cool, crafted clarity of their prose, their wry wistful ironies, and their use of telling detail; and each has won a substantial overseas readership for many other books of high quality which have nothing to do with Ireland. -
The Best According To
Books | The best according to... http://books.guardian.co.uk/print/0,,32972479299819,00.html The best according to... Interviews by Stephen Moss Friday February 23, 2007 Guardian Andrew Motion Poet laureate Choosing the greatest living writer is a harmless parlour game, but it might prove more than that if it provokes people into reading whoever gets the call. What makes a great writer? Philosophical depth, quality of writing, range, ability to move between registers, and the power to influence other writers and the age in which we live. Amis is a wonderful writer and incredibly influential. Whatever people feel about his work, they must surely be impressed by its ambition and concentration. But in terms of calling him a "great" writer, let's look again in 20 years. It would be invidious for me to choose one name, but Harold Pinter, VS Naipaul, Doris Lessing, Michael Longley, John Berger and Tom Stoppard would all be in the frame. AS Byatt Novelist Greatness lies in either (or both) saying something that nobody has said before, or saying it in a way that no one has said it. You need to be able to do something with the English language that no one else does. A great writer tells you something that appears to you to be new, but then you realise that you always knew it. Great writing should make you rethink the world, not reflect current reality. Amis writes wonderful sentences, but he writes too many wonderful sentences one after another. I met a taxi driver the other day who thought that. -
Fame Attack : the Inflation of Celebrity and Its Consequences
Rojek, Chris. "The Icarus Complex." Fame Attack: The Inflation of Celebrity and Its Consequences. London: Bloomsbury Academic, 2012. 142–160. Bloomsbury Collections. Web. 1 Oct. 2021. <http://dx.doi.org/10.5040/9781849661386.ch-009>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 1 October 2021, 16:03 UTC. Copyright © Chris Rojek 2012. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 9 The Icarus Complex he myth of Icarus is the most powerful Ancient Greek parable of hubris. In a bid to escape exile in Crete, Icarus uses wings made from wax and feathers made by his father, the Athenian master craftsman Daedalus. But the sin of hubris causes him to pay no heed to his father’s warnings. He fl ies too close to the sun, so burning his wings, and falls into the Tsea and drowns. The parable is often used to highlight the perils of pride and the reckless, impulsive behaviour that it fosters. The frontier nature of celebrity culture perpetuates and enlarges narcissistic characteristics in stars and stargazers. Impulsive behaviour and recklessness are commonplace. They fi gure prominently in the entertainment pages and gossip columns of newspapers and magazines, prompting commentators to conjecture about the contagious effects of celebrity culture upon personal health and the social fabric. Do celebrities sometimes get too big for their boots and get involved in social and political issues that are beyond their competence? Can one posit an Icarus complex in some types of celebrity behaviour? This chapter addresses these questions by examining celanthropy and its discontents (notably Madonna’s controversial adoption of two Malawi children); celebrity health advice (Tom Cruise and Scientology); and celebrity pranks (the Sachsgate phone calls involving Russell Brand and Jonathan Ross). -
After Three Months of Controversy About the Contractor Hired to Restore Watts Towers in Los Angeles, the City Council Has Been A
WATTS TOWER UPDATE edited by Victor Sorrel1 and published by versary by becoming a quarterly, starting the Chicago Council on Fine Arts, 78 E. Wa- with January 1979 issue. Previously, it was After three months of controversy about shington St., Chicago, IL 60602, available a twice a year publication. the contractor hired to restore Watts Towers upon request. in Los Angeles, the City Council has been Art Hazards News issued its first number in asked to authorize ending the contract and PUBLISHERS' CATALOGS October. Published by the Center for Occu- turning over the project to the State. Several pational Hazards, 5 Beekman St., New actions, however, must be done before the Modern First Editions: Catalogue One by York, NY 10038, its program is to inform long-delayed restoration work can proceed.. Canfield & Stephens includes some rare ar- people of the hazards of arts and crafts ma- One of the key problems will be for the city tists' books, although most of it is literature. terials and how to work with these materials of Los Angeles to negotiate a money settle- Write to Canfield & Stephens, 21 E. 67th St. safely. A Question and Answer column, a ment to end its existing restoration contract New York, NY 10021 for their catalog. column on commerical art hazards by with Ralph Vaughn Associates. Michael McCann, calendar of events, new New York University Press is having a publications, and other pertinent material Cover to Cover Book Sale with savings up such as the Art Hazards Information Center to 90%. Sale ends on midnight, 28 Feb. -
