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Hollywood Pantages Theatre Los Angeles, California
® HOLLYWOOD PANTAGES THEATRE LOS ANGELES, CALIFORNIA 05-03 School of Rock Cover - Retro.indd 1 4/6/18 5:03 PM HOLLYWOOD PANTAGES THEATRE ANDREW LLOYD WEBBER THE REALLY USEFUL GROUP WARNER MUSIC GROUP & ACCESS INDUSTRIES THE SHUBERT ORGANIZATION AND NEDERLANDER PRESENTATIONS, INC. PRESENT BASED ON THE PARAMOUNT MOVIE WRITTEN BY MIKE WHITE BOOK BY LYRICS BY NEW MUSIC BY JULIAN FELLOWES GLENN SLATER ANDREW LLOYD WEBBER WITH ROB COLLETTI LEXIE DORSETT SHARP MATT BITTNER EMILY BORROMEO MERRITT DAVID JANES OLIVIA BUCKNOR GRIER BURKE JOHN CAMPIONE PATRICK CLANTON CHRISTOPHER DeANGELIS KRISTIAN ESPIRITU MELANIE EVANS RAYNA FARR LIAM FENNECKEN BELLA FRAKER KARA HALLER CARSON HODGES ELYSIA JORDAN JACK SUAREZ KIMMEL DEIDRE LANG ALYSSA EMILY MARVIN SINCLAIR MITCHELL THEO MITCHELL-PENNER VINCENT MOLDEN GILBERTO MORETTI-HAMILTON JAMESON MOSS IARA NEMIROVSKY TIM SHEA THEODORA SILVERMAN JESSE SPARKS CAMERON TRUEBLOOD GABRIELLA UHL HERNANDO UMANA HUXLEY WESTEMEIER SCENIC AND COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN HAIR DESIGN ANNA LOUIZOS NATASHA KATZ MICK POTTER JOSH MARQUETTE ASSOCIATE DIRECTOR ASSOCIATE CHOREOGRAPHER CASTING DAVID RUTTURA PATRICK O’NEILL TARA RUBIN CASTING MERRI SUGARMAN, CSA MUSIC SUPERVISOR MUSIC COORDINATOR MUSIC DIRECTOR PRODUCTION STAGE MANAGER JOHN RIGBY TALITHA FEHR MARTYN AXE LARRY SMIGLEWSKI GENERAL MANAGER TOUR BOOKING AGENCY TOUR MARKETING & PRESS PRODUCTION MANAGER TROIKA ENTERTAINMENT THE BOOKING GROUP ALLIED TOURING TROIKA ENTERTAINMENT BRIAN SCHRADER LAURA DIELI ORCHESTRATIONS BY EXECUTIVE PRODUCERS ANDREW LLOYD WEBBER BESPOKE THEATRICALS & MADELEINE LLOYD WEBBER CHOREOGRAPHED BY JOANN M. HUNTER DIRECTED BY LAURENCE CONNOR 2 4 PLAYBILL School of Rock_master.indd 2 4/6/18 4:58 PM CAST (in order of appearance) Dewey .......................................................................................................................................ROB COLLETTI Dewey (at certain performances) ............................................................................ -
July 2013 Members in the News Edited by Flo Dwek
July 2013 Members in the News Edited by Flo Dwek Sciannella: Calling the Shots for High Harris: Behind End Cable the Scenes in Chris Sciannella, Africa owner of CAS Video As a producer for Productions in VIVA Creative in Huntingtown, MD, has Rockville, MD, been a fixture in the Jennifer E. Harris Washington, DC wears many hats in production scene for the world of live 29 yearsand has events and traveled extensively throughout the United multimedia States and overseas for various clients. In 1984, production. From Sciannella began his career as a cameraman producing content for and learned to edit. As he perfected those skills, international events to he added producing and directing to his list of launching the services. Sciannella's camera work can be seen company's first on several programs now airing on cable TV, internship program, Harris has had an exciting including Animal Planet's Tanked, HGTV's My year that has kept her on her toes! Recently, First Place, My First Sale, More Bang for Your Harris traveled to Libreville, Gabon, where she Buck and Home Makeover Special and RLTV's was a content producer for an event designed to Second Act. He recently produced, directed and recognize the economic achievements of Africa edited a series of training and intervention and spotlight business and investment procedures videos; shot a series pilot for an LA- opportunities. Several Heads of State, members based production company that will air on VH-1; of the media, and business leaders participated and edited a series of videos about WWII icon in the forum. -
Happy Fish: a Novel Supplementation Technique to Prevent Iron Deficiency Anemia in Women in Rural Cambodia
