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Hollywood Pantages Theatre Los Angeles, California
® HOLLYWOOD PANTAGES THEATRE LOS ANGELES, CALIFORNIA 05-03 School of Rock Cover - Retro.indd 1 4/6/18 5:03 PM HOLLYWOOD PANTAGES THEATRE ANDREW LLOYD WEBBER THE REALLY USEFUL GROUP WARNER MUSIC GROUP & ACCESS INDUSTRIES THE SHUBERT ORGANIZATION AND NEDERLANDER PRESENTATIONS, INC. PRESENT BASED ON THE PARAMOUNT MOVIE WRITTEN BY MIKE WHITE BOOK BY LYRICS BY NEW MUSIC BY JULIAN FELLOWES GLENN SLATER ANDREW LLOYD WEBBER WITH ROB COLLETTI LEXIE DORSETT SHARP MATT BITTNER EMILY BORROMEO MERRITT DAVID JANES OLIVIA BUCKNOR GRIER BURKE JOHN CAMPIONE PATRICK CLANTON CHRISTOPHER DeANGELIS KRISTIAN ESPIRITU MELANIE EVANS RAYNA FARR LIAM FENNECKEN BELLA FRAKER KARA HALLER CARSON HODGES ELYSIA JORDAN JACK SUAREZ KIMMEL DEIDRE LANG ALYSSA EMILY MARVIN SINCLAIR MITCHELL THEO MITCHELL-PENNER VINCENT MOLDEN GILBERTO MORETTI-HAMILTON JAMESON MOSS IARA NEMIROVSKY TIM SHEA THEODORA SILVERMAN JESSE SPARKS CAMERON TRUEBLOOD GABRIELLA UHL HERNANDO UMANA HUXLEY WESTEMEIER SCENIC AND COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN HAIR DESIGN ANNA LOUIZOS NATASHA KATZ MICK POTTER JOSH MARQUETTE ASSOCIATE DIRECTOR ASSOCIATE CHOREOGRAPHER CASTING DAVID RUTTURA PATRICK O’NEILL TARA RUBIN CASTING MERRI SUGARMAN, CSA MUSIC SUPERVISOR MUSIC COORDINATOR MUSIC DIRECTOR PRODUCTION STAGE MANAGER JOHN RIGBY TALITHA FEHR MARTYN AXE LARRY SMIGLEWSKI GENERAL MANAGER TOUR BOOKING AGENCY TOUR MARKETING & PRESS PRODUCTION MANAGER TROIKA ENTERTAINMENT THE BOOKING GROUP ALLIED TOURING TROIKA ENTERTAINMENT BRIAN SCHRADER LAURA DIELI ORCHESTRATIONS BY EXECUTIVE PRODUCERS ANDREW LLOYD WEBBER BESPOKE THEATRICALS & MADELEINE LLOYD WEBBER CHOREOGRAPHED BY JOANN M. HUNTER DIRECTED BY LAURENCE CONNOR 2 4 PLAYBILL School of Rock_master.indd 2 4/6/18 4:58 PM CAST (in order of appearance) Dewey .......................................................................................................................................ROB COLLETTI Dewey (at certain performances) ............................................................................ -
July 2013 Members in the News Edited by Flo Dwek
July 2013 Members in the News Edited by Flo Dwek Sciannella: Calling the Shots for High Harris: Behind End Cable the Scenes in Chris Sciannella, Africa owner of CAS Video As a producer for Productions in VIVA Creative in Huntingtown, MD, has Rockville, MD, been a fixture in the Jennifer E. Harris Washington, DC wears many hats in production scene for the world of live 29 yearsand has events and traveled extensively throughout the United multimedia States and overseas for various clients. In 1984, production. From Sciannella began his career as a cameraman producing content for and learned to edit. As he perfected those skills, international events to he added producing and directing to his list of launching the services. Sciannella's camera work can be seen company's first on several programs now airing on cable TV, internship program, Harris has had an exciting including Animal Planet's Tanked, HGTV's My year that has kept her on her toes! Recently, First Place, My First Sale, More Bang for Your Harris traveled to Libreville, Gabon, where she Buck and Home Makeover Special and RLTV's was a content producer for an event designed to Second Act. He recently produced, directed and recognize the economic achievements of Africa edited a series of training and intervention and spotlight business and investment procedures videos; shot a series pilot for an LA- opportunities. Several Heads of State, members based production company that will air on VH-1; of the media, and business leaders participated and edited a series of videos about WWII icon in the forum. -
8 Redefining Zorro: Hispanicising the Swashbuckling Hero
