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Cambridge University Press 978-0-521-87180-8 — Jacques Offenbach and the Making of Modern Culture Laurence Senelick Index More Information 332 Index À l’ombre des jeunes i lles en l eur , novel (M. Anderson, Percy 120 Proust, 1918)) 85 Angélo, tyran de Padoue, play (V. Hugo, 1835) 41 Abel- Helena , parody (A. de Azevedo, 1873) 184 Anna Karenina , novel (L. N. Tolstoy, 1875– 77) Abendroth, Walter 216 151 , 159 Aborn Opera Company 252 Anouilh, Jean 247 Academy of Music, Montreal 122 anti- semitism 96 , 300 – 301 Academy of Music, New York 132 in France 68 , 235 – 36 , 238 – 39 Achard, Marcel 244 – 45 in Germany 73 , 77 – 78 , 215 – 19 , 271 Action Française 239 Wagner’s 67 – 71 , 198 Adam, Adolphe 30 Antony , play (A. Dumas père , 1831) 19 Adams, A. Davies 256 Arcadians, h e , musical comedy ((R. Adelphi h eatre, London 101 , 120 , 259 – 60 Courtneidge, A. M. h ompson and M. Adler, Hans Günther 218 Ambruin, music L. Monckton and H. Admiralspalast, Berlin 273 Talbot, 1909) 120 Adorno, h eodor W. 5 – 6 , 201 , 214 Archer, William 116 , 118 Adventures of Robin Hood, h e , i lm (M. Curtiz Arderíus, Francisco 172 – 74 , 180 and W. Keighley, 1938) 261 Argus , Melbourne, periodical 190 Æneid , epic poem (Vergil) 18 Ariadne auf Naxos , opera (R. Strauss, 1912) 202 Agoult, Marie, comtesse d’ (Daniel Stern) 73 Ariane et Barbe- bleue , opera (P. Dukas, 1907) 281 Aïda , opera (G. Verdi, 1871) 185 Aristophanes 112 , 264 , 267 Aimée, Marie 133 , 136 – 37 , 180 , 183 Arlequin barbier , pantomime (J. Of enbach Aimée Opera Company 128 from G. Rossini, 1855) 34 Albert of Saxe- Coburg and Gotha, Prince Aronson, Rudolph 138 – 39 Consort 98 Arrow Cross Party 301 Albert, Mary 117 Asakusa Opera, Tokyo 197 Alcazar Lyrique Flumineuse, Rio de Janeiro ’Ašara aţ- ţayibba, al- (h e Ten of Diamonds ), 180 – 81 , 183 – 85 musical comedy (S. Darwīš, 1920) 188 alcôve, Un , opéra comique (J. Of enbach, Ashton, Frederick 287 1847) 31 Atala , novella (F. Chateaubriand, 1801) 13 Alexander II, tsar of Russia 143 Athénée, h éâtre de l’, Paris, see h éâtre de Alexandra, Empress of Russia 220 l’Athénée Alexandrinsky h eatre, St Petersburg 144 Au Bonheur des dames , novel (E. Zola, 1883) 231 Alhambra Music Hall, London 106 Auber, Daniel 30 , 65 , 98 , 133 , 166 , 171 Alhambra h eatre, London 54 , 105 , 111 , 116 Augé de Lassus, Lucien 11 Almée, L’ , painting (Gérôme) 132 Augier, Émile 23 Almeida, Antonio de 296 – 97 Augustine, St 46 Almlöf, Kurt 167 Aus dem wahren Milliardenlande, study (M. Alvin h eatre, New York 266 Nordau, 1878) 198 Amadeo I, King of Spain 174 aventures de Télémaque, Les , novel (F. Fénélon, Amara, Lucine 268 1693– 94) 173 Ambros, August Wilhelm 171 – 72 Avenue h eatre, London 108 , 117 332 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-87180-8 — Jacques Offenbach and the Making of Modern Culture Laurence Senelick Index More Information 333 Index 333 Avoscani, Pietro 185 n.11 Bateman, H. L. 123 – 26 Azbak Tatakh al- Zahiry, Amir 185 n.11 Baudelaire, Charles 9 , 75 , 261 Azevedo, Artur de 184 – 85 on modernity 9 , 17 – 18 on the modern woman 25 Babes in the Wood , pantomime (T. Taylor, 1867) bavards, Les (Bavard et Bavarde ), opera bouf e 103 , 141 (C.