July 2013 Members in the News Edited by Flo Dwek
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Hollywood Pantages Theatre Los Angeles, California
® HOLLYWOOD PANTAGES THEATRE LOS ANGELES, CALIFORNIA 05-03 School of Rock Cover - Retro.indd 1 4/6/18 5:03 PM HOLLYWOOD PANTAGES THEATRE ANDREW LLOYD WEBBER THE REALLY USEFUL GROUP WARNER MUSIC GROUP & ACCESS INDUSTRIES THE SHUBERT ORGANIZATION AND NEDERLANDER PRESENTATIONS, INC. PRESENT BASED ON THE PARAMOUNT MOVIE WRITTEN BY MIKE WHITE BOOK BY LYRICS BY NEW MUSIC BY JULIAN FELLOWES GLENN SLATER ANDREW LLOYD WEBBER WITH ROB COLLETTI LEXIE DORSETT SHARP MATT BITTNER EMILY BORROMEO MERRITT DAVID JANES OLIVIA BUCKNOR GRIER BURKE JOHN CAMPIONE PATRICK CLANTON CHRISTOPHER DeANGELIS KRISTIAN ESPIRITU MELANIE EVANS RAYNA FARR LIAM FENNECKEN BELLA FRAKER KARA HALLER CARSON HODGES ELYSIA JORDAN JACK SUAREZ KIMMEL DEIDRE LANG ALYSSA EMILY MARVIN SINCLAIR MITCHELL THEO MITCHELL-PENNER VINCENT MOLDEN GILBERTO MORETTI-HAMILTON JAMESON MOSS IARA NEMIROVSKY TIM SHEA THEODORA SILVERMAN JESSE SPARKS CAMERON TRUEBLOOD GABRIELLA UHL HERNANDO UMANA HUXLEY WESTEMEIER SCENIC AND COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN HAIR DESIGN ANNA LOUIZOS NATASHA KATZ MICK POTTER JOSH MARQUETTE ASSOCIATE DIRECTOR ASSOCIATE CHOREOGRAPHER CASTING DAVID RUTTURA PATRICK O’NEILL TARA RUBIN CASTING MERRI SUGARMAN, CSA MUSIC SUPERVISOR MUSIC COORDINATOR MUSIC DIRECTOR PRODUCTION STAGE MANAGER JOHN RIGBY TALITHA FEHR MARTYN AXE LARRY SMIGLEWSKI GENERAL MANAGER TOUR BOOKING AGENCY TOUR MARKETING & PRESS PRODUCTION MANAGER TROIKA ENTERTAINMENT THE BOOKING GROUP ALLIED TOURING TROIKA ENTERTAINMENT BRIAN SCHRADER LAURA DIELI ORCHESTRATIONS BY EXECUTIVE PRODUCERS ANDREW LLOYD WEBBER BESPOKE THEATRICALS & MADELEINE LLOYD WEBBER CHOREOGRAPHED BY JOANN M. HUNTER DIRECTED BY LAURENCE CONNOR 2 4 PLAYBILL School of Rock_master.indd 2 4/6/18 4:58 PM CAST (in order of appearance) Dewey .......................................................................................................................................ROB COLLETTI Dewey (at certain performances) ............................................................................ -
8 Redefining Zorro: Hispanicising the Swashbuckling Hero
Redefining Zorro: Hispanicising the Swashbuckling Hero Victoria Kearley Introduction Such did the theatrical trailer for The Mask of Zorro (Campbell, 1998) proclaim of Antonio Banderas’s performance as the masked adventurer, promising the viewer a sexier and more daring vision of Zorro than they had ever seen before. This paper considers this new image of Zorro and the way in which an iconic figure of modern popular culture was redefined through the performance of Banderas, and the influence of his contemporary star persona, as he became the first Hispanic actor ever to play Zorro in a major Hollywood production. It is my argument that Banderas’s Zorro, transformed from bandit Alejandro Murrieta into the masked hero over the course of the film’s narrative, is necessarily altered from previous incarnations in line with existing Hollywood images of Hispanic masculinity when he is played by a Hispanic actor. I will begin with a short introduction to the screen history of Zorro as a character and outline the action- adventure hero archetype of which he is a prime example. The main body of my argument is organised around a discussion of the employment of three of Hollywood’s most prevalent and enduring Hispanic male types, as defined by Latino film scholar, Charles Ramirez Berg, before concluding with a consideration of how these ultimately serve to redefine the character. Who is Zorro? Zorro was originally created by pulp fiction writer, Johnston McCulley, in 1919 and first immortalised on screen by Douglas Fairbanks in The Mark of Zorro (Niblo, 1920) just a year later. -
The American Dahlia Society – the Second 50 Years
THE AMERICAN DAHLIA SOCIETY The Second 50 Years. "To stimulate interest in, and promote the culture and development of the Dahlia." CoMPILED BY HARRY R1.,,-o 1 Copyright© 2015 by The American Dahlia Society All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, without permission from The American Dahlia Society. ISBN 978-0-692-52512-8 First addition, Parrot Press 2 Introduction In the beginning there was The Golden Year Dahlia Record, published in 1964, in anticipation of the AD S's Golden Anniversary in 1965. At 52 over-size pages, the publication by Lynn Dudley is a master piece of history, insight, and entertainment. When I first took on the assignment of organizing The American Dahlia Society the Second Fifty Years, I conceived a parallel publication in the same format. As the months went along, I concluded that I am not Lynn Dudley, and sequels usually disappoint. In looking for a different direction, I discovered that there was a wealth of history, insight and entertain ment in the last 50 years of the ADS Bulletins. The stories of the American Dahlia Society, the dahlia and the dahlia's people were right there. From that point forward, this publication virtually wrote itself. It is organized by year. There are no long lists or es says. Rather it is a buffet of tidbits-dim sum or tapas--of information that presents the ADS, the flower, and its people for your enjoyment. It is not intended to be read in one sitting, but rather, like an almanac to be visited from time to time. -
'Zorro' Annual Fescue (Vulpia Myuros) Conservation Plant Release Brochure
‘Zorro’ Annual fescue Vulpia myuros (L.) C. C. Gmel. A Conservation Plant Release by USDA NRCS Lockeford Plant Materials Center, Lockeford, CA original seed increase block of one acre was planted at the Lockeford Plant Materials Center in 1973. Plantings from this harvest were carried out at 29 sites through California during 1974 – 1976 to assess establishment and vigor. This collection was assigned as P1-109-71 and named ‘Zorro’ in 1976 prior to release in 1977. Conservation Uses ‘Zorro’ annual fescue has a fibrous, netlike root system and good soil holding capability, which makes it an excellent choice for erosion control. It has good seedling vigor, early growth and shade tolerance, and provides fast cover with minimal seedbed preparation in cover crop plantings. ‘Zorro’ is a successful cover crop species for orchards and vineyards throughout California. The grass provides fast cover and early protection from wind and water erosion in the winter. It is competitive and prevents a troublesome establishment of weeds and late maturing grasses. Due to its early maturity, ‘Zorro’ does not deprive moisture from grapes. If allowed to set seed the grass will reestablish in the autumn with the first rains. ‘Zorro’ has been used successfully for vegetation of mine tailings in reclamation activities. In plot trials during 1977 – 1979 ‘Zorro’ produced 1,300 – 2,600 lb/acre unfertilized and 2,000 – 4,400 lb/acre in ‘Zorro' annual fescue (Vulpia myuros) is a cultivar fertilized plots. released in 1977 in cooperation with the California Agricultural Experiment Station. ©Lockeford Plant Area of Adaptation and Use Materials Center. -