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Sydney Program Guide
Page 1 of 50 Sydney Program Guide Sun Feb 21, 2021 06:00 TV SHOP - HOME SHOPPING WS G Home shopping programme. 06:30 AMAZING FACTS PRESENTS WS PG The Law of the Lamb, Pt 2 Religious program. Cons.Advice: Themes 07:00 LEADING THE WAY WS PG Engaging the Future Generations Dr. Youssef and the Leading The Way team are committed to sharing the Gospel with the lost and equipping believers to grow into a deeper walk with Christ. Cons.Advice: Themes 07:30 IN TOUCH MINISTRIES WS PG Triumphant Joy In Touch Ministries is the outreach ministry of Dr. Charles Stanley, pastor of First Baptist Church of Atlanta, Georgia. The desire of In Touch is to lead people into a growing relationship with Jesus Christ and strengthen the local church. Cons.Advice: Themes 08:00 BEYOND TODAY WS PG Beware the Mark of the Beast Religious program. Cons.Advice: Themes 08:30 THE INCREDIBLE JOURNEY PRESENTS WS PG Blessed are the Persecuted Religious program. Cons.Advice: Themes 09:00 TV SHOP - HOME SHOPPING WS G Home shopping programme. 10:00 THE BARON Repeat WS PG Red Horse, Red Rider Mannering agrees to travel to a country racked by civil war to transport a valuable statuette back to London. Starring: Steve Forrest, Sue Lloyd, Paul Ferris PLEASE NOTE: This document is confidential and is the copyright of Nine Network Australia Pty. Ltd. Page 2 of 50 Sydney Program Guide PLEASE NOTE: This document is confidential and is the copyright of Nine Network Australia Pty. Ltd. Page 3 of 50 Sydney Program Guide Sun Feb 21, 2021 11:00 MANDY 1953 Captioned Repeat WS PG Mandy Mandy Garland was born deaf and has been mute for all of her life. -
1169 Comments As of 25 Dec 2020
Aled Jones - Listen Obey and Be Blessed (Ocial Audio) 58,247 views • Nov 6, 2020 555 465 SHARE SAVE Aled Jones SUBSCRIBE 3.59K subscribers Ocial audio for Listen, Obey and Be Blessed by Aled Jones. Taken from the new album 'Blessings'', out now. Listen Now - https://aledjones.lnk.to/blessingsID SHOW MORE Aled Jones – Loving Kindness (Ocial Audio) Aled Jones 2.7K views • 2 months ago 4:25 All Related From Aled Jones Recently uploaded Mix - Aled Jones - Listen Obey and Be Blessed (Ocial Audio) 50+ YouTube How is Aled Jones singing "Listen, Obey and Be Blessed"? John Cedars 27K views • 1 month ago 19:51 TOP Topics 160K views • 1 year ago 3:08 24.12. 16.30 Uhr Andacht am Heiligen Abend mit Kardinal Christoph Erzdiözese Wien 3K views • Streamed 1 day ago New 1:05:22 Christmette LIVESTREAM zu Heilig Abend mit Domvikar Norbert Förster St.-Vitus Büchenbach 1.4K views • Streamed 22 hours ago New 1:14:26 Heiligabend - LIVESTREAM aus der Schirgiswalder Pfarrkirche (2020) Katholische Pfarrgemeinde Schirgiswalde 2.3K views • Streamed 22 hours ago New 1:26:56 Bless This House (with Susan Boyle) (Arr. by Simon Lole) Aled Jones - Topic 321 views • 1 month ago 3:15 1,169 Comments SORT BY Beauty Rest 1 month ago Hey guys, take it easy, Tony Morris needs more money for his expensive liquor, have some mercy壟柳 106 REPLY Hide 4 replies Tim Walthew 1 month ago I thought he used Sophia’s ice cream money for that 藍 16 REPLY Beauty Rest 1 month ago The ice cream money from Soa just wasn’t enough. -
Lister); an American Folk Rhapsody Deutschmeister Kapelle/JULIUS HERRMANN; Band of the Welsh Guards/Cap
Guild GmbH Guild -Light Catalogue Bärenholzstrasse 8, 8537 Nussbaumen, Switzerland Tel: +41 52 742 85 00 - e-mail: [email protected] CD-No. Title Track/Composer Artists GLCD 5101 An Introduction Gateway To The West (Farnon); Going For A Ride (Torch); With A Song In My Heart QUEEN'S HALL LIGHT ORCHESTRA/ROBERT FARNON; SIDNEY TORCH AND (Rodgers, Hart); Heykens' Serenade (Heykens, arr. Goodwin); Martinique (Warren); HIS ORCHESTRA; ANDRE KOSTELANETZ & HIS ORCHESTRA; RON GOODWIN Skyscraper Fantasy (Phillips); Dance Of The Spanish Onion (Rose); Out Of This & HIS ORCHESTRA; RAY MARTIN & HIS ORCHESTRA; CHARLES WILLIAMS & World - theme from the