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Hollywood Pantages Theatre Los Angeles, California
® HOLLYWOOD PANTAGES THEATRE LOS ANGELES, CALIFORNIA 05-03 School of Rock Cover - Retro.indd 1 4/6/18 5:03 PM HOLLYWOOD PANTAGES THEATRE ANDREW LLOYD WEBBER THE REALLY USEFUL GROUP WARNER MUSIC GROUP & ACCESS INDUSTRIES THE SHUBERT ORGANIZATION AND NEDERLANDER PRESENTATIONS, INC. PRESENT BASED ON THE PARAMOUNT MOVIE WRITTEN BY MIKE WHITE BOOK BY LYRICS BY NEW MUSIC BY JULIAN FELLOWES GLENN SLATER ANDREW LLOYD WEBBER WITH ROB COLLETTI LEXIE DORSETT SHARP MATT BITTNER EMILY BORROMEO MERRITT DAVID JANES OLIVIA BUCKNOR GRIER BURKE JOHN CAMPIONE PATRICK CLANTON CHRISTOPHER DeANGELIS KRISTIAN ESPIRITU MELANIE EVANS RAYNA FARR LIAM FENNECKEN BELLA FRAKER KARA HALLER CARSON HODGES ELYSIA JORDAN JACK SUAREZ KIMMEL DEIDRE LANG ALYSSA EMILY MARVIN SINCLAIR MITCHELL THEO MITCHELL-PENNER VINCENT MOLDEN GILBERTO MORETTI-HAMILTON JAMESON MOSS IARA NEMIROVSKY TIM SHEA THEODORA SILVERMAN JESSE SPARKS CAMERON TRUEBLOOD GABRIELLA UHL HERNANDO UMANA HUXLEY WESTEMEIER SCENIC AND COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN HAIR DESIGN ANNA LOUIZOS NATASHA KATZ MICK POTTER JOSH MARQUETTE ASSOCIATE DIRECTOR ASSOCIATE CHOREOGRAPHER CASTING DAVID RUTTURA PATRICK O’NEILL TARA RUBIN CASTING MERRI SUGARMAN, CSA MUSIC SUPERVISOR MUSIC COORDINATOR MUSIC DIRECTOR PRODUCTION STAGE MANAGER JOHN RIGBY TALITHA FEHR MARTYN AXE LARRY SMIGLEWSKI GENERAL MANAGER TOUR BOOKING AGENCY TOUR MARKETING & PRESS PRODUCTION MANAGER TROIKA ENTERTAINMENT THE BOOKING GROUP ALLIED TOURING TROIKA ENTERTAINMENT BRIAN SCHRADER LAURA DIELI ORCHESTRATIONS BY EXECUTIVE PRODUCERS ANDREW LLOYD WEBBER BESPOKE THEATRICALS & MADELEINE LLOYD WEBBER CHOREOGRAPHED BY JOANN M. HUNTER DIRECTED BY LAURENCE CONNOR 2 4 PLAYBILL School of Rock_master.indd 2 4/6/18 4:58 PM CAST (in order of appearance) Dewey .......................................................................................................................................ROB COLLETTI Dewey (at certain performances) ............................................................................ -
July 2013 Members in the News Edited by Flo Dwek
July 2013 Members in the News Edited by Flo Dwek Sciannella: Calling the Shots for High Harris: Behind End Cable the Scenes in Chris Sciannella, Africa owner of CAS Video As a producer for Productions in VIVA Creative in Huntingtown, MD, has Rockville, MD, been a fixture in the Jennifer E. Harris Washington, DC wears many hats in production scene for the world of live 29 yearsand has events and traveled extensively throughout the United multimedia States and overseas for various clients. In 1984, production. From Sciannella began his career as a cameraman producing content for and learned to edit. As he perfected those skills, international events to he added producing and directing to his list of launching the services. Sciannella's camera work can be seen company's first on several programs now airing on cable TV, internship program, Harris has had an exciting including Animal Planet's Tanked, HGTV's My year that has kept her on her toes! Recently, First Place, My First Sale, More Bang for Your Harris traveled to Libreville, Gabon, where she Buck and Home Makeover Special and RLTV's was a content producer for an event designed to Second Act. He recently produced, directed and recognize the economic achievements of Africa edited a series of training and intervention and spotlight business and investment procedures videos; shot a series pilot for an LA- opportunities. Several Heads of State, members based production company that will air on VH-1; of the media, and business leaders participated and edited a series of videos about WWII icon in the forum. -
March 1St-18Th, 2012
