Savoir-Vivre on the Rhine
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Annual Report 1995
19 9 5 ANNUAL REPORT 1995 Annual Report Copyright © 1996, Board of Trustees, Photographic credits: Details illustrated at section openings: National Gallery of Art. All rights p. 16: photo courtesy of PaceWildenstein p. 5: Alexander Archipenko, Woman Combing Her reserved. Works of art in the National Gallery of Art's collec- Hair, 1915, Ailsa Mellon Bruce Fund, 1971.66.10 tions have been photographed by the department p. 7: Giovanni Domenico Tiepolo, Punchinello's This publication was produced by the of imaging and visual services. Other photographs Farewell to Venice, 1797/1804, Gift of Robert H. and Editors Office, National Gallery of Art, are by: Robert Shelley (pp. 12, 26, 27, 34, 37), Clarice Smith, 1979.76.4 Editor-in-chief, Frances P. Smyth Philip Charles (p. 30), Andrew Krieger (pp. 33, 59, p. 9: Jacques-Louis David, Napoleon in His Study, Editors, Tarn L. Curry, Julie Warnement 107), and William D. Wilson (p. 64). 1812, Samuel H. Kress Collection, 1961.9.15 Editorial assistance, Mariah Seagle Cover: Paul Cezanne, Boy in a Red Waistcoat (detail), p. 13: Giovanni Paolo Pannini, The Interior of the 1888-1890, Collection of Mr. and Mrs. Paul Mellon Pantheon, c. 1740, Samuel H. Kress Collection, Designed by Susan Lehmann, in Honor of the 50th Anniversary of the National 1939.1.24 Washington, DC Gallery of Art, 1995.47.5 p. 53: Jacob Jordaens, Design for a Wall Decoration (recto), 1640-1645, Ailsa Mellon Bruce Fund, Printed by Schneidereith & Sons, Title page: Jean Dubuffet, Le temps presse (Time Is 1875.13.1.a Baltimore, Maryland Running Out), 1950, The Stephen Hahn Family p. -
Bibliothek Des Instituts Für Geschichtliche Landeskunde – Stand 28.09.2016
Bibliothek des Instituts für Geschichtliche Landeskunde – Stand 28.09.2016 Institut für Geschichtliche Landeskunde an der Universität Mainz e.V. Dr. Georg Drenda [email protected] 06131/3938304 Abeler, Jürgen (1974): Die Gebrüder Johann, Augustinerpatres und Uhrmacher. In: Mainzer Zeitschrift. Mittelrheinisches Jahrbuch für Archäologie, Kunst und Geschichte 69, S. 197–205. Abelshauser, Werner (Hg.) (2002): Die BASF. Eine Unternehmensgeschichte. Sonderausgabe für die BASF Aktiengesellschaft. München: Beck. Abelshauser, Werner (2011): Deutsche Wirtschaftsgeschichte. Von 1945 bis zur Gegenwart. 2. Aufl. Bonn: Bundeszentrale für Politische Bildung (1204). Abmeier, Karlies (1986): Der Trierer Kurfürst Philipp Christoph von Sötern und der Westfälische Friede. Münster (Schriftenreihe zur Erforschung der neueren Geschichte, 15). Abteilung Denkmalpflege (Hg.) (2007): Autonomie Provinz Bozen. In: Denkmalpflege Jahresbericht. Academia economico-agraria dei Georgofili (Hg.) (1988): Il vino nell'economia e nell societa italiana Medioevale e Moderna. Convegno di Studi. Greve in Chi. Firenze. Academic Software Zurich GmbH (Hg.) (2008): Citavi 2.4. Literaturverwaltung und Wissensorganisation. Unter Mitarbeit von Peter Meurer und Manfred Schluchter. Acht, Peter (Hg.) (1968): Mainzer Urkundenbuch. Zweiter Band. Die Urkunden seit dem Tode Erzbischof Adalberts I. (1137) bis zum Tode Erzbischof Konrads (1200). Darmstadt: Hessische Historische Kommission (Teil I: 1137-1175). Acht, Peter (Hg.) (1971): Mainzer Urkundenbuch. Zweiter Band. Die Urkunden seit dem Tode Erzbischof Adalberts I. (1137) bis zum Tode Erzbischof Konrads (1200). Darmstadt: Hessische Historische Kommission (Teil II: 1176-1200). Achter, Irmingard (1980): Düsseldorf-Kaiserswerth. In: Rheinische Kunststätten (252), S. 1–27. Acker, Hans (1993): Achthundert Jahre Weinbaukultur im Karpatenbogen. Wiesbaden (Schriften zur Weingeschichte, 108). Acker, Otto (1926): Das Archiv der Stadt Annweiler. Annweiler. Ackva, Wolfgang; Baltes, Alois; Henkel, Günter (2002): Die Pfarrkirche Montabaur und das Stift St. -
Proquest Dissertations
