LIVE NATION ENTERTAINMENT, INC. (Exact Name of Registrant As Specified in Its Charter) ______
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311 ~ the Tabernacle ~ Atlanta, GA ~ 7/24-25/2014 » 7/31/14 11:33 AM
311 ~ The Tabernacle ~ Atlanta, GA ~ 7/24-25/2014 » 7/31/14 11:33 AM Home Reviews Photo Photo Ancient Interviews Contests Videos About Contact 31 Jul Login 311 ~ The Tabernacle ~ Atlanta, GA ~ 7/24-25/2014 Tags: Review by Cliff Lummus, Photos by Lucas Armstrong 311, atlanta, concert There are three constants in an ever-changing world that the people of Atlanta can look forward to photography, every summer: sunny skies, Braves baseball, and 311. Georgia, Live Music, The Rolling in fresh off a set at the House of Blues in Myrtle Beach, South Carolina, 311 changed Tabernacle things up for their Atlanta fans quite a bit for their summer tour. permalink Over 90 percent of 311’s Atlanta concerts in the past decade have been at Aaron’s Amphitheater at Lakewood. For the 2014 tour, 311 dropped the humid, summer sundown setting of a 19,000 occupancy, sprawling, generic venue sellout for two packed-house back-to-back nights on Thursday http://jamsplus.com/311-the-tabernacle-atlanta-ga-724-252014/ Page 1 of 6 311 ~ The Tabernacle ~ Atlanta, GA ~ 7/24-25/2014 » 7/31/14 11:33 AM and Friday at The Tabernacle, one of Atlanta’s most intimate and distinctive concert venues. With a scant capacity of 2,600, tickets for either show were a hot commodity, with the Friday date selling out several weeks in advance and Thursday following quickly. The lucky 311 faithful that were able to snag tickets for either date got the chance to swap their usual mile-away lawn space for the up-close-and-personal experience that is The Tabernacle. -
Microsoft Office Outlook
Eliot I. Bernstein Full Name: Above and Beyond First Name: Above and Beyond Job Title: James Grant - Manager Business: 44 20 8742 4950 E-mail: enquiries Categories: call ultrafest 09 20090319 cmb sent email to 20090319 cmb per recept not manager James Grant Media Ltd 94 Strand On The Green Chiswick London W4 3NN tel: 020 8742 4950 fax: 020 8742 4951 email: enquiries James Grant Music Management was formed in the early part of 2005 by Nick Worsley and Simon Hargreaves and is a joint venture with long established TV Management Company James Grant Media. Heading up the company are two former Sony Music Entertainment Executives - Nick Worsley who was Head of Radio Promotions and Simon Hargreaves who was Head Of Press and Publicity. Bringing together over 20 years of music industry experience across both Major labels and the Independent sector - James Grant Music delivers a fresh and extremely potent force in the Music Business and is already breaking new ground in the Music Management arena. 1 Eliot I. Bernstein Full Name: Alina First Name: Alina E-mail: [email protected] E-mail Display As: Alina ([email protected]) Categories: call ultrafest 09 20090319 cmb sent email to the email above AFFILIATION: Sequence Production BOOKING CONTACT: [email protected] BIOGRAPHY Alina Sequence career has begun in 1994 when it has started to work as the assistant to the arranger in a sound studio. Greater support was rendered by Andrey Ivanov (Triplex), having given many useful knowledge in the field of electronic tools, becoming first producer Alina. In 1997 Alina Sequence bases under the beginning a promo-label " Sequence Records " which is engaged in producing of young electronic musicians, and also release of releases of Russian electronic music. -
CQS New City Equity
CQS New City Equity November 2019 November 2019 p C QS New City Equity It is now broadly documented that a few listed equities deliver the bulk of the stock market’s performance. The objective of the CQS New City Global Equity strategy is to identify these exceptional companies and construct a highly concentrated portfolio for the long term. The team implements a forensic research process with a particular focus on strategy, innovation and ESG matters that feed directly into the long term valuation framework. The ambition is to achieve double-digit return over the cycle and embrace the new language for equity investment. Investment Philosophy “We look to invest in a small • We invest