Sydney Program Guide
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King and Country: Shakespeare’S Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company
2016 BAM Winter/Spring #KingandCountry Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board BAM, the Royal Shakespeare Company, and Adam E. Max, Vice Chairman of the Board The Ohio State University present Katy Clark, President Joseph V. Melillo, Executive Producer King and Country: Shakespeare’s Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company BAM Harvey Theater Mar 24—May 1 Season Sponsor: Directed by Gregory Doran Set design by Stephen Brimson Lewis Global Tour Premier Partner Lighting design by Tim Mitchell Music by Paul Englishby Leadership support for King and Country Sound design by Martin Slavin provided by the Jerome L. Greene Foundation. Movement by Michael Ashcroft Fights by Terry King Major support for Henry V provided by Mark Pigott KBE. Major support provided by Alan Jones & Ashley Garrett; Frederick Iseman; Katheryn C. Patterson & Thomas L. Kempner Jr.; and Jewish Communal Fund. Additional support provided by Mercedes T. Bass; and Robert & Teresa Lindsay. #KingandCountry Royal Shakespeare Company King and Country: Shakespeare’s Great Cycle of Kings BAM Harvey Theater RICHARD II—Mar 24, Apr 1, 5, 8, 12, 14, 19, 26 & 29 at 7:30pm; Apr 17 at 3pm HENRY IV PART I—Mar 26, Apr 6, 15 & 20 at 7:30pm; Apr 2, 9, 23, 27 & 30 at 2pm HENRY IV PART II—Mar 28, Apr 2, 7, 9, 21, 23, 27 & 30 at 7:30pm; Apr 16 at 2pm HENRY V—Mar 31, Apr 13, 16, 22 & 28 at 7:30pm; Apr 3, 10, 24 & May 1 at 3pm ADDITIONAL CREATIVE TEAM Company Voice -
Program Notes
PROGRAM NOTES By Joshua S. Ritter Goodspeed Education & Library Director You don’t have to be a baseball fan to know that the New York Yankees‐Boston Red Sox rivalry bitterly divides colleagues, neighbors, families, and Goodspeed patrons. In fact, according to The Harvard Sports Analysis Collective, East Haddam is located on the frontlines of this legendary baseball feud with slightly more than half the population favoring the Red Sox. What better way for Goodspeed to bring some levity to this divisive situation than with a hilarious musical comedy? Fortunately, Joe DiPietro’s side‐splitting adaptation of Damn Yankees contemporizes the book by replacing the defunct Washington Senators with the Boston Red Sox. We are pleased to have the opportunity to provide a neutral zone where members of the Yankees Universe and Red Sox Nation can forget their bitter differences for a few hours and share some laughs when the curtain goes up. Flashing back to the middle of the 20th century, Douglass Wallop’s 1954 novel The Year The Yankees Lost the Pennant was a best‐selling major league baseball twist on the Faust fable. Damn Yankees’ genesis was set in motion when William Morris agent Albert B. Taylor brought this property to the attention of legendary producer, director, writer, and actor George Abbott. Abbott and his team had just struck gold with the smash hit musical The Pajama Game, a show based on Richard Bissel’s novel 7½ Cents. Perhaps this monumental success gave Abbott the chutzpah to take the idea of a baseball musical seriously, despite the fact that all previous attempts at creating one were unsuccessful. -
Damn Yankees Program.Pdf
GOODSPEED MUSICALS 2014 SEASON Damn Yankees The Musical | 13 Cast of Characters | 14 Musical Numbers | 15 Who’s Who | 16 Program Notes | 24 About Goodspeed Musicals | 26 History of Goodspeed Opera House | 27 The Goodspeed Opera House Foundation | 28 Corporate Support | 29 Foundation & Government Support | 30 February; President’s Day weekend: Enough is Looking to the Future— Leaving a Legacy | 31 enough! Jon and Ida Kadish are defecting. Life in Goodspeed Musicals Staff | 40 the United States is different. No nuclear explosions For Your Information | 49 or widespread epidemics have occurred, but the America we grew up in, the land that we loved Audio and video recording and is gone. Personal freedoms have been trampled. photography are prohibited in the theatre. Israeli/US relations are severed after they bomb Iran: Please turn off your cell phone, beeper, watch alarm or anything else that might • Retirement age is seventy-five. make a distracting noise during the performance. Unwrap any candies, cough • Healthcare is rationed. drops, or mints before the performance begins to avoid disturbing your fellow • The NSA, FBI and the IRS monitor everyone. audience members or the actors on stage. • More than marijuana is legal. We appreciate your cooperation. • Exit Permits are needed to leave the country. Editor Lori A. Cartwright • There is no escape. Jon and Ida embark on a tension filled drive to the Canadian border, but it’s not as easy as they had ADVERTISING hoped. Shapiro once more writes of a journey… OnStage Publications of mysterious people they meet, of bureaucratic 937-424-0529 | 866-503-1966 e-mail: obstacles, new opportunities, & intrigue that envelop [email protected] them from startling places, in just the next few days… www.onstagepublications.com This program is published in association with OnStage Publications, 1612 Prosser Theatre Goers: 20% Discount! Go to: Avenue, Kettering, OH 45409. -
