DOCSLIB.ORG

Download PDF File

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Download PDF File REHEARSALS BEGIN FOR NEW WEST END CAST OF H A R R Y P O T T E R A N D T H E C U R S E D C H I L D PARTS ONE AND TWO WWW.HARRYPOTTERTHEPLAY.COM Rehearsals began this week for the new West End cast of Harry Potter and the Cursed Child who will start their performances at the Palace Theatre in London’s West End on 24 May 2017 following the final performance from the current cast on 21 May 2017. Jamie Glover will play Harry Potter with Emma Lowndes as his wife Ginny Potter and Theo Ancient as their son Albus Potter. Thomas Aldridge will play Ron Weasley with Rakie Ayola as Hermione Granger and Helen Aluko as their daughter Rose Granger-Weasley. Playing Draco Malfoy will be James Howard with Samuel Blenkin as his son Scorpius Malfoy. They are joined by new cast members David Annen, Ruthxjiah Bellenea, Danny Dalton, Leah Haile, Rupert Henderson, Elizabeth Hill, April Hughes, James McGregor, Sarah Miele, Jordan Paris, James Phoon, Henry Rundle, Ged Simmons, Mark Theodore, Gideon Turner and Ed White. Original cast members Nicola Alexis, Rosemary Annabella, Phoebe Austen, Annabel Baldwin, Jabez Cheeseman, Morag Cross, Esme Grace, Lowri James, Martin Johnston, Alfred Jones, Barry McCarthy, Sandy McDade, Tom Mackley, Harrison Noble, Ben Roberts, Nuno Silva, Hope Sizer and Joshua Wyatt complete the 42-strong company playing a variety of characters, including seven children who will alternate two roles. Harry Potter and the Cursed Child is the eighth story in the Harry Potter series and the first official Harry Potter story to be presented on stage. The critically acclaimed production received its world premiere in June 2016 at the Palace Theatre and is now the recipient of thirteen theatre awards including the Evening Standard Best Play Award. Earlier this month it was announced that Harry Potter and the Cursed Child was nominated for a record-breaking eleven Olivier awards, making it the most nominated new play in Olivier history. Harry Potter and the Cursed Child is currently booking to 29 April 2018. The next advance ticket release will take place on 25 April 2017. Tickets are priced from £15 per part and for every performance there are over 300 tickets at £20 or less per part. Further ticket releases will be announced throughout the year, details of which will published via the official Harry Potter and the Cursed Child website, social media channels and the official newsletter. It was always difficult being Harry Potter and it isn’t much easier now that he is an overworked employee of the Ministry of Magic, a husband and father of three school-age children. While Harry grapples with a past that refuses to stay where it belongs, his youngest son Albus must struggle with the weight of a family legacy he never wanted. As past and present fuse ominously, both father and son learn the uncomfortable truth: sometimes, darkness comes from unexpected places. /more… -2- Jamie Glover (Harry Potter) was last on stage in What’s in a Name? for Birmingham Repertory Theatre. His other theatre credits include The Rehearsal, An Ideal Husband and If Only all for Chichester Festival Theatre, Donkeys’ Years at the Rose Theatre Kingston, Noises Off at the Old Vic and Novello Theatre in the West End, The Chalk Garden for the Donmar Warehouse, The Shawl and The Man Who Had All the Luck both for Sheffield Crucible, The Novice for the Almeida Theatre and The Invention of Love for the Theatre Royal Haymarket. For the Royal Shakespeare Company his credits include All’s Well That Ends Well, The Roman Actor and Edward III. On film his credits include These Foolish Things, Sacred Life and Age of Treason. He is best known on television for playing Andrew Treneman in Waterloo Road and James Lacey in Agatha Raisin, and