DOCSLIB.ORG

Evita 2016.Indd

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Evita 2016.Indd 2016/17 Season Sponsor: Seattle Opera Guild in memory of Marian E. Lackovich and Captain Louis J. Lackovich andCaptainLouisJ. inmemoryofMarian E.Lackovich Opera Guild 2016/17 SeasonSponsor:Seattle CALL MORE&BUYLEARN visit! duringyour Seattle SeasonsHotel 15%atFour save Plus and parkfree! allfive operasintheseason orselect three Choose any per opera! per for lessthan$50 TICKETS SEASON 206.389.7676 or800.426.1619 206.389.7676 seattleopera.org/travel4opera seattleopera.org/travel4opera © PhPhilip NewNeewtontoto EVITA ANDREW LLOYD WEBBER James W. Wright, General Director Table of Contents Jonathan Darlington, Music Director Under the distinguished patronage of Her Honour, The Honourable 5 The Cast Judith Guichon, OBC, Lieutenant Governor of British Columbia 7 VO Orchestra & VO Chorus Vancouver Opera 9 Synopsis Administration and Ticket Centre 13 Director's Notes The Michael and Inna O'Brian Centre for Vancouver Opera 1945 McLean Drive, 15 Program Notes Vancouver, BC, V5N 3J7 Administration: 604-682-2871 17 Production Insights Fax: 604-682-3981 VO Ticket Centre 19 Artists' Profi les (sponsored by Mission Hill Family Estate) 604-683-0222 [email protected] 26 Board of Directors www.vancouveropera.ca 31 Donors and Sponsors The photographing, videotaping or 50 VO Board & Staff, Foundation Board other video or audio recording of this production is strictly prohibited. Coming Next: Cover Art: Edel Rodriguez Editor Selina Rajani A LANDMARK SEASON OF OPERA, ART AND ENTERTAINMENT! Layout Excel Design • Hansel & Gretel Published by Archway Publishers as a special edition • The Inaugural Vancouver Opera Festival: Otello, Dead Man Walking, of Playboard Magazine, Volume 50, Number 11, April The Marriage of Figaro and more under the Festival Tent! 2016. Send all correspondence to: Suite 137 – 12100 Riverside Way, Richmond, B.C., V6W 1K5. Telephone: • Plus: Macbeth, presented with PuSh International Performing Arts 604.370.1191. All rights reserved. Printed in Canada. Festival and IL CENTRO Italian Cultural Centre Vancouver Opera is a professional company. It operates under the jurisdiction of Canadian Actors’ Subscriptions available now Single tickets on sale this Fall Equity Association and is a member of OPERA • America and Opera.ca. Vancouver Opera is committed to protecting your privacy. For information on VO’s patron privacy policy, please refer to www.vancouveropera.ca. Evita, 2016 3 2015/16 Season 30th Anniversary Program 3 May 12 13 14, 2016 Choreography Jorma Elo Sharon Eyal Emily Molnar Queen Elizabeth Theatre balletbc.com | ticketmaster.ca GOLD SEASON SPONSOR PERFORMANCE S COMMUNITY HOTEL SPONS SUPPORT FOR BALLET BC HA BALCONY SPONSOR DANCER GILBERT SMALL. PHOTO MICHAEL SLOBODIAN. 4 Evita, 2016 EVITA MUSIC THEATRE IN TWO ACTS Production generously sponsored by: Lyrics by Tim Rice • Music by Andrew Lloyd Webber In English with English SURTITLES™ Making the Arts Production patron: More Accessible® Mrs. Regina Boxer April 30, May 1, 5, 6, 7, 8, 2016 Performances generously sponsored by: April 30 – Lufthansa May 5 – RBC PH&N Investment Counsel May 6 – Deloitte May 7 – BDO Conductor – Jonathan Darlington Director – Kelly Robinson Choreographer – Tracey Flye Cast IN ORDER OF VOCAL APPEARANCE Che – Ramin Karimloo Eva Perón – Caroline Bowman Magaldi – Cooper Grodin Perón – John Cudia Perón’s Mistress – Shannon Chan-Kent With the Vancouver Opera Chorus as citizens of Argentina and the Vancouver Opera Orchestra. Chorus Director / Associate Conductor – Leslie Dala Scenic & Costume Designer – Drew Facey Lighting Designer – Gerald King Projection Designer – Jamie Nesbitt Sound Designer – Andy Horka Wig Designer – Stacey Butterworth Associate Wig Designer – Susan Manning Principal Répétiteur / Assistant Chorus Director / – Kinza Tyrrell Children's Chorus Director Musical Preparation – Tina Chang, Kimberley-Ann Bartczak * Stage Manager – Theresa Tsang Dance Captain / Chorus – Scott Augustine Assistant Lighting Designer – Julie Martens Assistant Projection Designer – Cameron Frazer English SURTITLES™ – Anika Vervecken Assistant Stage Managers – Marijka Asbeek Brusse, Melania Radelicki * Member of the Yulanda M. Faris Young Artists Program EVITA is presented through special arrangement with R & H Theatricals and Two Knights Rights Limited. www.rnh.com The performance will last approximately 3 hours. There will be one intermission. First released as a rock concept album in 1976. First produced on stage in London’s West End at the Prince Edward Theatre on June 21,1978, closing on February 18, 1986, after 3,176 performances. First Produced on Broadway at the Broadway Theatre on September 25, 1979. Vancouver Opera Premiere. Sets constructed by Vancouver Opera. Properties created by Vancouver Opera Props Shop. Costumes supplied by Malabar, Costume World Theatrical, Deerfi eld Beach, FL., Parvin Mirhady & Vancouver Opera. Evita, 2016 5 Vancouver Opera 2015 – 2016 Yulanda M. Faris Young Artists Program JONATHAN DARLINGTON VANCOUVER OPERA ORCHESTRA Music Director Violin 1 Bass Guitars Mark Ferris, Concertmaster Les Kasprzak, Principal Ed Henderson, Principal Angela Cavadas, Associate Bass Guitar Drum Set Concertmaster Brian Arkell, Assistant Principal Phillip Crewe, Principal Peter Krysa Flute / Piccolo / Alto Flute Percussion Violin 2 Brenda Fedoruk, Principal Steve Wassmansdorf, Acting Principal Patricia Armstrong, Principal Clarinet / Bass Clarinet/ Tenor Keyboards Andrea Siradze, Assistant Principal Saxophone Kinza Tyrrell, Toni Stanick Principal Mary Backun, Principal Tina Chang Viola Horn Kimberley-Ann Bartczak Tawnya Popoff, Principal Laurel Spencer, Principal Orchestra Manager & Orchestra Marcus Takizawa, Assistant Principal Librarian Reg Quiring Trumpet Jim Littleford Tom Shorthouse, Principal Cello Jim Littleford Orchestra Stage Manager Rebecca Wenham, Principal Tom Shorthouse Heather Hay, Assistant Principal Trombone Jeremy Berkman, Principal The Vancouver Opera Orchestra are members of the Vancouver Musicians' Association. LESLIE DALA VANCOUVER OPERA CHORUS Chorus Director Paul Almeida Ian Funk Alan Macdonald Frédérik Robert Kevin Armstrong Brenda Glass Alexander Willy Miles Grenzberg Julia Rooney Scott Augustine Troy Goldberg Heather Molloy Dionne Sellinger Angus Bell Aaron Hastelow Makayla Moore Diane Speirs Spencer Britten Adam Kozak Megan Morrison Brett Taylor DJ Calhoun Melanie Krueger Katie Murphy Barbara Towell Sheila Christie Katherine Landry Yacht Wade Nott Robyn Wong Glenn de Verteuil Kwangmin Brian Lee Heather Pawsey Karen Ydenberg CHILDREN'S CHORUS Cameron Andres Molly Borritt Christopher Dala Siava Rahmani Everett Andres Andreas Dala Joyce Ho Eloise White Evita, 2016 7 CYBÈLE IRONSIDE New Works May 5 - 31 Opening Reception Thursday May 5th, 6-8pm WimJohnJohn BlomOgilvy Ogilvy Table in Sunlight (detail) 2013 Oil on canvas 28” x 24” iantangallery 2321 GRANVILLE STREET VANCOUVER 604 738 1077 iantangallery.com Lilypond III 2016 Oil on panel 53” x 60” VANCOUVER OPERA SINGS THE PRAISES OF OUR DONORS! egina Boxer inherited a love of opera from her Rparents and grandparents and has been involved with VO, and subscribing, since 1962. Her late husband Joe Boxer was one of the founding members of the Vancouver Opera Association, in 1960. Over the years, she has hosted opening and closing night dinners for our artists. She has donated recordings and books from the 1930s to the 1990s, and the Regina Boxer Music Library in The O’Brian Centre is a testament of her love and support for Vancouver Opera for generations to come. Today she is delighted to be a Production Patron sponsor for Evita, in tribute to her South American background. 