Activity Orientation in the Talk of Politicians, News Journalists And
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I INFORMING a DISTRACTED AUDIENCE: NEWS NARRATIVES
INFORMING A DISTRACTED AUDIENCE: NEWS NARRATIVES IN BREAKFAST TELEVISION Emma Copeman Submitted in fulfilment of the degree of Bachelor of Arts (MECO), Honours Department of Media and Communications October, 2007 i Abstract This thesis takes its lead from Baym‟s (2004) suggestion that incorporation of entertainment techniques into television news undermines its authority and credibility. To explore this question, textual analysis was conducted on the news bulletins of Australian breakfast television programs Sunrise and Today with regard to narrative features and the spread of traditional news conventions compared to entertainment techniques. This analysis was followed by a discussion of the dominant meanings produced by the news narratives of Sunrise and Today. The two programs employed similar narrative styles that largely adhered to traditional news conventions, positioning themselves as impartial and authoritative relayers of news. However, narratives of both programs also diverged from traditional news: both used entertainment conventions – with Today often abandoning the traditional Inverted Pyramid news story structure for new structures – and contained briefer stories, with references to the opinions and personal experiences of the item presenters. In some breakfast news items, the short and sometimes personal narrative structure diminished the construction of impartiality. While entertainment techniques represented a potential threat to the overall authority of the news, in this analysis, the threat was mitigated by the dominance of traditional news conventions and authority was retained. In summary, departures from traditional news narrative structure and delivery are evident in Australian breakfast television, and may partly decrease its news authority and impartiality. However, the ability of these programs to retain distracted breakfast audiences may depend on the brief, entertaining and sometimes personal nature of the news items. -
Why Jackson's Man in the Mirror Never Could Make a “CHANGE!”
“I’m starting with the man in the mirror. I’m asking him to Why Jackson’s Man in the change his ways. No message could have been any clearer. If you want to make the world a better place take a look at Mirror never could make a yourself and make a change.” Then like a preacher he gets into it at the end of the song “CHANGE!” and starts saying “you’ve got to move…SHOME ON!” You gotta do something. The song was passionate and called James 1.19-27 | Mirrors Part 2 | April 10, 2016 people to change the world by changing themselves. That’s inspiring! Missions Night Tomorrow Night But it was flawed. The flaw was that it didn’t give any The greatest album of all time was released in 1987. The power to change. It called for change without talking about album was called “bad” and it was by a guy named Michael the power for lasting change. And so people got eXcited for Jackson. Yes, thriller sold twice as many copies as any other a while, but eventually even Jackson himself didn’t any album in history. But Bad ranks #10 all time in sales experience lasting change for the better in his own well and was just a better all around album. From that album documented life. came 5 consecutive #1 billboard songs. “I just can’t stop loving you,” “bad” “the way you make me feel” “dirty Diana” But he was on point about change. All change begins by and “The Man in the Mirror.” I don’t know if you need to looking in the mirror and seeing the real you. -
Summary BBC Trained Journalist Accomplished Copywriter PR
Summary ▪ BBC trained journalist ▪ Accomplished copywriter ▪ PR consultant for over 10 years ▪ Highly organised, proactive, diligent, creative and accountable professional ▪ Sociable and motivational leader, mentor and team member ▪ Adaptable and flexible, able to work with a variety of sectors and clients ▪ French speaker, some Italian I trained as a Broadcast Journalist with the BBC and worked on BBC Breakfast News, Breakfast with Frost and Watchdog. This experience gave me a good eye for a news story, the ability to research and interview and to write clear, concise copy. I have experience of writing a variety of literature, for both corporate and consumer projects and for a wide range of different audiences. I am used to seeing a copywriting project through from initial stages of research and interview, to writing and editing, liaising with designers to choose and place graphics or animation, and with printers to bring the project in under budget and to a high quality. I work quickly and accurately, and can turn my hand to anything from a manifesto on eco-paper manufacturing to a company annual report, copy for a new website or a product brochure for the beauty industry. Employment History (2007-present) Edelman, Copywriter Brand research and positioning strategy for Dove global projects – focus on messaging for women Blue Rubicon, Copywriter Investigation for and writing of strategy document for personal injury lawyer client Lawson Dodd, Copywriter Researching and writing half-yearly investment report for Barclays Private Equity Grayling PR, Copywriter Project manager and copywriter for new global, rebranded Grayling PR website following company merger with Trimedia and MmD. -