Happy Fish: A Novel Supplementation Technique to Prevent Iron Deficiency Anemia in Women in Rural Cambodia by Christopher V. Charles A Thesis presented to The University of Guelph In partial fulfilment of requirements for the degree of Doctor of Philosophy in Biomedical Science Guelph, Ontario, Canada © Christopher V. Charles, April, 2012 ABSTRACT HAPPY FISH: A NOVEL IRON SUPPLEMENTATION TECHNIQUE TO PREVENT IRON DEFICIENCY ANEMIA IN WOMEN IN RURAL CAMBODIA Christopher V. Charles Advisors: University of Guelph, 2012 Professor Alastair J.S. Summerlee Professor Cate E. Dewey Maternal and child undernutrition are a significant problem in the developing world, with serious consequences for human health and socio-economic development. In Cambodia, 55% of children, 43% of women of reproductive age, and 50% of pregnant women are anemic. Current prevention and control practices rely on supplementation with iron pills or large-scale food fortification, neither of which are affordable or feasible in rural Cambodia. In the study areas, 97% of women did not meet their daily iron requirements. The current research focuses on the design and evaluation of an innovative iron supplementation technique. A culturally acceptable, inexpensive and lightweight iron ingot was designed to resemble a fish species considered lucky in Khmer culture. The ingot, referred to as ‘try sabay’ or ‘happy fish’, was designed to supply iron at a slow, steady rate. Iron leaching was observed in water and soup samples prepared with the iron fish when used concurrently with an acidifier. More than 75% of daily iron requirements can be met with regular use. Its use in the common pot of soup or boiled water provides supplementation to the entire family. -
8 Redefining Zorro: Hispanicising the Swashbuckling Hero
Redefining Zorro: Hispanicising the Swashbuckling Hero Victoria Kearley Introduction Such did the theatrical trailer for The Mask of Zorro (Campbell, 1998) proclaim of Antonio Banderas’s performance as the masked adventurer, promising the viewer a sexier and more daring vision of Zorro than they had ever seen before. This paper considers this new image of Zorro and the way in which an iconic figure of modern popular culture was redefined through the performance of Banderas, and the influence of his contemporary star persona, as he became the first Hispanic actor ever to play Zorro in a major Hollywood production. It is my argument that Banderas’s Zorro, transformed from bandit Alejandro Murrieta into the masked hero over the course of the film’s narrative, is necessarily altered from previous incarnations in line with existing Hollywood images of Hispanic masculinity when he is played by a Hispanic actor. I will begin with a short introduction to the screen history of Zorro as a character and outline the action- adventure hero archetype of which he is a prime example. The main body of my argument is organised around a discussion of the employment of three of Hollywood’s most prevalent and enduring Hispanic male types, as defined by Latino film scholar, Charles Ramirez Berg, before concluding with a consideration of how these ultimately serve to redefine the character. Who is Zorro? Zorro was originally created by pulp fiction writer, Johnston McCulley, in 1919 and first immortalised on screen by Douglas Fairbanks in The Mark of Zorro (Niblo, 1920) just a year later. -
The “Advertiser” Stands for the Best Interests of Belmar
Library, Public The “Advertiser” Stands for the Best Interests of Belmar a-aiJWKHKHKBKHJJKHKHKHKHS BOTH tHKHKHWKHKHKHWHJiHltHKHKl Vol. XXV., No. 36, Whole No. 1990. BELMAR, N. J., FRIDAY, SEPTEMBER 7, 1917. Single Copy Three Cents INLET TERRACE CLUB L. J. Biers Pays $15 Labor Day Was Labor Day Activities at Clubhouse An Ideal Holiday End Successful Season. For His Dog’s Feast The very successful season at the GLORIOUS WEATHER MADE THE Inlet Terrace club was fittingly COUNCIL RECEIVES THIS SUM DAY A MOST DELIGHTFUL ONE brought to a close Labor day with FOR SWAN RECENTLY KILLED a mixed doubles tennis tournament Hotels Entertained Hundreds of Peo is which a dozen teams were en Mr. Biers Appears Before Council, tered for the pretty cups donated by ple Who Enjoyed the Ocean Explains and