in companies that have delivered exceptional products and services that empower their number of corporate stars which customers and generate significant pricing power and economic moat. deliver exceptional products and • Such companies have consistently produced a flow of recurring innovation – and sustainable profits services to their clients. These derived from the intrinsic value the company brings to the customer – not from an opaque value chain or a regulatory window. One dollar of profit is not equal to another. companies have developed a • These innovation compounders, with sufficient growth potential, can only be found in specific industries constant flow of innovation that supported by highly diversified secular tailwinds. Typically, they hold a market leading position. empowers their customers and • To consistently commercialise their innovation, companies must have a clear business mission, generates significant pricing appropriate corporate governance and incentives that specifically encourage innovation from the ground. -
Fans, Travel to and from the Show Like Rockstars! Live Nation and Uber Kick Off Marketing Partnership with Venue and Festival Focused Ride Program
FANS, TRAVEL TO AND FROM THE SHOW LIKE ROCKSTARS! LIVE NATION AND UBER KICK OFF MARKETING PARTNERSHIP WITH VENUE AND FESTIVAL FOCUSED RIDE PROGRAM – Uber Begins Servicing Live Nation Amphitheaters, Clubs, Theaters and Festivals Memorial Day Weekend with Sasquatch! Music Festival and Electric Daisy Carnival New York! – LOS ANGELES (May 14, 2015) – Live Nation and Uber today announced a marketing partnership which will provide concert and festival goers an easy way to get to and from certain Live Nation events when riding with Uber. Uber services will be offered for 20 festivals throughout the year, 62 select Live Nation amphitheaters, clubs and theaters across the U.S. Festivals including the Electric Daisy Carnival, Faster Horses, Music Midtown, HARD Summer Music Festival, and more will be a part of this great program. [Full list is below]. “Fans want the journey to and from a concert to be as smooth as possible,” said Russell Wallach, President of Live Nation Media & Sponsorships. “Uber offers a convenient alternative to driving for riders to any event, and we are thrilled about the experience this brings for all of our fans.” This unique marketing partnership lets fans focus more on the music experience by having easy transportation methods and designated drop-off and pick-up locations, where available, and reduces the frustration associated with traffic and other driving concerns — just fun, friends and music. Building off of the existing integration of Uber's API on Live Nation's mobile application, announced earlier this year, this marketing partnership also simplifies the process of getting a ride to a venue with the inclusion of the automatic address feature, allowing concertgoers a quick, simple way to request an Uber when they want to head to a show with the destination already pre-loaded into the Uber app. -
June 2018 MAGAZINE
June 2018 MAGAZINE VOL. 3 FEATURING TRAPBOY FREDDY NEW MUSIC CONTESTS EVENTS DFW ARTISTS & MORE THEBEATDFW.COM New Music Photo Credits: Getty Images Snoop Dogg & 6ix9ine Feat. Fetty Wap Dave East DJ SpinKing Feat. Fuzz "Cripn 4 Life" "Tati" "Black & Decker" Click To Watch Click To Watch Click To Watch Kevin Gates Wale Plies "Change Lanes" "Bickenhead" "The Weekend" Remix Remix Click To Watch Click To Listen Click To Listen 2 DFW Featured Artist What part of DFW you reppin? Oak Cliff. Where's your favorite place to eat in the DFW? Aunt Irene's Kitchen. Tell us about your latest music project. Trapboy Freddy TBFK3 is available on all music platforms. @trapboyfreddy What are 3 goals you plan on accomplishing in 2018? Move my family. Take my business/brand to the next level. Better my craft. Where's some place you want to travel that you haven't been already? Dubai. Name one artist who inspired you the most. Jay-Z. What makes unique? It's in me & on me. 3 Local Contests Post Malone Tickets Chris Brown Tickets G-Eazy Tickets Ends 6/10 Ends 6/22 Ends 8/4 Enter For Enter For Enter For Chance To Win Chance To Win Chance To Win Jay-Z/Beyonce Tickets Drake/Migos Tickets Raising