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North Carolina Opera 2019-20 Season Announcement
FOR IMMEDIATE RELEASE MARCH 26, 2019 Contact: Bruce Loving +1 (202) 870-9572 [email protected] North Carolina Opera Announces Company’s 2019-20 Season A NEW Production of Mozart’s The Magic Flute Leoncavallo’s Pagliacci Wagner’s Siegfried: Act III in Concert Superstar Tenor Lawrence Brownlee in Recital RALEIGH, NC—North Carolina Opera has announced the company’s 2019-20 season, which includes fully-staged productions oF Mozart’s The Magic Flute (Apr. 3 & 5, 2020) and Leoncavallo’s Pagliacci (Jan. 24 & 26, 2020), a concert perFormance of Act III From Wagner’s Siegfried (Nov. 10, 2019), and a vocal recital by superstar tenor Lawrence Brownlee (Feb. 18, 2020). The announcement was made by the company’s General Director Eric Mitchko at the 2019-20 Season Reveal, which was held on Tuesday, March 26 at CAM Raleigh and graciously sponsored by the Meredith College Department of Music, CITRIX, Mitchell’s, Queen of Wines, Savills, Glenwood Agency Real Estate, and Hibernian Pub. The Magic Flute “We are thrilled to present a fully-staged new production of Mozart’s The Magic Flute directed by David Paul, who is presently directing the company’s production of Tosca, and are most grateful to our production sponsor C. Thomas Kunz,” said NCO General Director Eric Mitchko. “The Magic Flute has not been professionally staged in the Triangle in over two decades; a new production is a great way to welcome Mozart’s fantastical, adventure tale back to the area,” he concluded. The Magic Flute features a strong ensemble cast, including NCO debuting artists tenor Eric Ferring as Tamino, soprano Madison Leonard as Pamina, and soprano Rainelle Krause as the Queen of the Night. -
Treloar's Student Is Bbc Two Tv Star
Kindly sponsored by TRELOAR’S STUDENT IS BBC TWO TV STAR Inside this Issue • Don’t Forget The Driver • Woodlarks visit • National Open Youth Orchestra • September 2019 A visit from our Royal Patron, HRH The Countess of Wessex GCVO • Nina’s Story • Sophie’s gift for Rory Bremner Image courtesy of BBC/Sister Pictures 1 About Treloar’s Founded in 1907, Treloar’s is a School and College for children and young adults aged 2-25 with physical disabilities. Every year we have to raise over £2 million to provide all our students with access to the specialist staff, equipment and opportunities needed to give them the confidence and skills to realise their full potential. With your support, we can help all our young people enjoy the chance to achieve so much more than they, or their parents, could ever have imagined possible. Thank you. Autumn edition of Treloar’s Today A warm welcome to you, in my first edition of Treloar’s Today. I would like to thank Homes Estate Agents for continuing to sponsor Treloar’s Today – we are very grateful for your generous support. Since joining earlier this year I have enjoyed the most amazing welcome from students, parents, colleagues, governors, trustees and supporters alike. I would also like to make a special l l mention to Tony Reid, for his insight and support passing over the leadership of the Trust i to me and to our Principal, Martin Ingram, for his warm welcome and sharing of knowledge. W d n a Ou sica As we refine our new strategy the Trust is focused on remaining true to Sir William’s r CEO Jes original aims and ever cognisant of the evolving needs of young people with disabilities and the changing nature of those disabilities. -
Now We Are 126! Highlights of Our 3 125Th Anniversary
