The Stone Roses Music Current Affairs Culture 1980
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Mow!,'Mum INN Nn
mow!,'mum INN nn %AUNE 20, 1981 $2.75 R1-047-8, a.cec-s_ Q.41.001, 414 i47,>0Z tet`44S;I:47q <r, 4.. SINGLES SLEEPERS ALBUMS COMMODORES.. -LADY (YOU BRING TUBES, -DON'T WANT TO WAIT ANY- POINTER SISTERS, "BLACK & ME UP)" (prod. by Carmichael - eMORE" (prod. by Foster) (writers: WHITE." Once again,thesisters group) (writers: King -Hudson - Tubes -Foster) .Pseudo/ rving multiple lead vocals combine witt- King)(Jobete/Commodores, Foster F-ees/Boone's Tunes, Richard Perry's extra -sensory sonc ASCAP) (3:54). Shimmering BMI) (3 50Fee Waybill and the selection and snappy production :c strings and a drying rhythm sec- ganc harness their craziness long create an LP that's several singles tionbackLionelRichie,Jr.'s enoughtocreate epic drama. deep for many formats. An instant vocal soul. From the upcoming An attrEcti.e piece for AOR-pop. favoriteforsummer'31. Plane' "In the Pocket" LP. Motown 1514. Capitol 5007. P-18 (E!A) (8.98). RONNIE MILSAI3, "(There's) NO GETTIN' SPLIT ENZ, "ONE STEP AHEAD" (prod. YOKO ONO, "SEASON OF GLASS." OVER ME"(prod.byMilsap- byTickle) \rvriter:Finn)(Enz. Released to radio on tape prior to Collins)(writers:Brasfield -Ald- BMI) (2 52. Thick keyboard tex- appearing on disc, Cno's extremel ridge) {Rick Hall, ASCAP) (3:15). turesbuttressNeilFinn'slight persona and specific references tc Milsap is in a pop groove with this tenor or tit's melodic track from her late husband John Lennon have 0irresistible uptempo ballad from the new "Vlaiata- LP. An air of alreadysparkedcontroversyanci hisforthcoming LP.Hissexy, mystery acids to the appeal for discussion that's bound to escaate confident vocal steals the show. -
Elvis Presley Music
Vogue Madonna Take on Me a-ha Africa Toto Sweet Dreams (Are Made of This) Eurythmics You Make My Dreams Daryl Hall and John Oates Taited Love Soft Cell Don't You (Forget About Me) Simple Minds Heaven Is a Place on Earth Belinda Carlisle I'm Still Standing Elton John Wake Me Up Before You Go-GoWham! Blue Monday New Order Superstition Stevie Wonder Move On Up Curtis Mayfield For Once In My Life Stevie Wonder Red Red Wine UB40 Send Me On My Way Rusted Root Hungry Eyes Eric Carmen Good Vibrations The Beach Boys MMMBop Hanson Boom, Boom, Boom!! Vengaboys Relight My Fire Take That, LuLu Picture Of You Boyzone Pray Take That Shoop Salt-N-Pepa Doo Wop (That Thing) Ms Lauryn Hill One Week Barenaked Ladies In the Summertime Shaggy, Payvon Bills, Bills, Bills Destiny's Child Miami Will Smith Gonna Make You Sweat (Everbody Dance Now) C & C Music Factory Return of the Mack Mark Morrison Proud Heather Small Ironic Alanis Morissette Don't You Want Me The Human League Just Cant Get Enough Depeche Mode The Safety Dance Men Without Hats Eye of the Tiger Survivor Like a Prayer Madonna Rocket Man Elton John My Generation The Who A Little Less Conversation Elvis Presley ABC The Jackson 5 Lessons In Love Level 42 In the Air Tonight Phil Collins September Earth, Wind & Fire In Your Eyes Kylie Minogue I Want You Back The Jackson 5 Jump (For My Love) The Pointer Sisters Rock the Boat Hues Corportation Jolene Dolly Parton Never Too Much Luther Vandross Kiss Prince Karma Chameleon Culture Club Blame It On the Boogie The Jacksons Everywhere Fleetwood Mac Beat It -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Scanned Image
INSIDE Singleschart, 6-7;Album chart,17; New Singles, 18; NewAlbums, 13; Airplay guide, 14-15; lndpendent Labels, 8; Retailing 5. June 28, 1982 VOLUME FIVE Number 12 65p RCA sets price Industry puts brave rises on both face on plunging LPs & singles RCAis implementing itsfirst wide- ranging increase in prices since January Summer disc sales 1981. Then its new 77p dealer price for singles sparked trade controversy but ALL THE efforts of the record industryfor the £s that records appear to be old the rest of the industry followed in due to hold down prices and generate excite-hat. People who are renting a VCR are course. ment in recorded music are meeting amaking monthly payment equivalent to With the new prices coming into stubbornly flat market. purchasing one LP a week," he said. effect on July 1, RCA claims now to be Brave faces are being worn around the Among the major companies howev- merely coming into line with other major companies but itis becominger, there is steadfast resistance to gloom. companies. clear that the