1911 June Acropolis
Whittier College Wardman Library Poet Commons Acropolis (Yearbook) Archives and Special Collections 6-1911 1911 June Acropolis Whittier College Follow this and additional works at: https://poetcommons.whittier.edu/acropolis ON WE HOLD IT UP TO YOU Our offer to make to order the best fitting suit, of the choicest materials and most perfect finish for a moderate amount of money. In thorough work- manship we challenge any tailor in town to beat us, and the materials, linings, etc., are guaranteeds to be of the best. And we have in our show- rooms at present, fabrics and patterns that cannot be duplicated at anything like our prices. We make the best $35.00 suits in Los Angeles City. SHIELDS & OPP 201-205 Delta Building 426 South Spring Street Los Angeles DW.B NICOLE CARL. ENTOLMANN FRED WALTER,JR. ODE PADS AND TALON PRESIDENT AND GEN'L MAR. SECRETARY, irJ '1 flrIrj(3 MAN U PACTU R 1 N .1 JrwFI I- R ,t%D WATCfl1 tI4IIt FACTORYAND SALESROOMSAT 217 S-SPRING ST., F MONIES;___________ SANDEr MAIN 9300 LOSANGFLES,CAL. ROME EXCHANGE 9900 The jno. R. King Citrus Nurseries WHOLESALE ONLY An excellent line of Washington Navels, Valencies and Eureka Lemons for sale. Specialty on contracts for stock to be delivered in season of 1911 and 1912 at very reasonable prices. CITRUS STOCK EXCLUSIVELY—NO SIDE LINES NORTH CITRUS AVE. NORTHMAGNOLIA AVE. Phone JNO. R. KING, Proprietor TRY THE Whittier Hdw. Co. for all your athletic game sup- plies. If they do not have it in stock they will order it. -
A Diary Manifesto for Oil Painters Amy Wing
RHYTHYM AND THE MONSTROUS: A DIARY MANIFESTO FOR OIL PAINTERS AMY WING-HANN WONG A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF FINE ARTS GRADUATE PROGRAM IN VISUAL ARTS YORK UNIVERSITY TORONTO, ONTARIO MAY 2015 © AMY WONG 2015 ABSTRACT I’M GOING TO TRY DESPARATELY TO FOLLOW OPRAH’S MEDIA TACTIC HERE. INTRO: what I am about to tell you BODY: TELL IT. END: summarize what I just told you. The invisible threads that form identity politics are especially messy today. Through the lens of a transnational/intersectional/feminist sensibility, my thesis paper and body of work weaves influences from both visual and music culture. Socio-political agency is explored through reconfiguration. Both thesis and artwork are informed by the organizational principles of collage logic - specifically through the contrast in texture and rhythm, and employing the notion of the monster as a harmony of incongruence. All in all, this is an account of the struggles of Diaspora Repping and artistic practice, and the dilemma of ensuing ‘rep sweats’. ii ACKNOWLEDGEMENT I would like to express sincere thanks to my power trio thesis committee - Janet Jones, Brandon Vickerd and Suzanne Carte for their incredible insight, feedback and support. I would like to thank all my mentors and colleagues throughout my artistic and academic career. Thank you to my mom Regina, my dad Paul, my sister Polly, my brother Chris. And my fabtabulous BFFs at home and abroad. Together we make up this electric web of equal parts craziness and unconditional love, and without this I would not be able to do what I do. -
Talk up Toastmasters Report for District 01 Page 1 of 105 1:08 Pm As of 03/31/2017 CUS8073
04/13/2017 Talk Up Toastmasters Report For District 01 Page 1 of 105 1:08 pm As of 03/31/2017 CUS8073 New Member Club Number DivisonArea Club Name Total Award 00000638 A 06 Westside Toastmasters 8 YES 00002133 B 03 Fox Talkz Toastmasters Club 6 YES 00002681 B 03 Century City Toastmasters Club 5 YES 00003645 D 01 Bay Cities Club 6 YES 00003921 C 06 Beach Cities Toastmasters Club 6 YES 00004489 A 03 Agape Toastmasters 9 YES 00005983 A 04 Sand & Sea Speakers Club 5 YES 00007800 F 06 Funny Bones Toastmasters 6 YES 01098501 D 06 Herbalife Toastmasters 7 YES 02189226 F 03 Mission Control 5 YES 02284942 C 03 Creative Communicators 6 YES 02771703 C 05 Circle of Friends 5 YES 03667573 C 05 Business Masters 5 YES 03761051 A 05 Divapreneurs 5 YES 05273746 B 01 San Vicente Toastmasters 5 YES 05977736 A 04 Agensys Oncotoast 5 YES Total Number of Clubs Getting Awards: 16 04/13/2017 Talk Up Toastmasters Report For District 02 Page 2 of 105 1:08 pm As of 03/31/2017 CUS8073 New Member Club Number DivisonArea Club Name Total Award 00000304 E 54 Willows Voices Club 5 YES 00000822 E 53 Kirkland Eclectics Toastmasters Club 5 YES 00000832 D 43 West Seattle Toastmasters Club #832 6 YES 00007971 G 73 BlackRock Speaks Seattle 5 YES 00008864 F 61 Sammamish Speechmakers Toastmasters Club 6 YES 00009604 A 13 Burlington Better Speakers 5 YES 00009856 C 35 FNWL Club 5 YES 00009928 G 71 Husky Toastmasters Club 8 YES 00597395 F 65 Peak Speakers Toastmasters Club 5 YES 00935462 G 74 Amazon Toastmasters Club 10 YES 01445448 E 52 MicroToast 5 YES 01926934 C 35 Career Masters -