Redefining Zorro: Hispanicising the Swashbuckling Hero Victoria Kearley Introduction Such did the theatrical trailer for The Mask of Zorro (Campbell, 1998) proclaim of Antonio Banderas’s performance as the masked adventurer, promising the viewer a sexier and more daring vision of Zorro than they had ever seen before. This paper considers this new image of Zorro and the way in which an iconic figure of modern popular culture was redefined through the performance of Banderas, and the influence of his contemporary star persona, as he became the first Hispanic actor ever to play Zorro in a major Hollywood production. It is my argument that Banderas’s Zorro, transformed from bandit Alejandro Murrieta into the masked hero over the course of the film’s narrative, is necessarily altered from previous incarnations in line with existing Hollywood images of Hispanic masculinity when he is played by a Hispanic actor. I will begin with a short introduction to the screen history of Zorro as a character and outline the action- adventure hero archetype of which he is a prime example. The main body of my argument is organised around a discussion of the employment of three of Hollywood’s most prevalent and enduring Hispanic male types, as defined by Latino film scholar, Charles Ramirez Berg, before concluding with a consideration of how these ultimately serve to redefine the character. Who is Zorro? Zorro was originally created by pulp fiction writer, Johnston McCulley, in 1919 and first immortalised on screen by Douglas Fairbanks in The Mark of Zorro (Niblo, 1920) just a year later. -
The People of the Falling Star
Patricia Lerch. Waccamaw Legacy: Contemporary Indians Fight for Survival. Tuscaloosa: University of Alabama Press, 2004. xvi + 168 pp. $57.50, cloth, ISBN 978-0-8173-1417-0. Reviewed by Thomas E. Ross Published on H-AmIndian (March, 2007) Patricia Lerch has devoted more than two presents rational assumptions about the Wacca‐ decades to the study of the Waccamaw Siouan, a maw tribe's links to colonial Indians of southeast‐ non-federally recognized Indian tribe (the tribe is ern North Carolina and the Cape Fear River recognized by the State of North Carolina) living drainage basin. in southeastern North Carolina. Her book is the She has no reservations about accepting the first volume devoted to the Waccamaw. It con‐ notion that Indians living in the region were re‐ tains nine chapters and includes sixteen photo‐ ferred to as Waccamaw, Cape Fear Indians, and graphs, fourteen of which portray the Waccamaw Woccon. Whatever the name of Indians living in during the period from 1949 to the present. The the Cape Fear region during the colonial period, first four chapters provide background material they had to react to the European advance. In on several different Indian groups in southeast‐ some instances, the Indians responded to violence ern North Carolina and northeastern South Car‐ with violence, and to diplomacy and trade with olina, and are not specific to the Waccamaw Indi‐ peace treaties; they even took an active role in the ans. Nevertheless, they are important in setting Indian Wars and the enslavement of Africans. The the stage for the chapters that follow and for pro‐ records, however, do no detail what eventually viding a broad, historical overview of the Wacca‐ happened to the Indians of the Cape Fear. -
The American Dahlia Society – the Second 50 Years
THE AMERICAN DAHLIA SOCIETY The Second 50 Years. "To stimulate interest in, and promote the culture and development of the Dahlia." CoMPILED BY HARRY R1.,,-o 1 Copyright© 2015 by The American Dahlia Society All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, without permission from The American Dahlia Society. ISBN 978-0-692-52512-8 First addition, Parrot Press 2 Introduction In the beginning there was The Golden Year Dahlia Record, published in 1964, in anticipation of the AD S's Golden Anniversary in 1965. At 52 over-size pages, the publication by Lynn Dudley is a master piece of history, insight, and entertainment. When I first took on the assignment of organizing The American Dahlia Society the Second Fifty Years, I conceived a parallel publication in the same format. As the months went along, I concluded that I am not Lynn Dudley, and