The Bar Ends 9/2 Ends 9/23 Ongoing Enter For Enter For Submit Your Music Chance To Win Chance To Win 4 Local Events WWE @ College Park Center - 6/3 Chingy, Petey Pablo, & Ying Yang Twins @ Canton Hall - 6/7 Post Malone & 21 Savage @ Toyota Music Factory - 6/14 Comedy Get Down @ Verizon Theatre - 6/15 Kesha & Macklemore @ Dos Equis Pavilion - 6/20 Snow Tha Product @ South Side Music Hall - 6/22 Chris Brown, 6lack, H.E.R., & Rich The Kid @ Dos Equis Pavilion - 7/1 Funnier Than A Mutha @ Verizon Theatre - 7/14 Kixpo @ Bomb Factory - 7/21 Logic, Kylem & NF @ Dos Equis Pavilion - 7/29 Mayor's Back To School @ Fair Park - 8/3 Tarrant County Round Up @ Fort Worth Stockyard - 8/5 Tory Lanez @ House of Blues - 8/7 G-Eazy, Lil Uzi Vert, & YBN Nahmir @ Dos Equis Pavilion - 8/10 BIG3 Basketball @ American Airlines Center - 8/17 J. -
Live Nation Entertainment, Inc. Annual Report 2016
Live Nation Entertainment, Inc. Annual Report 2016 Form 10-K (NYSE:LYV) Published: June 29th, 2016 PDF generated by stocklight.com UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 __________________________________________ Form 10-K/A (Amendment No. 1) x ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended December 31, 2015, or ¨ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission File Number 001-32601 ____________________________________ LIVE NATION ENTERTAINMENT, INC. (Exact name of registrant as specified in its charter) Delaware 20-3247759 (State of Incorporation) (I.R.S. Employer Identification No.) 9348 Civic Center Drive Beverly Hills, CA 90210 (Address of principal executive offices, including zip code) (310) 867-7000 (Registrant’s telephone number, including area code) ____________________________________ Securities registered pursuant to Section 12(b) of the Act: Title of Each Class Name of Each Exchange on which Registered Common Stock, $.01 Par Value per Share; Preferred Stock Purchase Rights New York Stock Exchange Securities registered pursuant to Section 12(g) of the Act: None _____________________ Indicate by check mark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. x Yes ¨ No Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Act. ¨ Yes x No Indicate by check mark whether the registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days. -
Over 150 Unique Venues Nationwide
OVER 150 UNIQUE VENUES 2 LIVENATION.COM/SPECIALEVENTSNATIONWIDE PB LEGENDARY VENUES, EPIC EVENTS! 2 LIVENATION.COM/SPECIALEVENTSLIVENATION.COM/SPECIALEVENTS 3 LIVENATION.COM/SPECIALEVENTS TABLE OF CONTENTS 06 WHO WE ARE 08 WHAT WE DO 10 UNIQUE VENUES 18 EXCLUSIVE SPACES 22 EVENT TYPES 24 CORPORATE EVENTS 25 SOCIAL GATHERINGS 26 WEDDINGS 27 PRIVATE DINING 28 ENTERTAINMENT 30 SERVICES 32 SERVICE TYPES 34 CUSTOM MENUS & MIXOLOGY 36 LIVE ENTERTAINMENT 38 CLIENTS 4 4LIVENATION.COM/SPECIALEVENTS 5 LIVENATION.COM/SPECIALEVENTS WHO WE ARE YOUR NATIONWIDE VENUE SOLUTION. Our incredible spaces are the perfect location to host your corporate event, private concert, wedding, reception or business meeting. With access to the world’s greatest musical entertainment, full service event production, state-of-the-art lighting and sound, custom menus and mixology - our unique venues will exceed expectations of even the most discerning guest. Our talented staff handles every detail, so you don’t have to. Make your next meeting or private event one to remember! CONTACT US National Sales 310.360.3077 [email protected] 6 LIVENATION.COM/SPECIALEVENTSLIVENATION.COM/SPECIALEVENTS 7 WHAT WE DO ONE SOLUTION, COUNTLESS OPPORTUNITIES! With over 150 venues across North America, we offer unique event spaces, state-of-the-art production and branding capabilities, as well as an experienced staff ready to exceed your guests’ expectations. 8 LIVENATION.COM/SPECIALEVENTS 9 VENUES ARIZONA SACRAMENTO PHOENIX Ace of Spades [email protected] Comerica Theatre -
Top 200 Club Venues 1-10 0 2019 Q3