- L. E. Nuitter, music J. Of enbach, Bach, Alexander von 170 1862) 96 , 126 , 179 , 237 , 240 Bach, Johann Sebastian 109 Bayram aț- Tunisi, Mahmūd 189 Bad Ems, Germany 292 Bayreuth Festival 77 – 78 Badeau, Adam 125 Beardsley, Aubrey 204 , 288 Bakaleinikov, Vladimir 228 beau Pâris, Le , subterfuge 147 Baker, Josephine 96 , 240 – 43 Beaumarchais, Pierre Caron de 49 Baklanof , George 213 Beaumont, Count Étienne de 243 Baklanova, Olga 230 n.28 Beckett, Samuel 247 , 250 Bakst, Léon 254 Beecham, Sir h omas 109 n.35 , 287 Bal Mabille, Paris 34 Beecher, Henry Ward 131 Balanchine, George 261 n.28 Beerbohm Tree, see Tree, Herbert Ballet Russe de Monte Carlo 243 , 260 Beerbohm Ballets Russes 120 , 223 , 254 , 259 Beethoven, Ludwig von 50 , 190 , 256 Banville, h éodore de 43 – 44 Behrens, Peter 202 Barba de milho , parody (A. de Azevedo, Béjart, Maurice 243 1869) 184 Bell, Digby 137 Barbe, André 285 Bell, Rose 128 Barbe- bleue , opéra bouf e (H. Meilhac and L. Bell L.N. , minstrel show 128 Halévy, music J. Of enbach, 1866) 8 n.30 , Bellaigue, Camille 21 48 , 60 , 66 , 92 , 114 , 126 , 137 , 152 , 154 – 55 , belle Hélène, La , opera bouf e (H. Meilhac and 173 , 176 – 77 , 182 , 187 – 88 , 190 , 194 , 210 , L. Halévy, music J. Of enbach, 1864) 16 , 233 , 286 20 , 24 – 25 , 41 , 47 , 48 , 52 , 60 , 72 , 74 – 76 , 80 , Brazilian parodies 183 – 84 94 , 97 , 110 , 129 , 138 , 164 , 166 , 172 , 182 , 191 , Felsenstein’s production 280 – 84 194 , 217 , 224 , 236 , 246 , 252 , 285 Karl Kraus on 93 compared to Papal encyclical 18 Barber- Blue , minstrel show 138 Heinrich Schliemann on 164 Barber of Seville , see Barbiere de Siviglia Howells on 134 Barbey d’Aurevilly, Jules 52 Helikon- Opera production 234 Barbier, Jules 276 , 296 in Cairo 186 – 88 Barbiere di Siviglia, Il , opera (G. Rossini, 1816) in Christiania 169 44 , 268 in London 299 Barbieri, Francisco Asenjo 172 in Munich 66 Barcarolle 2 , 243 , 251 , 265 in New York 125 – 36 Bardán, Maria 172 in St Petersburg 144 , 147 , 149 , 151 , Barkouf , opera bouf e (E. Scribe and H. 220 – 21 Boisseaux, music J. Of enbach, 1860) in Stockholm 167 – 69 31 , 38 , 53 in Vienna 87 – 88 Barnett, Benjamin 99 inl uence on Strindberg 168 – 69 Baroneza de Cayapó, A , parody (A. de Azevedo, inl uence on Uncle Vanya 152 , 155 – 63 1868) 183 Johanna Richardson on 4 Barrault, Jean- Louis 247 – 50 Jules Lemaître on 4 Bartered Bride, h e , opera (B. Smetana, Komissarzhevsky on 221 – 22 1882) 170 – 71 Lillian Russell in 140 – 41 Bartók, Bela 281 Mardzhanov’s production 221 – 22 Bastos, Pinto 176 Nemirovich- Danchenko’s Ba- Ta- Clan , chinoiserie musicale (L. Halévy, production 230 – 31 music Of enbach, 1855) 12 – 13 , 87 , 99 , 103 , Premiere 42 – 45 123 , 129 – 30 , 286 Reinhardt’s productions 206 – 10 , 230 , 236 , Ba- Ta- Clan , Rio de Janeiro, periodical 181 253 – 63 , 265 – 66 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-87180-8 — Jacques Offenbach and the Making of Modern Culture