8 Evita, 2016 EVITA BY ANDREW LLOYD WEBBER Synopsis Act I Buenos Aires, July 26, 1952 n audience watching a fi lm is interrupted by the announcement of Eva Perón’s death. The narrator, Che, takes us back Ato the events that led to this moment. Earlier A 15-year-old Eva meets and begins an affair with musician Agustín Magaldi. She blackmails him to take her to Buenos Aires, where she leaves him in order to fulfi ll her ambition of becoming an actress, model and radio star. Enduring poverty and humiliation, Eva uses her feminine wiles to climb the social ladder, while at the same time the ambitious Colonel Juan Domingo Perón begins his rise through Argentina’s political ranks. After the city of San Juan suffers a devastating earthquake, Perón organizes a charity concert for the victims. Eva attends and briefl y encounters Magaldi, who shuns her. Perón meets Eva and the two fall in love, sharing a secret rendezvous. Eva hints that she and Perón could have a mutually benefi cial relationship. Perón introduces Eva to Argentina’s social elites, who dismiss her as another one of Perón’s mistresses. Perón is later promoted to General and decides to run for president but is unsure of his chances of winning. Eva reassures him and together they organize successful rallies, while on the sidelines his allies plot to eliminate anyone who stands in his way. Act II 1946 erón is elected president in a sweeping victory, but it is clear that Eva is the focus of the people’s love: they have Pnicknamed her ‘Evita’. Eva addresses her adoring supporters from the balcony of the Presidential Palace, where she reveals she will be putting her own career aside in order to serve the people of her country with charitable work. With the help of her fashion consultants, Eva embarks on a glamorous tour of Europe to promote Perónism. She is adored in Spain and Italy but snubbed in England and fails to impress the French. Our narrator, Che, wonders
Load more

Recommended publications
  • Kelsey Lacombe
    Canada’s Première Agency for Dance Educators www.quickballchange.com [email protected] KELSEY LACOMBE TEACHING EXPERIENCE Shelley Shearer School of Dance Recreational & Competitive Ballet, Tap, Jazz, Musical Theatre Teacher PERFORMANCE EXPERIENCE 42nd Street Phyllis Dale Drayton/Michael Lichtefeld Bend it Like Beckham Swing/DC Bend It Toronto Inc/M Paul/G Berti Cinderella Ensemble Rainbow Stage Holiday Inn Ensemble Drayton/Michael Lichtefeld Beauty and the Beast Silly Girl Rainbow Stage/R Herriot/S Manchulenko Beauty and the Beast Ensemble/Belle u/s Capitol/A. Sarmiento/K. Gage Crazy for You Patsy Citadel/Theatre Calgary/D. Tekatch Cinderella: Panto Ensemble Drayton/David Connolly Anything Goes Chastity Drayton/Michael Lichtefeld Damn Yankees Sister Miller/DC Theatre Sheridan/Ray Hogg Legally Blonde Elle Woods Theatre Sheridan/G. Peterson Atlantis Chora Theatre Sheridan/CMTP/R Ouzounian Sister Act Ensemble Rainbow Stage/Ray Hogg West Side Story Pauline Rainbow Stage/Tracy Flye Chess Ensemble/DC Theatre Sheridan/D Evans/J Tomaino The Producers Usherette Rainbow Stage/Ray Hogg Les Feux Follets Featured Charlottetown Festival/K. Gage Annie Cecile Rainbow Stage/D. Fletcher Footloose Wendy Jo Rainbow Stage/Carson Nattrass RELATED EXPERIENCE Carrie: The Musical Hart House Theatre/Assistant Choreographer Grand Hotel Theatre Sheridan/Assistant Choreographer Sheridan College Dance Tutor Damn Yankees Dance Captain (Sheridan) Chess Dance Captain (Sheridan) EDUCATION & CERTIFICATION Sheridan College Bachelor Music Theatre Performance ISTD Ballet – Grade 6 OTHER Royal Manitoba Theatre Centre Scholarship 2014-2016 CAEA .