Pestilence and Reformation: Catholic preaching and a recurring crisis in sixteenth-century Germany Item Type text; Dissertation-Reproduction (electronic) Authors Frymire, John Marshall Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 07/10/2021 19:47:39 Link to Item http://hdl.handle.net/10150/279789 INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overiaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. -
City Walk: Compact Mainz Suitable for Everyone Who Only Has a Little Time
City walk: Compact Mainz Suitable for everyone who only has a little time to explore Mainz. Accessibility is ensured. Please use one of the lifts from Rathausplateau into the underground garage level U1. Keep right at the garage exit, then you will be able to follow the course of the walk. Duration approx. 1 hour Start Gutenbergplatz Stops 1. Gutenbergplatz − Gutenberg Monument − Theatre 2. Höfchen − Market Square 3. Cathedral 4. Market Fountain − Liebfrauenplatz − Gutenberg Museum 5. Fischergasse − Heilig-Geist − Iron Tower 6. Town hall − Rhine Waterfront 7. Algesheimer Hof − St. Christoph's 8. St. Quintin − Old University End: Old town Further information can be found on the "Historical Mainz" slabs in front of the attraction 1 © Landeshauptstadt Mainz | Hauptamt, Öffentlichkeitsarbeit I Protokoll, Postfach 3820, 55028 Mainz | Telephone: +49 6131 12-2382, [email protected], www.mainz.de Last updated: April 2015 Welcome to our virtual city walk Are you just passing through Mainz or only staying for a little while and want to explore the capital of Rhineland Palatinate on your own and on foot? This virtual city walk will assist you with your historical journey through time. The selected route takes you on a short and direct route to Mainz's most famous attractions. Be captivated by the 2,000 year old city's eventful history - and be convinced that another visit is worthwhile! 1. Gutenbergplatz − Gutenberg Monument − Theatre Your tour begins at Gutenbergplatz. The city's most famous son is enthroned on the life- size statue in the square that bears his name. Danish sculptor Berthel Thorvaldsen provided the design for the bronze statue of Johannes Gutenberg. -
IMB Conference: Gene Regulation by the Numbers 19 – 21 June 2017
IMB Conference: Gene Regulation by the Numbers 19 – 21 June 2017 Finding your way to and around Mainz Arriving at Frankfurt Airport Public transportation: • On arrival at Terminal 1 (A, B, C) or Terminal 2 (D, E) make your way to the Regional Train Station (S). Terminal 1 and 2 are connected by the “Sky Line“, a free monorail train leaving every 3 min. • The Regional Train Station (S) is located underground (Level 0) in Terminal 1, section B. There is also a long distance train station (T) which you can ignore. • Your train: S-Bahn: S8 Direction: Wiesbaden Hbf (from Platform 3) Frequency: every 30 mins S8 • Taxis can be found on Level 1 in Terminal 1 or Level 2 in Terminal 2 outside of the airport. The taxi costs to Mainz are around 50-60€. How to buy a ticket Option 1 Ticket machine step by step You can queue up at the Reisezentrum and buy a 1. Choose language ticket from the counter. You need to draw a number 2. Select destination and may have to wait a little while. (Wiesbaden/Mainz) 2 3. Select single journey 4. Select the route of your travel (via Rüsselsheim) 1 5. Pay 4.80 EUR 6. Take your ticket (and change) 3 Option 2 If you have cash available (ideally coins but most machines also take small notes) buy your ticket from a 4 machine. Navigation is available in English. You cannot pay with credit card. The machine automatically dispenses change. 5 Finding the train to Mainz • Check blue sign: Regional trains, track 2-3 • The platforms are one level below the ticket hall and the travel center. -
All in the Family: Creating a Carolingian Genealogy in the Eleventh Century*
