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Musique En Lieu: Une Topographie De L'expérience Musicale À Barcelone

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Musique En Lieu: Une Topographie De L'expérience Musicale À Barcelone TESIS DOCTORAL Título Musique en lieu: une topographie de l’expérience musicale à Barcelone et sur son territoire (1760-1808) Autor/es Lluis Bertran Xirau Director/es Thierry Favier y Miguel Ángel Marín López Facultad Facultad de Letras y de la Educación Titulación Departamento Ciencias Humanas Curso Académico Musique en lieu: une topographie de l’expérience musicale à Barcelone et sur son territoire (1760-1808), tesis doctoral de Lluis Bertran Xirau, dirigida por Thierry Favier y Miguel Ángel Marín López (publicada por la Universidad de La Rioja), se difunde bajo una Licencia Creative Commons Reconocimiento-NoComercial-SinObraDerivada 3.0 Unported. Permisos que vayan más allá de lo cubierto por esta licencia pueden solicitarse a los titulares del copyright. © El autor © Universidad de La Rioja, Servicio de Publicaciones, 2018 publicaciones.unirioja.es E-mail: [email protected] UNIVERSITÉ DE POITIERS U. F. R. : Sciences Humaines et Arts École Doctorale 525 : Lettres, Pensée, Arts et Histoire Section CNU : 22 THÈSE Pour l’obtention du grade de docteur En cotutelle avec : Universidad de La Rioja Departamento de Ciencias Humanas Présentée par : M. Lluís BERTRAN XIRAU MUSIQUE EN LIEU : UNE TOPOGRAPHIE DE L’EXPÉRIENCE MUSICALE À BARCELONE ET SUR SON TERRITOIRE (1760-1808) Dirigée par : M. Thierry FAVIER, Professeur, Université de Poitiers M. Miguel Ángel MARÍN, Professeur, Universidad de La Rioja Soutenue le 19 décembre 2017 devant : M. Rémy CAMPOS, Professeur, Conservatoire national supérieur de musique et de danse de Paris, Haute école de musique de Genève M. Juan José CARRERAS, Professeur, Universidad de Zaragoza M. Thierry FAVIER, Professeur, Université de Poitiers me M Anne-Madeleine GOULET, Chargée de Recherches, Centre d’études supérieures de la Renaissance (UMR 7323 du CNRS) me M Tessa Wendy KNIGHTON BOLTON, Professeur, Institució Milà i Fontanals-CSIC M. Miguel Ángel MARÍN, Professeur, Universidad de La Rioja Titre : Musique en lieu : une topographie de l’expérience musicale à Barcelone et sur son territoire (1760-1808). Résumé : Le thème de l'articulation entre la musique et l'espace urbain occupe une place croissante dans la réflexion musicologique depuis la décennie de 1980. Les développements récents de l'histoire urbaine invitent à repenser l’objet ville moins comme une totalité organique, que comme le cadre physique d’une multiplicité d'expériences individuelles. Dans ce travail, l’analyse de l’expérience musicale d’individus concrets amène à privilégier d'autres dimensions de l'urbain : un cadre plus large, celui du territoire environnant la ville, et un cadre plus réduit, celui du quartier. La richesse de détail du long journal (1769-1819) du baron de Maldà, mélomane passionné, permet de délimiter les contours de son expérience musicale à l'interieur comme à l'extérieur de la ville. D’autres sources locales, ainsi que les récits de voyageurs étrangers en Catalogne au XVIIIe siècle, sont mis à contribution pour préciser la description de nombreux lieux de musique. La première partie (« Le ton de Sarrià ». Musique et musiciens entre la ville et son territoire) traite du calendrier festif et musical de la région, des mobilités des musiciens et des pratiques musicales liées à la villégiature des Barcelonais. Dans la seconde partie (Barcelone. Des villes dans la ville), le témoignage des voyageurs étrangers est confronté à celui du baron de Maldà, ce qui éclaire des usages différents et très sélectifs de l’offre musicale urbaine. Il a été possible, ainsi, d’identifier et de décrire, dans un même cadre urbain, une grande diversité d’approches de la musique. Cela invite à repenser la vie musicale urbaine de l’Époque Moderne moins dans l’unanimité de ses goûts et de ses choix, que dans la richesse de ses cloisonnements. Mots clés (langage d’indexation RAMEAU) : - Vie musicale – Barcelone (Espagne) – 18e siècle - Vie musicale – Catalogne (Espagne) – 18e siècle - Musique – Aspect social – Barcelone (Espagne) – 18e siècle - Relations villes-campagnes - Comportement spatial - Catalogne (Espagne) – Mœurs et coutumes – 18e siècle – récits personnels I Title: Music in Place: A Topography of Musical Experience in Barcelona and its Hinterland (1760-1808). Abstract: The relationship between music and urban space has been a growing issue in the field of historical musicology since the 1980s. Current developments in urban history have shifted from viewing the city to be an organic totality to considering it a physical frame permitting a multiplicity of individual experiences. But focusing on the musical experiences of specific individuals implies encompassing other dimensions of urban life. In this study, I analyse musical