Issue 5 School logo Sept 2006 Inside this issue: Recent Visits 2 Now We Are 126! Highlights of our 3 125th Anniversary Alumni profiles 4 School News 6 Recent News of 8 Former Students Messages from 9 Alumni Noticeboard 10 Fundraising 11 A lot can happen in 12 just one year In Memoriam 14 Forthcoming 16 Performances Kim Begley, Deborah Hawksley, Robert Hayward, Gweneth-Ann Jeffers, Ian Kennedy, Celeste Lazarenko, Louise Mott, Anne-Marie Owens, Rudolf Piernay, Sarah Redgwick, Tim Robinson, Victoria Simmons, Mark Stone, David Stout, Adrian Thompson and Julie Unwin (in alphabetical order) performing Serenade to Music by Ralph Vaughan Williams at the Guildhall on Founders’ Day, 27 September 2005 Since its founding in 1880, the Guildhall School has stood as a vibrant showcase for the City of London's commitment to education and the arts. To celebrate the School's 125th anniversary, an ambitious programme spanning 18 months of activity began in January 2005. British premières, international tours, special exhibits, key conferences, unique events and new publications have all played a part in the celebrations. The anniversary year has also seen a range of new and exciting partnerships, lectures and masterclasses, and several gala events have been hosted, featuring some of the Guildhall School's illustrious alumni. For details of the other highlights of the year, turn to page 3 Priority booking for members of the Guildhall Circle Members of the Guildhall Circle are able to book tickets, by post, prior to their going on sale to the public. Below are the priority booking dates for the Autumn productions (see back cover for further show information). -
TRINITY COLLEGE Cambridge Trinity College Cambridge College Trinity Annual Record Annual
2016 TRINITY COLLEGE cambridge trinity college cambridge annual record annual record 2016 Trinity College Cambridge Annual Record 2015–2016 Trinity College Cambridge CB2 1TQ Telephone: 01223 338400 e-mail: [email protected] website: www.trin.cam.ac.uk Contents 5 Editorial 11 Commemoration 12 Chapel Address 15 The Health of the College 18 The Master’s Response on Behalf of the College 25 Alumni Relations & Development 26 Alumni Relations and Associations 37 Dining Privileges 38 Annual Gatherings 39 Alumni Achievements CONTENTS 44 Donations to the College Library 47 College Activities 48 First & Third Trinity Boat Club 53 Field Clubs 71 Students’ Union and Societies 80 College Choir 83 Features 84 Hermes 86 Inside a Pirate’s Cookbook 93 “… Through a Glass Darkly…” 102 Robert Smith, John Harrison, and a College Clock 109 ‘We need to talk about Erskine’ 117 My time as advisor to the BBC’s War and Peace TRINITY ANNUAL RECORD 2016 | 3 123 Fellows, Staff, and Students 124 The Master and Fellows 139 Appointments and Distinctions 141 In Memoriam 155 A Ninetieth Birthday Speech 158 An Eightieth Birthday Speech 167 College Notes 181 The Register 182 In Memoriam 186 Addresses wanted CONTENTS TRINITY ANNUAL RECORD 2016 | 4 Editorial It is with some trepidation that I step into Boyd Hilton’s shoes and take on the editorship of this journal. He managed the transition to ‘glossy’ with flair and panache. As historian of the College and sometime holder of many of its working offices, he also brought a knowledge of its past and an understanding of its mysteries that I am unable to match. -
For the Fallen Matthew Trusler, Ashley Wass & Petroc Trelawny for the Fallen
FOR THE FALLEN MATTHEW TRUSLER, ASHLEY WASS & PETROC TRELAWNY FOR THE FALLEN For the Fallen brings together ten of the nation’s most powerful poems about war and remembrance, and combines them with specially chosen pieces of music performed by Matthew Trusler, violin, and Ashley Wass, piano. Featuring beloved works such as Laurence Binyon’s poignant Ode to Remembrance (“as the stars that are starry in the time of our darkness, to the end, to the end, they remain”), paired with Debussy’s Clair de Lune; Rupert Brooke’s patriotic sonnet The Soldier, partnered with Elgar’s Chanson de Nuit; WB Yeats’ An Irish Airman Foresees His Death, combined with Copland’s Violin Sonata (composed in memory of a pilot lost in battle); and Edward Thomas’ Adlestrop (“farther and farther, all the birds of Oxfordshire and Gloucestershire”), accompanied by Vaughan Williams’ The Lark Ascending, this promises to be a memorable evening of thought-provoking verse and inspiring music. Narrating the poems will be Petroc Trelawny, the much-loved BBC television and radio presenter. PROGRAMME MCMXIV - Philip Larkin 5 Melodies, Op. 35b - Sergei Prokofiev In Flanders Fields - John McRae Romanian Folk Dances - Bela Bartok The Soldier - Rupert Brooke Chanson de Nuit - Edward Elgar Drummer Hodge - Thomas Hardy Violin Sonata, 2nd movement - Leos Janacek For the Fallen - Lawrence Binyon Clair de Lune - Claude Debussy Dulce Et Decorum Est - Wilfred Owen Violin Sonata No. 1, 2nd movement - Sergei Prokofiev Adlestrop - Edward Thomas The Lark Ascending - Ralph Vaughan Williams An Irish Airman Foresees His Death - WB Yeats Violin Sonata, 1st movement - Aaron Copland And Death Shall Have No Dominion - Dylan Thomas Violin Sonata, 3rd movement - Leos Janacek Charge Of The Light Brigade - Alfred Tennyson Scherzo FAE - Johannes Brahms MATTHEW TRUSLER Matthew Trusler has developed a reputation as one of Britain’s leading violinists, performing with many of the world’s great orchestras, and receiving huge critical acclaim for his diverse recordings. -
Eurovision Choir 2019: Press Handbook
PRESS HANDBOOK Eurovision Choir 2019 Press, Delegation & Production Handbook DISTRIBUTION: Press, Delegations, Production Dear friends, It is with great pride and excitement that I welcome you to the second edition of Eurovision Choir, here in Gothenburg. Those of us who were fortunate enough to be involved in the production during Latvian Television’s first edition in Riga hold many fond memories of launching Eurovision’s newest competition format. The show was spectacular, the choirs stunning and the music sublime. But what remains most strongly in my memory is the unique atmosphere of the backstage area around the show. I recall a festive atmosphere, almost a party, as nine choirs traded songs across the dressing room walls. And indeed, this is a festival – a festival of the beauty and diversity of choral singing in Europe, and of what can be achieved by joining our voices. So it seems true – singing is good for the soul. Thanks to those of you who have made the journey to attend Eurovision Choir 2019 in Gothenburg. Good luck to all the choirs taking part and enjoy the show! Jon Ola Sand Executive Supervisor, Eurovision Song Contest & Eurovision Live Events. Eurovision Choir 2019 Press, Delegation & Production Handbook DISTRIBUTION: Press, Delegations, Production Contents Press Handbook.................................................................................................................... 4 Eurovision Choir ..................................................................................................................................................... -
Building the Big Society
Building the Big Society Defining the Big Society Delivering the Big Society Financing the Big Society Can big ideas succeed in politics? With Clive Barton, Roberta Blackman-Woods MP, Rob Brown, Sir Stephen Bubb, Patrick Butler, Chris Cummings, Michele Giddens, David Hutchison, Bernard Jenkin MP, Rt Hon Oliver Letwin MP, Jesse Norman MP, Ali Parsa, Michael Smyth CBE, Matthew Taylor and Andrew Wates Clifford Chance 10 Upper Bank Street London E14 5JJ Thursday 31 March 2011 Reform is an independent, non-party think tank whose mission is to set out a better way to deliver public services and economic prosperity. We believe that by reforming the public sector, increasing investment and extending choice, high quality services can be made available for everyone. Our vision is of a Britain with 21st Century healthcare, high standards in schools, a modern and efficient transport system, safe streets, and a free, dynamic and competitive economy. Reform 45 Great Peter Street London SW1P 3LT T 020 7799 6699 [email protected] www.reform.co.uk Building the Big Society / Reform Contents Building the Big Society Introduction 2 Pamphlet articles 5 Full transcript 14 www.reform.co.uk 1 Building the Big Society / Reform Introduction Nick Seddon, Deputy Director, Reform The Big Society is this Government’s Big “lacking a cutting edge” and “has no Sir Stephen Bubb spoke in favour of this Idea. Part philosophy, part practical teeth”. Others are outright hostile. They feature of the Government’s public service programme, it is the glue that holds see it as a cover for cuts. -
Appendix A: Non-Executive Directors of Channel 4 1981–92