Laurence Senelick Index More Information 334 334 Index belle Lurette , opéra comique (E. Blum, G. Bluebeard Repaired, a Worn- out Subject Done Up Blau and R. Toché, music J. Of enbach, Anew , one- act (1866) 101 1880) 9 , 117 Bluebeard , ballet suite (A. Dorati, 1941) 264 Belle Vivette, La , operetta (M. Frayn, music J. Bluebeard’s Castle , opera (B. Bartók, Of enbach, 1995) 299 1911– 18) 281 Bellini, Vincenzo 75 , 128 Blum, Ladislav Moshé 219 Bellmer, Hans 214 – 15 , 286 Bobèche (Antoine Mandelard) 14 Benchley, Robert 14 Boieldieu, François- Adrien 65 Benigni, Roberto 2 Bolshoy h eatre, Moscow 224 Benjamin, Walter 5 – 6 , 201 , 214 Bombastes Furioso , burlesque (W. B. Rhodes, Bennett, Arnold 206 1811) 125 Bennett, Robert Russell 267 Bonaparte, Louis- Napoléon, see Benois, Alexander 223 Napoleon III Benoit, Dénise 249 Bonnet, Hippolyte 64 – 65 Bergenz Festspielhaus 302 Boosey and Co., Boosey and Hawkes, music Berger, Julius 268 publishers 108 , 297 bergers, Les , opéra comique (H.- J. Boots , short story (A. P. Chekhov, 1885) 154 Crémieux and P. Gille, music J. Borge, Victor 32 Of enbach, 1865) 48 Borodin, Aleksandr 148 Berl, Heinrich 200 Boston Globe , periodical 132 Berliner Ensemble 283 Boston Herald , periodical 253 Berlioz, Hector 39 , 45 , 64 – 65 , 68 Boston Opera House 252 – 54 Bertin, Pierre 249 n.42 Boucicault, Dion 191 Bertman, Dmitry 234 Bouf ar, Zulma 41 – 42 , 49 , 114 , 146 , 249 Berton, Francisque 143 Bouf e h eatre, St Petersburg 146 – 47 Besson, Benno 271 Bouf es- Parisiens, h éâtre des, Paris 5 , 11 – 15 , Betz, Hans 59 34 – 35 , 37 – 38 , 41 , 47 , 53 , 55 , 84 – 85 , 89 , 99 , Beuys, Josef 81 n.61 102 , 110 , 151 , 300 – 301 Bibliothèque nationale, Paris 248 , 276 Boulanger, Nadia 243 biche au bois, La, ou La royaume des fees, féerie boulangère a des écus , La , opéra bouf e (T. Cogniard, music Pilati, 1845) 132 (H. Meilhac and L. Halévy, music J. Bieber, Justin 234 Of enbach, 1875) 53 , 111 , 153 , 241 Bijou Opera Company 137 Boule de neige , opéra bouf e (C.- H. L. Nuitter Binder, Carl 85 and E. Tréfeu, music J. Of enbach, Bing, Rudolf 268 1871) 53 Birgfeld, Adolphe 126 Bourgeois Gentilhomme, Le (Būrger als Birth of Tragedy, h e , essay (F. Nietzsche, Edelmann ), opera (R. Strauss from Molière, 1872) 77 1918) 202 Bismarck, Otto von 17 , 50 , 71 – 72 Box and Cox , farce (J. M. Morton, 1847) 102 Bizet, Georges 77 , 224 , 296 Boys from Syracuse, h e , musical comedy (R. Bizzelli, Annibale 58 n.74 Rodgers and L. Hart, 1938) 266 Bjørnson, Bjørnstjerne 169 – 70 Boy’s Town , i lm (N. Taurog, 1931) 265 Black Crook, h e , extravaganza (C. M. Barras, Brandenburgers in Bohemia , opera 1866) 132 – 33 (B. Smetana, 1862– 63) 171 Blague 1 4 – 1 5 Brandl, Johann 85 Blanche, August 167 Brecht, Bertolt 9 , 178 – 79 , 213 , 271 – 72 , 274 , Blasco, Eusebio 173 278 – 78 , 283 – 84 , 286 Blasel, Karl 88 on opera 86 Blech, Leo 211 Brentano, Felix 264 Blessinger, Karl 217 n.50 Brickwell, H. T. 117 Blok, Aleksandr 223 brigands, Les , opéra bouf e (H. Meilhac and L. Blossom Time , operetta (D. Donnelly from Halévy, music J. Of enbach, 1869) 22 , 52 , A.
