2018 Performance Award Winners
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The Emergency Constitution
ACKERMAN40 3/5/2004 12:40 PM Essay The Emergency Constitution Bruce Ackerman† INTRODUCTION Terrorist attacks will be a recurring part of our future. The balance of technology has shifted, making it possible for a small band of zealots to wreak devastation where we least expect it—not on a plane next time, but with poison gas in the subway or a biotoxin in the water supply. The attack of September 11 is the prototype for many events that will litter the twenty- first century. We should be looking at it in a diagnostic spirit: What can we learn that will permit us to respond more intelligently the next time around? If the American reaction is any guide, we urgently require new constitutional concepts to deal with the protection of civil liberties. Otherwise, a downward cycle threatens: After each successful attack, politicians will come up with repressive laws and promise greater security—only to find that a different terrorist band manages to strike a few years later.1 This disaster, in turn, will create a demand for even more † Sterling Professor of Law and Political Science, Yale University. I presented earlier versions of this Essay at the Cardozo Conference on Emergency Powers and Constitutions and the Yale Global Constitutionalism Seminar. I am much indebted to the comments of Stephen Holmes and Carlos Rosenkrantz on the former occasion, and to a variety of constitutional court judges who participated in the latter event. Ian Ayres, Jack Balkin, Yochai Benkler, Paul Gewirtz, Dieter Grimm, Michael Levine, Daniel Markovits, Robert Post, Susan Rose-Ackerman, Jed Rubenfeld, and Kim Scheppele also provided probing critiques of previous drafts. -
Doherty, Thomas, Cold War, Cool Medium: Television, Mccarthyism
doherty_FM 8/21/03 3:20 PM Page i COLD WAR, COOL MEDIUM TELEVISION, McCARTHYISM, AND AMERICAN CULTURE doherty_FM 8/21/03 3:20 PM Page ii Film and Culture A series of Columbia University Press Edited by John Belton What Made Pistachio Nuts? Early Sound Comedy and the Vaudeville Aesthetic Henry Jenkins Showstoppers: Busby Berkeley and the Tradition of Spectacle Martin Rubin Projections of War: Hollywood, American Culture, and World War II Thomas Doherty Laughing Screaming: Modern Hollywood Horror and Comedy William Paul Laughing Hysterically: American Screen Comedy of the 1950s Ed Sikov Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema Rey Chow The Cinema of Max Ophuls: Magisterial Vision and the Figure of Woman Susan M. White Black Women as Cultural Readers Jacqueline Bobo Picturing Japaneseness: Monumental Style, National Identity, Japanese Film Darrell William Davis Attack of the Leading Ladies: Gender, Sexuality, and Spectatorship in Classic Horror Cinema Rhona J. Berenstein This Mad Masquerade: Stardom and Masculinity in the Jazz Age Gaylyn Studlar Sexual Politics and Narrative Film: Hollywood and Beyond Robin Wood The Sounds of Commerce: Marketing Popular Film Music Jeff Smith Orson Welles, Shakespeare, and Popular Culture Michael Anderegg Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema, ‒ Thomas Doherty Sound Technology and the American Cinema: Perception, Representation, Modernity James Lastra Melodrama and Modernity: Early Sensational Cinema and Its Contexts Ben Singer -
A-Field-Guide-To-Demons-By-Carol-K