has also been seen in Endeavour and Doctor Who: An Adventure in Space and Time. Emma Lowndes’ (Ginny Potter) many television credits include Bella Gregson in Cranford, Mary Rivers in Jane Eyre and Margie Drewe in Downton Abbey. She can soon be seen as Carla Davis in Channel 4’s The Trial. Her theatre credits include The Herbal Bed at the Royal and Derngate Theatre Northampton, Children of the Sun and Thérèse Raquin for the National Theatre, The Accrington Pals, Port, The Rise and Fall of Little Voice and The Seagull for the Royal Exchange Theatre and Whose Life is it Anyway? at the Comedy Theatre. On film her credits include Mother’s Milk and All or Nothing. Theo Ancient (Albus Potter) trained at RADA and will make his professional stage debut in Harry Potter and the Cursed Child. Thomas Aldridge (Ron Weasley) is currently appearing in Les Misérables at the Queen’s Theatre. His previous theatre credits include The Lion, The Witch and The Wardrobe for Birmingham Rep, Made in Dagenham at the Adelphi Theatre, A Midsummer Night’s Dream and The Taming of the Shrew for the Open Air Theatre Regent’s Park, The Secret Garden and Peter Pan – A Musical Adventure for West Yorkshire Playhouse and Birmingham Rep, His Dark Materials on UK tour, Only the Brave for Soho Theatre, and High Society at the Shaftesbury Theatre. His television credits include Undercover, Titanic, Call the Midwife, Silent Witness, Hope and Glory and The Support Group. His film credits include Flea and Blasted. Rakie Ayola (Hermione Granger) was last on stage in The Rest of Your Life at the Bush Theatre. Her previous theatre credits include King Lear at the Royal Exchange Theatre where she played Goneril, Crave/4.48 Psychosis for Sheffield Crucible, The Curious Incident of the Dog in the Night-Time at the Apollo Theatre, Dido Queen of Carthage for the Globe Theatre, The Winter’s Tale for the Royal Shakespeare Company and Welcome to Thebes for the National Theatre. Her television credits include No Offence, Vera, Under Milk Wood, Black Mirror, Doctor Who, Silent Witness and Holby City. Her film credits include Been So Long, Dredd, Now is Good and Sahara. Helen Aluko (Rose Granger-Weasley) is an original member of the Harry Potter and the Cursed Child company. Her previous theatre credits include Doctor Faustus for the Royal Exchange Theatre, Once Language, Many Voices for TNT, The Price for Walking Forward, The Wind in the Willows for Sixteen Feet Productions and Beauty and the Beast at Theatre Royal Stratford East. Her television credits include The Driver. James Howard (Draco Malfoy) is an original member of the Harry Potter and the Cursed Child company. His previous theatre credits include Brave New World for Northampton Theatre Royal, Romeo and Juliet, As You Like It, Mojo, King Lear and Morte D’Arthur for the Royal Shakespeare Company, Twelfth Night and Ivanov for Donmar Warehouse and The Duchess of Malfi for the National Theatre. His television credits include Black Mirror, Dark Matters, Skins, Spooks, Inspector Lynley Mysteries and Dream Team. On film his credits include Survivor, The Theory of Everything, The Oxford Murders and Penelope. Samuel Blenkin (Scorpius Malfoy) trained at the Guildhall School of Music and Drama and also makes his professional stage debut in Harry Potter and the Cursed Child. /more… -3- Based on an original new story by J.K. Rowling, Jack Thorne and John Tiffany, Harry Potter and the Cursed Child is a new play by Jack Thorne, directed by John Tiffany with movement by Steven Hoggett, set by Christine Jones, costumes by Katrina Lindsay, music & arrangements by Imogen Heap, lighting by Neil Austin, sound by Gareth Fry, illusions & magic by Jamie Harrison, music supervision & arrangements by Martin Lowe and casting by Julia Horan CDG. Harry Potter and the Cursed Child is one play presented in