Worldwide Ticket Sales Top 200 Club Venues 1-10 0 2019 Q3 Tickets Promoter Location Gross Tickets Promoter Location Gross 1 255,692 House Of Blues Boston Boston, MA $9,324,706 51 44,187 Neumos Seattle, WA $846,905 2 167,489 9:30 Club Washington, DC $4,584,905 52 43,509 White Oak Music Hall Houston, TX $1,068,078 3 158,276 The Paramount Huntington, NY $7,412,265 53 42,744 Newport Music Hall Columbus, OH $1,013,175 4 131,048 Ancienne Belgique Brussels, BELGIUM $3,921,698 54 42,056 Knitting Factory Concert House Spokane, WA $973,409 5 122,991 First Avenue Minneapolis, MN $2,910,650 55 41,469 Doug Fir Lounge Portland, OR $770,150 6 120,254 The Wilbur Boston, MA $5,149,573 56 41,317 Marathon Music Works Nashville, TN $1,250,049 7 101,108 MTELUS Montreal, CANADA $3,145,992 57 40,252 York Barbican York, UNITED KINGDOM $1,445,048 8 91,315 The Pageant St. Louis, MO $3,296,112 58 40,044 Lincoln Hall Chicago, IL $856,477 9 88,852 Brooklyn Bowl Brooklyn, NY $1,953,722 59 39,757 City Winery Washington DC Washington, DC $1,535,574 10 86,242 Fillmore Auditorium Denver, CO $2,740,071 60 38,885 Corona Theatre Montreal, CANADA $948,502 11 85,178 Center Stage Northfield, OH $5,029,614 61 38,530 Lunario Mexico City, MEXICO $1,131,337 12 85,028 The Neptune Seattle, WA $2,655,764 62 37,536 Hollywood Palladium Hollywood, CA $2,380,314 13 83,261 Thalia Hall Chicago, IL $2,549,840 63 36,896 El Corazon Seattle, WA $721,844 14 81,779 State Theatre Portland, ME $2,933,208 64 36,774 City Winery Nashville Nashville, TN $1,245,493 15 80,961 Paradise Rock Club Boston, -
Hors Limites
passages Hors limites Frontières mouvantes, perméables, invisibles L’art de Suisse à Kochi : à la Biennale indienne L’âge de la maturité en Afrique du sud : le projet de mémoire de Mats Staub Opération Iceberg : une initiative en faveur des jeunes musiciens LE MAGAZINE CULTUREL DE PRO HELVETIA, NO 64, 1/2015 FRONTIÈRES 2 LISIÈRES 3 Frontières mouvantes, perméables, invisibles Le récit en images de Matthias Gnehm nous emporte en Chine. Sur la base de ses propres expériences dans l’Empire du Milieu, l’artiste zurichois nous raconte une histoire qui rappelle les diverses façons dont peuvent être vécues les frontières : celles, concrètes, que tracent une terre et une culture étrangères impliquant un ici et un ailleurs, mais aussi les autres, plus subtiles, séparant voir et être vu, image et texte, légalité et illégalité, humour et sérieux. Ce récit en images introduit ainsi une perspective supplémentaire dans ce dossier, une autre réflexion sur les frontières, sur la possibilité de les déplacer et sur leurs répercussions. 2 – 31 DOSSIER 32 HEURE LOCALE New Delhi : Le temps et le fleuve Hors limites Trois artistes suisses ont proposé un regard neuf à la Biennale de Matthias Gnehm a réalisé, tout exprès pour Passages, les illustrations qui Kochi-Muziris. accompagnent ce dossier. Né en 1970 à Zurich, cet artiste a fait des études par Rosalyn D’Mello d’architecture à l’École polytechnique fédérale et travaille depuis 1999 comme bédéiste et architecte indépendant. Parues en allemand et en français, ses 34 Johannesburg : Une année décisive œuvres ont fait l’objet de plusieurs expositions. En 2014, les éditions Hochparterre Pour son projet de mémoire 21, ont publié son huitième album de B. -
The Case of Recorded Music
The Heterogenous Effects of Copying: The Case of Recorded Music David Blackburn∗ First Draft: April, 2004 This Draft: June 1, 2006 Abstract The availability of copies to consumers has competing effects on sales that are heterogenous across producers. First, there is a direct substitution effect on sales as copies replace originals and second, there is a penetration effect which increases sales, as the spread of the good makes it more well-known through the population. The first effect is strongest for ex ante well-known producers, while the second dominates for ex ante unknown producers. This phenomenon is examined within the recorded music industry and evidence shows that file sharing has had a strong distributional impact on sales. However, the dominance of sales by well-known artists leads to a large negative of copying at the industry level. ∗National Economic Research Associates, [email protected]. A previous version of this paper was circulated under the title: "On-line Piracy and Recorded Music Sales." This version of the paper is a revision of the first chapter of my 2005 Harvard University PhD dissertation. I would like to thank Mariana Colacelli, Jan De Loecker, David Evans, Kate Ho, Joy Ishii, Larry Katz, Bryce Ward, and participants at the Harvard IO Workshop and the 2004 International Industrial Organization Conference for helpful suggestions. Special thanks to Gary Chamberlain, Julie Mortimer, and Ariel Pakes for their advice and encouragement. Additionally, I am indebted to Eric Garland and Adam Toll at BigChampagne and Rob Sisco at Neilsen SoundScan for providing access to themselves and their data, without which this project would have been impossible. -
