Sandbox MUSIC MARKETING for the DIGITAL ERA Issue 98 | 4Th December 2013
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Barroom Door Swings Both Ways (09/17/20)
The Barroom Door Swings Both Ways (09/17/20) When I started practicing law, we brought many due process challenges to the actions of government. Due process is found in the Fifth Amendment to the United States Constitution. The Fourteenth Amendment, according to the United States Supreme Court jurisprudence imposed due process requirements on the states. An individual is entitled to a fair and impartial hearing from the government when the citizen is deprived of his or her rights. With the evolution of the law from the mid-1970s into the new century, due process was given less respect. Akin to due process is what is sometimes referred to in the law as “substantive” due process. This concept requires the government to act in a rational fashion, and to make decisions that have a discernible relationship to the issues confronting government. The courts routinely dismissed due process and rational relationship claims. The courts gave the government the benefit of a very high hurdle that no horse could jump. The courts said that government actions are “presumed” to be constitutional. It was necessary that there be proof of an intent to deprive a person of constitutional liberties. If the courts could find any articulable “rational relationship” between the harm and government action, the complaining citizen was thrown out of court. Successful due process and rational relationship substantive due process claims became rare. At the same time that hurdles to Fifth and Fourteenth Amendment claims were being erected, the First Amendment was being used to prevent the government from impinging upon the First Amendment religious rights of others. -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
X 7" Singles X Lps/Cds
customer name: email: RECORD STORE DAY 6/12/21 **availability subject to quantites on hand **quantity limited to 1 of each title per customer **most titles are extremely limited & will be sold on a first come, first served basis **no holds/mail order on RSD titles **no store coupons allowed on RSD titles **all items held for you from your menu must by picked up by 6PM on 6/12/21 X 7" singles Batmobile Ba-Baboon [Yellow Color] 7" Blind Boys of Alabama I Wish I Knew How it Would Feel to Be Free 7" NO STOCK Cautious Clay Prototype 3000 7" NO STOCK Czarface/MF Doom Meddle With Metal 3" Vinyl Dekker,Desmond King Of Ska: Beverley's Records Ska Singles [7"x10] 7" BOX Earle,Steve & The Dukes/Justin Townes Earle The Saint of Lost Causes 7" Goblin L'Alba Dei Morti Viventi [Zombi/Dawn of the Dead] 7" Golden Earring Twilight Zone 7" Gun Club Ruby Sessions 7" Haim feat. Taylor Swift Gasoline 7" Hu Sad But True & Wolf Totem [Picture Disc] 7" Integrity Cradle To The Grave [Blue & Black] 7" Mudhoney/Meat Puppets “Warning” / “One of These Days” 7" Richards,Keith Wicked As It Seems Live [Red Color] 7" NO STOCK Urban Renewal Project Posse Comitatvs #1: Border's Edge 7" Various Artists DJ Marky Brazil 45s Boxset 7" BOX X LPs/CDs AC/DC Through The Mists of Time [Picture Disc] 12" Air People In the City [Picture Disc] 12" Alestorm Sunset On The Golden Age [Deluxe 2LP Gold & Black Splatter] LP Alkaline Trio From Here To Infirmary LP NO STOCK Allen,Jimmie Hazy-O! 12" Animal Collective Prospect Hummer [Green & Yellow Starburst] 12" Anti-Flag 20/20 Division [Translucent -
My Bloody Valentine's Loveless David R
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 My Bloody Valentine's Loveless David R. Fisher Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC MY BLOODY VALENTINE’S LOVELESS By David R. Fisher A thesis submitted to the College of Music In partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2006 The members of the Committee approve the thesis of David Fisher on March 29, 2006. ______________________________ Charles E. Brewer Professor Directing Thesis ______________________________ Frank Gunderson Committee Member ______________________________ Evan Jones Outside Committee M ember The Office of Graduate Studies has verified and approved the above named committee members. ii TABLE OF CONTENTS List of Tables......................................................................................................................iv Abstract................................................................................................................................v 1. THE ORIGINS OF THE SHOEGAZER.........................................................................1 2. A BIOGRAPHICAL ACCOUNT OF MY BLOODY VALENTINE.………..………17 3. AN ANALYSIS OF MY BLOODY VALENTINE’S LOVELESS...............................28 4. LOVELESS AND ITS LEGACY...................................................................................50 BIBLIOGRAPHY..............................................................................................................63 -