film (Arlen, Mercer); Paris To Piccadilly (Busby, Hurran); HIS CONCERT ORCHESTRA; DAVID ROSE & HIS ORCHESTRA; MANTOVANI & Festive Days (Ancliffe); Ha'penny Breeze - theme from the film (Green); Tropical HIS ORCHESTRA; L'ORCHESTRE DEVEREAUX/GEORGES DEVEREAUX; (Gould); Puffin' Billy (White); First Rhapsody (Melachrino); Fantasie Impromptu in C LONDON PROMENADE ORCHESTRA/ WALTER COLLINS; PHILIP GREEN & HIS Sharp Minor (Chopin, arr. Farnon); London Bridge March (Coates); Mock Turtles ORCHESTRA; MORTON GOULD & HIS ORCHESTRA; DANISH STATE RADIO (Morley); To A Wild Rose (MacDowell, arr. Peter Yorke); Plink, Plank, Plunk! ORCHESTRA/HUBERT CLIFFORD; MELACHRINO ORCHESTRA/GEORGE (Anderson); Jamaican Rhumba (Benjamin, arr. Percy Faith); Vision in Velvet MELACHRINO; KINGSWAY SO/CAMARATA; NEW LIGHT SYMPHONY (Duncan); Grand Canyon (van der Linden); Dancing Princess (Hart, Layman, arr. ORCHESTRA/JOSEPH LEWIS; QUEEN'S HALL LIGHT ORCHESTRA/ROBERT Young); Dainty Lady (Peter); Bandstand ('Frescoes' Suite) (Haydn Wood) FARNON; PETER YORKE & HIS CONCERT ORCHESTRA; LEROY ANDERSON & HIS 'POPS' CONCERT ORCHESTRA; PERCY FAITH & HIS ORCHESTRA; NEW CONCERT ORCHESTRA/JACK LEON; DOLF VAN DER LINDEN & HIS METROPOLE ORCHESTRA; FRANK CHACKSFIELD & HIS ORCHESTRA; REGINALD KING & HIS LIGHT ORCHESTRA; NEW CONCERT ORCHESTRA/SERGE KRISH GLCD 5102 1940's Music In The Air (Lloyd, arr. -
Program Notes
PROGRAM NOTES By Joshua S. Ritter Goodspeed Education & Library Director You don’t have to be a baseball fan to know that the New York Yankees‐Boston Red Sox rivalry bitterly divides colleagues, neighbors, families, and Goodspeed patrons. In fact, according to The Harvard Sports Analysis Collective, East Haddam is located on the frontlines of this legendary baseball feud with slightly more than half the population favoring the Red Sox. What better way for Goodspeed to bring some levity to this divisive situation than with a hilarious musical comedy? Fortunately, Joe DiPietro’s side‐splitting adaptation of Damn Yankees contemporizes the book by replacing the defunct Washington Senators with the Boston Red Sox. We are pleased to have the opportunity to provide a neutral zone where members of the Yankees Universe and Red Sox Nation can forget their bitter differences for a few hours and share some laughs when the curtain goes up. Flashing back to the middle of the 20th century, Douglass Wallop’s 1954 novel The Year The Yankees Lost the Pennant was a best‐selling major league baseball twist on the Faust fable. Damn Yankees’ genesis was set in motion when William Morris agent Albert B. Taylor brought this property to the attention of legendary producer, director, writer, and actor George Abbott. Abbott and his team had just struck gold with the smash hit musical The Pajama Game, a show based on Richard Bissel’s novel 7½ Cents. Perhaps this monumental success gave Abbott the chutzpah to take the idea of a baseball musical seriously, despite the fact that all previous attempts at creating one were unsuccessful. -
Damn Yankees Program.Pdf
GOODSPEED MUSICALS 2014 SEASON Damn Yankees The Musical | 13 Cast of Characters | 14 Musical Numbers | 15 Who’s Who | 16 Program Notes | 24 About Goodspeed Musicals | 26 History of Goodspeed Opera House | 27 The Goodspeed Opera House Foundation | 28 Corporate Support | 29 Foundation & Government Support | 30 February; President’s Day weekend: Enough is Looking to the Future— Leaving a Legacy | 31 enough! Jon and Ida Kadish are defecting. Life in Goodspeed Musicals Staff | 40 the United States is different. No nuclear explosions For Your Information | 49 or widespread epidemics have occurred, but the America we grew up in, the land that we loved Audio and video recording and is gone. Personal freedoms have been trampled. photography are prohibited in the theatre. Israeli/US relations are severed after they bomb Iran: Please turn off your cell phone, beeper, watch alarm or anything else that might • Retirement age is