sequels usually disappoint. In looking for a different direction, I discovered that there was a wealth of history, insight and entertain ment in the last 50 years of the ADS Bulletins. The stories of the American Dahlia Society, the dahlia and the dahlia's people were right there. From that point forward, this publication virtually wrote itself. It is organized by year. There are no long lists or es says. Rather it is a buffet of tidbits-dim sum or tapas--of information that presents the ADS, the flower, and its people for your enjoyment. It is not intended to be read in one sitting, but rather, like an almanac to be visited from time to time. -
Native Americans in the Cape Fear, by Dr. Jan Davidson
Native Americans in the Cape Fear, By Dr. Jan Davidson Archaeologists believe that Native Americans have lived in what is now the state of North Carolina for more than 13,000 years. These first inhabitants, now called Paleo-Indians by experts, were likely descended from people who came over a then-existing land bridge from Asia.1 Evidence had been found at Town Creek Mound that suggests Indians lived there as early as 11000 B.C.E. Work at another major North Carolinian Paleo-Indian where Indian artifacts have been found in layers of the soil, puts Native Americans on that land before 8000 B.C.E. That site, in North Carolina’s Uwharrie Mountains, near Badin, became an important source of stone that Paleo and Archaic period Indians made into tools such as spears.2 It is harder to know when the first people arrived in the lower Cape Fear. The coastal archaeological record is not as rich as it is in some other regions. In the Paleo-Indian period around 12000 B.C.E., the coast was about 60 miles further out to sea than it is today. So land where Indians might have lived is buried under water. Furthermore, the coastal Cape Fear region’s sandy soils don’t provide a lot of stone for making tools, and stone implements are one of the major ways that archeologists have to trace and track where and when Indians lived before 2000 B.C.E.3 These challenges may help explain why no one has yet found any definitive evidence that Indians were in New Hanover County before 8000 B.C.E.4 We may never know if there were indigenous people here before the Archaic period began in approximately 8000 B.C.E. -
'Zorro' Annual Fescue (Vulpia Myuros) Conservation Plant Release Brochure
‘Zorro’ Annual fescue Vulpia myuros (L.) C. C. Gmel. A Conservation Plant Release by USDA NRCS Lockeford Plant Materials Center, Lockeford, CA original seed increase block of one acre was planted at the Lockeford Plant Materials Center in 1973. Plantings from this harvest were carried out at 29 sites through California during 1974 – 1976 to assess establishment and vigor. This collection was assigned as P1-109-71 and named ‘Zorro’ in 1976 prior to release in 1977. Conservation Uses ‘Zorro’ annual fescue has a fibrous, netlike root system and good soil holding capability, which makes it an excellent choice for erosion control. It has good seedling vigor, early growth and shade tolerance, and provides fast cover with minimal seedbed preparation in cover crop plantings. ‘Zorro’ is a successful cover crop species for orchards and vineyards throughout California. The grass provides fast cover and early protection from wind and water erosion in the winter. It is competitive and prevents a troublesome establishment of weeds and late maturing grasses. Due to its early maturity, ‘Zorro’ does not deprive moisture from grapes. If allowed to set seed the grass will reestablish in the autumn with the first rains. ‘Zorro’ has been used successfully for vegetation of mine tailings in reclamation activities. In plot trials during 1977 – 1979 ‘Zorro’ produced 1,300 – 2,600 lb/acre unfertilized and 2,000 – 4,400 lb/acre in ‘Zorro' annual fescue (Vulpia myuros) is a cultivar fertilized plots. released in 1977 in cooperation with the California Agricultural Experiment Station. ©Lockeford Plant Area of Adaptation and Use Materials Center. -