Jazz – Pop – Rock Gesamtliste Stand Januar 2021
Jazz – Pop – Rock Gesamtliste Stand Januar 2021 50 Cent Thing is back CD 1441 77 Bombay Str. Up in the Sky CD 1332 77 Bombay Street Oko Town CD 1442 77 Bombay Street Seven Mountains CD 1684 7 Dollar Taxi Bomb Shelter Romance CD 1903 Abba The Definitive Collection CD 1085 Abba Gold CD 243 Abba (Feat.) Mamma Mia! Feat. Abba CD 992 Above & Beyond We are all we need CD 1643 AC/DC Black Ice CD 1044 AC/DC Rock or Bust CD 1627 Adams, Bryan Tracks of my Years CD 1611 Adams, Bryan Reckless CD 1689 Adele Adele 19 CD 1009 Adele Adele: 21 CD 1285 Adele Adele 25 CD 1703 Aguilera, Christina Liberation CD 1831 a-ha 25 Twenty Five CD 1239 Airbow, Tenzin Reflecting Signs CD 1924 Albin Brun/Patricia Draeger Glisch d’atun CD 1849 Ali Erol CD 1801 Allen, Lily It’s not Me, it’s You CD 1550 Allen, Lily Sheezus CD 1574 Alt-J An Awsome Wave CD 1503 Alt-J This is all yours CD 1637 Alt-J This is all yours, too CD 1654 Amir Au Cœurs de moi CD 1730 Girac, Kendji Amigo CD 1842 Anastacia Heavy rotation CD 1301 Anastacia Resurrection CD 1587 Angèle Brol la Suite CD 1916 Anthony, Marc El Cantante CD 1676 Arctic Monkeys Whatever people say CD 1617 Armatrading, Joan Starlight CD 1423 Ärzte, Die Jazz ist anders CD 911 Aslan Hype CD 1818 Avicii Tim CD 1892 Avidan, Assaf Gold Shadow CD 1669 Azcano, Juli Distancias CD 1851 Azcano, Julio/Arroyo, M. New Tango Songbook CD 1850 Baba Shrimps Neon CD 1570 Baker, Bastian Tomorrow may not be better CD 1397 Baker, Bastian Noël’s Room CD 1481 Baker, Bastian Too old to die young CD 1531 Baker, Bastian Facing Canyons CD 1702 Bailey Rae, Corinne The Heart speaks in Whispers CD 1733 Barclay James H. -
Title Artist Key Capo 20 C 500 Miles Proclaimers E a Groovy Kind Of
Title Artist Key Capo 20 C 500 Miles Proclaimers E A Groovy Kind Of Love Phil Collins C A House Is Not A Home Burt Bacharach Cm A night like this C Aber bitte mit Sahne Udo Jürgens F Abracadabra Steve Miller Am Achy Breaky Heart A Against All Odds Phil Collins Db Agua De Beber Dm Ai se eu te pego (Nossa Nossa) Michel Teló B Ain't No Sunshine Bill Withers Am Aint nobody Em All about that bass Meghan Trainor A all blues Miles Davis C All summer long Kid Rock G All that she wants st: Ace Of Base C#m All The Things You Are Bbm Amazing Grace Misc. Traditional C Angels Robbie Williams E Another One Bites The Dust Queen F#m At Last F Atemlos B Auf Uns D Autumn Leaves Nat King Cole Gm Baby I love you Artist Name C Back To Black Amy Winehouse Dm Bad Moon Rising Creedence Clearwater Revival G Baker Street Gerry Rafferty Ab Bamboleo Gipsy Kings F#m Beautiful Christina Aguilera Eb Believe F# Bergwerk D Besame Mucho Joao Gilberto Am Best (the) F Billy Jean Michael Jackson F#m Birds And The Bees Misc. Unsigned Bands D Black Horse And Cherry Tree Kt Tunstall Em Black magic woman Santana Dm Blue Bossa} Cm Blue Moon Elvis Presley Cb Bobby Brown Frank Zappa C Book of love Artist Name A Brazil G Bubbly A Bye Bye Blackbird Db Calm after the storm Artist Name Ab Can't Help Falling In Love Elvis Presley D Can't wait until tonight_Max C Mutzke Candle In The Wind Elton John E Cocaine E Copacabana Barry Manilow Bbm Corazon espinado Bm Corcovado C Could You Be Loved Bob Marley Bm Country Roads 2 John Denver D Crazy Little Thing Called Love Queen D Daddy Cool Boney -
Andrew Weatherall Presente Convenanza. 21/22 Septembre 2018. Carcassonne. À Propos
ANDREW WEATHERALL PRESENTE CONVENANZA. 21/22 SEPTEMBRE 2018. CARCASSONNE. À PROPOS. LIEU. Le festival Convenanza est une expérience unique : il se déroule La cour d’honneur du château dans un lieu magique, la cour Comtal constitue un écrin d’honneur du château Comtal impressionnant pour Convenanza. dans la Cité de Carcassonne. Ce lieu colle parfaitement aux objectifs du festival, à savoir, créer Cette 6ème édition est placée une intimité et une expérience plus sous le signe du patrimoine et raffinée, dans un lieu magique. de la création contemporaine, avec la présence sur les CENTRE DES MONUMENTS remparts des cercles NATIONAUX Concentriques—Excentriques de l’artiste de renommée mondiale En 2014, Convenanza investit la Felice Varini. cour d’Honneur du château comtal avec une programmation faisant Chaque année, fin septembre, la part belle aux découvertes le légendaire producteur et musicales. Patrimoine et DJ Britannique