seventy-five. make a distracting noise during the performance. Unwrap any candies, cough • Healthcare is rationed. drops, or mints before the performance begins to avoid disturbing your fellow • The NSA, FBI and the IRS monitor everyone. audience members or the actors on stage. • More than marijuana is legal. We appreciate your cooperation. • Exit Permits are needed to leave the country. Editor Lori A. Cartwright • There is no escape. Jon and Ida embark on a tension filled drive to the Canadian border, but it’s not as easy as they had ADVERTISING hoped. Shapiro once more writes of a journey… OnStage Publications of mysterious people they meet, of bureaucratic 937-424-0529 | 866-503-1966 e-mail: obstacles, new opportunities, & intrigue that envelop [email protected] them from startling places, in just the next few days… www.onstagepublications.com This program is published in association with OnStage Publications, 1612 Prosser Theatre Goers: 20% Discount! Go to: Avenue, Kettering, OH 45409. -
Newsletter 19/06 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 19/06 DIGITAL EDITION Nr. 190 - September 2006 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 3 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 19/06 (Nr. 190) September 2006 editorial Hallo Laserdisc- und DVD-Fans, sein, mit der man alle Fans, die bereits ein lich zum 22. Bond-Film wird es bestimmt liebe Filmfreunde! Vorgängermodell teuer erworben haben, wieder ein nettes Köfferchen geben. Dann Was gibt es Neues aus Deutschland, den ärgern wird. Schick verpackt in einem ed- möglicherweise ja schon in komplett hoch- USA und Japan in Sachen DVD? Der vor- len Aktenkoffer präsentiert man alle 20 auflösender Form. Zur Stunde steht für den liegende Newsletter verrät es Ihnen. Wie offiziellen Bond-Abenteuer als jeweils 2- am 13. November 2006 in den Handel ge- versprochen haben wir in der neuen Ausga- DVD-Set mit bild- und tonmäßig komplett langenden Aktenkoffer noch kein Preis be wieder alle drei Länder untergebracht. restaurierten Fassungen. In der entspre- fest. Wer sich einen solchen sichern möch- Mit dem Nachteil, dass wieder einmal für chenden Presseerklärung heisst es dazu: te, der sollte aber nicht zögern und sein Grafiken kaum Platz ist. Dieses Mal ”Zweieinhalb Jahre arbeitete das MGM- Exemplar am besten noch heute vorbestel- mussten wir sogar auf Cover-Abbildungen Team unter Leitung von Filmrestaurateur len. Und wer nur an einzelnen Titeln inter- in der BRD-Sparte verzichten. Der John Lowry und anderen Visionären von essiert ist, den wird es freuen, dass es die Newsletter mag dadurch vielleicht etwas DTS Digital Images, dem Marktführer der Bond-Filme nicht nur als Komplettpaket ”trocken” wirken, bietet aber trotzdem den digitalen Filmrestauration, an der komplet- geben wird, sondern auch gleichzeitig als von unseren Lesern geschätzten ten Bildrestauration und peppte zudem alle einzeln erhältliche 2-DVD-Sets. -
Psych Film Paper (Honors Project #1).Doc.Docx
Name:_______________________________ Block:____ Date:___________________ PSYCHOLOGY: ANALYTICAL RESEARCH PAPER Objective – Compare & contrast the real effects of the psychological disorder(s) shown in the film. DIRECTIONS: In this assignment you will choose one film related to Psychology and complete a well- developed analytical research paper, based on both the film of your choice, and a profile of the psychological disorder(s) depicted in the film. Pay close attention while taking notes during the film to help you with both assignments. You will also do in depth research on your films topic online to see how the actual events compare to the film. Your paragraphs should correspond to the format below. Format: 1. Introduction with a thesis statement. 2. After viewing the film describe what the movie is about. What is the key plot in the film? Who are the characters in the film? 3. Explain how the psychological disorder(s) in the film are accurately and/or inaccurately portrayed in the film through your in depth online research. 