two parts. Both parts are intended to be seen in order on the same day (matinee and evening) or on two consecutive evenings. On Thursdays there is an evening performance of Part One and on Fridays an evening performance of Part Two. On those days tickets to each part can be bought together or separately. Tickets for Wednesday matinee and Wednesday evening performances can also be bought together or separately. The regular performance schedule is as follows - Monday – no performance, Tuesday – no performance, Wednesday - 2pm Part One & 7.30pm Part Two, Thursday – 7.30pm Part One, Friday – 7.30pm Part Two, Saturday – 2pm Part One & 7.30pm Part Two, Sunday – 1pm Part One & 6.30pm Part Two. Every Friday, The Friday Forty takes place at 1pm when 40 tickets are released for every performance the following week for some of the very best seats in the theatre. Subsequent ticket releases take place each Friday for performances the following week. Priced at £40 (£20 per part) tickets will secure a seat for both Part One and Part Two on consecutive performances. Customers will be selected at random for the opportunity to buy tickets online and will be able to purchase a maximum of two tickets for both Part One and Part Two in one transaction. To ensure that as many people as possible have the chance to access these tickets, they will only be available to buy online www.harrypottertheplay.com/ticket-information Returned and other late-release tickets may also become available at short notice. These are not guaranteed, but any tickets that do become available will be sold on a first-come-first-served basis, online or in person at the Palace Theatre box office at full price. Harry Potter and the Cursed Child is produced by Sonia Friedman Productions, Colin Callender and Harry Potter Theatrical Productions. Box Office – 0343 208 0500 www.HarryPotterthePlay.com www.harrypottertheplay.com/questions @HPPlayLDN facebook.com/HPPlayLDN instagram.com/hpplayldn www.pottermore.com _____________________________________________________________________________________ Janine Shalom - 0207 292 8330 [email protected] or [email protected] 30 March 2017 .
Load more

Recommended publications
  • Sydney Program Guide
    Page 1 of 50 Sydney Program Guide Sun Feb 21, 2021 06:00 TV SHOP - HOME SHOPPING WS G Home shopping programme. 06:30 AMAZING FACTS PRESENTS WS PG The Law of the Lamb, Pt 2 Religious program. Cons.Advice: Themes 07:00 LEADING THE WAY WS PG Engaging the Future Generations Dr. Youssef and the Leading The Way team are committed to sharing the Gospel with the lost and equipping believers to grow into a deeper walk with Christ. Cons.Advice: Themes 07:30 IN TOUCH MINISTRIES WS PG Triumphant Joy In Touch Ministries is the outreach ministry of Dr. Charles Stanley, pastor of First Baptist Church of Atlanta, Georgia. The desire of In Touch is to lead people into a growing relationship with Jesus Christ and strengthen the local church. Cons.Advice: Themes 08:00 BEYOND TODAY WS PG Beware the Mark of the Beast Religious program. Cons.Advice: Themes 08:30 THE INCREDIBLE JOURNEY PRESENTS WS PG Blessed are the Persecuted Religious program. Cons.Advice: Themes 09:00 TV SHOP - HOME SHOPPING WS G Home shopping programme. 10:00 THE BARON Repeat WS PG Red Horse, Red Rider Mannering agrees to travel to a country racked by civil war to transport a valuable statuette back to London. Starring: Steve Forrest, Sue Lloyd, Paul Ferris PLEASE NOTE: This document is confidential and is the copyright of Nine Network Australia Pty. Ltd. Page 2 of 50 Sydney Program Guide PLEASE NOTE: This document is confidential and is the copyright of Nine Network Australia Pty. Ltd. Page 3 of 50 Sydney Program Guide Sun Feb 21, 2021 11:00 MANDY 1953 Captioned Repeat WS PG Mandy Mandy Garland was born deaf and has been mute for all of her life.
