Wilhelm Emmanuel Von Ketteler: His Social and Political Philosophy
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Im Spannungsfeld Von Katholizismus, Welfentum Und Preußisch-Bismarckschem Machtstreben
Im Spannungsfeld von Katholizismus, Welfentum und preußisch-bismarckschem Machtstreben. Die Entwicklung Ludwig Windthorsts zum Gegenspieler Bismarcks vor dem Hintergrund des Aufstiegs Preußens zur Großmacht bis zum Beginn des Kulturkampfes Inaugural-Dissertation zur Erlangung des akademischen Grades eines Doktors der Philosophie (Dr. phil.) durch die Philosophische Fakultät der Heinrich-Heine-Universität Düsseldorf Vorgelegt von Georg Arnold aus Mönchengladbach Erstgutachter: Prof. em. Dr. Karl-Egon Lönne Zweitgutachter: Prof. Dr. Hans Hecker Drittgutachter: Prof. Dr. Gerd Krumeich Tag der Disputation: 24. Januar 2006 D 61 Düsseldorfer Philosophische Dissertation 2 Danksagung und zugleich Widmung Es ist mir eine angenehme Pflicht, an dieser Stelle jenen Menschen zu danken, die mich und diese Arbeit begleitet und in vielfältiger Weise unterstützt haben. Mein besonders tief empfundener Dank gilt meinem Doktorvater Herrn Prof. em. Dr. Karl-Egon Lönne, der mir nicht nur bei fachlichen Problemen sehr geholfen hat, sondern mir durch seine persönliche Begleitung eine wertvolle Stütze war. Leider ist Herr Prof. Lönne kurz vor meiner Disputation erkrankt. Ich danke Herrn Prof. Dr. Hans Hecker, dass er an seiner Stelle die Prüfung geleitet hat. Danken möchte ich denjenigen Mitarbeitern in den Bibliotheken und Archiven, die mich freundlich aufgenommen haben und mir mit Rat und Tat zur Seite standen. Namentlich hervorheben möchte ich Herrn Krischanitz aus dem Hauptstaatsarchiv Hannover. Bedanken möchte ich mich ferner bei SKH Prinz Ernst August von Hannover für die Erlaubnis, im privaten Hausarchiv der Welfenfamilie zu arbeiten, und bei Generaloberin Schwester Wiltrudis für den Zugang zum Klosterarchiv des Augustinerinnenklosters in Neuss. Gerne würde ich an dieser Stelle alle erwähnen, die mir in der zurückliegenden Zeit halfen, aber diese Liste wäre zu lang. -
German Historical Institute London Bulletin Vol 31 (2009), No. 1
German Historical Institute London Bulletin Volume XXXI, No. 2 November 2009 CONTENTS Article Ideas of Justice in the Foundation of the German Old Age Pension System (Ulrike Haerendel) 3 Review Articles The Origins of the Protestant Past: Recent Works on the Historiography of Early Modern Germany (C. Scott Dixon) 29 Britain, Berlin, German Unification, and the Fall of the Soviet Empire (Colin Munro) 50 Book Reviews Ingrid Baumgärtner and Hartmut Kugler (eds.), Europa im Welt - bild des Mittelalters: Kartographische Konzepte (Florin Curta) 81 Michael Borgolte, Juliane Schiel, Bernd Schneide müller, and Annette Seitz (eds.), Mittelalter im Labor: Die Me diävistik testet Wege zu einer transkulturellen Europawissenschaft (Nora Berend) 88 Claudia Garnier, Die Kultur der Bitte: Herrschaft und Kommuni - kation im mittelalterlichen Reich (Jonathan R. Lyon) 92 Paul Fouracre and David Ganz (eds.), Frankland. The Franks and the World of the Early Middle Ages: Essays in Honour of Dame Jinty Nelson (Hans-Werner Goetz) 95 Ulrike Grassnick, Ratgeber des Königs: Fürstenspiegel und Herr- scher ideal im spätmittelalterlichen England (Jürgen Sarnowsky) 100 Jonathan B. Durrant, Witchcraft, Gender and Society in Early Modern Germany (Ralf-Peter Fuchs) 107 (cont.) Contents Susanne Friedrich, Drehscheibe Regensburg: Das Informations- und Kommunikationssystem des Immerwährenden Reichstages um 1700 (James van Horn Melton) 111 Johann Gustav Droysen, Historik: Texte im Umkreis der Historik (1826–1882) (Andreas Gestrich) 115 Wolfram Pyta, Hindenburg: Herrschaft -
Darwins Theorie Und Der Deutsche Vulgärmaterialismus Im Urteil Deutscher Katholischer Zeitschriften Zwischen 1854 Und 1914
Darwins Theorie und der deutsche Vulgärmaterialismus im Urteil deutscher katholischer Zeitschriften zwischen 1854 und 1914 INAUGURAL-DISSERTATION zur Erlangung der Doktorwürde der Philosophischen Fakultät der Albert-Ludwigs-Universität zu Freiburg i. Br. vorgelegt von Hermann Josef Dörpinghaus aus Wipperfürth/Rheinland Freiburg 1969 MEINER MUTTER Referent: Prof.Dr. Hans-Günter Zmarzlik Korreferent: Prof.Dr. Erich Hassinger Dekan: Prof.Dr. Dieter Oberndörfer Tag der Schlußsitzung: 7.11.1969 Gedruckt in der Universitätsbibliothek FREIBURG i. Br. - V - INHALTSVERZEICHNIS Vorbemerkungen und Abkürzungsverzeichnis VIII Kapitel I: Zur Einführung 1 1) Die geistesgeschichtliche Ausgangsposition 1 2) Forschungsstand und Untersuchungsziel 10 3) Die Quellenbasis 17 a) Begrenzung und statistische Auswertung 17 b) Zu Bedeutung und Geschichte der