Fall 2010 My Place of Refuge Contents by Anne Gillam • Tam 2U W Surviving the Wilderness E All Need a Place of Refuge, and for Me It Is Usually in the
Connections A Journal by & for Women in Ministry Vol. 17, No. 3 Fall 2010 My Place of Refuge Contents By Anne Gillam • Tam 2U W Surviving the Wilderness e all need a place of refuge, and for me it is usually in the . page 3 flower beds. We have several out back on our little strip of • From Here to Phoenix property. We live on three acres wedged between two large By Hannah Knaack . page 4 fields of alfalfa. I garden in what I call organized chaos. Many • Briefly Speaking… different flowers come up on their own every year and I Jesus Christ, Superstar consider them gifts from God. I allow some to grow here and By Sheila Graham . page 5 there and sometimes weave paths through them. They give me • Renewal or Death great pleasure. By Graciela Hui . page 6 When the pressures of life get me down I head outside to my • Angel Tears place of refuge. My favorite tool is a shovel. I constantly battle By Joyce Catherwood . page 7 what I call the “devil weed.” I believe the proper name is quack • Zorro and Me grass. Its roots can be a foot underground. It travels along unno- Cars—More Than ticed at first, then it pops up everywhere, especially in the mid- Transportation dle of your favorite flowers. If you let it stay it chokes the life By Barbara Dahlgren . page 9 out of the flowers and if you battle it, you most likely kill the • Preparation for Ministry flowers along with the grass. By Becky Deuel . -
Hollywood Pantages Theatre Los Angeles, California
® HOLLYWOOD PANTAGES THEATRE LOS ANGELES, CALIFORNIA PLAYBILL.COM 04-03 Love Never Dies Cover - Retro.indd 1 3/9/18 12:29 PM HOLLYWOOD PANTAGES THEATRE TROIKA ENTERTAINMENT PRESENTS Music Lyrics ANDREW LLOYD WEBBER GLENN SLATER Book BEN ELTON Based on The Phantom of Manhattan by FREDERICK FORSYTH Additional Lyrics CHARLES HART Orchestration DAVID CULLEN & ANDREW LLOYD WEBBER Starring GARDAR THOR CORTES MEGHAN PICERNO KATRINA KEMP RICHARD KOONS CASEY LYONS JAKE HESTON MILLER RACHEL ANNE MOORE BRONSON NORRIS MURPHY MARY MICHAEL PATTERSON STEPHEN PETROVICH SEAN THOMPSON and KAREN MASON Chelsey Arce, Erin Chupinsky, Diana DiMarzio, Tyler Donahue, Yesy Garcia, Alyssa Giannetti, Michael Gillis, Tamar Greene, Natalia Lepore Hagan, Lauren Lukacek, Alyssa McAnany, Dave Schoonover, Adam Soniak, John Swapshire IV, Kelly Swint, Lucas Thompson, Correy West, Arthur Wise Set & Costume Design Sound Design Lighting Design Wig & Hair Design GABRIELA TYLESOVA MICK POTTER NICK SCHLIEPER BACKSTAGE ARTISTRY Design Supervisor Technical Director Music Supervisor Casting by EDWARD PIERCE RANDY MORELAND KRISTEN BLODGETTE TARA RUBIN CASTING LINDSAY LEVINE, CSA Tour Booking, Press & Marketing Production Manager Music Coordinator General Manager BROADWAY BOOKING ANNA E. BATE DAVID LAI KAREN BERRY OFFICE NYC TALITHA FEHR Company Manager Music Director Production Stage Manager AARON QUINTANA DALE RIELING DANIEL S. ROSOKOFF Associate Director Executive Producer Associate Choreographer GAVIN MITFORD RANDALL A. BUCK SIMONE SAULT Choreographed by GRAEME MURPHY AO Directed -
Waccamaw River Blue Trail
ABOUT THE WACCAMAW RIVER BLUE TRAIL The Waccamaw River Blue Trail extends the entire length of the river in North and South Carolina. Beginning near Lake Waccamaw, a permanently inundated Carolina Bay, the river meanders through the Waccamaw River Heritage Preserve, City of Conway, and Waccamaw National Wildlife Refuge before merging with the Intracoastal Waterway where it passes historic rice fields, Brookgreen Gardens, Sandy Island, and ends at Winyah Bay near Georgetown. Over 140 miles of river invite the paddler to explore its unique natural, historical and cultural features. Its black waters, cypress swamps and tidal marshes are home to many rare species of plants and animals. The river is also steeped in history with Native American settlements, Civil War sites, rice and indigo plantations, which highlight the Gullah-Geechee culture, as