www.oeta.tv KETA-TV 13 Oklahoma City KOED-TV 11 Tulsa KOET-TV 3 Eufaula KWET-TV 12 Cheyenne Volume 42 Number 9 A Publication of the Oklahoma Educational Television Authority Foundation, Inc. March 1ST-18 TH, 2012 MARCH 2012 THIS MONTH page page page page 2 4 5 6 Phantom of the Opera 60s Pop, Rock & Soul Dr. Wayne Dyer: Wishes Fulfilled Live from the Artists Den: Adele at Royal Albert Hall f March 6 & 14 @ 7 p.m. f March 5 @ 7 p.m. f March 30 @ 9w p.m. f March 7 @ 7 p.m. 2page FESTIVAL “The Phantom of the Opera” at the Royal Albert Hall f Wednesday March 7 at 7 p.m. Don’t miss a fully-staged, lavish 25th anniversary mounting of Andrew Lloyd Webber’s long-running Broadway and West End extravaganza. To mark the musical’s Silver Anniversary, Andrew Lloyd Webber and Cam- eron Mackintosh presented “The Phantom of the Opera” in the sumptuous Victorian splendor of London’s Royal Albert Hall. This dazzling restaging of the original production recreates the jaw-dropping scenery and breath- Under the Streetlamp taking special effects of the original, set to Lloyd Webber’s haunting score. f Tuesday March 13 at 7 p.m. The production stars Ramin Karimloo as The Phantom and Sierra Boggess Under the Streetlamp, America’s hottest new vocal group, as Christine, together with a cast and orchestra of more than 200, including performs an electrifying evening of classic hits from the special guest appearances by the original Phantom and Christine, Michael American radio songbook in this special recorded at the Crawford and Sarah Brightman. -
Read Ebook {PDF EPUB} Sunset Boulevard by Christopher Hampton Sunset Boulevard by Christopher Hampton
Read Ebook {PDF EPUB} Sunset Boulevard by Christopher Hampton Sunset Boulevard by Christopher Hampton. Sunset Boulevard weaves a magnificent tale of faded glory and unfulfilled ambition. Silent movie star Norma Desmond longs for a return to the big screen, having been discarded by tinsel town with the advent of “talkies.” Her glamour has faded in all but her mind. When she meets struggling Hollywood screenwriter Joe Gillis in dramatic circumstances, their subsequent passionate and volatile relationship leads to an unforeseen and tragic conclusion. Videos. Based on the Billy Wilder film, the musical version of Sunset Boulevard, with music by Andrew Lloyd Webber and lyrics by Christopher Hampton and Don Black, had its world premiere at London’s Adelphi Theatre on July 12th, 1993. The show received its American premiere in December 1993 at the Shubert Theatre in Los Angeles starring Glenn Close as Norma Desmond. The show opened on Broadway at the Minskoff Theatre in November 1994 with the highest advance in Broadway history at the time ($37.5 million in ticket sales). The show has been staged across the world with productions in Canada, the Netherlands, Australia, and tours in the US and UK. Sunset Boulevard returned to Broadway in 2017 at the Palace Theatre with Glenn Close reprising her role as Norma Desmond, following a sold out run in the West End at the London Coliseum. Gallery. I first saw Sunset Boulevard sometime in the early 70s. It inspired a tune. This tune was supposed to be the title song. However, I neither had the rights to the film, nor at that time was likely to be able to obtain them. -
8 Redefining Zorro: Hispanicising the Swashbuckling Hero
Redefining Zorro: Hispanicising the Swashbuckling Hero Victoria Kearley Introduction Such did the theatrical trailer for The Mask of Zorro (Campbell, 1998) proclaim of Antonio Banderas’s performance as the masked adventurer, promising the viewer a sexier and more daring vision of Zorro than they had ever seen before. This paper considers this new image of Zorro and the way in which an iconic figure of modern popular culture was redefined through the performance of Banderas, and the influence of his contemporary star persona, as he became the first Hispanic actor ever to play Zorro in a major Hollywood production. It is my argument that Banderas’s Zorro, transformed from bandit Alejandro Murrieta into the masked hero over the course of the film’s narrative, is necessarily altered from previous incarnations in line with existing Hollywood images of Hispanic masculinity when he is played by a Hispanic actor. I will begin with a short introduction to the screen history of Zorro as a character and outline the action- adventure hero archetype of which he is a prime example. The main body of my argument is organised around a discussion of the employment of three of Hollywood’s most prevalent and enduring Hispanic male types, as defined by Latino film scholar, Charles Ramirez Berg, before concluding with a consideration of how these ultimately serve to redefine the character. Who is Zorro? Zorro was originally created by pulp fiction writer, Johnston McCulley, in 1919 and first immortalised on screen by Douglas Fairbanks in The Mark of Zorro (Niblo, 1920) just a year later. -