    [Show full text]
  • King and Country: Shakespeare’S Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company
    2016 BAM Winter/Spring #KingandCountry Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board BAM, the Royal Shakespeare Company, and Adam E. Max, Vice Chairman of the Board The Ohio State University present Katy Clark, President Joseph V. Melillo, Executive Producer King and Country: Shakespeare’s Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company BAM Harvey Theater Mar 24—May 1 Season Sponsor: Directed by Gregory Doran Set design by Stephen Brimson Lewis Global Tour Premier Partner Lighting design by Tim Mitchell Music by Paul Englishby Leadership support for King and Country Sound design by Martin Slavin provided by the Jerome L. Greene Foundation. Movement by Michael Ashcroft Fights by Terry King Major support for Henry V provided by Mark Pigott KBE. Major support provided by Alan Jones & Ashley Garrett; Frederick Iseman; Katheryn C. Patterson & Thomas L. Kempner Jr.; and Jewish Communal Fund. Additional support provided by Mercedes T. Bass; and Robert & Teresa Lindsay. #KingandCountry Royal Shakespeare Company King and Country: Shakespeare’s Great Cycle of Kings BAM Harvey Theater RICHARD II—Mar 24, Apr 1, 5, 8, 12, 14, 19, 26 & 29 at 7:30pm; Apr 17 at 3pm HENRY IV PART I—Mar 26, Apr 6, 15 & 20 at 7:30pm; Apr 2, 9, 23, 27 & 30 at 2pm HENRY IV PART II—Mar 28, Apr 2, 7, 9, 21, 23, 27 & 30 at 7:30pm; Apr 16 at 2pm HENRY V—Mar 31, Apr 13, 16, 22 & 28 at 7:30pm; Apr 3, 10, 24 & May 1 at 3pm ADDITIONAL CREATIVE TEAM Company Voice
    [Show full text]
  • Centre Stage the Pipeline of Bame Talent
    CENTRE STAGE THE PIPELINE OF BAME TALENT AndrewAndrew Lloyd Lloyd Webber Webber FoundationFoundation INTRODUCTION— hen I produced Bombay Dreams over a decade ago and was privileged Wto introduce the marvellous music of A R Rahman to a West End audience, one of our greatest difficulties was finding enough Asian actors. BAME diversity in the performing arts has once again been high on the agenda this year, from the runaway success of Hamilton on Broadway to the latest announcement from Arts Council England of £4.6 million to boost diversity. Very often the discussion is focussed on increasing the representation of diverse ethnicities on stage and this is crucially important. However, I’ve been acutely aware that one of the biggest issues is the lack of trained diverse talent coming through. Casting directors and theatre producers alike often complain that they’d like to cast more Black, Asian and Minority Ethnic performers but that they don’t get enough turning up to audition. Inspired by some of the success stories coming out of the Andrew Lloyd Webber Foundation’s scholarship programme – such as Emmanuel Kojo who is interviewed in these pages – the Foundation decided to commission this " I PASSIONATELY research. The aim was to come up with some positive recommendations that BELIEVE THAT can be adopted by people involved at every stage of the talent pipeline from THE STAGE NEEDS school to stage. TO REFLECT THE DIVERSITY OF THE UK I passionately believe that the stage needs to reflect the diversity of the POPULATION OR IT UK population or it risks becoming side-lined.
    [Show full text]
  • Frank Grace – Interview Transcript
    THEATRE ARCHIVE PROJECT http://sounds.bl.uk Frank Grace – interview transcript Interviewer: Clare Brewer 8 December 2008 Theatre goer. Anna Lucasta; Windsor Rep; The Gioconda Smile; September Tide; The Second Mrs Tanqueray; Oklahoma; Annie Get your Gun; Shakespeare; The Old Vic; Peter Brook; Olivier; Amateur Theatre; Woolford; Look back In Anger; Encore; Theatre Cruelty; Roots; Tis Pity She’s a Whore; A View From the Bridge; Censorship; Theatre Clubs; The Bald Prima Donna; Oh What a Lovely War; Arthur Miller. This transcript has been edited by the interviewee and thus differs in places from the recording. CB: How did you first become interested in theatre? FG: I suppose through [act]ing at school, but in terms of any serious theatre going I suppose it goes back to the late 1940’s... interestingly enough, when I re-looked at the [programmes] that I have got, the first play that I saw [in] the West End was most unusual for the late 1940’s, it was a play called Anna Lucasta,an American play; what was unusual for the 1940s was that it was an all black cast. CB: Really… FG: And it was about a prostitute and my parents took me [laughs] and I think they must have been slightly worried because I was fourteen at the time and it was one of my first experiences. But that was not typical of the first sort of phase of my theatre-going between that moment in 1949 and about 1951 I suppose and [after where] something dramatic begins to happen, I think.