A FIELD GUIDE TO DEMONS, FAIRIES, FALLEN ANGELS, AND OTHER SUBVERSIVE SPIRITS A FIELD GUIDE TO DEMONS, FAIRIES, FALLEN ANGELS, AND OTHER SUBVERSIVE SPIRITS CAROL K. MACK AND DINAH MACK AN OWL BOOK HENRY HOLT AND COMPANY NEW YORK Owl Books Henry Holt and Company, LLC Publishers since 1866 175 Fifth Avenue New York, New York 10010 www.henryholt.com An Owl Book® and ® are registered trademarks of Henry Holt and Company, LLC. Copyright © 1998 by Carol K. Mack and Dinah Mack All rights reserved. Distributed in Canada by H. B. Fenn and Company Ltd. Library of Congress-in-Publication Data Mack, Carol K. A field guide to demons, fairies, fallen angels, and other subversive spirits / Carol K. Mack and Dinah Mack—1st Owl books ed. p. cm. "An Owl book." Includes bibliographical references and index. ISBN-13: 978-0-8050-6270-0 ISBN-10: 0-8050-6270-X 1. Demonology. 2. Fairies. I. Mack, Dinah. II. Title. BF1531.M26 1998 99-20481 133.4'2—dc21 CIP Henry Holt books are available for special promotions and premiums. For details contact: Director, Special Markets. First published in hardcover in 1998 by Arcade Publishing, Inc., New York First Owl Books Edition 1999 Designed by Sean McDonald Printed in the United States of America 13 15 17 18 16 14 This book is dedicated to Eliza, may she always be surrounded by love, joy and compassion, the demon vanquishers. Willingly I too say, Hail! to the unknown awful powers which transcend the ken of the understanding. And the attraction which this topic has had for me and which induces me to unfold its parts before you is precisely because I think the numberless forms in which this superstition has reappeared in every time and in every people indicates the inextinguish- ableness of wonder in man; betrays his conviction that behind all your explanations is a vast and potent and living Nature, inexhaustible and sublime, which you cannot explain. -
Kinsella Feb 13
MORPHEUS: A BILDUNGSROMAN A PARTIALLY BACK-ENGINEERED AND RECONSTRUCTED NOVEL MORPHEUS: A BILDUNGSROMAN A PARTIALLY BACK-ENGINEERED AND RECONSTRUCTED NOVEL JOHN KINSELLA B L A Z E V O X [ B O O K S ] Buffalo, New York Morpheus: a Bildungsroman by John Kinsella Copyright © 2013 Published by BlazeVOX [books] All rights reserved. No part of this book may be reproduced without the publisher’s written permission, except for brief quotations in reviews. Printed in the United States of America Interior design and typesetting by Geoffrey Gatza First Edition ISBN: 978-1-60964-125-2 Library of Congress Control Number: 2012950114 BlazeVOX [books] 131 Euclid Ave Kenmore, NY 14217 [email protected] publisher of weird little books BlazeVOX [ books ] blazevox.org 21 20 19 18 17 16 15 14 13 12 01 02 03 04 05 06 07 08 09 10 B l a z e V O X trip, trip to a dream dragon hide your wings in a ghost tower sails crackling at ev’ry plate we break cracked by scattered needles from Syd Barrett’s “Octopus” Table of Contents Introduction: Forging the Unimaginable: The Paradoxes of Morpheus by Nicholas Birns ........................................................ 11 Author’s Preface to Morpheus: a Bildungsroman ...................................................... 19 Pre-Paradigm .................................................................................................. 27 from Metamorphosis Book XI (lines 592-676); Ovid ......................................... 31 Building, Night ...................................................................................................... -
Use It Or Lose It
INSIDE A Sbarro trades Including The Downtown News, Carroll Gardens-Cobble Hill Paper and Fort Greene-Clinton Hill Paper BROOKLYN ’S WEEKLY pizza for steak NEWSPAPER Published weekly by Brooklyn Paper Publications Inc, 26 Court St., Brooklyn 11242 Phone 718-834-9350 AD fax 718-834-1713 • N EWS fax 718-834-9278 © 2002 Brooklyn Paper Publications • 14 pages CROOKED JUDGE including GO BROOKLYN • Vol.25, No. 43 BWN, DTG, PSG, MID YASSKY W • November 4, 2002 ARNS BROOKL • FREE GETS NO MERCY YN BRIDGE P Use it or lose ARKit By Patrick Gallahue The Brooklyn Papers Brooklyn Heights City Councilman David Yassky said this week that with the city facing its toughest fiscal crisis in decades the developers of the planned Brooklyn Bridge Park