My Scientology Movie
BBC FILMS & BBC WORLDWIDE Present A RED BOX FILMS PRODUCTION Directed by: John Dower Presented by: Louis Theroux Written by: John Dower & Louis Theroux Produced by: Simon Chinn MY SCIENTOLOGY MOVIE U.K. production R/T: 99 minutes Shot on Sony F55 and Canon CS00-PL (Panasonic HE120 and Flip Mino HD) TFF 2016- For further publicity information please contact: Emma Griffiths EMMA GRIFFITHS PR [email protected] www.eg-pr.com TIFF 2016: US Sales Contact: Josh Braun-Submarine [email protected] International Sales Contact: Mark Lane- HanWay Select- [email protected] SHORT SYNOPSIS Not your typical exposé. BBC doc-maker and journalist Louis Theroux teams up with director John Dower and double Academy Award winning producer Simon Chinn (Searching for Sugar, Man On Wire) to explore the self-mythologizing Church of Scientology. Following a long fascination with the religion and with much experience in dealing with eccentric, unpalatable and unexpected human behavior, the beguilingly unassuming Theroux won’t take no for an answer when his request to enter the Church’s headquarters is turned down. Inspired by the Church’s use of filming techniques, and aided by ex-members of the organization, Theroux uses actors to replay some incidents people claim they experienced as members in an attempt to better understand the way it operates. In a bizarre twist, it becomes clear that the Church is also making a film about Louis Theroux. Suffused with a good dose of humor and moments worthy of a Hollywood script, MY SCIENTOLOGY MOVIE is as outlandish as it is revealing. -
Westminsterresearch the Artist Biopic
WestminsterResearch http://www.westminster.ac.uk/westminsterresearch The artist biopic: a historical analysis of narrative cinema, 1934- 2010 Bovey, D. This is an electronic version of a PhD thesis awarded by the University of Westminster. © Mr David Bovey, 2015. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] 1 THE ARTIST BIOPIC: A HISTORICAL ANALYSIS OF NARRATIVE CINEMA, 1934-2010 DAVID ALLAN BOVEY A thesis submitted in partial fulfilment of the requirements of the University of Westminster for the degree of Master of Philosophy December 2015 2 ABSTRACT The thesis provides an historical overview of the artist biopic that has emerged as a distinct sub-genre of the biopic as a whole, totalling some ninety films from Europe and America alone since the first talking artist biopic in 1934. Their making usually reflects a determination on the part of the director or star to see the artist as an alter-ego. Many of them were adaptations of successful literary works, which tempted financial backers by having a ready-made audience based on a pre-established reputation. The sub-genre’s development is explored via the grouping of films with associated themes and the use of case studies. -
Notes for an Unwritten Biography of William Trevor
Colby Quarterly Volume 38 Issue 3 September Article 4 September 2002 "Bleak Splendour": Notes for an Unwritten Biography of William Trevor Denis Sampson Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Quarterly, Volume 38, no.3, September 2002, p. 280-294 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Sampson: "Bleak Splendour": Notes for an Unwritten Biography of William Tr "Bleak Splendour": Notes for an Unwritten Biography of William Trevor By DENIS SAMPSON IILITERARY BIOGRAPHERS," William Trevor has ren1arked, "often make the mistake of choosing the wrong subjects. A novelist-or any artist admired for what he produces, may not necessarily have lived anything but the most mundane of lives" (Excursions 176). His remark is a warning to any prospective biographer of Trevor himself, his way of implying that his own life has no worthwhile story. Yet the warning has its own paradoxical interest, for surely it is Trevor's particular gift to make literature out of the mundane. His refusal to dramatize the artistic self, to adopt heroic or romantic postures, somehow allows him to absorb and honor his mundane material, to find a tone that mirrors the inner lives of his unheroic characters. The consistency of that tone is his major accomplishment, according to John Banville: "his inimitable, calmly ambiguous voice can mingle in a single sentence pathos and humor, outrage and irony, mockery and love.... He is almost unique among n10dem novelists in that his own voice is never allowed to intrude into his fiction" (Paulson 166-67). -