TONY AWARD NOMINEE RAMIN KARIMLOO Releases New Track “From Now On” His Take on the Greatest Showman Song Available Now Via All Digital Service Providers
TONY AWARD NOMINEE RAMIN KARIMLOO Releases New Track “From Now On” His Take on The Greatest Showman Song AvailaBle Now Via All Digital Service Providers VIEW VIDEO HERE Tony Award-nominee - Ramin Karimloo - releases new track “From Now On,” his version of the powerful song from the Oscar-nominated film The Greatest Showman. Written By Oscar, Grammy, and Tony Award-winning songwriting duo, Benj Pasek and Justin Paul, “From Now On” is availaBle now for streaming and download HERE via all digital service providers. The music video is also out now – check it out HERE. Of the track, Ramin says, “I was in Japan when I first heard ‘From Now On.’ I loved the lyrics and the story. The melody hooked me and the chorus was anthemic. The song came to me at a time when all I wanted most was to go home and Be with family and friends. I had been perpetually living out of a suitcase and felt like l was losing precious time. Life was Becoming, for me, aBout relationships. Keeping great ones and actively trying to nurture them. This song, in that moment, I knew I wanted to give it my rendition with my friends.” Iranian-Born Canadian singer and performer, Ramin Karimloo, is known as one of the most formidable talents in musical theatre. Critically acclaimed for his portrayal of leading roles - Jean Valjean in Les Miserables on Broadway (2014 Tony Award nominee) and London’s West End as well as the Phantom in Phantom of the Opera in London, Ramin is a musical force unlike any other. -
“No One Ever Sees the Angel" : Adapting the Phantom of the Opera Mcmurtry, LG
“No one ever sees the Angel" : adapting The Phantom of the Opera McMurtry, LG Title “No one ever sees the Angel" : adapting The Phantom of the Opera Authors McMurtry, LG Type Book Section URL This version is available at: http://usir.salford.ac.uk/id/eprint/48439/ Published Date 2018 USIR is a digital collection of the research output of the University of Salford. Where copyright permits, full text material held in the repository is made freely available online and can be read, downloaded and copied for non-commercial private study or research purposes. Please check the manuscript for any further copyright restrictions. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. “No One Ever Sees the Angel”: Adapting The Phantom of the Opera Leslie McMurtry There are many ways that interpretations of The Phantom of the Opera (1910)i lend themselves to the Gothic mode. The plethora of adaptations over the past centuryii, with varying degrees of similarity to the source text, have taken on a life of their own. Criticism of POTO is still relatively underdeveloped; as Ann C. Hall notes, while the novel has been critiqued through its associations (mainly its links to Gothic fiction and its Freudian and Jungian interpretations), these readings tend to “diminish” author Gaston Leroux’s skill and readers’ enjoyment (Hall 2). This chapter will not focus on Freudian or Jungian readings, but instead I hope to explore an element of the Leroux novel and the adaptations that has been overlooked, and in so doing, give some suggestions as to what qualities have contributed to making this story so enduring. -
Geoffrey Baer, Who Each Friday Night Will Welcome Local Contestants Whose Knowledge of Trivia About Our City Will Be Put to the Test