Appendix A: Non-Executive Directors of Channel 4 1981–92 The Rt. Hon. Edmund Dell (Chairman 1981–87) Sir Richard Attenborough (Deputy Chairman 1981–86) (Director 1987) (Chairman 1988–91) George Russell (Deputy Chairman 1 Jan 1987–88) Sir Brian Bailey (1 July 1985–89) (Deputy Chairman 1990) Sir Michael Bishop CBE (Deputy Chairman 1991) (Chairman 1992–) David Plowright (Deputy Chairman 1992–) Lord Blake (1 Sept 1983–87) William Brown (1981–85) Carmen Callil (1 July 1985–90) Jennifer d’Abo (1 April 1986–87) Richard Dunn (1 Jan 1989–90) Greg Dyke (11 April 1988–90) Paul Fox (1 July 1985–87) James Gatward (1 July 1984–89) John Gau (1 July 1984–88) Roger Graef (1981–85) Bert Hardy (1992–) Dr Glyn Tegai Hughes (1983–86) Eleri Wynne Jones (22 Jan 1987–90) Anne Lapping (1 Jan 1989–) Mary McAleese (1992–) David McCall (1981–85) John McGrath (1990–) The Hon. Mrs Sara Morrison (1983–85) Sir David Nicholas CBE (1992–) Anthony Pragnell (1 July 1983–88) Usha Prashar (1991–) Peter Rogers (1982–91) Michael Scott (1 July 1984–87) Anthony Smith (1981–84) Anne Sofer (1981–84) Brian Tesler (1981–85) Professor David Vines (1 Jan 1987–91) Joy Whitby (1981–84) 435 Appendix B: Channel 4 Major Programme Awards 1983–92 British Academy of Film and Television Arts (BAFTA) 1983: The Snowman – Best Children’s Programme – Drama 1984: Another Audience With Dame Edna – Best Light Entertainment 1987: Channel 4 News – Best News or Outside Broadcast Coverage 1987: The Lowest of the Low – Special Award for Foreign Documentary 1987: Network 7 – Special Award for Originality -
Children in Need Comprehension Rt/L1.1 Rt/L1.3
November 2008. To print or download your own copies of this document visit http://www.skillsworkshop.org/ CHILDREN IN NEED Read the following text and then answer the questions. Where it all began The BBC's first broadcast appeal for children was a five-minute radio programme on Christmas Day in 1927. It raised £1,143 18s 3d and the proceeds were shared with four prominent children's charities. The first televised appeal was the 1955 'Children's Hour Christmas Appeal', presented by Sooty and Harry Corbett. The Christmas Day Appeals continued on TV and radio right up until 1979, raising a total of £625,836. The presenters included Terry Hall, Eamonn Andrews, Leslie Crowther, Michael Aspel and the rising star of the Radio 2 Breakfast Show - Terry Wogan - who made his debut appearance in 1978. In 1980 the appeal was broadcast on BBC One in a new telethon format, hosted by Terry with Sue Lawley and Esther Rantzen. The telethon was the brainchild of Mark Patterson, who went on to be the Executive Producer for nine years. It captured the public's imagination to such an extent that the donations increased dramatically and broke the million mark for the very first time. Pudsey made his television debut in 1985 when Terry introduced the new, brown cuddly mascot to the audience. He was designed by Joanna Ball, a BBC graphics designer, who named him after the West Yorkshire town where she was born. He proved very popular and returned as Children in Need's official logo the following year with his design amended to that of a yellow bear with a red spotted bandage. -
'Please Don't Call Me a Pensioner!' Says Sue Lawley
'Please don't call me a pensioner!' says Sue Lawley By Kathryn Knight Newsreader and broadcaster Sue Lawley, 62, presented Desert Island Discs on BBC Radio 4 for 18 years before resigning in 2006. Since then she has largely remained out of the public eye, but is back on our screens as a participant in Bridge: Celebrity Grand Slam on Sky TV, hosted by Clive Anderson. She has two grown-up children from her first marriage to solicitor David Ashby, but since 1987 has been married to TV producer Hugh Williams. The couple live in London and Devon. News reader and broadcaster Sue Lawley - presenter of Radio 4's Desert Island Discs for 18 years - says that at 62, she still feels like a 37 year old You seem to have been away for a long time… I still do my bit - I chair the Annual Reith Lectures for the BBC and I do quite a bit of travel journalism. But yes, by and large I stay out of the public eye. Producers ring up and say things like, 'We'd love to get the old Nationwide team back together', and I think, 'Actually, can we not?' I suppose, fundamentally, I don't really feel the need to do any more, so unless I really enjoy something, like the bridge programme I've just worked on, then there's no point. I like my privacy too much. I hate seeing interviews printed - there's always something in them you don't like. I've been happier since I haven't been putting myself about. -