could lose some or all of $10.8 million set aside for the project that has not yet been allocated. “I’m very concerned that time is passing and the city has not yet figured out specifically which part of the park they want to move forward with first,” Yassky told The Brooklyn Papers. “We’re in danger of seeing the project slip behind sched- ule if the city doesn’t focus on this pretty soon.” The city allocated the $10.8 million for Fiscal Year 2003, which runs through June 2003, for the construction of greenspace north of the Pur- chase Building and the demolition or truncation of the building itself. The city’s office of Emergency Management Former judge Victor Barron (left) listens to his attorney Barry Kamins on Monday after being sen- (OEM), which had been housed in the World tenced to three to nine years for soliciting a bribe. -
Mark Ivanir | Biography
MARK IVANIR | BIOGRAPHY Mark Ivanir has been working as a professional film and television actor in Los Angeles since 2001. His first major film role was in Steven Spielberg's 1993 Oscar winning epic SCHINDLER'S LIST. He rejoined with Spielberg twice, first for a cameo appearance in TERMINAL, then again for THE ADVENTURES OF TINTIN. A pivotal role in Robert De Niro's 2006 film, THE GOOD SHEPHERD, landed Mark a role in Barry Levinson's WHAT JUST HAPPENED, this time acting alongside De Niro. Many films followed. Mark has booked over 35 Guest Star and Guest Lead roles on television. Ivanir's road to Hollywood was circuitous at best. Born in the communist Ukraine, he immigrated to Israel with his family in 1972. After being cast by Spielberg in SCHINDLER'S LIST, Ivanir moved to London to study with Philippe Gaulier and the actors of the Theater De Complicite. During this stint, he landed roles in THE MAN WHO CRIED (with Johnny Depp) and SECRET AFFAIR which encouraged him to relocate to Hollywood. Ever since, Mark has been working on films in the US, in Europe and in Israel. In Germany he has been working with Dennis Gansel on THE FOURTH STATE and with Dominik Graf on the highly acclaimed mini-series IN THE FACE OF THE CRIME. In Europe, Mark was also working with Fernando Meirelles on his episodic feature film 360. Most recently, Mark co-starred alongside Catherine Keener, Philipp Seymour Hoffman and Christopher Walken in A LATE QUARTET. Mark currently lives in Los Angeles with his wife and two daughters. -
The Return of the Repressed: Gothic Horror from T
THE RETURN OF THE REPRESSED: GOTHIC HORROR FROM T¿'E C1.'TLE OF OTRANTO TO ALIEN by Valdine Clemens A Thesis Submitted to the Faculty of Graduate Studies In Partial Fulfilrnent ofthe Requirements For the Degree of PhD in Arts Department of English University of Marutoba Wirmipeg. Manitoba (c) May 1994 National ubrary Bibliothèque nationale l*l du Canada Acquisit¡ons and Direction des acquisitions et Bibliograph¡c Services Branch des services bibliographiques 395 Wellington Slreel 395. rue Wellington Onav/4, Onlario Onawa (Ontaío) K1A ON4 K1A ON4 yøJt lile vo¡tê téttdÉe Ou t¡le Notrc .ë8ëte The author has granted an L'auteur a accordé une licence irrevocable non-exclus¡ve licence irrévocable et non exclusive allowing the National Library of permettant à la Bibliothèque Canada to reproduce, loan, nationale du Canada de distribute or sell copies of reproduire, prêter, distribuer ou his/her thesis by any means and vendre des copies de sa thèse ín any form or format, making de quelque manière et sous this thesis available to interested quelque forme que ce soit pour persons. mettre des exemplaires de cette thèse à la disposition des personnes intéressées. The author retains ownership of L'auteur conserve la propriété du the copyright in his/her thesis. droit d'auteur qui protège sa Neither the thesis nor substantial thèse. Ni la thèse ni des extraits extracts from it may be printed or substantiels de celle-ci ne otherwise reproduced without doivent être imprimés ou his/her permission. autrement reproduits sans son autorisation. ISBN 0-315-92133-1 Canadä \,.\--¿Y'\ rd, generol subiect colegories. -