    [Show full text]
  • Dirk Nel Director of Photography
    Dirk Nel Director of Photography Credits include: GRACE Director: Henrik Georgsson Mystery Crime Drama Producer: Kiaran Murray-Smith Featuring: John Simm, Richie Campbell, Rakie Ayola Production Co: Second Act Productions / ITV REDEMPTION Director: John Hayes Mystery Crime Drama Series Producer: John Wallace Featuring: Paula Malcomson, Abby Fitz, Thaddea Graham Production Co: Tall Story Pictures / Metropolitan Films Virgin Media One / ITV WHITSTABLE PEARL Director: David Caffrey Darkly Comic Crime Drama Series Producer: Guy Hescott Featuring: Kerry Godliman, Howard Charles, Frances Barber Production Co: Buccaneer Media / Acorn TV LIFE Directors: Iain Forsyth, Kate Hewitt, Jane Pollard Drama Producer: Kate Crowther Featuring: Alison Steadman, Adrian Lester, Victoria Hamilton Production Co: Drama Republic / BBC One MARCELLA Director: Ashley Pearce Crime Noir Thriller Producer: Elliott Swift Featuring: Anna Friel, Aaron McCusker, Hugo Speer Production Co: Buccaneer Media / Netflix / ITV ACKLEY BRIDGE Director: Rachna Suri Drama Producer: Jo Johnson Featuring: Jo Joyner, Liz White, Paul Nicholls Production Co: The Forge / Channel 4 VERA: COLD RIVER Director: Carolina Giammetta Crime Drama Producer: Will Nicholson Featuring: Brenda Blethyn, Paul Kaye, Kenny Doughty Production Co: ITV BLACK EARTH RISING Director: Hugo Blick Thriller Drama Series Producer: Abi Bach Eps 1, 6, 8 Featuring: John Goodman, Michaela Coel, Harriet Walter Production Co: Drama Republic / BBC Two Dirk Nel | Director of Photography 2 MAIGRET IN MONTMARTRE Director: Thaddeus
    [Show full text]
  • Winter Highlights 2004
    DRAMA WINTER HIGHLIGHTS 2004 ENGLAND EXPECTS Steven Mackintosh stars in a hard-hitting drama about a man who is drawn back to his far right past as his life spirals out of control. Mackintosh plays Ray, a responsible family man, fiercely protective of his daughter, Nikki. But he is also a control freak and, when things start to go wrong – first at work and then at home – he begins to lose his grip on reality. As his behaviour becomes increasingly erratic and he looks for someone other than himself to blame, he turns towards people from his past – people who are prepared to exploit him for their own ends. England Expects is produced by award-winning programme-maker Ruth Caleb. Her BBC ONE credits include Dominic Savage's Out Of Control, which won the Michael Powell Award for Best British Film at the Edinburgh International Film Festival, and Antonia Bird's Care, which won the Prix Italia for Best Drama. IN DENIAL OF MURDER Stephen Tompkinson plays campaigning local journalist Don Hale in a factually based drama which explores the controversial case of Stephen Downing and the murder in 1973 of Wendy Sewell (played by Caroline Catz) in Bakewell cemetery in the Peak District. Don Hale’s determination to prove Downing’s innocence captured the imagination of the press and public alike. Based on extensive research and written by Neil McKay, In Denial Of Murder tells the moving and tragic story behind the headlines, combining the story of Hale’s campaign with an account of the life of the murder victim.