8 November 2016 Programme
Programme 8 November 2016 BAFTA, London Huxley Summit Agenda 2016 3 Contents Agenda Agenda page 3 08:30 Registration Chapters page 4 09:00 Chapter 1: State of the nation Trust in the 21st Century page 6 Why trust matters page 8 10:30 Coffee and networking Speakers page 12 11:10 Chapter 2: Who do we trust? Partners page 18 12:20 Lunch and networking Attendees page 19 Round table on corporate sponsored research Round table on reasons for failure 13:50 Chapter 3: Who will we trust? 15:20 Coffee and networking 16:00 Chapter 4: Who should we trust? 17:45 Closing remarks 18:00 Drinks reception A film crew and photographer will be present at the Huxley Summit. If you do not wish to be filmed or photographed, please speak to a member of the team at British Science Association. We encourage attendees to use Twitter during the Summit, and we recommend you use the hashtag #HuxleySummit to follow the conversations. 4 Huxley Summit 2016 Chapters 5 Chapter 1: Chapter 2: Chapter 3: Chapter 4: State of the nation Who do we trust? Who will we trust? Who should we trust? The global events of 2016 have caused Many sections of business, politics and The public need to be engaged and Trust and good reputations are hard many people to question who they trust. public life have had a crisis of public informed on innovations in science won but easily lost. What drives How is this affecting the role of experts trust in recent years, but who do we trust and technology that are set to have consumers’ decision making and how and institutions? How can leaders from with science? And what can we learn a big impact on their lives and the can we drive trust in our businesses across politics, business, science and from the handling of different areas of world around them. -
Activity Orientation in the Talk of Politicians, News Journalists And
Activity orientation in the talk of politicians, news journalists and audiences Paul Dickerson University College London Submitted for Doctorate of Philosophy 1999 1 Abstract The talk of politicians, news-joumalists and audiences has been relatively neglected in social psychology and media studies. Within these approaches talk has been ignored altogether, treated as a symptom of cognitive or ideological processes or employed simply as a tool to gain access to ‘inner’ ‘meaning making’ or ‘outer’ behaviour. This thesis explored a corpus of talk data from a discursive perspective in which the talk itself was the focus. It was argued that politicians and news-joumalists could in different ways be seen to orientate to the ‘truthfulness’ of what they say. Thus politicians’ were found to cite others to corroborate their claims, and new-joumalists through their exchange of utterances attended to the co-construction their ‘impartiality’ and ‘authoritativeness’. Politicians were also found to construct intent in terms of acting in ‘the national interest’ - this ‘repertoire’ could blame or exonerate self and others depending crucially on talk- context in which it was produced. Audiences’ talk about their identity and contrasts with others was also explored. Their talk was analysed not to uncover their ‘meaning- makings’ or behaviour but instead to discover the activity orientations of their talk and its sensitivity to the surrounding talk context. In this way the talk of politicians, news- joumalists and audiences was not seen as a symptom of some separate, ‘underlying’ phenomena of interest nor as a mere tool to access their ‘inner’ or ‘outer’ world - but rather it was the focus of study itself.