Newsletter 19/06 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 19/06 DIGITAL EDITION Nr. 190 - September 2006 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 3 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 19/06 (Nr. 190) September 2006 editorial Hallo Laserdisc- und DVD-Fans, sein, mit der man alle Fans, die bereits ein lich zum 22. Bond-Film wird es bestimmt liebe Filmfreunde! Vorgängermodell teuer erworben haben, wieder ein nettes Köfferchen geben. Dann Was gibt es Neues aus Deutschland, den ärgern wird. Schick verpackt in einem ed- möglicherweise ja schon in komplett hoch- USA und Japan in Sachen DVD? Der vor- len Aktenkoffer präsentiert man alle 20 auflösender Form. Zur Stunde steht für den liegende Newsletter verrät es Ihnen. Wie offiziellen Bond-Abenteuer als jeweils 2- am 13. November 2006 in den Handel ge- versprochen haben wir in der neuen Ausga- DVD-Set mit bild- und tonmäßig komplett langenden Aktenkoffer noch kein Preis be wieder alle drei Länder untergebracht. restaurierten Fassungen. In der entspre- fest. Wer sich einen solchen sichern möch- Mit dem Nachteil, dass wieder einmal für chenden Presseerklärung heisst es dazu: te, der sollte aber nicht zögern und sein Grafiken kaum Platz ist. Dieses Mal ”Zweieinhalb Jahre arbeitete das MGM- Exemplar am besten noch heute vorbestel- mussten wir sogar auf Cover-Abbildungen Team unter Leitung von Filmrestaurateur len. Und wer nur an einzelnen Titeln inter- in der BRD-Sparte verzichten. Der John Lowry und anderen Visionären von essiert ist, den wird es freuen, dass es die Newsletter mag dadurch vielleicht etwas DTS Digital Images, dem Marktführer der Bond-Filme nicht nur als Komplettpaket ”trocken” wirken, bietet aber trotzdem den digitalen Filmrestauration, an der komplet- geben wird, sondern auch gleichzeitig als von unseren Lesern geschätzten ten Bildrestauration und peppte zudem alle einzeln erhältliche 2-DVD-Sets. -
Psych Film Paper (Honors Project #1).Doc.Docx
Name:_______________________________ Block:____ Date:___________________ PSYCHOLOGY: ANALYTICAL RESEARCH PAPER Objective – Compare & contrast the real effects of the psychological disorder(s) shown in the film. DIRECTIONS: In this assignment you will choose one film related to Psychology and complete a well- developed analytical research paper, based on both the film of your choice, and a profile of the psychological disorder(s) depicted in the film. Pay close attention while taking notes during the film to help you with both assignments. You will also do in depth research on your films topic online to see how the actual events compare to the film. Your paragraphs should correspond to the format below. Format: 1. Introduction with a thesis statement. 2. After viewing the film describe what the movie is about. What is the key plot in the film? Who are the characters in the film? 3. Explain how the psychological disorder(s) in the film are accurately and/or inaccurately portrayed in the film through your in depth online research. 4. Describe (in depth) the causes/effects and other related information associated with the disorder. 5. Conclusion. Explain your own opinion of the film. Would you recommend it? Why or why not? Additional Requirements: 1. Notes taken during movie 2. 3 full pages, MLA format 3. Typed, double spaced, 12 font, Times New Roman, 1 inch margins 4. Well written with proper grammar, spelling etc. 5. Well researched with accurate information 6. Works cited page (minimum of 3 online sources) 7. Presentation of Paper Parental Advisory – Some films on this list are Rated R and need parental permission. -
On Bear Ridge