Scene I the Farragut Boat Club South Side of Chicago
1 SIXTEEN INCHES SIXTEEN INCH 2 CHARACTERS FARRAGUT BOAT CLUB EDWARD: White, architect, 30, Harvard graduate, exceedingly friendly, quick to take the lead in a situation. Has become a proud Chicagoan, despite early upbringing in New England area. JAMES: White, 27, businessman, Yale graduate, a tightly wound man, prides himself on making lucrative deals. Considers himself one of the rebuilders of Chicago after the Great Fire. JOSEPH: White, lawyer, 29, Yale graduate, congenial, sometimes a bit clueless (despite being a lawyer). GEORGE: White, 33, reporter, Harvard graduate, reserved demeanor because he likes to keep his ear open for new information. As a reporter has seen the redevelopment of the city first-hand after the Fire and sees the changes in demographics. It interests and worries him. WAVELAND SOFTBALL FIELD (Note: The character descriptions are written as if they’re being spoken by one of the characters themselves, but more like someone who knows them. Hopefully it gives a feel for the tone, the mindset of the main characters in the play. They are rude, profane, blunt-by-accident, but familiar enough with each other to say the things they say.) EDDIE: One of those run-of-the-mill Chicago Polish guys (HE can call himself a “Polack” but you probably shouldn’t.) Looks about 10 years older than he really is, so I’m guessing he’s, I don't know, about 42 or something? His hair’s already turning grey. Kinda got some muscles but not from working out…just that naturally strong shit, you know? Works for the city like his father and uncle. -
The Development of the UK Television News Industry 1982 - 1998
-iì~ '1,,J C.12 The Development of the UK Television News Industry 1982 - 1998 Thesis submitted for the degree of Doctor of Philosophy by Alison Preston Deparent of Film and Media Studies University of Stirling July 1999 Abstract This thesis examines and assesses the development of the UK television news industry during the period 1982-1998. Its aim is to ascertain the degree to which a market for television news has developed, how such a market operates, and how it coexists with the 'public service' goals of news provision. A major purpose of the research is to investigate whether 'the market' and 'public service' requirements have to be the conceptual polarities they are commonly supposed to be in much media academic analysis of the television news genre. It has conducted such an analysis through an examination of the development strategies ofthe major news organisations of the BBC, ITN and Sky News, and an assessment of the changes that have taken place to the structure of the news industry as a whole. It places these developments within the determining contexts of Government economic policy and broadcasting regulation. The research method employed was primarily that of the in-depth interview with television news management, politicians and regulators: in other words, those instrumental in directing the strategic development within the television news industry. Its main findings are that there has indeed been a development of market activity within the television news industry, but that the amount of this activity has been limited by the particular economic attributes of the television news product. -
Children in Need Comprehension Rt/L1.1 Rt/L1.3
November 2008. To print or download your own copies of this document visit http://www.skillsworkshop.org/ CHILDREN IN NEED Read the following text and then answer the questions. Where it all began The BBC's first broadcast appeal for children was a five-minute radio programme on Christmas Day in 1927. It raised £1,143 18s 3d and the proceeds were shared with four prominent children's charities. The first televised appeal was the 1955 'Children's Hour Christmas Appeal', presented by Sooty and Harry Corbett. The Christmas Day Appeals continued on TV and radio right up until 1979, raising a total of £625,836. The presenters included Terry Hall, Eamonn Andrews, Leslie Crowther, Michael Aspel and the rising star of the Radio 2 Breakfast Show - Terry Wogan - who made his debut appearance in 1978. In 1980 the appeal was broadcast on BBC One in a new telethon format, hosted by Terry with Sue Lawley and Esther Rantzen. The telethon was the brainchild of Mark Patterson, who went on to be the Executive Producer for nine years. It captured the public's imagination to such an extent that the donations increased dramatically and broke the million mark for the very first time. Pudsey made his television debut in 1985 when Terry introduced the new, brown cuddly mascot to the audience. He was designed by Joanna Ball, a BBC graphics designer, who named him after the West Yorkshire town where she was born. He proved very popular and returned as Children in Need's official logo the following year with his design amended to that of a yellow bear with a red spotted bandage. -