    [Show full text]
  • National Theatre
    WITH EMMA BEATTIE OLIVER BOOT CRYSTAL CONDIE EMMA-JANE GOODWIN JULIE HALE JOSHUA JENKINS BRUCE MCGREGOR DAVID MICHAELS DEBRA MICHAELS SAM NEWTON AMANDA POSENER JOE RISING KIERAN GARLAND MATT WILMAN DANIELLE YOUNG 11 JAN – 25 FEB 2018 ARTS CENTRE MELBOURNE, PLAYHOUSE Presented by Melbourne Theatre Company and Arts Centre Melbourne This production runs for approximately 2 hours and 30 minutes, including a 20 minute interval. The Curious Incident of the Dog in the Night-Time is presented with kind permission of Warner Bros. Entertainment. World premiere: The National Theatre’s Cottesloe Theatre, 2 August 2012; at the Apollo Theatre from 1 March 2013; at the Gielgud Theatre from 24 June 2014; UK tour from 21 January 2017; international tour from 20 September 2017 Melbourne Theatre Company and Arts Centre Melbourne acknowledge the Yalukit Willam Peoples of the Boon Wurrung, the Traditional Owners of the land on which this performance takes place, and we pay our respects to Melbourne’s First Peoples, to their ancestors past and present, and to our shared future. DIRECTOR MARIANNE ELLIOTT DESIGNER LIGHTING DESIGNER VIDEO DESIGNER BUNNY CHRISTIE PAULE CONSTABLE FINN ROSS MOVEMENT DIRECTORS MUSIC SOUND DESIGNER SCOTT GRAHAM AND ADRIAN SUTTON IAN DICKINSON STEVEN HOGGETT FOR AUTOGRAPH FOR FRANTIC ASSEMBLY ASSOCIATE DIRECTOR RESIDENT DIRECTOR ELLE WHILE KIM PEARCE COMPANY VOICE WORK DIALECT COACH CASTING CHARMIAN HOARE JEANNETTE NELSON JILL GREEN CDG The Cast Christopher Boone JOSHUA JENKINS SAM NEWTON* Siobhan JULIE HALE Ed DAVID MICHAELS Judy
    [Show full text]
  • On Bear Ridge
    PRESS RELEASE – 18 July 2019 IMAGES CAN BE DOWNLOADED HERE National Theatre Wales: Twitter/ Facebook / Instagram / Website Royal Court Theatre: Twitter/ Facebook / Instagram / Website NATIONAL THEATRE WALES AND ROYAL COURT THEATRE ON BEAR RIDGE ● FIRST PUBLICITY IMAGES OF THE PLAY ON BEAR RIDGE RELEASED TODAY. AVAILABLE FOR DOWNLOAD HERE ● DIRECTED BY VICKY FEATHERSTONE AND ED THOMAS. THE CAST IS RAKIE AYOLA, JASON HUGHES, RHYS IFANS AND SION DANIEL YOUNG ● A SITE-SPECIFIC INSTALLATION AND VR EXPERIENCE WILL COMPLEMENT PERFORMANCES OF THE PLAY ● ON BEAR RIDGE RUNS AT THE SHERMAN THEATRE, CARDIFF FROM 2o SEPTEMBER – 5 OCTOBER 2019. FOLLOWED BY THE ROYAL COURT THEATRE, LONDON FROM 24 OCTOBER - 23 NOVEMBER 2019 The first images from National Theatre Wales and Royal Court Theatre’s production of On Bear Ridge have been released today. They are available to download here. National Theatre Wales and Royal Court Theatre have today also announced that a site- specific installation will be created in the upper Swansea Valley bringing to life the world of the new play. Audiences at the Sherman Theatre Cardiff and the Royal Court London will also be able to experience this through a VR film that will be available to watch at both theatres making the landscape of On Bear Ridge accessible in the centre of these busy cities. Written by Ed Thomas (Hinterland/Y Gwyll BBC/S4C/Netflix) On Bear Ridge is a semi- autobiographical story about the places we leave behind, the indelible marks they make on us, and the unreliable memories we hold onto. It will be co-directed by Royal Court Artistic Director Vicky Featherstone and Ed Thomas.