business is in the middle of Paul Russell, md of CBS, puts the New dealer price for singles will be an even worse early Summer depressionproblem down to weak releases and is 85p (ex VAT) with 12 -inch releases than that of 1981. happy to be having success with Joan costing £1.49, a rise of 16p. On tapes The volume of sales mentioned by theJett, The Clash, Neil Diamond andWHETHER IT likes it or not, Polydorand albums the 3000 series goes from RB chart department shows a decline ofAltered Images with the prospect of bigis now heavy metal outfit Samson's£2.76 to £2.95, the 6000 series from between 20 and 30 percent over the samereleases from Judas Priest and REOrecord company. -
Song Pack Listing
TRACK LISTING BY TITLE Packs 1-86 Kwizoke Karaoke listings available - tel: 01204 387410 - Title Artist Number "F" You` Lily Allen 66260 'S Wonderful Diana Krall 65083 0 Interest` Jason Mraz 13920 1 2 Step Ciara Ft Missy Elliot. 63899 1000 Miles From Nowhere` Dwight Yoakam 65663 1234 Plain White T's 66239 15 Step Radiohead 65473 18 Til I Die` Bryan Adams 64013 19 Something` Mark Willis 14327 1973` James Blunt 65436 1985` Bowling For Soup 14226 20 Flight Rock Various Artists 66108 21 Guns Green Day 66148 2468 Motorway Tom Robinson 65710 25 Minutes` Michael Learns To Rock 66643 4 In The Morning` Gwen Stefani 65429 455 Rocket Kathy Mattea 66292 4Ever` The Veronicas 64132 5 Colours In Her Hair` Mcfly 13868 505 Arctic Monkeys 65336 7 Things` Miley Cirus [Hannah Montana] 65965 96 Quite Bitter Beings` Cky [Camp Kill Yourself] 13724 A Beautiful Lie` 30 Seconds To Mars 65535 A Bell Will Ring Oasis 64043 A Better Place To Be` Harry Chapin 12417 A Big Hunk O' Love Elvis Presley 2551 A Boy From Nowhere` Tom Jones 12737 A Boy Named Sue Johnny Cash 4633 A Certain Smile Johnny Mathis 6401 A Daisy A Day Judd Strunk 65794 A Day In The Life Beatles 1882 A Design For Life` Manic Street Preachers 4493 A Different Beat` Boyzone 4867 A Different Corner George Michael 2326 A Drop In The Ocean Ron Pope 65655 A Fairytale Of New York` Pogues & Kirsty Mccoll 5860 A Favor House Coheed And Cambria 64258 A Foggy Day In London Town Michael Buble 63921 A Fool Such As I Elvis Presley 1053 A Gentleman's Excuse Me Fish 2838 A Girl Like You Edwyn Collins 2349 A Girl Like -
Precious but Not Precious UP-RE-CYCLING
The sounds of ideas forming , Volume 3 Alan Dunn, 22 July 2020 presents precious but not precious UP-RE-CYCLING This is the recycle tip at Clatterbridge. In February 2020, we’re dropping off some stuff when Brigitte shouts “if you get to the plastic section sharpish, someone’s throwing out a pile of records.” I leg it round and within seconds, eyes and brain honed from years in dank backrooms and charity shops, I smell good stuff. I lean inside, grabbing a pile of vinyl and sticking it up my top. There’s compilations with Blondie, Boomtown Rats and Devo and a couple of odd 2001: A Space Odyssey and Close Encounters soundtracks. COVER (VERSIONS) www.alandunn67.co.uk/coverversions.html For those that read the last text, you’ll enjoy the irony in this introduction. This story is about vinyl but not as a precious and passive hands-off medium but about using it to generate and form ideas, abusing it to paginate a digital sketchbook and continuing to be astonished by its magic. We re-enter the story, the story of the sounds of ideas forming, after the COVER (VERSIONS) exhibition in collaboration with Aidan Winterburn that brings together the ideas from July 2018 – December 2019. Staged at Leeds Beckett University, it presents the greatest hits of the first 18 months and some extracts from that first text that Aidan responds to (https://tinyurl.com/y4tza6jq), with me in turn responding back, via some ‘OUR PRICE’ style stickers with quotes/stats. For the exhibition, the mock-up sleeves fabricated by Tom Rodgers look stunning, turning the digital detournements into believable double-sided artefacts. -
Classes for Adults and Kids SPRING 2021 Newton Community Education