All in the family: creating a Carolingian genealogy in the eleventh century* Sarah Greer The genre of genealogical texts experienced a transformation across the tenth century. Genealogical writing had always been a part of the Judeo-Christian tradition, but the vast majority of extant genealogies from the continent before the year 1000 are preserved in narrative form, a literary account of the progression from one generation to another. There were plenty of biblical models for this kind of genealogy; the book of Genesis is explicitly structured as a genealogy tracing the generations that descended from Adam and Eve down to Joseph.1 Early medieval authors could directly imitate this biblical structure: the opening sections of Thegan’s Deeds of Louis the Pious, for example, traced the begetting of Charlemagne from St Arnulf; in England, Asser provided a similarly shaped presentation of the genealogia of King Alfred.2 In the late tenth/early eleventh century, however, secular genealogical texts witnessed an explosion of interest. Genealogies of kings began to make their way into narrative historiographical texts with much greater regularity, shaping the way that those histories themselves were structured.3 The number of textual genealogies that were written down increased exponentially and began to move outside of the royal family to include genealogies of noble families in the West Frankish kingdoms and Lotharingia.4 Perhaps most remarkable though, is that these narrative genealogies began – for the first time – to be supplemented by new diagrammatic forms. The first extant genealogical tables of royal and noble families that we possess date from exactly this period, the late tenth and eleventh centuries.5 The earliest forms of these diagrams were relatively plain. -
Romanesque Architecture and Its Artistry in Central Europe, 900-1300
Romanesque Architecture and its Artistry in Central Europe, 900-1300 Romanesque Architecture and its Artistry in Central Europe, 900-1300: A Descriptive, Illustrated Analysis of the Style as it Pertains to Castle and Church Architecture By Herbert Schutz Romanesque Architecture and its Artistry in Central Europe, 900-1300: A Descriptive, Illustrated Analysis of the Style as it Pertains to Castle and Church Architecture, by Herbert Schutz This book first published 2011 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2011 by Herbert Schutz All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-2658-8, ISBN (13): 978-1-4438-2658-7 To Barbara TABLE OF CONTENTS List of Illustrations ..................................................................................... ix List of Maps........................................................................................... xxxv Acknowledgements ............................................................................. xxxvii Introduction ................................................................................................. 1 Chapter One................................................................................................ -
Johannes Tripps Enlivening the Tomb: Sepulcher and Performance in Late-Medieval Burgundy and Beyond
Johannes Tripps Enlivening the Tomb: Sepulcher and Performance in Late-Medieval Burgundy and Beyond This lecture was given at the Minneapolis Institute of Arts on Saturday, 23 January 2011 in the framework of the exhibition “The Mourners. Tomb Sculptures from the Court of Burgundy, 23 January – 17 April 2011” I was led to the subject of my lecture today by two references in the contemporary documentation on the erection of tombs in the Chartreuse de Champmol on the outskirts of Dijon, in which covers for the tombs of the Burgundian reigning family are mentioned: both for the tomb of Philip the Bold, and for the tomb of Philip the Good and his consort Isabella of Portugal. This documentary evidence for the covering and uncovering of tombs is not unique in late-medieval Europe. So the fundamental question is posed how far the presence of the dead in their funerary effigies was a permanent reality in the daily world of their