From the President & CEO The Guide The Member Magazine Dear Member, for WTTW and WFMT This month, WTTW is excited to premiere a new series for Chicago trivia buffs and Renée Crown Public Media Center curious explorers alike. On March 26, join us for The Great Chicago Quiz Show hosted by 5400 North Saint Louis Avenue Chicago, Illinois 60625 WTTW’s Geoffrey Baer, who each Friday night will welcome local contestants whose knowledge of trivia about our city will be put to the test. And on premiere night and after, visit Main Switchboard (773) 583-5000 wttw.com/quiz where you can play along at home. Turn to Member and Viewer Services page 4 for a behind-the-scenes interview with Geoffrey and (773) 509-1111 x 6 producer Eddie Griffin. We’ll also mark Women’s History Month with American Websites wttw.com Masters profiles of novelist Flannery O’Connor and wfmt.com choreographer Twyla Tharp; a POV documentary, And She Could Be Next, that explores a defiant movement of women of Publisher color transforming politics; and Not Done: Women Remaking Anne Gleason America, tracing the last five years of women’s fight for Art Director Tom Peth equality. On wttw.com, other Women’s History Month subjects include Emily Taft Douglas, WTTW Contributors a pioneering female Illinois politician, actress, and wife of Senator Paul Douglas who served Julia Maish in the U.S. House of Representatives; the past and present of Chicago’s Women’s Park and Lisa Tipton WFMT Contributors Gardens, designed by a team of female architects and featuring a statue by Louise Bourgeois; Andrea Lamoreaux and restaurateur Niquenya Collins and her newly launched Afro-Caribbean restaurant and catering business, Cocoa Chili. -
The American Dahlia Society – the Second 50 Years
THE AMERICAN DAHLIA SOCIETY The Second 50 Years. "To stimulate interest in, and promote the culture and development of the Dahlia." CoMPILED BY HARRY R1.,,-o 1 Copyright© 2015 by The American Dahlia Society All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, without permission from The American Dahlia Society. ISBN 978-0-692-52512-8 First addition, Parrot Press 2 Introduction In the beginning there was The Golden Year Dahlia Record, published in 1964, in anticipation of the AD S's Golden Anniversary in 1965. At 52 over-size pages, the publication by Lynn Dudley is a master piece of history, insight, and entertainment. When I first took on the assignment of organizing The American Dahlia Society the Second Fifty Years, I conceived a parallel publication in the same format. As the months went along, I concluded that I am not Lynn Dudley, and sequels usually disappoint. In looking for a different direction, I discovered that there was a wealth of history, insight and entertain ment in the last 50 years of the ADS Bulletins. The stories of the American Dahlia Society, the dahlia and the dahlia's people were right there. From that point forward, this publication virtually wrote itself. It is organized by year. There are no long lists or es says. Rather it is a buffet of tidbits-dim sum or tapas--of information that presents the ADS, the flower, and its people for your enjoyment. It is not intended to be read in one sitting, but rather, like an almanac to be visited from time to time. -
'Zorro' Annual Fescue (Vulpia Myuros) Conservation Plant Release Brochure
‘Zorro’ Annual fescue Vulpia myuros (L.) C. C. Gmel. A Conservation Plant Release by USDA NRCS Lockeford Plant Materials Center, Lockeford, CA original seed increase block of one acre was planted at the Lockeford Plant Materials Center in 1973. Plantings from this harvest were carried out at 29 sites through California during 1974 – 1976 to assess establishment and vigor. This collection was assigned as P1-109-71 and named ‘Zorro’ in 1976 prior to release in 1977. Conservation Uses ‘Zorro’ annual fescue has a fibrous, netlike root system and good soil holding capability, which makes it an excellent choice for erosion control. It has good seedling vigor, early growth and shade tolerance, and provides fast cover with minimal seedbed preparation in