ULLETS .. Tial As Well As Current Earning Power
HOUSE OF BLUES AT&T, Net Marketing Firm Electric (Continued from page 8) TWEENTHE several financial backers for HOB. The purchase price is gratifying, Artists Workifig On Music Venture Marciano says, reflecting future poten- BY MARILYN A. GILLEN "broadband pipe" that could be used ULLETS .. tial as well as current earning power. NEW YORK- Communications to deliver music into homes. C "It speaks not only to our potential powerhouse AT &T is "deepening its "That [observation] hasn't been but to our profitability as a company," relationship" with New York -based lost on us," says Varley, while declin- he says. "Ultimately, some of the price Internet music marketing firm Elec- ing to comment yet on specific plans. by Geoff Mayfield that House of Blues paid for Univer- tric Artists as the first step in what The wider goal is to leverage more sal is a reflection of Universal being it says will be a "significant expan- than the company's infrastructure, THUNDERING HERD: What two things do AC /DC; Alice In Chains; one of the most profitable concert sion" of its activities in the music he adds. "AT &T is not in the `dumb A Tribe Called Quest; the Backstreet Boys; Michael Bolton; Toni companies in the business." business in the coming months. pipe' business. We are a services Braxton; Garth Brooks; Mariah Carey; Eric Clapton; Natalie Cole; Hodges agrees. "We feel good AT&T, which markets the propri- company-we know how to offer Crosby, Stills, Nash & Young; Cypress Hill; Celine Dion; the Doors; about what we've accomplished as a etary a2b Music online- distribution services to customers." DMX; Ice Cube; Kenny G; Jay -Z; Korn; Live; Paul McCartney; Mas- team, which helped make [Universal] technology and is a member of the He notes, for example, that AT &T ter P; Meat Loaf; Metallica; Nas; No Doubt; Pantera; Puff Daddy; attractive for any buyer," he says. -
Peer to Peer Networks in Oecd Countries
OECD INFORMATION TECHNOLOGY OUTLOOK 2004 PEER TO PEER NETWORKS IN OECD COUNTRIES Pre-release of Section from Chapter 5 of the Information Technology Outlook The full report is to be released in October 2004 Contact: [email protected] 1 Chapter 5 OECD Information Technology Outlook 2004 Section on Peer-to-Peer Networks Peer-to-peer digital delivery Though still relatively new, the P2P file-sharing marketplace is evolving rapidly. It may be one of the most important factors in changing how digital delivery is done. Together with new compression technologies and formats like MP3 and more widely shared and faster broadband access, this technology has also greatly influenced how traditional entertainment industries operate. Moreover, specific challenges for copyright protection are raised. This section of the Chapter 5 of the Information Technology Outlook 2004 focuses on measuring the use of P2P networks for the non-commercial downloading of music, video and software files in OECD countries. Free downloading of music, films, or other files does not generate revenues for copyright holders (artists, music, publishers) and may negatively impact the development of new legitimate services delivering music, movies, etc. to customers. Some argue that downloading supplements regular purchases of music or serves as way to sample new music (Pew, 2003). However, the recording industry has also warned that free downloading poses a severe threat to the music industry in terms of diminishing sales. 1 There are currently a significant number of lawsuits in OECD countries to prevent infringement of copyright when P2P networks are used to share commercial music and films. This section analyses the current impact of this new technology for digital delivery as a way to shed light on the potential for the commercial use of P2P technologies and policy issues.