    [Show full text]
  • DVD Profiler
    101 Dalmatians II: Patch's London Adventure Animation Family Comedy2003 74 minG Coll.# 1 C Barry Bostwick, Jason Alexander, The endearing tale of Disney's animated classic '101 Dalmatians' continues in the delightful, all-new movie, '101 Dalmatians II: Patch's London A Martin Short, Bobby Lockwood, Adventure'. It's a fun-filled adventure fresh with irresistible original music and loveable new characters, voiced by Jason Alexander, Martin Short and S Susan Blakeslee, Samuel West, Barry Bostwick. Maurice LaMarche, Jeff Bennett, T D.Jim Kammerud P. Carolyn Bates C. W. Garrett K. SchiffM. Geoff Foster 102 Dalmatians Family 2000 100 min G Coll.# 2 C Eric Idle, Glenn Close, Gerard Get ready for outrageous fun in Disney's '102 Dalmatians'. It's a brand-new, hilarious adventure, starring the audacious Oddball, the spotless A Depardieu, Ioan Gruffudd, Alice Dalmatian puppy on a search for her rightful spots, and Waddlesworth, the wisecracking, delusional macaw who thinks he's a Rottweiler. Barking S Evans, Tim McInnerny, Ben mad, this unlikely duo leads a posse of puppies on a mission to outfox the wildly wicked, ever-scheming Cruella De Vil. Filled with chases, close Crompton, Carol MacReady, Ian calls, hilarious antics and thrilling escapes all the way from London through the streets of Paris - and a Parisian bakery - this adventure-packed tale T D.Kevin Lima P. Edward S. Feldman C. Adrian BiddleW. Dodie SmithM. David Newman 16 Blocks: Widescreen Edition Action Suspense/Thriller Drama 2005 102 min PG-13 Coll.# 390 C Bruce Willis, Mos Def, David From 'Lethal Weapon' director Richard Donner comes "a hard-to-beat thriller" (Gene Shalit, 'Today'/NBC-TV).
    [Show full text]
  • Dwy Hen Ffrind Yn Mynd Ar Daith Fythgofiadwy
    04.03.2021 Cathryn Ings Cyswllt Contact Ffôn Phone 03305 880450 Erthygl i’r Wasg Press Release Dwy hen ffrind yn mynd ar daith fythgofiadwy Mae’r gyfres newydd o Iaith ar Daith yn parhau gyda’r actores amryddawn Rakie Ayola yn mynd ar daith gyda’i ffrind bore oes sydd hefyd yn actores uchel ei pharch sef Eiry Thomas. Mae Rakie yn adnabyddus am ei gwaith actio ar y teledu (Holby City) a’r llwyfan lle mae hi wedi ennill parch am ei pherfformiad fel Hermione Granger yn Harry Potter and the Cursed Child a gwobr am ei pherfformiad yn On Bear Ridge gyda Rhys Ifans. Er bod Rakie bellach yn byw yn Llundain, mae hi’n falch iawn o’i Chymreictod ac yn awyddus iawn i ddysgu Cymraeg. Meddai Rakie: “Dwi’n byw yn agos iawn i fan cychwyn Marathon Llundain. Dwi i wedi prynu baner Gymraeg - un mawr - ac mae pob un sy’n rhedeg heibio yn nabod y ddraig goch ac yn ymateb iddi - a dwi’n dwli ar hyn. Mae rhai yn gweiddi ‘Cymru am byth’! - a dwi’n gweiddi nôl! Nawr dwi eisiau dysgu mwy o Gymraeg.” A phwy gwell i’w helpu na’i hen ffrind Eiry Thomas? Fe wnaeth y ddwy gyfarfod pan oeddent yn eu harddegau wrth iddynt ymuno â theatr ieuenctid yn Neuadd Llanofer yng Nghaerdydd ac maen nhw wedi bod yn ffrindiau mawr ers hynny. Meddai Eiry: “Felly, nid yn unig mae hyn yn mynd i fod yn daith mas i’r wlad, ond hefyd taith yn ôl i’r gorffennol.” Mae antur Iaith ar Daith Rakie ac Eiry yn dechrau yng Nghaerdydd ac yn mynd a nhw i berfeddion Sir Gâr, y Bannau Brycheiniog, Cymoedd y De ac wedyn yn ôl i Gaerdydd - ac mae sawl her a sypreis ar hyd y ffordd.