    [Show full text]
  • Actor/Dancer/Singer Actra/Equity
    BRENDA GORLICK - ACTOR/DANCER/SINGER ACTRA/EQUITY Tel: (204) 284-8645 Height: 5’5” Cell: (204) 795-9741 Weight: 118 lbs. Email: [email protected] Website: www.brendagorlick.ca FILM & TELEVISION THE HORSEMEN Lee Shoemaker Mandate Pictures/Jonas Ackerlun STRIKE! THE MUSICAL Rose Elkin Danny Schur Productions SHALL WE DANCE Dance Competition Judge Miramax Productions Dance Crew Liaison Choreographic Dept. MARY KAY PROJECT Phyllis Flatow (Principal) Alliance Atlantis ONE JANE DOE Daniella (Principal) CBC WITHOUT A WORD Special Dance Extra Buffalo Gal Prod. SHIRLEY HOLMES Woman (Actor) Credo Productions THE COMEDY OF ERRORS Quartet (Feature) CBC ELECTRIC CIRCUS Dancer/Choreographer CITY-TV FRONT PAGE CHALLENGE Special Guest CBC THEATRE NINE! Claudia Dry Cold Productions/Donna Fletcher WIZARD OF OZ Wicked Witch Rainbow Stage Inc./Richard Hurst STRIKE World Premiere Ensemble Danny Schur Productions/Ann Hodges BEAUTY AND THE BEAST Babette Rainbow Stage Inc./Robb Paterson CHICAGO Mary Sunshine Rainbow Stage Inc./Bill Robertson EVITA Ensemble M.T.C./Th. Calgary/Tim French A CHORUS LINE Sheila Rainbow Stage Inc./Richard Hurst 42ND STREET Dorothy Brock Rainbow Stage Inc./Robb Paterson SOUND OF MUSIC Elsa Rainbow Stage Inc./Brian Foley DAMN YANKEES Lola Rainbow Stage Inc./Brian Foley GUYS AND DOLLS Agatha, u.s. Sarah Stratford Festival/Brian MacDonald AS YOU LIKE IT Hysperia, u.s. Audrey Stratford Festival/Richard Monette KISS ME KATE Ensemble, u.s.Hattie Stratford Festival/Donald Saddler COMEDY OF ERRORS Quartet Stratford Festival/Richard Monette NUNSENSE Sister Mary Leo Nunsense /Diane Nyland Proctor A CHORUS LINE Kristine/Judy/Connie/Bebe Vancouver Playhouse/Jeff Hyslop CDN. FORCES TOUR Choreographer/Dancer Overseas Tour/Ray St.
    [Show full text]
  • The Washington Spectator (ISSN Level of Importance We Were Attributing to It
    The WA S H I N G T O N washingtonspectator.org SEPTEMBER 2020 vol. 46, no. 9 issn 0887-428x © 2020 The Public Concern Foundation SPECTATOR washingtonspectator.org continued to get traction. On August 10, Pat Robertson’s show Anatomy of Deceit: on the Christian Broadcasting Network carried an interview with Simone Gold and an endorsement of her hydroxychloroquine Team Trump Deploys cure. On August 21, Alex Jones’s NewsWars carried an interview with another member of America’s Frontline Doctors, Mark Doctors With Dubious McDonald. McDonald—a child psychiatrist—maintained, “If all Americans had access to hydroxychloroquine, the pandemic Qualifications to Push would essentially end in about 30 days.” Science has shown otherwise. Despite early hopes last spring, Fake Cure for Covid-19 there is mounting evidence that hydroxychloroquine is a prob- lematic—and even dangerous—treatment for Covid-19. One By Anne Nelson expert with firsthand knowledge is Nick Sawyer, an academic emergency physician in Sacramento, Calif. In July he wrote an n July 27, a dozen physicians posed in front article for Lifeline, the publication of the California chapter of of the Supreme Court in Washington, D.C., dressed the American College of Emergency Physicians, describing his O in white lab coats with “America’s Frontline Doctors” harrowing two weeks of service in the Covid wards of Elmhurst stitched over the pocket. The group’s chief Hospital in Queens. Sawyer was part of a spokesperson was Dr. Simone Gold, an team of California doctors dispatched by emergency physician from Los Angeles. Governor Gavin Newsom to offer emer- They were introduced by Jenny Beth Mar- gency assistance at the epicenter of the tin, the founding CEO of Tea Party Patriots, epidemic, at the height of the New York as participants in the “White Coat Summit.” City outbreak.