Classes for Adults and Kids SPRING 2021 newton community education newtoncommunityed.org In person summer kids page 42 notes Spring 2021 Adult Classes From the Executive Director: Art & Photography ..................................3 It’s no secret; 2020 was a tough year. Many of us are fatigued by our collective and individual Business & Career ..................................29 struggles; anxious about health, work, and the future. Computers & Technology .......................30 The time-honored tradition of turning the page from one year to reveal the opportunities Crafts.....................................................26 of the next was punctuated by the recent presidential inauguration. We viewers were Dance & Fitness .....................................17 riveted as a diminutive young poet seized our attention, gracefully—through her words English Language Learners (ELL) ...........31 and gestures — echoing the (presidential) themes of unity and hope. Amanda Gorman’s Food & Drink .........................................10 words were powerful indeed, but equally impressive to me was learning that community- based education helped hone her craft. While struggling to overcome a serious speech GED & HiSET® ........................................31 impediment, Gorman participated in writing workshops at a Los Angeles community-based Home & Garden .....................................27 education center. So there it is… Community Education opens doors, including ones leading Languages ..............................................7 -
(Public Pack)Agenda Document for People and Communities Committee, 05/06/2018 16:30
Public Document Pack Democratic Services Section Chief Executive’s Department Belfast City Council City Hall Belfast BT1 5GS 1st June, 2018 MEETING OF PEOPLE AND COMMUNITIES COMMITTEE Dear Alderman/Councillor, The above-named Committee will meet in the Lavery Room - City Hall on Tuesday, 5th June, 2018 at 4.30 pm, for the transaction of the business noted below. You are requested to attend. Yours faithfully, SUZANNE WYLIE Chief Executive AGENDA: 1. Routine Matters (a) Apologies (b) Minutes (c) Declarations of Interest 2. Restricted Items (a) Temporary Structure at Alderman Tommy Patton Memorial Park (Pages 1 - 6) (b) Belfast Vital 2019 - 2023 (Pages 7 - 10) (c) Use of Lower Crescent Open Space for Music Festival (Pages 11 - 24) (d) Use of lower Crescent Open Space for Focal Festival (Pages 25 - 30) - 2 - 3. Committee/Strategic Issues (a) Minutes of Strategic Cemeteries and Crematorium Development Working Group (Pages 31 - 36) (b) Plot Z1 Memorial at City Cemetery (Pages 37 - 46) (c) Response to DOJ ASB Consultation (Pages 47 - 72) (d) 2017/2018 Year End Committee Plan Update (Pages 73 - 84) (e) Belfast City Council Sports Development Strategy (Pages 85 - 88) 4. Physical Programme and Asset Management (a) Partner Agreements - Quarterly Update (Pages 89 - 92) (b) Asset Management (Pages 93 - 102) 5. Operational Issues (a) Proposal for naming new streets and the realignment of existing streets (Pages 103 - 106) (b) Naming of Path at Olympia (Pages 107 - 138) (c) Water Refill Points (Pages 139 - 142) (d) Food Service Delivery Plan (Pages -
A Content Analysis of Liberals' and Conservatives' Respective
Georgia State University ScholarWorks @ Georgia State University Sociology Theses Department of Sociology 1-6-2017 Red Show, Blue Show: A Content Analysis of Liberals’ and Conservatives’ Respective Television Favorites Nicholas Rogers Follow this and additional works at: https://scholarworks.gsu.edu/sociology_theses Recommended Citation Rogers, Nicholas, "Red Show, Blue Show: A Content Analysis of Liberals’ and Conservatives’ Respective Television Favorites." Thesis, Georgia State University, 2017. https://scholarworks.gsu.edu/sociology_theses/63 This Thesis is brought to you for free and open access by the Department of Sociology at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Sociology Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. RED SHOW, BLUE SHOW: A CONTENT ANALYSIS OF LIBERALS’ AND CONSERVATIVES’ RESPECTIVE TELEVISION FAVORITES by NICK ROGERS Under the Direction of Ben L. Kail, PhD ABSTRACT Ideological partisans in the United States are increasingly “sorting” themselves along cultural lines, from the cable news stations they watch to the chain restaurants they prefer. How do partisans seem to “know” how to sort themselves along ideological lines in cultural realms that offer no obvious political cues? To investigate this question, I look to the realm of narrative television, where conservatives and liberals have certain unique favorite programs despite the programs lacking any overt political content. I employ a quantitative content analysis to demonstrate that the substance of these polarizing shows relate to the social traits of curiosity, conformity, relativism, dogmatism, tribalism, vigilance, and chastity, which have previously been demonstrated to correspond to political ideology. -