4. Describe (in depth) the causes/effects and other related information associated with the disorder. 5. Conclusion. Explain your own opinion of the film. Would you recommend it? Why or why not? Additional Requirements: 1. Notes taken during movie 2. 3 full pages, MLA format 3. Typed, double spaced, 12 font, Times New Roman, 1 inch margins 4. Well written with proper grammar, spelling etc. 5. Well researched with accurate information 6. Works cited page (minimum of 3 online sources) 7. Presentation of Paper Parental Advisory – Some films on this list are Rated R and need parental permission. -
Archived Web Documentary on Chris Phillips's Two
Documentary Cover One Shining Moment | Twice As Sweet | Deshon Home http://www.ipa.udel.edu/deshon/lax/oneshiningmoment/SUtoday_cover.html[2/24/12 9:40:35 AM] Twice As Sweet - May 29, 2005 Documentary Cover | Deshon Home remember One Shining Moment TWICE AS SWEET Déja vu indeed! Lest anyone has forgotten that lightning bolt of two years ago, I've assembled the text and photos from several news sources (see links below) on the 2005 NCAA men's lacrosse Division III Championship Game, played on a beautiful spring day at Lincoln Financial Field in Philadelphia, just to prove that lightning can and did strike twice. With the score knotted at 10, our nephew (Jo Anne's sister's son) CHRIS PHILLIPS, a Salisbury University junior attackman, again fired the championship-winning goal, his second goal of the day, this time with only five seconds left in the game. This was Salisbury's third consecutive national championship and their 49th consecutive win, an all-division record. Chris was recently named a Division III first-team All-American. The Baltimore Sun | Lacrosse Magazine | Inside Lacrosse | NCAA Sports Lax.com | SU Sports Information Having picked up a missed shot behind the crease and moved out in front, Chris eyes the goal. Middlebury 2 3 3 2 - 10 (photo from www.lax.com) SALISBURY 3 2 2 4 - 11 click on photos for larger version Charging around the defender as the clock winds down, Chris winds up. (photo from www.lax.com) Even more family, who came from near and far, came to the Linc this year to support Chris and the Gulls. -
One Shining Moment to a Dark Unknown Future: How The
5 COX PRODUCTION (DO NOT DELETE) ONE SHINING MOMENT TO A DARK UNKNOWN FUTURE: HOW THE EVOLUTION OF THE RIGHT OF PUBLICITY HAMMERS HOME THE FINAL NAIL IN THE NCAA’S ARGUMENT ON AMATEURISM IN COLLEGIATE ATHLETICS Wayne M. Cox, Esq.* I. INTRODUCTION On the night of March 26, 1979, a truly momentous event captured the imagination of Americans and unexpectedly forced its way into millions of homes nationwide.1 This television occasion failed to involve royalty, politicians, or even a critically-acclaimed scripted television program, but instead focused the spotlight onto a couple dozen college students.2 Taking place in Salt Lake City, Utah, basketball teams representing Michigan State University and Indiana State University, featuring two players not yet known simply as “Magic”3 and “Larry Legend,”4 squared off for the 1979 * New York Attorney, Katz & Rychik, P.C.; J.D. 2015, Maurice A. Deane School of Law at Hofstra University; B.S. 2012, Villanova University School of Business. Thank you to every member of the 2016 National Champion Villanova Wildcats and the entire Villanova community for acting as a shining reminder for everything that is great and inspiring about collegiate athletics in a time of such turmoil. 1 See Scott Taylor, 25th Anniversary: 1979 Final Four, DESERET NEWS (Mar. 26, 2004), http://www.deseretnews.com/article/595051666/25th-Anniversary-1979-Final-Four.html?pg= all; see also Mike Lupica, The First Real March Madness Was Magic vs. Bird in 1979, N.Y. DAILY NEWS (Mar. 26, 2015), http://www.nydailynews.com/sports/college/lupica-march-bird- magic-started-madness-article-1.2152131 (describing the momentous game). -
Emmy Award Winners