time, or whether we are dealing with an idea of history and art history that does not possess validity in such an absolute way. I would like to investigate this question in further detail. I will begin with the tombs in Champmol. In March 1381, almost twenty years before his death, Philip the Bold commissioned his tomb from the court sculptor Jean de Marville. Work on it began in October 1384 and continued slowly down to the spring of 1410. Jean de Marville had completed its framework [Arkatur] before he died in 1389. After his death Claus Sluter took over the running of the workshop and devoted himself to the completion of the parts of the funerary monument in black marble. -
Welcome to the Rhine Cycle Route! from the SOURCE to the MOUTH: 1,233 KILOMETRES of CYCLING FUN with a RIVER VIEW Service Handbook Rhine Cycle Route
EuroVelo 15 EuroVelo 15 Welcome to the Rhine Cycle Route! FROM THE SOURCE TO THE MOUTH: 1,233 KILOMETRES OF CYCLING FUN WITH A RIVER VIEW Service handbook Rhine Cycle Route www.rhinecycleroute.eu 1 NEDERLAND Den Haag Utrecht Rotterdam Arnhem Hoek van Holland Kleve Emmerich am Rhein Dordrecht EuroVelo 15 Xanten Krefeld Duisburg Düsseldorf Neuss Köln BELGIË DEUTSCHLAND Bonn Koblenz Wiesbaden Bingen LUXEMBURG Mainz Mannheim Ludwigshafen Karlsruhe Strasbourg FRANCE Offenburg Colmar Schaff- Konstanz Mulhouse Freiburg hausen BODENSEE Basel SCHWEIZ Chur Andermatt www.rheinradweg.eu 2 Welcome to the Rhine Cycle Route – EuroVelo 15! FOREWORD Dear Cyclists, Discovering Europe on a bicycle – the Rhine Cycle Route makes it possible. It runs from the Alps to a North Sea beach and on its way links Switzerland, France, Germany and the Netherlands. This guide will point the way. Within the framework of the EU-funded “Demarrage” project, the Rhine Cycle Route has been trans- formed into a top tourism product. For the first time, the whole course has been signposted from the source to the mouth. Simply follow the EuroVelo15 symbol. The Rhine Cycle Route is also the first long distance cycle path to be certified in accordance with a new European standard. Testers belonging to the German ADFC cyclists organisation and the European Cyclists Federation have examined the whole course and evaluated it in accordance with a variety of criteria. This guide is another result of the European cooperation along the Rhine Cycle Route. We have broken up the 1233-kilometre course up into 13 sections and put together cycle-friendly accom- modation, bike stations, tourist information and sightseeing attractions – the basic package for an unforgettable cycle touring holiday. -
Heresy, Mobility, and Anti-Waldensian Persecutions in Germany, 1390–1404
UNIVERSITY OF CALIFORNIA, IRVINE Self-Styled Inquisitors: Heresy, Mobility, and Anti-Waldensian Persecutions in Germany, 1390–1404 DISSERTATION submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in History by Eugene Smelyansky Dissertation Committee: Professor Emeritus James B. Given, Chair Assistant Professor Nancy Ann McLoughlin Professor Ulrike Strasser 2015 Portion of Chapter 3 © 2015 Oxford University Press All other materials © 2015 Eugene Smelyansky DEDICATION To my parents for their love and support every step of the way. ii TABLE OF CONTENTS Page ACKNOWLEDGMENTS iv CURRICULUM VITAE vi ABSTRACT OF THE DISSERTATION vii INTRODUCTION 1 CHAPTER 1: Contours of Religious Persecution, 1390-1404 18 CHAPTER 2: “Forgotten Heretics”: Waldensian Communities in German Cities 53 CHAPTER 3: Urban Order and Urban Other: Political Conflicts and Inquisitions in Augsburg and Rothenburg ob der Tauber, 1393-1395 94 CHAPTER 4: Peter Zwicker: Conversion, Repression, Reform 135 CHAPTER 5: Networks of Heresy and Persecution 178 CONCLUSION 226 BIBLIOGRAPHY 233 APPENDIX: Editions of Two Lists of Converted Waldensian Ministers, c. 1391 254 iii ACKNOWLEDGMENTS Working on this project, my largest to date, I acquired many debts. I owe the most to my advisor, James B. Given, whose generous, insightful, and patient comments, ample encouragement, and tremendous expertise guided me throughout every stage of my graduate training. Nancy McLoughlin provided me with plentiful advice, opportunities for professionalization, pedagogical training, and friendship that helped me improve and grow as a teacher and a scholar. Ulrike Strasser introduced me to the world of early modern Germany, its towns and religious tensions, which largely defined the thematic focus of this dissertation. -