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  • Offenbach 2019 Wiederentdeckungen Zum 200

    Offenbach 2019 Wiederentdeckungen Zum 200

    AUSGABE NR. 2 2018/19 WWW.BOOSEY.DE SPECIAL OFFENBACH 2019 WIEDERENTDECKUNGEN ZUM 200. GEBURTSTAG 20 JAHRE OFFENBACH EDITION KECK OEK EDITORIAL & INHALT 20 JAHRE OFFENBACH-ENTDECKUNGEN Yes, We Can Can ... Ein Grußwort Jedesmal ein Abenteuer ... so lautet das Motto, unter dem die Stadt und Region Köln von Marc Minkowski von den 200. Geburtstag Jacques Offenbachs mit einer Fülle von Veranstaltungen feiert ( yeswecancan.koeln). Es hätte auch Nun existiert sie zwanzig das Motto sein können, mit dem Boosey & Hawkes 1999 seine Jahre, und zwanzig Jahre monumentale Offenbach Edition, die OEK, in Angriff nahm arbeiten wir regelmäßig unter der Ägide von Jean-Christophe Keck. Aber das Bonmot lag zusammen – zu unserem noch nicht in der Luft. 2019 feiern wir den 20. Geburtstag der größten Vergnügen. Mit Anne or genau zwanzig Jahren starteten wichtigsten zu nennen, die uns unterstützt sion de Paris“ durchgesetzt hat; die Fas- Ausgabe zusammen mit dem 200. unseres Komponisten, und Sofie von Otters Rezital im wir die kritische Ausgabe der Wer- und mit uns zusammengearbeitet haben. sung der Pariser Uraufführung; schließlich wir freuen uns, dass dies in so enger Kooperation nicht nur mit Pariser Châtelet hat alles V ke Jaques Offenbachs mit seiner Auch die Archive der Verlagshäuser haben die überarbeitete Fassung für die Wiener der Stadt Köln, ihren Institutionen, den Organisatorinnen und begonnen. Seither reihen sich ersten abendfüllenden opéra-bouffon Or- oft schöne Funde ermöglicht, insbesonde- Bühnen. Dies sind die drei Eckpfeiler, die Organisatoren geschehen kann, sondern mit einer Fülle von Konzerte und Inszenierungen phée aux Enfers von 1858, unmittelbar ge- re diejenigen von Offenbachs historischen in der Regel den Takt für die Aufarbeitung Theatern, Orchestern und begeisterten Musiker*innen.
  • 1920 Patricia Ann Mather AB, University

    1920 Patricia Ann Mather AB, University

    THE THEATRICAL HISTORY OF WICHITA, KANSAS ' I 1872 - 1920 by Patricia Ann Mather A.B., University __of Wichita, 1945 Submitted to the Department of Speech and Drama and the Faculty of the Graduate School of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. Redacted Signature Instructor in charf;& Redacted Signature Sept ember, 19 50 'For tne department PREFACE In the following thesis the author has attempted to give a general,. and when deemed.essential, a specific picture of the theatre in early day Wichita. By "theatre" is meant a.11 that passed for stage entertainment in the halls and shm1 houses in the city• s infancy, principally during the 70' s and 80 1 s when the city was still very young,: up to the hey-day of the legitimate theatre which reached. its peak in the 90' s and the first ~ decade of the new century. The author has not only tried to give an over- all picture of the theatre in early day Wichita, but has attempted to show that the plays presented in the theatres of Wichita were representative of the plays and stage performances throughout the country. The years included in the research were from 1872 to 1920. There were several factors which governed the choice of these dates. First, in 1872 the city was incorporated, and in that year the first edition of the Wichita Eagle was printed. Second, after 1920 a great change began taking place in the-theatre. There were various reasons for this change.
