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Artist Concert 3 Doors Down Live at the Download Festival 3 Doors Down Live At The Tabernacle 2014 30 Odd Foot Of Grunts Live at Soundstage 30 Seconds To Mars Live At Download Festival 2013 5 Seconds of Summer How Did We End Up Here? 6ft Hick Notes from the Underground A House Live on Stage A Thousand Horses Real Live Performances ABBA Arrival: The Ultimate Critical Review ABBA The Gold Singles Above And Beyond Acoustic AC/DC AC/DC - No Bull AC/DC In Performance AC/DC Live At River Plate\t AC/DC Live at the Circus Krone Acid Angels 101 A Concert - Band in Seattle Acid Angels And Big Sur 101 Episode - Band in Seattle Adam Jensen Live at Kiss FM Boston Adam Lambert Glam Nation Live Aerosmith Rock for the Rising Sun Aerosmith Videobiography After The Fire Live at the Greenbelt Against Me! Live at the Key Club: West Hollywood Aiden From Hell with Love Air Eating Sleeping Waiting and Playing Air Supply Air Supply Live in Toronto Air Supply Live in Hong Kong Akhenaton Live Aux Docks Des Sud Al Green Everything's Going To Be Alright Alabama and Friends Live at the Ryman Alain Souchon J'veux Du Live Part 2 Alanis Morissette Guitar Center Sessions Alanis Morissette Live at Montreux 2012 Alanis Morissette Live at Soundstage Albert Collins Live at Montreux Alberta Cross Live At The ATO Cabin Alejandro Fernández Confidencias Reales Alejandro Sanz El Alma al Aire en Concierto Ali Campbell Live at the Shepherds Bush Empire Alice Cooper AVO Session Alice Cooper Brutally Live Alice Cooper Good To See You Again Alice Cooper Live at Montreux Alice Cooper -
What Will Be Country Music's Songs of Summer 2021?
2021 MAY 24 CountryInsider.com | Sign Up For Daily Email Here What Will Be Country Music’s Songs Of Summer 2021? If 2020 was the summer where everyone stayed home, 2021 will be the one where people can’t wait to get back out. With Memorial Day Weekend approaching, what are country radio’s programmers seeing as the singles for this season? “I think three are shaping up to be summer soundtracks with Luke Bryan’s ‘Waves’ front and center,” says Audacy Country Format Captain Tim Roberts. “It’s a super-chill track that captures summer and fun beautifully.” Also on Roberts’ summer fun list: Brian Kelley’s “Beach Cowboy,” “which I think is where a lot of brains drift toward daydreaming about summer beach fun,” and Old Dominion’s new “I Was on a Boat That Day.” (Continued on page 4) COUNTRY INSIDER TOP 5: WGAR’s “Wazz & Carletta” Look Back On Morning Show Pairing Ahead Of First Anniversary. Bobby Bones Show’s Eddie Garcia Blows Past $10K Goal To Walk From West Virginia To Tennessee. Morgan Wallen Debuts Miranda Lambert, Nicolle Galyon Co-Write On Instagram. Consultant Mike O’Malley: Don’t Be A Bystander In Your Own Show. Dustin Lynch Returns As Headliner for WEZL Charlotte’s Stars and Guitars Music Festival. 1 | MAY 24, 2021 CountryInsider.com Dani Lynn Howe Trey Poston Top 5 All-Time Middays/KYKR Top 5 All-Time Songs Leuck & Howe Morning Show, WLLR-FM Country Bands: Beaumont, TX by Female Artists: Quad Cities, IA/IL 1. Restless Heart 1. Safe in the Arms of Love - Martina McBride 2. -
Between Winter/Spring 2018
BETWEEN WINTER/SPRING 2018 the Lions NEWS and UPDATES for the St. Pius X Catholic High School Community... 60 Years of ST. PIUS X Catholic IDENTITY Pius MISSION Current NEWS This magazine is produced by the St. Pius X Catholic High School Office of Advancement. Chad Barwick President Steve Spellman Principal Jenn Sedlack Director of Advancement Mary Vallés Jones Associate Director of Advancement Records & Events Karoline Rumps Brennan ’82 Director of Alumni Relations Deanna Jones-Puig ’01 Communications Manager Kyle Snipes Communications Coordinator Mary O’Brien Beyer ’82 Advancement Coordinator St. Pius X, an archdiocesan high school, provides a college preparatory education for the formation of the mind, body, and spirit of each student in accordance with the teachings of the Catholic Church. We would like to extend a special thank you to Billy Howard Photography, Cady Studios, Carol Pajer, and the numerous students, parents, faculty, and staff who submitted photos used in this publication. Contents