well as many historic homes, churches, shops, and remnants of industries that were once served by steamships. To protect this important natural resource, American Rivers, Waccamaw RIVERKEEPER®, and many local partners worked together to establish the Waccamaw River Blue Trail, providing greater access to the river and its recreation opportunities. A Blue Trail is a river adopted by a local community that is dedicated to improving family-friendly recreation such as fishing, boating, and wildlife watching and to conserving riverside land and water resources. Just as hiking trails are designed to help people explore the land, Blue Trails help people discover their rivers. They help communities improve recreation and tourism, benefit local businesses and the economy, and protect river health for the benefit of people, wildlife, and future generations. -
F E a T U R E S Summer 2021
FEATURES SUMMER 2021 NEW NEW NEW ACTION/ THRILLER NEW NEW NEW NEW NEW 7 BELOW A FISTFUL OF LEAD ADVERSE A group of strangers find themselves stranded after a tour bus Four of the West’s most infamous outlaws assemble to steal a In order to save his sister, a ride-share driver must infiltrate a accident and must ride out a foreboding storm in a house where huge stash of gold. Pursued by the town’s sheriff and his posse. dangerous crime syndicate. brutal murders occurred 100 years earlier. The wet and tired They hide out in the abandoned gold mine where they happen STARRING: Thomas Nicholas (American Pie), Academy Award™ group become targets of an unstoppable evil presence. across another gang of three, who themselves were planning to Nominee Mickey Rourke (The Wrestler), Golden Globe Nominee STARRING: Val Kilmer (Batman Forever), Ving Rhames (Mission hit the very same bank! As tensions rise, things go from bad to Penelope Ann Miller (The Artist), Academy Award™ Nominee Impossible II), Luke Goss (Hellboy II), Bonnie Somerville (A Star worse as they realize they’ve been double crossed, but by who Sean Astin (The Lord of the Ring Trilogy), Golden Globe Nominee Is Born), Matt Barr (Hatfields & McCoys) and how? Lou Diamond Phillips (Courage Under Fire) DIRECTED BY: Kevin Carraway HD AVAILABLE DIRECTED BY: Brian Metcalf PRODUCED BY: Eric Fischer, Warren Ostergard and Terry Rindal USA DVD/VOD RELEASE 4DIGITAL MEDIA PRODUCED BY: Brian Metcalf, Thomas Ian Nicholas HD & 5.1 AVAILABLE WESTERN/ ACTION, 86 Min, 2018 4K, HD & 5.1 AVAILABLE USA DVD RELEASE -
San Dimas Yearbook 2014
San Dimas Yearbook 2014 - 2015 By Rob Hopper www.nationalyoutharts.com Special thanks to Sharon Aulis for typing up many of the cast lists! Alliance for Performing Arts Annie February 14-22, 2015 Annie: Caitlyn Marrero / Indie Von Martin Sara Tuazon / Maisie Zurbuch Oliver Warbucks: De’Shawn Johnson Indie Von Martin Miss Hannigan: Lissi Atchley / Olivia Martinez NYC Street Scene: Grace Farrell: Olivia Martinez / Cailey Snyder Kara Hauk / Lissi Atchley Rooster Hannigan: Johnny Van Steenwyk / Collin Evans Joey Kolody / Alexys Islas Lily St. Regis: Lyndi Cooper / Ariana Magana Ashley Padres / Caitlyn Marrero ~ Orphans ~ Amy Perry / Sofia Martinez Molly: Alyssa Cadiente / Kessid Cooper Kayla Renee / Verena Padres Pepper: Verena Padres / Olivia Lopez Justin Ruano / Amy Perry Tessie: Sofia Martinez / Kara Hauk Emma Stoker / Maisie Zurbuch Kate: Alexys Islas / Ashley Padres Duffy: Maisie Zurbuch / Sara Tuazon July: Cailey Snyder / Emma Stoker Additional Orphans: Sarah Green, Cheyenne Holm, Brigitte Ketterer, Ashley Renz President Roosevelt: Logan Burton Star to Be: Olivia Lopez / Alyssa Cadiente Lt. Ward: Kayla Renee Drake: Justin Ruano Bundles McCloskey: Joey Kolody Apple Seller: Ariana Magana / Lyndi Cooper Dog Catcher: Logan Burton Sandy: Collin Evans / Johnny Van Steenwyk Usherette: Kessid Cooper / Cheyenne Holm ~ Servants ~ Cecille: Ashley Padres / Alexys Islas Annette: Sara Tuazon / Verena Padres Mrs. Greer: Emma Stoker / Lyndi Cooper Mrs. Pugh: Kayla Renee / Kayla Renee Additional Servants: Kessid Cooper / Lissi Atchley Kara Hauk / Alyssa