ausgewählten Zeitschriften 21 aa) Gruppe I: Allgemeine Zeitschriften 22 bb) Gruppe II:Naturwissenschaftliche Zeitschriften 31 Kapitel II: Katholische Autoren in der Spannung zwischen naturwissenschaftlicher Empirie und atheisti- schem Materialismus 40 1) Von 1854 bis zur Jahrhundertwende: Weitgehende Identifika- tion von Naturwissenschaft und Materialismus 40 a) Historische Entwicklung des Verhältnisses zu Naturwis- senschaft und Materialismus 40 b) Typologie der Reaktionsformen katholischer Autoren auf den methodischen Positivismus oder Atheismus der Naturwissenschaft 49 aa) Die "ungläubige", "moderne" oder "tendenziöse" Wissenschaft 49 bb) Die "gläubige", "wahre" und "vorurteilslose" Wissenschaft 55 2) -
Proquest Dissertations
Pestilence and Reformation: Catholic preaching and a recurring crisis in sixteenth-century Germany Item Type text; Dissertation-Reproduction (electronic) Authors Frymire, John Marshall Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 07/10/2021 19:47:39 Link to Item http://hdl.handle.net/10150/279789 INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overiaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. -
Cologne Cathedral
Arnold Wol Cologne Cathedral Its History – Its Artworks Edited and extended by Barbara Schock-Werner About this Cathedral Guide Arnold Wol, who was ‘Dombaumeister’ (cathedral architect) at Cologne Cathedral between 1972 and 1998, created this guide in collaboration with Greven Verlag, Cologne. His wealth of knowledge on the history of the cathedral and his profound knowledge of the interior have both gone into this book, and there are no other publications that do justice to both of these aspects in equal measure. is book presents the reader with the full spectrum and signicance of the architectural and artistic creations that Cologne Cathedral has on oer. In addition, the fold-out oor plan is a useful orientation aid that allows cathedral visitors to search for informa- tion on individual objects. Six editions of this book have now been published. Arnold Wol has overseen all of them. For this new edition he has tasked me with bringing the text up to date in line with the latest research and introducing the new- ly added artworks. e publisher has taken this opportunity to implement a new layout as well. Nevertheless, for me this guide remains rmly linked with the name of the great ‘Dombaumeister’ Arnold Wol. Barbara Schock-Werner Former Dombaumeister (1999–2012) Hint for using this guide: in the text that follows, the architectural features are labelled with capital letters, the furnishings, fittings, artworks, and other interesting objects with numbers. The letters and numbers correspond to those on the fold-out floor plan at the back. The tour starts on page 10. -
City Walk: Compact Mainz Suitable for Everyone Who Only Has a Little Time
City walk: Compact Mainz Suitable for everyone who only has a little time to explore Mainz. Accessibility is ensured. Please use one of the lifts from Rathausplateau into the underground garage level U1. Keep right at the garage exit, then you will be able to follow the course of the walk. Duration approx. 1 hour Start Gutenbergplatz Stops 1. Gutenbergplatz − Gutenberg Monument − Theatre 2. Höfchen − Market Square 3. Cathedral 4. Market Fountain − Liebfrauenplatz − Gutenberg Museum 5. Fischergasse − Heilig-Geist − Iron Tower 6. Town hall − Rhine Waterfront 7. Algesheimer Hof − St. Christoph's 8. St. Quintin − Old University End: Old town Further information can be found on the "Historical Mainz" slabs in front of the attraction 1 © Landeshauptstadt Mainz | Hauptamt, Öffentlichkeitsarbeit I Protokoll, Postfach 3820, 55028 Mainz | Telephone: +49 6131 12-2382, [email protected], www.mainz.de Last updated: April 2015 Welcome to our virtual city walk Are you just passing through Mainz or only staying for a little while and want to explore the capital of Rhineland Palatinate on your own and on foot? This virtual city walk will assist you with your historical journey through time. The selected route takes you on a short and direct route to Mainz's most famous attractions. Be captivated by the 2,000 year old city's eventful history - and be convinced that another visit is worthwhile! 1. Gutenbergplatz − Gutenberg Monument − Theatre Your tour begins at Gutenbergplatz. The city's most famous son is enthroned on the life- size statue in the square that bears his name. Danish sculptor Berthel Thorvaldsen provided the design for the bronze statue of Johannes Gutenberg. -
IMB Conference: Gene Regulation by the Numbers 19 – 21 June 2017