    [Show full text]
  • The Washington Spectator Is Being the Fact Is, This Message Has Them Based on the Color of Published Bi-Monthly During Covid Presumably Convinced Some Their Skin
    The WA S H I N G T O N washingtonspectator.org JULY/AUGUST 2021 vol. 47, no. 4 issn 0887-428x SPECTATOR © 2021 The Public Concern Foundation washingtonspectator.org delivered the largest and most reliable slice of the Trump elector- What’s Missing From ate. Dozens of featured speakers this year included Mike Pence, Ted Cruz, Marsha Blackburn, Ron DeSantis, Lindsey Graham, Popular Discussions and Madison Cawthorn. I came away from my listening experience in Kissimmee with of Today’s Christian a few surprises—or at least a few takeaways that may challenge some of the narratives that prevail in the center and on the left Nationalism about America’s Christian nationalist movement. The first is By Katherine Stewart that any Democrats who take comfort from the thought that demography is destiny are probably deluding themselves. The received wisdom on the center-left is that America’s homegrown f you want to know where the Republican authoritarian faction is an affair largely concentrated on an older, Party is headed, you need to set aside your assumptions whiter base that is just now exiting the stage of history with loud I and simply listen to grievances in hand. But what its leaders and activ- that’s not how the lead- ists say—especially when ers of the movement see they’re talking amongst things—and the broader themselves. As a reporter picture may indeed be a and author on the reli- bit more complex. gious right beat over the Of the many reli- past dozen years, I’ve gious-right strategy made a point of attending gatherings I’ve attended such meetings, especially over the years, this was those that focus on the among the most ethni- religious right leadership cally and racially diverse.
    [Show full text]
  • March 1St-18Th, 2012
    www.oeta.tv KETA-TV 13 Oklahoma City KOED-TV 11 Tulsa KOET-TV 3 Eufaula KWET-TV 12 Cheyenne Volume 42 Number 9 A Publication of the Oklahoma Educational Television Authority Foundation, Inc. March 1ST-18 TH, 2012 MARCH 2012 THIS MONTH page page page page 2 4 5 6 Phantom of the Opera 60s Pop, Rock & Soul Dr. Wayne Dyer: Wishes Fulfilled Live from the Artists Den: Adele at Royal Albert Hall f March 6 & 14 @ 7 p.m. f March 5 @ 7 p.m. f March 30 @ 9w p.m. f March 7 @ 7 p.m. 2page FESTIVAL “The Phantom of the Opera” at the Royal Albert Hall f Wednesday March 7 at 7 p.m. Don’t miss a fully-staged, lavish 25th anniversary mounting of Andrew Lloyd Webber’s long-running Broadway and West End extravaganza. To mark the musical’s Silver Anniversary, Andrew Lloyd Webber and Cam- eron Mackintosh presented “The Phantom of the Opera” in the sumptuous Victorian splendor of London’s Royal Albert Hall. This dazzling restaging of the original production recreates the jaw-dropping scenery and breath- Under the Streetlamp taking special effects of the original, set to Lloyd Webber’s haunting score. f Tuesday March 13 at 7 p.m. The production stars Ramin Karimloo as The Phantom and Sierra Boggess Under the Streetlamp, America’s hottest new vocal group, as Christine, together with a cast and orchestra of more than 200, including performs an electrifying evening of classic hits from the special guest appearances by the original Phantom and Christine, Michael American radio songbook in this special recorded at the Crawford and Sarah Brightman.