Andrew Weatherall exclusivités artistiques font la et Bernie Fabre sélectionnent magie et le succès du festival : et accueillent groupes et DJs pour chaque année, un public un évènement qui attire international se rassemble pour un public international… ce qui est devenu l’évènement Andrew a eu un coup de foudre musical de l’automne ! pour la Cité de Carcassonne, L’esprit du festival, indissociable du et a décidé d’y créer son festival. monument, appelle à de nouvelles Il s’est ensuite passionné pour rencontres et découvertes l’histoire des Cathares, d’où artistiques. En 2018, Convenanza le nom du festival « Convenanza » s’écrit grâce à une co-production faisant référence à la conversion de « De la City à la Cité » et du à la foi cathare. -
Classes for Adults and Kids SPRING 2021 Newton Community Education
Classes for Adults and Kids SPRING 2021 newton community education newtoncommunityed.org In person summer kids page 42 notes Spring 2021 Adult Classes From the Executive Director: Art & Photography ..................................3 It’s no secret; 2020 was a tough year. Many of us are fatigued by our collective and individual Business & Career ..................................29 struggles; anxious about health, work, and the future. Computers & Technology .......................30 The time-honored tradition of turning the page from one year to reveal the opportunities Crafts.....................................................26 of the next was punctuated by the recent presidential inauguration. We viewers were Dance & Fitness .....................................17 riveted as a diminutive young poet seized our attention, gracefully—through her words English Language Learners (ELL) ...........31 and gestures — echoing the (presidential) themes of unity and hope. Amanda Gorman’s Food & Drink .........................................10 words were powerful indeed, but equally impressive to me was learning that community- based education helped hone her craft. While struggling to overcome a serious speech GED & HiSET® ........................................31 impediment, Gorman participated in writing workshops at a Los Angeles community-based Home & Garden .....................................27 education center. So there it is… Community Education opens doors, including ones leading Languages ..............................................7 -
The Andrew Weatherall Mixes) Label: Sunday Best Recordings Release Date: 29Th July 2016 Cat: SBEST188
Artist: Solar Bears Title: Separate From The Arc (The Andrew Weatherall Mixes) Label: Sunday Best Recordings Release date: 29th July 2016 Cat: SBEST188 Irish electronic duo Solar Bears – fresh from releasing their critically acclaimed third album ‘Advancement’ earlier this year – have received the remix treatment from seminal DJ, producer & IDM Techno forefather Andrew Weatherall. Reimagining ‘Separate From The Arc’ – ‘Advancement’s’ climactic, swirling & masterfully cathartic closer – Weatherall delivers a left field, darker-toned re-shift, preserving the track’s central energy whilst propagating and expanding its percussive elements via glitched-out rhythms and syncopated nuances. It’s a momentous pairing. Both Solar Bears and Weatherall are masters of analogue and digital collisioning, both striving to reinvent and challenge the electronic music form. A testament to their affinity, Solar Bears were in turn asked to remix ‘Kicking The River’ – a track taken from Weatherall’s latest album Convenanza. Solar Bear’s third album ‘Advancement’ was released March 18th on Sunday Best Recordings. It’s an epic statement where the individual sounds and phrases may appear familiar to the listener, but when experienced fully provide a powerful soundtrack to the primitive beauty of existence. The cryptic themes and unidentified episodes are wrapped in compelling sensation and emotion, chaos touched by balance, the known inter-twined with the ethereal, cascading rhythms and expansive plateaus of sound. The duo have garnered support from Boiler Room, Uncut & Resident Advisor, with Fact Mag noting “Advancement floats by in a slow-drift of synthy beauty, from the sparkling ‘Wild Flowers’ to the majestic ‘Man Plus”. Fact also filmed a short video with the duo – exploring their expansive equipment collection and explosive live show. -
Partnership Introduction