IMB Conference: Gene Regulation by the Numbers 19 – 21 June 2017 Finding your way to and around Mainz Arriving at Frankfurt Airport Public transportation: • On arrival at Terminal 1 (A, B, C) or Terminal 2 (D, E) make your way to the Regional Train Station (S). Terminal 1 and 2 are connected by the “Sky Line“, a free monorail train leaving every 3 min. • The Regional Train Station (S) is located underground (Level 0) in Terminal 1, section B. There is also a long distance train station (T) which you can ignore. • Your train: S-Bahn: S8 Direction: Wiesbaden Hbf (from Platform 3) Frequency: every 30 mins S8 • Taxis can be found on Level 1 in Terminal 1 or Level 2 in Terminal 2 outside of the airport. The taxi costs to Mainz are around 50-60€. How to buy a ticket Option 1 Ticket machine step by step You can queue up at the Reisezentrum and buy a 1. Choose language ticket from the counter. You need to draw a number 2. Select destination and may have to wait a little while. (Wiesbaden/Mainz) 2 3. Select single journey 4. Select the route of your travel (via Rüsselsheim) 1 5. Pay 4.80 EUR 6. Take your ticket (and change) 3 Option 2 If you have cash available (ideally coins but most machines also take small notes) buy your ticket from a 4 machine. Navigation is available in English. You cannot pay with credit card. The machine automatically dispenses change. 5 Finding the train to Mainz • Check blue sign: Regional trains, track 2-3 • The platforms are one level below the ticket hall and the travel center. -
All in the Family: Creating a Carolingian Genealogy in the Eleventh Century*
All in the family: creating a Carolingian genealogy in the eleventh century* Sarah Greer The genre of genealogical texts experienced a transformation across the tenth century. Genealogical writing had always been a part of the Judeo-Christian tradition, but the vast majority of extant genealogies from the continent before the year 1000 are preserved in narrative form, a literary account of the progression from one generation to another. There were plenty of biblical models for this kind of genealogy; the book of Genesis is explicitly structured as a genealogy tracing the generations that descended from Adam and Eve down to Joseph.1 Early medieval authors could directly imitate this biblical structure: the opening sections of Thegan’s Deeds of Louis the Pious, for example, traced the begetting of Charlemagne from St Arnulf; in England, Asser provided a similarly shaped presentation of the genealogia of King Alfred.2 In the late tenth/early eleventh century, however, secular genealogical texts witnessed an explosion of interest. Genealogies of kings began to make their way into narrative historiographical texts with much greater regularity, shaping the way that those histories themselves were structured.3 The number of textual genealogies that were written down increased exponentially and began to move outside of the royal family to include genealogies of noble families in the West Frankish kingdoms and Lotharingia.4 Perhaps most remarkable though, is that these narrative genealogies began – for the first time – to be supplemented by new diagrammatic forms. The first extant genealogical tables of royal and noble families that we possess date from exactly this period, the late tenth and eleventh centuries.5 The earliest forms of these diagrams were relatively plain. -
Romanesque Architecture and Its Artistry in Central Europe, 900-1300
Romanesque Architecture and its Artistry in Central Europe, 900-1300 Romanesque Architecture and its Artistry in Central Europe, 900-1300: A Descriptive, Illustrated Analysis of the Style as it Pertains to Castle and Church Architecture By Herbert Schutz Romanesque Architecture and its Artistry in Central Europe, 900-1300: A Descriptive, Illustrated Analysis of the Style as it Pertains to Castle and Church Architecture, by Herbert Schutz This book first published 2011 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2011 by Herbert Schutz All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-2658-8, ISBN (13): 978-1-4438-2658-7 To Barbara TABLE OF CONTENTS List of Illustrations ..................................................................................... ix List of Maps........................................................................................... xxxv Acknowledgements ............................................................................. xxxvii Introduction ................................................................................................. 1 Chapter One................................................................................................ -
Souvenir of the Laying of the Cornerstone of St. Francis Church