    [Show full text]
  • Read Ebook {PDF EPUB} Sunset Boulevard by Christopher Hampton Sunset Boulevard by Christopher Hampton
    Read Ebook {PDF EPUB} Sunset Boulevard by Christopher Hampton Sunset Boulevard by Christopher Hampton. Sunset Boulevard weaves a magnificent tale of faded glory and unfulfilled ambition. Silent movie star Norma Desmond longs for a return to the big screen, having been discarded by tinsel town with the advent of “talkies.” Her glamour has faded in all but her mind. When she meets struggling Hollywood screenwriter Joe Gillis in dramatic circumstances, their subsequent passionate and volatile relationship leads to an unforeseen and tragic conclusion. Videos. Based on the Billy Wilder film, the musical version of Sunset Boulevard, with music by Andrew Lloyd Webber and lyrics by Christopher Hampton and Don Black, had its world premiere at London’s Adelphi Theatre on July 12th, 1993. The show received its American premiere in December 1993 at the Shubert Theatre in Los Angeles starring Glenn Close as Norma Desmond. The show opened on Broadway at the Minskoff Theatre in November 1994 with the highest advance in Broadway history at the time ($37.5 million in ticket sales). The show has been staged across the world with productions in Canada, the Netherlands, Australia, and tours in the US and UK. Sunset Boulevard returned to Broadway in 2017 at the Palace Theatre with Glenn Close reprising her role as Norma Desmond, following a sold out run in the West End at the London Coliseum. Gallery. I first saw Sunset Boulevard sometime in the early 70s. It inspired a tune. This tune was supposed to be the title song. However, I neither had the rights to the film, nor at that time was likely to be able to obtain them.
    [Show full text]
  • TONY AWARD NOMINEE RAMIN KARIMLOO Releases New Track “From Now On” His Take on the Greatest Showman Song Available Now Via All Digital Service Providers
    TONY AWARD NOMINEE RAMIN KARIMLOO Releases New Track “From Now On” His Take on The Greatest Showman Song AvailaBle Now Via All Digital Service Providers VIEW VIDEO HERE Tony Award-nominee - Ramin Karimloo - releases new track “From Now On,” his version of the powerful song from the Oscar-nominated film The Greatest Showman. Written By Oscar, Grammy, and Tony Award-winning songwriting duo, Benj Pasek and Justin Paul, “From Now On” is availaBle now for streaming and download HERE via all digital service providers. The music video is also out now – check it out HERE. Of the track, Ramin says, “I was in Japan when I first heard ‘From Now On.’ I loved the lyrics and the story. The melody hooked me and the chorus was anthemic. The song came to me at a time when all I wanted most was to go home and Be with family and friends. I had been perpetually living out of a suitcase and felt like l was losing precious time. Life was Becoming, for me, aBout relationships. Keeping great ones and actively trying to nurture them. This song, in that moment, I knew I wanted to give it my rendition with my friends.” Iranian-Born Canadian singer and performer, Ramin Karimloo, is known as one of the most formidable talents in musical theatre. Critically acclaimed for his portrayal of leading roles - Jean Valjean in Les Miserables on Broadway (2014 Tony Award nominee) and London’s West End as well as the Phantom in Phantom of the Opera in London, Ramin is a musical force unlike any other.
    [Show full text]
  • “No One Ever Sees the Angel" : Adapting the Phantom of the Opera Mcmurtry, LG
    “No one ever sees the Angel" : adapting The Phantom of the Opera McMurtry, LG Title “No one ever sees the Angel" : adapting The Phantom of the Opera Authors McMurtry, LG Type Book Section URL This version is available at: http://usir.salford.ac.uk/id/eprint/48439/ Published Date 2018 USIR is a digital collection of the research output of the University of Salford. Where copyright permits, full text material held in the repository is made freely available online and can be read, downloaded and copied for non-commercial private study or research purposes. Please check the manuscript for any further copyright restrictions. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. “No One Ever Sees the Angel”: Adapting The Phantom of the Opera Leslie McMurtry There are many ways that interpretations of The Phantom of the Opera (1910)i lend themselves to the Gothic mode. The plethora of adaptations over the past centuryii, with varying degrees of similarity to the source text, have taken on a life of their own. Criticism of POTO is still relatively underdeveloped; as Ann C. Hall notes, while the novel has been critiqued through its associations (mainly its links to Gothic fiction and its Freudian and Jungian interpretations), these readings tend to “diminish” author Gaston Leroux’s skill and readers’ enjoyment (Hall 2). This chapter will not focus on Freudian or Jungian readings, but instead I hope to explore an element of the Leroux novel and the adaptations that has been overlooked, and in so doing, give some suggestions as to what qualities have contributed to making this story so enduring.