  • Phonographic Bulletin

    Phonographic Bulletin

    iasa Intern<Jtional Association of Sound Archives Association Internationale d'Archives Sonores Internation~le Vereinigung derSchallarchive phonographic bulletin no.35/March 1983 PHONOGRAPHIC BULLETIN Journal of the International Association of Sound Archives IASA Organe de 1 'Association Internationa1e d'Archives Sonores IASA Zeitschrift der Internationa1en Vereinigung der Schallarchlve IASA Editor: Ann Brieg1eb. Ethnomusico1ogy Archives. Mlisic Department. U.C.L.A .• ·Los Angeles, California 90024, USA. Editorial board: Technical Editor, Dr.Dietrich SchUl1er. Phonogrammarchiv der Osterreichischen Akademie der Wissenschaften, Wien, Austria; Review and Recent Publication Editor, Joe1 Gardner, 1011 Forge Ave., Baton Rouge. LA 70808" USA; News and Notes Editor, Peter Burgis, Sound Recording Collection, National Library of Australia, Canberra, A.T.C., Australia 2618. ------~-------------------------------~--------------------------------------------~----------- The PHONOGRAPHIC BULLETIN is published three times a year and is sent to all members of IASA. Applications for membership in IASA should be senfto the Membership Secretary (see 1i.st of officers below). The annual dues are at the moment 25.-Deutsche Mark for individual members and 60.-Deutsche Mark for institutional members. Back copies of the PHONOGRAPHIC BULLETIN from 1971 are available at lS.-Deutsche Mark for each year's issue, .inc1uding postage. Subscriptions to the current year's issues of the PHONOGRAPHIC BULLETIN . are also available to non-members at a cost of about 25.-Deutsche Mark. '. ' . Le Journal de 1 'Association internationale d'archives sonores,' le PHONOGRAPHIC BUtLETIN;est pub1ie trois fois 1 'an et distribue a tous les members. Veui1lez envoyer vos demandesd ' adhesion au secretaire dont vous trouverez 1 'adresse ci-dessous. Les cotisations annuel1es sont en ce moment de 25.-Deutsche Mark pour 1es membres individue1s et 60.-Deutsche Mark Dour 1es membres institutionnels.
  • Christopher Columbus

    Christopher Columbus

    CHRISTOPHER COLUMBUS Music by Jacques Offenbach: book and lyrics by Don White: score compiled and edited by Patric Schmid SYNOPSIS This is the sort of operetta Offenbach might have written and uses much of the music he had intended for a work for America, together with other gems that lie hidden in unperformed Offenbach scores. The racy, witty and brilliantly zany story concerns the amorous adventures of the polygamous Columbus, who, against his will, is sent across the sea pursued by three wives and a fiancée to find the riches of the Indies. He unwittingly comes across an even greater treasure in the shape of a Cola nut, thus discovering not only a new world but one of America's greatest treasures, Coca Cola! Although not an adaptation, this work has been performed successfully by amateurs and is suitable for companies who perform opera or prefer original versions. THE STORY ACT ONE A Square in Cordova in 1492. The young ladies of Cordova, bored with snapping their castanets, shouting 'Ole', are delighted when Beatriz tells them she is engaged. The object of her affections, Christopher Columbus, explains to the young men of the town that he has discovered the art of seduction - marriage. We soon discover it is an art he has been practising all over Europe, for his past catches up with him in the shape of Rosa, Fleurette and Gretel, wives he has wooed, won and walked out on in Italy, France and Switzerland. Columbus tries to hide from this trio of termagents in the middle of a demonstration organised by the Round Earth Society, led by Luis de Torres.