4. the Second Coming Summary 2. She Bangs the Drums 1. I Wanna
: r 4 e 3 2 b 1 m 2 u 1 HHEE TTOONNEE OOSSEESS n T S R 0 T S R r 1 3 4 Ian Brown , John Squire2, Gary 'Mani' Mountfield , Alan 'Reni' Wren 2 e t U s 1. Manchester, UK (twitter: @thestoneroses), 2. Manchester, UK, 3. Manchester, UK, 4. Manchester, UK. G o E P 11.. II WWaannnnaa BBee AAddoorreedd 44.. TThhee SSeeccoonndd CCoommiinngg • I don't have to sell my soul, he's already in me. Love Spreads Begging You I don't have to sell my soul, he's already in me. • Love spreads her arms, waits there • The fly on the coachwheel told me that he got it and he knew • I wanna be adored. for the nails. I forgive you, boy, I what to do with it, Everybody saw it, saw the dust that he will prevail. Too much to take, made. King bee in a frenzy, ready to blow, got the horn good to • Adored, I wanna be adored. You adore me. some cross to bear. I'm hiding in go wait. Oh, his sting's all gone, now he's begging you, begging You adore me. You adore me. the trees with a picnic, she's over you. • I wanna be adored. there, yeah. • Here is a warning, the sky will divide. Since I took off the lid, • Let me put you in the picture, let there's nowhere to hide. Now I'm begging you, I'm begging ← Cover of the I Wanna Be Adored single me show you what I mean. -
The Clash and Mass Media Messages from the Only Band That Matters
THE CLASH AND MASS MEDIA MESSAGES FROM THE ONLY BAND THAT MATTERS Sean Xavier Ahern A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2012 Committee: Jeremy Wallach, Advisor Kristen Rudisill © 2012 Sean Xavier Ahern All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This thesis analyzes the music of the British punk rock band The Clash through the use of media imagery in popular music in an effort to inform listeners of contemporary news items. I propose to look at the punk rock band The Clash not solely as a first wave English punk rock band but rather as a “news-giving” group as presented during their interview on the Tom Snyder show in 1981. I argue that the band’s use of communication metaphors and imagery in their songs and album art helped to communicate with their audience in a way that their contemporaries were unable to. Broken down into four chapters, I look at each of the major releases by the band in chronological order as they progressed from a London punk band to a globally known popular rock act. Viewing The Clash as a “news giving” punk rock band that inundated their lyrics, music videos and live performances with communication images, The Clash used their position as a popular act to inform their audience, asking them to question their surroundings and “know your rights.” iv For Pat and Zach Ahern Go Easy, Step Lightly, Stay Free. v ACKNOWLEDGMENTS This thesis would not have been possible without the help of many, many people. -
Bryson Tiller Shares “Always Forever” Video Starring Kehlani from His a N N I V E R S a R Y Album – Available Everywhere Now Click Here to Watch
BRYSON TILLER SHARES “ALWAYS FOREVER” VIDEO STARRING KEHLANI FROM HIS A N N I V E R S A R Y ALBUM – AVAILABLE EVERYWHERE NOW CLICK HERE TO WATCH Critical Praise for A N N I V E R S A R Y: “There is no 'A N N I V E R S A R Y' without 'T R A P S O U L,' and contemporary R&B’s scene wouldn’t exist as it does without his success.” – Noisey “A N N I V E R S A R Y is positioned as a return to form, the proper follow-up to a terrific debut that fans have been longing for…Tiller seems fully revitalized.” – Billboard “R&B powerhouse” – Forbes “…right on time…” – Vulture ”Always Forever” included on The New York Times – “The Playlist” Watch “Always Forever”: https://brysontiller.lnk.to/AlwaysForeverVideo A N N I V E R S A R Y Tracklist: 1. Years Go By 2. Always Forever 3. I’m Ready For You 4. Things Change 5. Timeless Interlude 6. Sorrows 7. Inhale 8. Outta Time ft. Drake 9. Keep Doing What You’re Doing 10. Next To You Listen to A N N I V E R S A R Y: https://brysontiller.lnk.to/ANNIVERSARYPR Watch: “Inhale”: https://brysontiller.lnk.to/Inhale About Bryson Tiller: Bryson Tiller has captivated fans since his inception with the success of his 2015 debut album, T R A P S O U L. Following up in 2017 with his sophomore album, True To Self, which clinched the #1 spot on the Billboard 200 chart, Tiller staked his claim as one of the young greats in R&B/Hip-Hop.