The Ithacan, 1935-05-29
Ithaca College Digital Commons @ IC The thI acan, 1934-35 5-29-1935 The thI acan, 1935-05-29 Ithaca College Follow this and additional works at: http://digitalcommons.ithaca.edu/ithacan_1934-35 Recommended Citation Ithaca College, "The thI acan, 1935-05-29" (1935). The Ithacan, 1934-35. 27. http://digitalcommons.ithaca.edu/ithacan_1934-35/27 This Newspaper is brought to you for free and open access by Digital Commons @ IC. It has been accepted for inclusion in The thI acan, 1934-35 by an authorized administrator of Digital Commons @ IC. Special Alutnni Edition Final Issue Final Issue Commencement June 7 utan lla<"l'alaureatc June 2 Vol. V, . No. 27 Ithaca College, Ithaca, New York, :\lay 29, 1935 Brown, Osborne, Blan- Flynn _, '36:TuesdayEve.Recital ding In Last Recital , Editor -Ithacan '35 : Last of 34,'35 Season Prove Entertaining .,.---R-e-t,-.,.-i,-,~-t _B_u_s_il_1£_'S_S_1'J,,_f_a_n_a)!_t_,,._ Soloists Ne,vcomers Retiring Editor Short, Nicholas, Ed.; Bus. Years I The mu~ic department drew a long Mgr. Two ! breath at the clo,e of last Tuesday I e,·ening. Thi rtren performers had f!raced the ,rage of Little Theatre in the la,t student recital of 193+-35. \' umbered among the ,oloists were sen:ral newcomers. Two violinists, Laura Crossman, and Joseph Petru celli made their hows before the house. Talent was evidenced in both cases, despite the common battle with nerves. Next year's student appearances will welcome their return. Joanna Gaylord's opening with "Toccata and Fugue" by Bach was auspicious. This pianist plays with ad mirable composure. -
TLEX GRID (EAST REGULAR) - JULY 2021 (7/5/2021 - 7/11/2021) - WEEK #28 Date Updated:6/25/2021 11:36:51 AM
TLEX GRID (EAST REGULAR) - JULY 2021 (7/5/2021 - 7/11/2021) - WEEK #28 Date Updated:6/25/2021 11:36:51 AM MON (7/5/2021) TUE (7/6/2021) WED (7/7/2021) THU (7/8/2021) FRI (7/9/2021) SAT (7/10/2021) SUN (7/11/2021) SHOP LC (PAID PROGRAM SHOP LC (PAID PROGRAM SHOP LC (PAID PROGRAM SHOP LC (PAID PROGRAM SHOP LC (PAID PROGRAM SHOP LC (PAID PROGRAM SHOP LC (PAID PROGRAM 05:00A 05:00A NETWORK) NETWORK) NETWORK) NETWORK) NETWORK) NETWORK) NETWORK) PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM 05:30A 05:30A (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM 06:00A 06:00A (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM 06:30A 06:30A (SUBNETWORK) (SUBNETWORK) (SUBNETWORK) (SUBNETWORK) (SUBNETWORK) (NETWORK) (NETWORK) PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM 07:00A 07:00A (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (SUBNETWORK) PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM 07:30A 07:30A (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (SUBNETWORK) PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM 08:00A 08:00A (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) RIPLEY'S BELIEVE IT OR RIPLEY'S BELIEVE IT OR -
Diverse Zitate 18.04.2020
Diverse Zitate 18.04.2020 Weitere Zitate siehe auch in den Büchern: · Kompendium der Zitate für Unternehmer und Führungskräfte: Über 5000 Aphorismen für Reden und Texte im Management, von Bert Forschelen, Springer Gabler, 1. Auflage 2017, 926 Seiten, ISBN 3658162481 · Lebensweisheiten berühmter Philosophen: 4000 Zitate von Aristoteles bis Wittgenstein, von Stefan Knischek, Humboldt, 8. Auflage 2009, 416 Seiten, ISBN 3869100052 · Das grosse Handbuch der Zitate: 25.000 Aussprüche & Sprichwörter von der Antike bis zur Gegenwart, von Hans-Horst Skupy, Bassermann, 2. Auflage 2013, 1136 Seiten, ISBN 3809431532 · http://www.archiv-swv.de/pdf-bank/AusgewaehlteZitateVonJerry.pdf