Catalogue 1949-1987
Penguin Specials 1949-1987 for his political activities and first became M.P. for West Fife in 1935. S156-S383 Penguin Specials. Before the war, when books could be produced quickly, we used to publish S156 1949 The case for Communism. volumes of topical interest as Penguin Specials. William Gallacher We are now able to resume this policy of Specially written for and first published in stimulating public interest in current problems Penguin Books February 1949 and controversies, and from time to time we pp. [vi], [7], 8-208. Inside front cover: About this shall issue books which, like this one, state the Book. Inside rear cover: note about Penguin case for some contemporary point of view. Other Specials [see below] volumes pleading a special cause or advocating a Printers: The Philips Park Press, C.Nicholls and particular solution of political, social and Co. Ltd, London, Manchester, Reading religious dilemmas will appear at intervals in this Price: 1/6d. new series of post-war Penguin Specials ... Front cover: New Series Number One. ... As publishers we have no politics. Some time ago S157 1949 I choose peace. K. Zilliacus we invited a Labour M.P. and a Conservative Specially written for and first published in M.P. to affirm the faith and policy of the two Penguin Books October 1949 principal parties and they did so in two books - pp. [x], [11], 12-509, [510] blank + [2]pp. ‘Labour Marches On’, by John Parker M.P., and adverts. for Penguin Books. Inside front cover ‘The Case for Conservatism’, by Quintin Hogg, [About this Book]. -
Four Hundred Years of American Life and Culture: a List of Titles at the Library of Congress
Four Hundred Years of American Life and Culture: A List of Titles at the Library of Congress Table of Contents Introduction ........................................................................2 Colonial America ....................................................................3 Farm and Frontier ...................................................................14 Cowboys and Ranchers ..............................................................25 Gold Rush ........................................................................33 Washington, D.C. ...................................................................38 Drink ............................................................................52 Medicine .........................................................................58 Currency ..........................................................................66 Language .........................................................................71 Women ...........................................................................80 African Americans ..................................................................83 Asian Immigrants ...................................................................90 Hispanic Immigrants ................................................................94 Jewish Immigrants .................................................................102 German Immigrants ................................................................106 Scandinavian Immigrants ............................................................109 -
BBC Oral History Collection, Transcript, Robin Scott
ORAL HISTORY OF THE BBC: ROBIN SC INTERVIEWED BY FRANK GILLARD. SECOND SESSION RECORDED IN BROADCASTING HOUSE, LONDON, 14th January 1981. GILLARD: Let's move on now to the period you spent, quite a brief period really but a very important one, in Radio in the second half of the sixties, when you became Controller Radio 1 8 2. Tell us first of all how the job came to you and forget that I'm here. SCOTT: I had after some three years, three and a half years or so, back with Television Outside Broadcasts, I'd become, not discontented with the job I was doing, but really felt that if I was to realise what I believed to be my potential I should look for an executive position somewhere in the BBC. And thought well why not go back to my first love which was after all Radio, and so I applied for the job of assistant head of Gramophone Department in Broadcasting House. Working therefore to Anna Instone who was Head of the Department for many years, a great many. And I duly applied for this job although it was not at a grade above my own, in fact I don't think it certainly didn't produce any more money, but I wanted in fact to get onto the rung of a different ladder, possibly. I also wanted to get into domestic radio broadcasting which I'd really only contributed programmes to but never enjoyed any kind of executive position, or producer position, having always in radio worked at Bush House.