cover crop plantings. ‘Zorro’ is a successful cover crop species for orchards and vineyards throughout California. The grass provides fast cover and early protection from wind and water erosion in the winter. It is competitive and prevents a troublesome establishment of weeds and late maturing grasses. Due to its early maturity, ‘Zorro’ does not deprive moisture from grapes. If allowed to set seed the grass will reestablish in the autumn with the first rains. ‘Zorro’ has been used successfully for vegetation of mine tailings in reclamation activities. In plot trials during 1977 – 1979 ‘Zorro’ produced 1,300 – 2,600 lb/acre unfertilized and 2,000 – 4,400 lb/acre in ‘Zorro' annual fescue (Vulpia myuros) is a cultivar fertilized plots. released in 1977 in cooperation with the California Agricultural Experiment Station. ©Lockeford Plant Area of Adaptation and Use Materials Center. -
Fall 2010 My Place of Refuge Contents by Anne Gillam • Tam 2U W Surviving the Wilderness E All Need a Place of Refuge, and for Me It Is Usually in the
Connections A Journal by & for Women in Ministry Vol. 17, No. 3 Fall 2010 My Place of Refuge Contents By Anne Gillam • Tam 2U W Surviving the Wilderness e all need a place of refuge, and for me it is usually in the . page 3 flower beds. We have several out back on our little strip of • From Here to Phoenix property. We live on three acres wedged between two large By Hannah Knaack . page 4 fields of alfalfa. I garden in what I call organized chaos. Many • Briefly Speaking… different flowers come up on their own every year and I Jesus Christ, Superstar consider them gifts from God. I allow some to grow here and By Sheila Graham . page 5 there and sometimes weave paths through them. They give me • Renewal or Death great pleasure. By Graciela Hui . page 6 When the pressures of life get me down I head outside to my • Angel Tears place of refuge. My favorite tool is a shovel. I constantly battle By Joyce Catherwood . page 7 what I call the “devil weed.” I believe the proper name is quack • Zorro and Me grass. Its roots can be a foot underground. It travels along unno- Cars—More Than ticed at first, then it pops up everywhere, especially in the mid- Transportation dle of your favorite flowers. If you let it stay it chokes the life By Barbara Dahlgren . page 9 out of the flowers and if you battle it, you most likely kill the • Preparation for Ministry flowers along with the grass. By Becky Deuel . -
Hollywood Pantages Theatre Los Angeles, California
® HOLLYWOOD PANTAGES THEATRE LOS ANGELES, CALIFORNIA PLAYBILL.COM 04-03 Love Never Dies Cover - Retro.indd 1 3/9/18 12:29 PM HOLLYWOOD PANTAGES THEATRE TROIKA ENTERTAINMENT PRESENTS Music Lyrics ANDREW LLOYD WEBBER GLENN SLATER Book BEN ELTON Based on The Phantom of Manhattan by FREDERICK FORSYTH Additional Lyrics CHARLES HART Orchestration DAVID CULLEN & ANDREW LLOYD WEBBER Starring GARDAR THOR CORTES MEGHAN PICERNO KATRINA KEMP RICHARD KOONS CASEY LYONS JAKE HESTON MILLER RACHEL ANNE MOORE BRONSON NORRIS MURPHY MARY MICHAEL PATTERSON STEPHEN PETROVICH SEAN THOMPSON and KAREN MASON Chelsey Arce, Erin Chupinsky, Diana DiMarzio, Tyler Donahue, Yesy Garcia, Alyssa Giannetti, Michael Gillis, Tamar Greene, Natalia Lepore Hagan, Lauren Lukacek, Alyssa McAnany, Dave Schoonover, Adam Soniak, John Swapshire IV, Kelly Swint, Lucas Thompson, Correy West, Arthur Wise Set & Costume Design Sound Design Lighting Design Wig & Hair Design GABRIELA TYLESOVA MICK POTTER NICK SCHLIEPER BACKSTAGE ARTISTRY Design Supervisor Technical Director Music Supervisor Casting by EDWARD PIERCE RANDY MORELAND KRISTEN BLODGETTE TARA RUBIN CASTING LINDSAY LEVINE, CSA Tour Booking, Press & Marketing Production Manager Music Coordinator General Manager BROADWAY BOOKING ANNA E. BATE DAVID LAI KAREN BERRY OFFICE NYC TALITHA FEHR Company Manager Music Director Production Stage Manager AARON QUINTANA DALE RIELING DANIEL S. ROSOKOFF Associate Director Executive Producer Associate Choreographer GAVIN MITFORD RANDALL A. BUCK SIMONE SAULT Choreographed by GRAEME MURPHY AO Directed