'Please Don't Call Me a Pensioner!' Says Sue Lawley
'Please don't call me a pensioner!' says Sue Lawley By Kathryn Knight Newsreader and broadcaster Sue Lawley, 62, presented Desert Island Discs on BBC Radio 4 for 18 years before resigning in 2006. Since then she has largely remained out of the public eye, but is back on our screens as a participant in Bridge: Celebrity Grand Slam on Sky TV, hosted by Clive Anderson. She has two grown-up children from her first marriage to solicitor David Ashby, but since 1987 has been married to TV producer Hugh Williams. The couple live in London and Devon. News reader and broadcaster Sue Lawley - presenter of Radio 4's Desert Island Discs for 18 years - says that at 62, she still feels like a 37 year old You seem to have been away for a long time… I still do my bit - I chair the Annual Reith Lectures for the BBC and I do quite a bit of travel journalism. But yes, by and large I stay out of the public eye. Producers ring up and say things like, 'We'd love to get the old Nationwide team back together', and I think, 'Actually, can we not?' I suppose, fundamentally, I don't really feel the need to do any more, so unless I really enjoy something, like the bridge programme I've just worked on, then there's no point. I like my privacy too much. I hate seeing interviews printed - there's always something in them you don't like. I've been happier since I haven't been putting myself about. -
Talking up and Talking Down: the Power of Positive Speaking
Journal of Social Issues, Vol. 71, No. 4, 2015, pp. 834--846 doi: 10.1111/josi.12152 Talking Up and Talking Down: The Power of Positive Speaking ∗ Susan T. Fiske , Hilary Bergsieker, Vanessa Constantine, Cydney Dupree, Deborah S. Holoien, Nicolas Kervyn, Lisa Leslie, and Jill Swencionis Princeton University Consistent with Lewin’s legacy and SPSSI’s traditions, out work has focused on in- equality and power dynamics between people. Drawing on interpersonal positivity biases, stereotype content emphasizing perceived warmth and competence, and on the compensation effect (trading off warmth and competence), we study how people communicate, understand, and present themselves and others, especially across status divides. First, polite communicators omit negativity in describing individuals, especially stereotyped ones. Negativity omission creates innuendo (its absence implies the negative information), which allows stereotype to stag- nate. Listeners understand the innuendo and infer the negativity from its omission. Impression-managers understand this dynamic and use positive innuendo: They downplay one aspect (e.g., warmth or competence) to convey the other. Status determines which strategy people use: High-status speakers talk down (warmly), and low-status speakers talk up (competently). Cross-race interactions also show this dynamic. This creates dysfunctional inter-status interactions, the two people operating at crossed purposes. Winning an award named for Kurt Lewin –like my lifelong membership in the Society for the Psychological Study of Social Issues—expresses what it means to do science that tries to make the world a better place. Lewin himself worked on only some of SPSSI’s three Ps (prejudice, poverty, and peace), but he did work on power (group processes and leadership), relevant to our topic here. -
Television Coverage of British Party Conferences in the 1990S: the Symbiotic Production of Political News
Television Coverage of British Party Conferences in the 1990s: The Symbiotic Production of Political News James Benedict Price Stanyer PhD thesis submitted in the Department of Government London School of Economics and Political Science 1 UMI Number: U120754 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U120754 Published by ProQuest LLC 2014. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract Studies of political communication in the UK have focused primarily on election campaigns and reportage of parliamentary and public policy issues. In these contexts, two or more parties compete for coverage in the news media. However, the main British party conferences present a different context, where one party’s activities form the (almost exclusive) focus of the news media's attention for a week, and that party’s leadership ‘negotiates* coverage in a direct one-to-one relationship. Conference weeks are the key points in the organizational year for each party (irrespective of their internal arrangements), and a critical period for communicating information about the party to voters at large, especially via television news coverage, which forms the focus of this study.