PRESS RELEASE – 18 July 2019 IMAGES CAN BE DOWNLOADED HERE National Theatre Wales: Twitter/ Facebook / Instagram / Website Royal Court Theatre: Twitter/ Facebook / Instagram / Website NATIONAL THEATRE WALES AND ROYAL COURT THEATRE ON BEAR RIDGE ● FIRST PUBLICITY IMAGES OF THE PLAY ON BEAR RIDGE RELEASED TODAY. AVAILABLE FOR DOWNLOAD HERE ● DIRECTED BY VICKY FEATHERSTONE AND ED THOMAS. THE CAST IS RAKIE AYOLA, JASON HUGHES, RHYS IFANS AND SION DANIEL YOUNG ● A SITE-SPECIFIC INSTALLATION AND VR EXPERIENCE WILL COMPLEMENT PERFORMANCES OF THE PLAY ● ON BEAR RIDGE RUNS AT THE SHERMAN THEATRE, CARDIFF FROM 2o SEPTEMBER – 5 OCTOBER 2019. FOLLOWED BY THE ROYAL COURT THEATRE, LONDON FROM 24 OCTOBER - 23 NOVEMBER 2019 The first images from National Theatre Wales and Royal Court Theatre’s production of On Bear Ridge have been released today. They are available to download here. National Theatre Wales and Royal Court Theatre have today also announced that a site- specific installation will be created in the upper Swansea Valley bringing to life the world of the new play. Audiences at the Sherman Theatre Cardiff and the Royal Court London will also be able to experience this through a VR film that will be available to watch at both theatres making the landscape of On Bear Ridge accessible in the centre of these busy cities. Written by Ed Thomas (Hinterland/Y Gwyll BBC/S4C/Netflix) On Bear Ridge is a semi- autobiographical story about the places we leave behind, the indelible marks they make on us, and the unreliable memories we hold onto. It will be co-directed by Royal Court Artistic Director Vicky Featherstone and Ed Thomas. -
Emmy Award Winners
CATEGORY 2035 2034 2033 2032 Outstanding Drama Title Title Title Title Lead Actor Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actress—Comedy Name, Title Name, Title Name, Title Name, Title Outstanding Limited Series Title Title Title Title Outstanding TV Movie Name, Title Name, Title Name, Title Name, Title Lead Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Lead Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title CATEGORY 2031 2030 2029 2028 Outstanding Drama Title Title Title Title Lead Actor—Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. -
Download PDF File
REHEARSALS BEGIN FOR NEW WEST END CAST OF H A R R Y P O T T E R A N D T H E C U R S E D C H I L D PARTS ONE AND TWO WWW.HARRYPOTTERTHEPLAY.COM Rehearsals began this week for the new West End cast of Harry Potter and the Cursed Child who will start their performances at the Palace Theatre in London’s West End on 24 May 2017 following the final performance from the current cast on 21 May 2017. Jamie Glover will play Harry Potter with Emma Lowndes as his wife Ginny Potter and Theo Ancient as their son Albus Potter. Thomas Aldridge will play Ron Weasley with Rakie Ayola as Hermione Granger and Helen Aluko as their daughter Rose Granger-Weasley. Playing Draco Malfoy will be James Howard with Samuel Blenkin as his son Scorpius Malfoy. They are joined by new cast members David Annen, Ruthxjiah Bellenea, Danny Dalton, Leah Haile, Rupert Henderson, Elizabeth Hill, April Hughes, James McGregor, Sarah Miele, Jordan Paris, James Phoon, Henry Rundle, Ged Simmons, Mark Theodore, Gideon Turner and Ed White. Original cast members Nicola Alexis, Rosemary Annabella, Phoebe Austen, Annabel Baldwin, Jabez Cheeseman, Morag Cross, Esme Grace, Lowri James, Martin Johnston, Alfred Jones, Barry McCarthy, Sandy McDade, Tom Mackley, Harrison Noble, Ben Roberts, Nuno Silva, Hope Sizer and Joshua Wyatt complete the 42-strong company playing a variety of characters, including seven children who will alternate two roles. Harry Potter and the Cursed Child is the eighth story in the Harry Potter series and the first official Harry Potter story to be presented on stage. -
Alvin Theater
Landmarks Preservation Commission August 6 , 1985; Designaticn List 182 LP-1306 ALVIN THEATER (na.v Neil Simon Theater), first floor interior consisting of the ticket lobby, the entrance lobby, the auditorium, the stage, the staircases leading from the first floor to the balcony floor and all connecting entrance areas; the balcony floor interior consisting of the ba.lcony, the upper part of the auditorium and ceiling; and the fixtures and interior crnponents of these spaces, including but not limited to, wall and ceiling surfaces, doors, stair railings, and attached decorative elements; 244-254 West 52nd Street, Manhattan. Built 1927; architect, Herbert J. Krapp. Landmark Site: Borough of Manhattan Tax Map Block 1023, Lot 54. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing en the proposed designation as an Interior Landmark of the Alvin Theater, first floor interior consisting of the ticket lobby, the entrance lobby, the auditorium, the stage, the staircases leading from the first floor to the balcony floor and all connecting entrance areas; the balcony floor interior consisting of the balcony, the upper part of the auditorium and ceiling; and the fixtures and interior components of these spaces, including but not limited to, wall and ceiling surfaces, doors, stair railings, and attached decorative elements; 244-254 West 52rrl Street, Manhattan, and the proposed designation of the related Landmark Site (Item No.2). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty three witnesses spoke in favor of designation. Two witnesses spoke in opposition to designation. -
Filming in Lincoln's