Letter from the President 04 Letter from the Principal 05 A Look Back: 60 Years of St. Pius X 06 Lions and Legacies Gala 08 Faculty Feature 09 A Legacy of Catholic Identity at St. Pius X 10 From the Office of Advancement 12 St. Pius X News 14 Senior Advocates for Diabetes Research 17 Fine Arts at St. Pius X 18 Parent Organizations Make a Difference 20 Writing Center Offers Peer to Peer Tutoring 22 NHS Welcomes New Inductees 23 Athletics at St. Pius X 24 Spotlight on the Pius Community 26 Living the Pius Mission 28 Homecoming-Reunion Weekend 2017 32 Lion Lines 34 Student Connects Through Social Media 38 In Memoriam 39 03 From the President Dear Golden Lion Families, We have been blessed this year with great students and incredibly supportive families striving to lighting, building locker rooms, bathrooms, strengthen our Pius mission. -
ANDERTON Music Festival Capitalism
1 Music Festival Capitalism Chris Anderton Abstract: This chapter adds to a growing subfield of music festival studies by examining the business practices and cultures of the commercial outdoor sector, with a particular focus on rock, pop and dance music events. The events of this sector require substantial financial and other capital in order to be staged and achieve success, yet the market is highly volatile, with relatively few festivals managing to attain longevity. It is argued that these events must balance their commercial needs with the socio-cultural expectations of their audiences for hedonistic, carnivalesque experiences that draw on countercultural understanding of festival culture (the countercultural carnivalesque). This balancing act has come into increased focus as corporate promoters, brand sponsors and venture capitalists have sought to dominate the market in the neoliberal era of late capitalism. The chapter examines the riskiness and volatility of the sector before examining contemporary economic strategies for risk management and audience development, and critiques of these corporatizing and mainstreaming processes. Keywords: music festival; carnivalesque; counterculture; risk management; cool capitalism A popular music festival may be defined as a live event consisting of multiple musical performances, held over one or more days (Shuker, 2017, 131), though the connotations of 2 the word “festival” extend much further than this, as I will discuss below. For the purposes of this chapter, “popular music” is conceived as music that is produced by contemporary artists, has commercial appeal, and does not rely on public subsidies to exist, hence typically ranges from rock and pop through to rap and electronic dance music, but excludes most classical music and opera (Connolly and Krueger 2006, 667). -
View Annual Report
Full Year 2013 Results - Record Performance • Concert Attendance Up 19% - Total Ticketmaster 400 Million Fans Delivering Over $17 Billion GTV • 900 Million Fans Visit Ticketmaster, Creating User Database of 250 Million Fan Preferences • Revenue Up 11% to $6.5 Billion • AOI Increased 10% to $505 Million • Moved to Profitability in Operating Income off $140 Million • Reported Net Income Improved by $120 Million TO OUR STOCKHOLDERS: 2013 Results We had a record year in 2013 and are well positioned for continued growth in 2014 and beyond. During 2013, we further grew our unmatched concerts global fan base by 10 million fans, attracting almost 60 million fans to our concerts. This tremendous growth fueled our sponsorship and ticketing businesses with Ticketmaster managing nearly 4400 million total tickets in 2013. Combined, we delivered a record year for revenue, AOI and free cash flow. Our results demonstrate the effectiveness of our business model, establishing Live Nation as what we believe to be the number one player in each of our businesses, with concerts driving our flywheel, which is then monetized across our high margin on-site, sponsorship and ticketing businesses. Strong Fan Demand for Live Events We continue to see the tremendous power of live events, with strong global consumer demand. Research shows that live events are a high priority for discretionary spending, and over 80% of our fans surveyed indicate that they plan on attending the same or more events in 2014 as in 2013. Another sign of the strength of our business is that 85% of Live Nation’s fan growth came organically, from our promoting more shows in amphitheaters, arenas and stadiums; from launching new festivals; and from establishing operatioons in new markets. -