    [Show full text]
  • Im a G E Fe a Tu Re S a U D Re Y D W Y E R Fro M a P H O to B Y a V Ita L Z E M E R
    Image features Audrey Dwyer from a photo by Avital Zemer. 1 A Message from the Artistic and Executive Directors Welcome to Seussical – one of our favourite musicals at YPT. Apart from being great fun and featuring terrific performances, this is a profound story. At its centre is Horton the Elephant’s assertion that "a person’s a person no matter how small". Obviously, these are words to live by. They are also a call to action for young people – to think and care about those who are sometimes forgotten or unseen. We hope Seussical inspires all audience members, young and not so young, to be conscious of the impact of their actions. Think how much better the world would be. To quote another song from the show "Oh the thinks you can think – if you’re willing to try..." Our show runs through the Holidays with public performances every day between December 27th and 31st. Perhaps you know someone for whom Seussical tickets would make a great gift! We wish you the very best for the Holidays and the New Year to come. ALLEN MACINNIS NANCY J. WEBSTER Artistic Director Executive Director Young People’s Theatre is a member of the Professional Association of Canadian Theatres (PACT) and engages, under the terms of the Canadian Theatre Agreement, professional Artists who are members of Canadian Actors’ Equity Association. This facility is supported through Toronto Arts Council Strategic Funding. Young People’s Theatre is situated on the territories of the Mississaugas of New Credit and other Indigenous peoples, whom we acknowledge and respect.
    [Show full text]
  • New Studio on Broadway: Music Theatre and Acting
    ® ® 2019 CELEBRATING JIMMY NEDERLANDER James M. Nederlander or “Jimmy,” Chairman of The Nederlander Organization, was the visionary theatrical impresario who built one of the largest private live entertainment companies in the world known for producing and presenting world-class entertainment since 1912. Jimmy started working in the theatre at age 7 sweeping floors for his father, David Tobias (D.T.) Nederlander, in Detroit, Michigan. During a career that spanned over 70 years, Jimmy amassed a network of premier legitimate theatres including nine on Broadway: the Brooks Atkinson, Gershwin, Lunt-Fontanne, Marquis, Minskoff, Nederlander, Neil Simon, Richard Rodgers, and the world famous Palace; in Los Angeles: The Pantages; in London: the Adelphi, Aldwych, and Dominion; and in Chicago: the Auditorium, Broadway Playhouse, Cadillac Palace, and CIBC Theatres, and the Oriental Theatre which this year was renamed the James M. Nederlander Theatre in Jimmy’s honor. He produced over one hundred acclaimed Broadway musicals and plays including Annie, Applause, La Cage aux Folles, Les Liaisons Dangereuses, Me and My Girl, Nine, Noises Off, Peter Pan, Sweet Charity, The Life and Adventures of Nicholas Nickelby, The Will Rogers Follies, Woman of the Year, and many more. “Generous,” “loyal” and “trusted” are just a few of the accolades his friends use to describe him. Jimmy was beloved by the industry and the recipient of many distinguished honors including an Honorary Doctorate of Fine Arts from the University of Connecticut (2014), the Exploring the Arts Foundation Award (2014), the United Nations Foundation Champion Award (2012), The Broadway League’s Schoenfeld Vision for Arts Education Award (2011), the New York Pop’s Man of the Year (2008), and the special Tony Award for Lifetime Achievement (2004).