H k if LIBRARY OF THE UNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN ILLINOIS HIS" AL SURVEY -^' eti^c 1851 1926 SOUVENIR OF THE LAYING OF THE CORNERSTONE OF t. iFranna OI!|urrI| Teutopolis, Illinois July 20, 1851 HISTORICAL SKETCH OF IHE VILLAGE OF 0^Ut0|J0ltS AND OF t. iFramis fansl| BY EUGENE HAGEDORN, O. F. M. Author of **Beitraege zur Geschichte von Teutopolis und Umgegend," etc. 1839 1926 "Local history more than any other, commands the most inter- ested attention for the reason that it is a record of events in which we have a peculiar interest, as many of the participants travelled the rugged and thorny pathway of life as our companions, acquaintances, and relatives.''—.V. Berry. "History of Effingham County, P. 200. POPE PIUS XL \-MJL/^~'^-v—.^l^ ^^'^^-'=^^V.O-v_^_>00,J^ RT. REV. JAMES A. GRIFFIN, D. D. Bishop of Springfield in Illinois VERY REV. MARTIN STRUB, 0. F. M. Provincial of The Sacred Heart Province Introduction The 20th of July of this year, 1926, mark-; the seventy-fifth anniversary of the laying of the cornerstone of the present church at Teutopolis,—a joyous event, indeed, for the people of the parish. Elaborate preparations were made to cele- brate this event in a becoming manner. As a contribution to this celebration, and also as a lasting memorial of it, the Reverend Pastor, Isidore Fosselmann, 0. F. M., requested the writer to compile a Jubilee Souvenir which was to contain an histori- cal sketch of the pai'ish and town. The following pages are the answer to this request. -
Johannes Tripps Enlivening the Tomb: Sepulcher and Performance in Late-Medieval Burgundy and Beyond
Johannes Tripps Enlivening the Tomb: Sepulcher and Performance in Late-Medieval Burgundy and Beyond This lecture was given at the Minneapolis Institute of Arts on Saturday, 23 January 2011 in the framework of the exhibition “The Mourners. Tomb Sculptures from the Court of Burgundy, 23 January – 17 April 2011” I was led to the subject of my lecture today by two references in the contemporary documentation on the erection of tombs in the Chartreuse de Champmol on the outskirts of Dijon, in which covers for the tombs of the Burgundian reigning family are mentioned: both for the tomb of Philip the Bold, and for the tomb of Philip the Good and his consort Isabella of Portugal. This documentary evidence for the covering and uncovering of tombs is not unique in late-medieval Europe. So the fundamental question is posed how far the presence of the dead in their funerary effigies was a permanent reality in the daily world of their time, or whether we are dealing with an idea of history and art history that does not possess validity in such an absolute way. I would like to investigate this question in further detail. I will begin with the tombs in Champmol. In March 1381, almost twenty years before his death, Philip the Bold commissioned his tomb from the court sculptor Jean de Marville. Work on it began in October 1384 and continued slowly down to the spring of 1410. Jean de Marville had completed its framework [Arkatur] before he died in 1389. After his death Claus Sluter took over the running of the workshop and devoted himself to the completion of the parts of the funerary monument in black marble. -
HEELAN-DISSERTATION-2016.Pdf (6.988Mb)
Origin and Antitype: Medievalism in Nineteenth-Century Germany, 1806-1914 The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Heelan, Carla Melanie. 2016. Origin and Antitype: Medievalism in Nineteenth-Century Germany, 1806-1914. Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:33493307 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Origin and Antitype: Medievalism in Nineteenth-Century Germany, 1806-1914 A dissertation presented by Carla Melanie Heelan to The Department of History in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of History Harvard University Cambridge, Massachusetts April 28, 2016 © 2016 Carla Heelan Dissertation Advisor: David Blackbourn Carla Melanie Heelan Origin and Antitype: Medievalism in Nineteenth-Century Germany, 1806-1914 Abstract This dissertation examines how the nineteenth-century engagement with medieval Europe changed modern Germany. Drawing from archival and printed primary material, I reconstruct how the Middle Ages gained new explanatory relevance as the origins of nineteenth- century German institutions and phenomena. I consider the historical interpretation of the medieval world at its broadest, not limited to scholarly debate, but also as it encompassed fiction, art, architecture, music, social science, law, and politics. Each chapter examines a figure drawn from these fields and each also moves chronologically through the century.