PARTNERSHIP INTRODUCTION DISCOVERTHEBLUEDOT.COM . Mission Statement . The Bluedot Universe . Bluedot UK . Music . Science . Cosmic Culture . Family, Food and Wellbeing . BluedotDigital inc the bluedot podcast . Microdot . Bluedot Global . Audience . Marketing . Partnerships CONTENTS . Case Studies . To inspire and entertain. To celebrate science and the exploration of the universe. To explore the frontiers of human advancement. To explore collaborations in science, culture, art and technology. THE BLUEDOT . To highlight the fragility of planet Earth. MISSION STATEMENT THE BLUEDOT UNIVERSE BLUEDOT UK bluedot UK is a four-day festival of music, science and cosmic culture, taking place each July at Jodrell Bank Observatory in Cheshire. The festival welcomes an audience of over 35,000 naturally inquisitive explorers and thinkers. This diversity is reflected in the festival programme, which supports artists and speakers of all ages, races and backgrounds. bluedot is a conduit and melting pot BLUEDOT for the worlds of science, art and FESTIVAL culture to co-exist and collaborate. THE BLUEDOT UNIVERSE MUSIC Kraftwerk · The Chemical Brothers · New Order Hot Chip · The Flaming Lips · Gilles Peterson Helena Hauff · alt-J · Pixies · Orbital · Leftfield Jean-Michel Jarre · Goldfrapp · Soulwax Underworld · Caribou · Public Service Broadcasting Andrew Weatherall · Joy Orbison · Joe Goddard Blue Planet in concert with the Halle Orchestra PREVIOUS MUSIC HIGHLIGHTS The Lovell Stage is the hub of the bluedot universe and has previously hosted The Chemical Brothers, Jean-Michel Jarre, Kraftwerk, Hot Chip, New Order, Flaming Lips, Future Islands among many others. Situated in the shadow of the mighty Lovell telescope, the stage references the iconic structure that has been at the centre of our quest for discovery, in the LOVELL known universe and beyond. -
Primal Scream Juntam-Se Ao Cartaz Do Nos Alive'19
COMUNICADO DE IMPRENSA 02 / 04 / 2019 NOS apresenta dia 12 de julho PRIMAL SCREAM JUNTAM-SE AO CARTAZ DO NOS ALIVE'19 Os escoceses Primal Scream são a mais recente confirmação do NOS Alive’19. A banda liderada por Bobby Gillespie, figura incontornável da música alternativa, sobe ao Palco NOS dia 12 de julho juntando-se assim aos já anunciados Vampire Weekend, Gossip e Izal no segundo dia do festival. Com mais de 30 anos de carreira, Primal Scream trazem até ao Passeio Marítimo de Algés o novo álbum com data de lançamento previsto a 24 de maio, “Maximum Rock N Roll: The Singles”, trabalho que reúne os singles da banda desde 1986 até 2016 em dois volumes. A compilação começa com “Velocity Girl”, passando por temas dos dois primeiros álbuns como são exemplo "Ivy Ivy Ivy" e "Loaded". A banda que tinha apresentado em outubro de 2018 a mais recente compilação de singles originais do quarto álbum de 1994 com “Give Out But Don’t Give Up: The Original Memphis Recordings”, juntando-se ao lendário produtor Tom Dowd, a David Hood (baixo) e Roger Hawkins (bateria) no Ardent Studios em Memphis, está de volta às gravações e revelam algo nunca antes ouvido e uma banda que continua a surpreender. Primal Scream foi uma parte fundamental da cena indie pop dos anos 80, depois do galardoado disco "Screamadelica" vencedor do Mercury Prize em 1991, considerado um dos maiores de todos os tempos, a banda seguiu por influências de garage rock e dance music até ao último trabalho discográfico “Chaosmosis” lançado em 2016. -
Educating Artists for the Future: Learning at the Intersections of Art, Science, Technology, and Culture
Educting Artists.qxd 19/11/07 7:36 pm Page 1 Educating Artists for the Future: Learning at the Intersections of Art, Science, Technology, and Culture Mel Alexenberg Editor Educting Artists.qxd 19/11/07 7:36 pm Page 2 Educting Artists.qxd 19/11/07 7:36 pm Page 3 Educating Artists for the Future: Learning at the Intersections of Art, Science, Technology, and Culture Mel Alexenberg Editor ^ciZaaZXi 7g^hida! J@ 8]^XV\d! JH6 Educting Artists.qxd 19/11/07 7:36 pm Page 4 First Published in the UK in 2008 by Intellect Books, The Mill, Parnall Road, Fishponds, Bristol, BS16 3JG, UK First published in the USA in 2008 by Intellect Books, The University of Chicago Press, 1427 E. 60th Street, Chicago, IL 60637, USA Copyright © 2008 Intellect Ltd All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without written permission. A catalogue record for this book is available from the British Library. Cover Design: ???? Copy Editor: Holly Spradling Typesetting: Mac Style, Nafferton, E. Yorkshire ISBN 978-1-84150-191-8 Printed and bound by Gutenberg Press, Malta. Educting Artists.qxd 19/11/07 7:36 pm Page 5 CONTENTS Introduction: Education for a Conceptual Age 9 Learning at the Intersections of Art, Science, Technology, and Culture 11 Mel Alexenberg Professor of Art and Founding Dean, School of Art and Multimedia Design, Netanya Academic College, Netanya, Israel, (author of The Future of Art in a Digital