    [Show full text]
  • LAURA GRIFFITH Resume 92114
    LAURA GRIFFITH AEA/AFTRA www.lauragriffith.net Voice: Soprano & Belt BROADWAY South Pacific Janet MacGregor Broadway/ Dir. Bartlett Sher The Light in the Piazza Franca,Clara u/s performed Broadway/ Dir. Bartlett Sher Oklahoma! Aggie Broadway/ Dir. Trevor Nunn Sweet Smell of Success Susan u/s Broadway/ Dir. Nicholas Hytner TOURS The Light in the Piazza * Franca 1st National Tour/ Dir. Bartlett Sher West Side Story Maria European Tour/ Dir. Joey McKneely *Helen Hayes Award Nomination (Kennedy Center) REGIONAL THEATRE Medea/Macbeth/Cinderella Cinderella Oregon Shakespeare Festival/ Dir. Bill Rauch Animal Crackers Mary Oregon Shakespeare Festival/ Dir. Allison Narver Henry V Catherine of France u/s Oregon Shakespeare Festival/ Dir. Joseph Haj Amadeus Constanze Geva Theatre Center/ Dir. Paul Barnes Spamalot ** Lady of the Lake 5th Avenue Theatre/ Dir. Josh Rhodes A Room With A View Lucy 5th Avenue Theatre/ Dir. David Armstrong The Music Man ** Marian 5th Avenue Theatre/ Dir. Bill Berry Candide Cunegonde 5th Avenue Theatre/ Dir. David Armstrong 7 Brides For 7 Brothers Milly 5th Avenue Theatre/ Dir. Allison Narver Parade Lucille u/s performed Mark Taper Forum/ Dir. Rob Ashford Sunday in the Park... Dot/ Marie Short North Stage/ Dir. Sarna Lapine The Music Man Marian Utah Shakespeare Festival/ Dir. Jeremy Mann RIchard III Jane S/ Elizabeth u/s Utah Shakespeare Festival/ Dir. Kathleen Conlin Songs For A New World Woman 1 Signature Theatre/Dir. Michael Baron, Jason Robert Brown The Road to Hollywood Dorothy Goodspeed Opera House / Dir. Walter Bobbie Rocky Horror Show Janet 5th Avenue Theatre/ Dir. David Armstrong A Little Night Music Anne 5th Avenue Theatre, ACT Theatre/ Dir.
    [Show full text]
  • Broadcast December 23 at 7 Pm & December 25 at 1 Pm on WOWT Channel 6
    Broadcast December 23 at 7 pm & December 25 at 1 pm on WOWT Channel 6 Ernest Richardson, principal pops conductor Parker Esse, stage director/choreographer Maria Turnage, associate stage director ROBERT H. STORZ FOUNDATION PROGRAM The Most Wonderful Time of the Year/ Jingle Bells JAMES LORD PIERPONT/ARR. ELLIOTT Christmas Waltz VARIOUS/ARR. KESSLER Happy Holiday - The Holiday Season IRVING BERLIN/ARR. WHITFIELD Joy to the World TRADITIONAL/ARR. RICHARDSON Mother Ginger (La mère Gigogne et Danse russe Trepak from Suite No. 1, les polichinelles) from Nutcracker PIOTR ILYICH TCHAIKOVSKY from Nutcracker PIOTR ILYICH TCHAIKOVSKY We Are the Very Model of a God Bless Us Everyone from Modern Christmas Shopping Pair A Christmas Carol from Pirates of Penzance ALAN SILVESTRI/ARR. ROSS ARTHUR SULLIVAN/LYRICS BY RICHARDSON Silent Night My Favorite Things from FRANZ GRUBER/ARR. RICHARDSON The Sound of Music RICHARD RODGERS/ARR. WHITFIELD Snow/Jingle Bells IRVING BERLIN/ARR. BARKER O Holy Night ADOLPH-CHARLES ADAM/ARR. RICHARDSON Let It Snow, Let It Snow, Let It Snow JULE STYNE/ARR. SEBESKY We Need a Little Christmas JERRY HERMAN/ARR. WENDEL Frosty the Snowman WALTER ROLLINS/ARR. KATSAROS Hark All Ye Shepherds TRADITIONAL/ARR. RICHARDSON Sleigh Ride LEROY ANDERSON 2 ARTISTIC DIRECTION Ernest Richardson, principal pops conductor and resident conductor of the Omaha Symphony, is the artistic leader of the orchestra’s annual Christmas Celebration production and internationally performed “Only in Omaha” productions, and he leads the successful Symphony Pops, Symphony Rocks, and Movies Series. Since 1993, he has led in the development of the Omaha Symphony’s innovative education and community engagement programs.
    [Show full text]