https://deutschermensch.wordpress.com/category/interessant-und-nutzlich/zitate/ Allgemeines SAFE-Einladung zum 2. Kongress von Einsiedeln: Nullpunkt-, Raum-, Tachyonen-, Gravitations-, Orgon-, Äther-, kosmische oder Freie Energie. Viele Begriffe für das Gleiche. Überall vorhanden, aber wissenschaftlich noch nicht verstanden. A Aall Harris (1871-1957) Norweger, in seinem 1917 erschienenen Buche: „Nordens Skjaebne“ (Das Schicksal des Nordens) über Woodrow Wilson, zitiert in: Géza Lukács: „Fort mit den Friedensverträgen von Versailles, Trianon, Neuilly, St. Germain, Sèvres“, Berlin 1922, S. 20 · Das einzige Bemerkenswerte an diesem Manne (von Woodrow Wilson) sei, dass seine Taten und Worte nie- mals übereinstimmten. Abbey Edward (1927 – 1989) amerikanischer Naturforscher, Philosoph und Schriftsteller · Wenn du dich weigerst, ungerechte Steuern zu bezahlen, wird dein Eigentum -
A 16 Bar Cut: the History of American Musical Theatrean Original Script and Monograph Document
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2006 A 16 Bar Cut: The History Of American Musical Theatrean Original Script And Monograph Document Patrick Moran University of Central Florida Part of the Theatre and Performance Studies Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Moran, Patrick, "A 16 Bar Cut: The History Of American Musical Theatrean Original Script And Monograph Document" (2006). Electronic Theses and Dissertations, 2004-2019. 916. https://stars.library.ucf.edu/etd/916 A 16 BAR CUT: THE HISTORY OF AMERICAN MUSICAL THEATRE An Original Script and Monograph Document by PATRICK JOHN MORAN B.A. Greensboro College, 2003 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in the Department of Theatre in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Summer Term 2006 © 2006 Patrick John Moran ii ABSTRACT A final thesis for my Master of Fine Arts degree should encompass every aspect of the past few years spent in the class room. Therefore, as a perfect capstone to my degree, I have decided to conceive, write, and perform a new musical with my classmate Rockford Sansom entitled The History of Musical Theatre: A 16 Bar Cut. -
The Werewolf in Lore and Legend Plate I
Montague Summers The Werewolf IN Lore and Legend Plate I THE WARLOCKERS’ METAMORPHOSIS By Goya THE WEREWOLF In Lore and Legend Montague Summers Intrabunt lupi rapaces in uos, non parcentes gregi. Actus Apostolorum, XX, 29. DOVER PUBLICATIONS, INC. Mineola New York Bibliographical Note The Werewolf in Lore and Legend, first published in 2003, is an unabridged republication of the work originally published in 1933 by Kegan Paul, Trench, Trubner & Co., Ltd., London, under the title The Werewolf. Library ofCongress Cataloging-in-Publication Data Summers, Montague, 1880-1948. [Werewolf] The werewolf in lore and legend / Montague Summers, p. cm. Originally published: The werewolf. London : K. Paul, Trench, Trubner, 1933. Includes bibliographical references and index. ISBN 0-486-43090-1 (pbk.) 1. Werewolves. I. Title. GR830.W4S8 2003 398'.45—dc22 2003063519 Manufactured in the United States of America Dover Publications, Inc., 3 1 East 2nd Street, Mineola, N.Y. 11501 CONTENTS I. The Werewolf: Lycanthropy II. The Werewolf: His Science and Practice III. The Werewolf in Greece and Italy, Spain and Portugal IV. The Werewolf in England and Wales, Scotland and Ireland V. The Werewolf in France VI. The Werewolf in the North, in Russia and Germany A Note on the Werewolf in Literature Bibliography Witch Ointments. By Dr. H. J. Norman Index LIST OF ILLUSTRATIONS I. The Warlocks’ Metamorphosis. By Goya. Formerly in the Collection of the Duke d’Osuna II. A Werewolf Attacks a Man. From Die Emeis of Johann Geiler von Kaisersberg III. The Transvection of Witches. From Ulrich Molitor’s De Lamiis IV. The Wild Beast of the Gevaudan.