life beyond the walls of the city, toward the urban hinterland, as well as, within the city, in the reduced geographic spaces of neighbourhoods and parishes. The wealth of detail furnished by the long journal (1769-1819) of Rafel d’Amat, baron of Maldà, an enthusiastic music-lover, makes it possible to outline the contours of his musical experiences, both within and outside the city. Other local sources, as well as the contemporaneous accounts of foreign travellers in Catalonia, complement Maldà’s descriptions of musical spaces. The first part of this study (“The Tone of Sarrià”. Music and Musicians between the City and its Hinterland) deals with regional festive and musical calendar, musicians’ mobilities and musical practices connected with the seasonal excursions of Barcelonans. In the second part (Barcelona. Cities within the City), accounts of foreign visitors are compared to those of Maldà in order to shed light on their different and very selective use of the opportunities offered by an urban musical culture. This dissertation demonstrates some of the ways in which it is possible to identify and describe, within a single city, a multitude of approaches to music. It invites a re-examination of urban musical life in Modern Europe based on the fecundity of its internal divisions rather than on the basis of a compact unanimity of taste and choice. Key Words (LCSH): - Music – Spain – Barcelona (Spain) – 18th century - Music – Spain – Catalonia (Spain) – 18th century - Music – Social aspects – Barcelona (Spain) – 18th century - Rural-urban relations - Spatial behavior - Catalonia (Spain) – Social life and customs – 18th century – Personal narratives II Título: La música en su lugar: una topografía de la experiencia musical en Barcelona y su territorio (1760-1808). Resumen: El tema de la articulación entre la música y el espacio urbano ha venido ocupando un espacio creciente en la investigación musicológica desde la década de 1980. Los planteamientos más recientes de la historia urbana invitan a repensar la ciudad no como un todo orgánico sino como el marco espacial de una multiplicidad de experiencias individuales. En este trabajo, el análisis de la experiencia musical de individuos concretos invita a privilegiar otras dimensiones de lo urbano: un marco más amplio, el del territorio circundante de la ciudad, y un marco más reducido, el del barrio. La riqueza de detalle del extenso dietario (1769-1819) del barón de Maldà, apasionado melómano, permite delinear los contornos de su experiencia musical tanto dentro como fuera de la ciudad. Otras fuentes locales, así como los testimonios de los viajeros extranjeros en Cataluña en el siglo XVIII, han permitido profundizar en la descripción de numerosos espacios de música. La primera parte (“El tono de Sarrià”. Música y músicos entre la ciudad y su territorio) trata del calendario festivo y musical de la región, de la mobilidad de los músicos y de las prácticas musicales relacionadas con la villeggiatura de los barceloneses. En la segunda parte (Barcelona. Ciudades dentro de la ciudad), la comparación del testimonio de los viajeros extranjeros con el del barón de Maldà permite ilustrar usos diferentes y muy selectivos de la oferta musical urbana. Ha sido posible, así, identificar y describir, en un mismo marco urbano, un gran diversidad de acercamientos a la música. Todo ello invita a repensar la vida musical urbana de la Época Moderna más a partir de la riqueza de sus divisiones internas que de la unanimidad de sus gustos y elecciones. Palabras clave: - Música – España – Barcelona – S.XVIII - Música – España – Cataluña – S.XVIII - Música – Aspectos sociales – Barcelona – S.XVIII - Relaciones ciudad-campo - Comportamiento espacial - Cataluña – Vida social y costumbres – S.XVIII – narrativas personales III À mes parents. « Mais, vous, on va vous construire un lieu, car on vous aime. » Eugène GREEN, La Sapienza, 1:17:50. Remerciements Je tiens à remercier très particulièrement mes deux directeurs de thèse, M. Thierry Favier et M. Miguel Ángel Marín, de leur intérêt pour le projet dès le premier moment, de leurs conseils toujours précieux, de leur suivi. Je veux remercier aussi de manière très spéciale mes parents, Joan et Bea, pour son soutien dans toutes les circonstances : gràcies. Un travail comme celui-ci est toujours le fruit d’un travail collectif. La liste est longue de ceux qui m’ont aidé, orienté, conseillé, réconforté, qui m’ont fourni des renseignements et des matériaux pour la recherche : Elena Pons, avec qui nous avons échangé sans cesse sur nos projets respectifs et dont les apports ont été cruciaux pour l’évolution de cette thèse ; Oriol Brugarolas, toujours passionné, qui m’a fait part immédiatement de sa découverte de l’inventaire après-décès du baron de Maldà ; Mercè Gras, toujours prête à partager son savoir encyclopédique sur la Catalogne
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