Signifies Willingness William F. Siemon. The finals were Breezes—Business Generally Sus between Dr. William Knecht and to Pay Amount Which May be pended. Miss Mildred Hunter who defeated F. Demanded. Thornley Kain and Miss Dorothy With holiday weather so perfect McCurdy by scores of 10-8, 10-8. L. J. Biers of Sixth avenue has that nobody at all, not even the At nine p.m. Mr. and Mrs. Paul T. paid the council $15 for a sw'an most exacting or most ill-tempered Zizinia, as Uncle Sam and Miss Co which his dog killed on August 18. member of the whole community, lumbia, led the grand march in the Mr. Biers appeared before the coun could have found fault with it, Labor masquerade ball, with over 200 in cil Tuesday night and explained that day in Belmar was a most success costume. -
The American Dahlia Society – the Second 50 Years
THE AMERICAN DAHLIA SOCIETY The Second 50 Years. "To stimulate interest in, and promote the culture and development of the Dahlia." CoMPILED BY HARRY R1.,,-o 1 Copyright© 2015 by The American Dahlia Society All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, without permission from The American Dahlia Society. ISBN 978-0-692-52512-8 First addition, Parrot Press 2 Introduction In the beginning there was The Golden Year Dahlia Record, published in 1964, in anticipation of the AD S's Golden Anniversary in 1965. At 52 over-size pages, the publication by Lynn Dudley is a master piece of history, insight, and entertainment. When I first took on the assignment of organizing The American Dahlia Society the Second Fifty Years, I conceived a parallel publication in the same format. As the months went along, I concluded that I am not Lynn Dudley, and sequels usually disappoint. In looking for a different direction, I discovered that there was a wealth of history, insight and entertain ment in the last 50 years of the ADS Bulletins. The stories of the American Dahlia Society, the dahlia and the dahlia's people were right there. From that point forward, this publication virtually wrote itself. It is organized by year. There are no long lists or es says. Rather it is a buffet of tidbits-dim sum or tapas--of information that presents the ADS, the flower, and its people for your enjoyment. It is not intended to be read in one sitting, but rather, like an almanac to be visited from time to time. -
'Zorro' Annual Fescue (Vulpia Myuros) Conservation Plant Release Brochure
‘Zorro’ Annual fescue Vulpia myuros (L.) C. C. Gmel. A Conservation Plant Release by USDA NRCS Lockeford Plant Materials Center, Lockeford, CA original seed increase block of one acre was planted at the Lockeford Plant Materials Center in 1973. Plantings from this harvest were carried out at 29 sites through California during 1974 – 1976 to assess establishment and vigor. This collection was assigned as P1-109-71 and named ‘Zorro’ in 1976 prior to release in 1977. Conservation Uses ‘Zorro’ annual fescue has a fibrous, netlike root system and good soil holding capability, which makes it an excellent choice for erosion control. It has good seedling vigor, early growth and shade tolerance, and provides fast cover with minimal seedbed preparation in cover crop plantings. ‘Zorro’ is a successful cover crop species for orchards and vineyards throughout California. The grass provides fast cover and early protection from wind and water erosion in the winter. It is competitive and prevents a troublesome establishment of weeds and late maturing grasses. Due to its early maturity, ‘Zorro’ does not deprive moisture from grapes. If allowed to set seed the grass will reestablish in the autumn with the first rains. ‘Zorro’ has been used successfully for vegetation of mine tailings in reclamation activities. In plot trials during 1977 – 1979 ‘Zorro’ produced 1,300 – 2,600 lb/acre unfertilized and 2,000 – 4,400 lb/acre in ‘Zorro' annual fescue (Vulpia myuros) is a cultivar fertilized plots. released in 1977 in cooperation with the California Agricultural Experiment Station. ©Lockeford Plant Area of Adaptation and Use Materials Center. -