Film Productions in Lincoln’s Inn Because of its varied architecture, beautiful gardens, spacious squares, historic halls and panelled rooms, Lincoln’s Inn has long been used by film production companies as a location, and by television companies for interviews as well as drama productions with either a legal theme or a period setting. Among productions which have used the Inn are: 2017 The Children’s Act (FilmNation Entertainment) 2016 Limehouse Golem (New Sparta Films) Richard III (Documentary, BFI) 2015 Wonder Woman (Warner Brothers) Suffragette (Gillerd Production Services Limited) Grantchester Limited (ITV) Downton Abbey (BBC) Spotless (Spotless Productions Ltd) Partners in Crime (BBC) SS-GB (BBC) Who Do You Think You Are? (Wall to Wall Media) Defenders of the Sky (History Channel) 2014 Suffragette (Gillerd Production Services Limited) Grantchester (ITV) The Suspicions of Mr Whicher (ITV) Welsh History Series – Huw Edwards (BBC) Secrets from the Clink (ITV) PAN (Dombey Street Productions) The Theory of Everything (Cosmos Ltd) Mr Holmes (Slight Trick Productions Ltd) The Man who knew Infinity (Pinewood Studios) Spotless (Spotless Productions Ltd) Partners in Crime (BBC) Silent Witness (BBC) 2013 Agatha Christies’ Poirot (ITV Studios Limited) Dracula (Carnival Productions Ltd) The Muppets…Again (More Muppets Productions Limited) Angelica (Angelica Film Productions Inc) Downtown Abbey Series Four (Carnival Productions Ltd) Fleming (Ecosse Films) Shakespeare’s London Theatres (Illuminations TV) 2012 Shakespeare’s London Theatres (Illuminations -
Disability Visibility Podcast Episode 67: Disabled Actors
Disability Visibility Podcast Episode 67: Disabled Actors Guests: Liz Carr Host: Alice Wong Transcript by Cheryl Green For more information: DisabilityVisibilityProject.com/podcast Introduction [hip-hop beat with radio static] LATEEF MCLEOD: This is the Disability Visibility Podcast with your host, Alice Wong. ALICE WONG: Heyyyyy there! Welcome to the Disability Visibility Podcast, conversations on disability politics, culture, and media. I’m your host, Alice Wong. Today I talk with someone who I’ve been a fan of for a long time, Liz Carr, an actor, activist, and comedian based in the UK. I first listened to Liz when she was a co-host for the BBC Ouch podcast with Mat Fraser. Hearing two disabled people cackle and joke was a revelation to me many years ago. There’s no doubt in my mind that Liz and Mat influenced me as a podcaster on how important it is to have disabled people in conversation together. You’ll hear Liz talk about her acting career and the challenges she faces in fighting for characters and storylines that matter. We also discuss her lead role as the crippy, smartass forensic examiner Clarissa Mullery in BBC’s long-running drama, Silent Witness. Are. You. Ready? [electronic beeping] Away we goooooo! ELECTRONIC VOICE: 5, 4, 3, 2, 1. ALICE: Liz, thank you so much for being on my podcast today. LIZ CARR: I'm well, I mean, I know who you are. I follow you. We know each other, but we don't know each other. I can't believe I've been to San Francisco and never met you. -
The TV Player Report a Beta Report Into Online TV Viewing
The TV Player Report A beta report into online TV viewing Week ending 15th January 2017 Table of contents Page 3 Introduction 4 Frequently asked questions 5 Aggregate on-demand and live viewing by TV player 6 Aggregate on-demand and live viewing by broadcaster group 7 Live streaming channels 9 Top 50 on-demand programmes – last week 10 Top 50 live programmes – last week 11 Top 50 on-demand programmes – last 4 weeks 12 Top 10 on-demand programmes by TV player – last week and 4 weeks 16 Top 10 live programmes by TV player – last week 19 Top 50 on-demand programmes by operating system – last week 22 Top 50 live programmes by operating system – last week 25 Top 50 on-demand programmes by operating system – last 4 weeks 28 Reference section Introduction In an era of constant change, BARB continues to develop its services in response to fragmenting behaviour patterns. Since our launch in 1981, there has been proliferation of platforms, channels and catch-up services. In recent years, more people have started to watch television and video content distributed through the internet. Project Dovetail is at the heart of our development strategy. Its premise is that BARB’s services need to harness the strengths of two complementary data sources. - BARB’s panel of 5,100 homes provides representative viewing information that delivers programme reach, demographic viewing profiles and measurement of viewers per screen. - Device-based data from web servers provides granular evidence of how online TV is being watched. The TV Player Report is the first stage of Project Dovetail.