    [Show full text]
  • Filming in Lincoln's
    Film Productions in Lincoln’s Inn Because of its varied architecture, beautiful gardens, spacious squares, historic halls and panelled rooms, Lincoln’s Inn has long been used by film production companies as a location, and by television companies for interviews as well as drama productions with either a legal theme or a period setting. Among productions which have used the Inn are: 2017 The Children’s Act (FilmNation Entertainment) 2016 Limehouse Golem (New Sparta Films) Richard III (Documentary, BFI) 2015 Wonder Woman (Warner Brothers) Suffragette (Gillerd Production Services Limited) Grantchester Limited (ITV) Downton Abbey (BBC) Spotless (Spotless Productions Ltd) Partners in Crime (BBC) SS-GB (BBC) Who Do You Think You Are? (Wall to Wall Media) Defenders of the Sky (History Channel) 2014 Suffragette (Gillerd Production Services Limited) Grantchester (ITV) The Suspicions of Mr Whicher (ITV) Welsh History Series – Huw Edwards (BBC) Secrets from the Clink (ITV) PAN (Dombey Street Productions) The Theory of Everything (Cosmos Ltd) Mr Holmes (Slight Trick Productions Ltd) The Man who knew Infinity (Pinewood Studios) Spotless (Spotless Productions Ltd) Partners in Crime (BBC) Silent Witness (BBC) 2013 Agatha Christies’ Poirot (ITV Studios Limited) Dracula (Carnival Productions Ltd) The Muppets…Again (More Muppets Productions Limited) Angelica (Angelica Film Productions Inc) Downtown Abbey Series Four (Carnival Productions Ltd) Fleming (Ecosse Films) Shakespeare’s London Theatres (Illuminations TV) 2012 Shakespeare’s London Theatres (Illuminations
    [Show full text]
  • Disability Visibility Podcast Episode 67: Disabled Actors
    Disability Visibility Podcast Episode 67: Disabled Actors Guests: Liz Carr Host: Alice Wong Transcript by Cheryl Green For more information: DisabilityVisibilityProject.com/podcast Introduction [hip-hop beat with radio static] LATEEF MCLEOD: This is the Disability Visibility Podcast with your host, Alice Wong. ALICE WONG: Heyyyyy there! Welcome to the Disability Visibility Podcast, conversations on disability politics, culture, and media. I’m your host, Alice Wong. Today I talk with someone who I’ve been a fan of for a long time, Liz Carr, an actor, activist, and comedian based in the UK. I first listened to Liz when she was a co-host for the BBC Ouch podcast with Mat Fraser. Hearing two disabled people cackle and joke was a revelation to me many years ago. There’s no doubt in my mind that Liz and Mat influenced me as a podcaster on how important it is to have disabled people in conversation together. You’ll hear Liz talk about her acting career and the challenges she faces in fighting for characters and storylines that matter. We also discuss her lead role as the crippy, smartass forensic examiner Clarissa Mullery in BBC’s long-running drama, Silent Witness. Are. You. Ready? [electronic beeping] Away we goooooo! ELECTRONIC VOICE: 5, 4, 3, 2, 1. ALICE: Liz, thank you so much for being on my podcast today. LIZ CARR: I'm well, I mean, I know who you are. I follow you. We know each other, but we don't know each other. I can't believe I've been to San Francisco and never met you.
    [Show full text]