CATEGORY 2035 2034 2033 2032 Outstanding Drama Title Title Title Title Lead Actor Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actress—Comedy Name, Title Name, Title Name, Title Name, Title Outstanding Limited Series Title Title Title Title Outstanding TV Movie Name, Title Name, Title Name, Title Name, Title Lead Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Lead Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title CATEGORY 2031 2030 2029 2028 Outstanding Drama Title Title Title Title Lead Actor—Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. -
Alvin Theater
Landmarks Preservation Commission August 6 , 1985; Designaticn List 182 LP-1306 ALVIN THEATER (na.v Neil Simon Theater), first floor interior consisting of the ticket lobby, the entrance lobby, the auditorium, the stage, the staircases leading from the first floor to the balcony floor and all connecting entrance areas; the balcony floor interior consisting of the ba.lcony, the upper part of the auditorium and ceiling; and the fixtures and interior crnponents of these spaces, including but not limited to, wall and ceiling surfaces, doors, stair railings, and attached decorative elements; 244-254 West 52nd Street, Manhattan. Built 1927; architect, Herbert J. Krapp. Landmark Site: Borough of Manhattan Tax Map Block 1023, Lot 54. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing en the proposed designation as an Interior Landmark of the Alvin Theater, first floor interior consisting of the ticket lobby, the entrance lobby, the auditorium, the stage, the staircases leading from the first floor to the balcony floor and all connecting entrance areas; the balcony floor interior consisting of the balcony, the upper part of the auditorium and ceiling; and the fixtures and interior components of these spaces, including but not limited to, wall and ceiling surfaces, doors, stair railings, and attached decorative elements; 244-254 West 52rrl Street, Manhattan, and the proposed designation of the related Landmark Site (Item No.2). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty three witnesses spoke in favor of designation. Two witnesses spoke in opposition to designation. -
Landmarks Preservation Commission March 18, 2008, Designation List 402 LP-2273
Landmarks Preservation Commission March 18, 2008, Designation List 402 LP-2273 WEBSTER HALL and ANNEX, 119-125 East 11th Street, Manhattan. Built 1886-87 and 1892; Charles Rentz, Jr., architect. Landmark Site: Borough of Manhattan Tax Map Block 556, Lot 68. On October 30, 2007, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of Webster Hall and Annex and the proposed designation of the related Landmark Site (Item No. 9). The hearing had been duly advertised in accordance with the provisions of law. Seven people spoke in favor of designation, including City Councilmember Rosie Mendez and representatives of the building’s lessee, Assemblymember Deborah J. Glick, the Greenwich Village Society for Historic Preservation, Historic Districts Council, Metropolitan Chapter of the Victorian Society in America, and New York Landmarks Conservancy. Two representatives of the building’s owner opposed designation. In addition, the Commission received a number of communications in support of designation, including letters from City Councilmember Tony Avella, Manhattan Community Board 3, the Friends of Terra Cotta, and City Lore: The New York Center for Urban Folk Culture. Summary One of New York City’s most historically and culturally significant large nineteenth-century assembly halls, Webster Hall was constructed for Charles Goldstein in 1886-87, with an eastern Annex in 1892, to the designs of architect Charles Rentz, Jr. The Queen Anne style original structure and Renaissance Revival style Annex are clad in red Philadelphia pressed brick with brownstone trim, and effusively ornamented with unglazed red terra cotta, that on the original building was likely produced by the Boston Terra Cotta Co.