Daxer & M Arschall 20 19 XXVI
XXVI Daxer & Marschall 2019 Recent Acquisitions, Catalogue XXVI, 2019 Barer Strasse 44 | 80799 Munich | Germany Tel. +49 89 28 06 40 | Fax +49 89 28 17 57 | Mob. +49 172 890 86 40 [email protected] | www.daxermarschall.com 2 Oil Sketches, Paintings, Drawings and Sculpture, 1668-1917 4 My special thanks go to Simone Brenner and Diek Groenewald for their research and their work on the texts. I am also grateful to them for so expertly supervising the production of the catalogue. We are much indebted to all those whose scholarship and expertise have helped in the preparation of this catalogue. In particular, our thanks go to: Peter Axer, Iris Berndt, Robert Bryce, Christine Buley-Uribe, Sue Cubitt, Kilian Heck, Wouter Kloek, Philipp Mansmann, Verena Marschall, Werner Murrer, Otto Naumann, Peter Prange, Dorothea Preys, Eddy Schavemaker, Annegret Schmidt- Philipps, Ines Schwarzer, Gerd Spitzer, Andreas Stolzenburg, Jörg Trempler, Jana Vedra, Vanessa Voigt, Wolf Zech. 6 Our latest catalogue Oil Sketches, Paintings, Drawings and Sculpture, 2019 Unser diesjähriger Katalog Paintings, Oil Sketches, comes to you in good time for this year’s TEFAF, The European Fine Art Fair in Paintings, Drawings and Sculpture, 2019 erreicht Sie Maastricht. TEFAF is the international art market high point of the year. It runs rechtzeitig vor dem wichtigsten Kunstmarktereignis from March 16-24, 2019. des Jahres, TEFAF, The European Fine Art Fair, Maastricht, 16. - 24. März 2019, auf der wir mit Stand The Golden Age of seventeenth-century Dutch painting is well represented in 332 vertreten sind. our 2019 catalogue, with particularly fine works by Jan van Mieris and Jan Steen. -
Wilhelm Emmanuel Von Ketteler: His Social and Political Philosophy
This dissertation has been microfilmed exactly as received 67-3970 BOCK, Edward Cornelius, 1922- WILHELM EMMANUEL VON KETTELER: HIS SOCIAL AND POLITICAL PHILOSOPHY. The University of Oklahoma, Ph.D., 1967 History, modem University Microfilms, Inc., Ann Arbor, Michigan THE UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE WILHELM EMMANUEL VON KETTELER: HIS SOCIAL AND POLITICAL PHILOSOPHY A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillm ent of the requirements for the degree of DOCTOR OF PHILOSOPHY BY EDWARD CORNELIUS BOCK Norman, Oklahoma 1967 WILHELM EMMANUEL VON KETTELER: HIS SOCIAL AND POLITICAL PHILOSOPHY ^PROVED BY U) lJULlo^ ki-• [VUuJlP U~. L ■ DISSERTATION COMMITTEE PREFACE Circumstances and environment are important in the determination of interests. Born into the lowest social class, I experienced the ravages of the Great Depression in my early youth. My father took a lively interest in the various proposed solutions to the Great Depression, Because of this 1 acquired a desire to study social and political history. Above all, I felt that, since the roots of the Great Depression lay in the past, history could teach means to avoid future p itfa lls for society. Men of the past who proposed solutions to social and economic problems always challenged my curiosity. In early youth I studied the encyclicals Rerum Novarum of Pope Leo XIII and Quadraqesimo Anno of Pope Pius XI wi th the aid of commentaries. During the same period I read every history book in the small village library, I main tained this interest, especially in social history, until senior college, when Thomistic philosophy began to take most of my attention.