What Literature Knows: Forays Into Literary Knowledge Production
Contributions to English 2 Contributions to English and American Literary Studies 2 and American Literary Studies 2 Antje Kley / Kai Merten (eds.) Antje Kley / Kai Merten (eds.) Kai Merten (eds.) Merten Kai / What Literature Knows This volume sheds light on the nexus between knowledge and literature. Arranged What Literature Knows historically, contributions address both popular and canonical English and Antje Kley US-American writing from the early modern period to the present. They focus on how historically specific texts engage with epistemological questions in relation to Forays into Literary Knowledge Production material and social forms as well as representation. The authors discuss literature as a culturally embedded form of knowledge production in its own right, which deploys narrative and poetic means of exploration to establish an independent and sometimes dissident archive. The worlds that imaginary texts project are shown to open up alternative perspectives to be reckoned with in the academic articulation and public discussion of issues in economics and the sciences, identity formation and wellbeing, legal rationale and political decision-making. What Literature Knows The Editors Antje Kley is professor of American Literary Studies at FAU Erlangen-Nürnberg, Germany. Her research interests focus on aesthetic forms and cultural functions of narrative, both autobiographical and fictional, in changing media environments between the eighteenth century and the present. Kai Merten is professor of British Literature at the University of Erfurt, Germany. His research focuses on contemporary poetry in English, Romantic culture in Britain as well as on questions of mediality in British literature and Postcolonial Studies. He is also the founder of the Erfurt Network on New Materialism. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
311 ~ the Tabernacle ~ Atlanta, GA ~ 7/24-25/2014 » 7/31/14 11:33 AM
311 ~ The Tabernacle ~ Atlanta, GA ~ 7/24-25/2014 » 7/31/14 11:33 AM Home Reviews Photo Photo Ancient Interviews Contests Videos About Contact 31 Jul Login 311 ~ The Tabernacle ~ Atlanta, GA ~ 7/24-25/2014 Tags: Review by Cliff Lummus, Photos by Lucas Armstrong 311, atlanta, concert There are three constants in an ever-changing world that the people of Atlanta can look forward to photography, every summer: sunny skies, Braves baseball, and 311. Georgia, Live Music, The Rolling in fresh off a set at the House of Blues in Myrtle Beach, South Carolina, 311 changed Tabernacle things up for their Atlanta fans quite a bit for their summer tour. permalink Over 90 percent of 311’s Atlanta concerts in the past decade have been at Aaron’s Amphitheater at Lakewood. For the 2014 tour, 311 dropped the humid, summer sundown setting of a 19,000 occupancy, sprawling, generic venue sellout for two packed-house back-to-back nights on Thursday http://jamsplus.com/311-the-tabernacle-atlanta-ga-724-252014/ Page 1 of 6 311 ~ The Tabernacle ~ Atlanta, GA ~ 7/24-25/2014 » 7/31/14 11:33 AM and Friday at The Tabernacle, one of Atlanta’s most intimate and distinctive concert venues. With a scant capacity of 2,600, tickets for either show were a hot commodity, with the Friday date selling out several weeks in advance and Thursday following quickly. The lucky 311 faithful that were able to snag tickets for either date got the chance to swap their usual mile-away lawn space for the up-close-and-personal experience that is The Tabernacle. -
This Is No Laughing Matter: How Should Comedians Be Able to Protect Their Jokes?
Hastings Communications and Entertainment Law Journal Volume 42 Number 2 Summer 2020 Article 3 Summer 2020 This is No laughing Matter: How Should Comedians Be Able to Protect Their Jokes? Sarah Gamblin Follow this and additional works at: https://repository.uchastings.edu/hastings_comm_ent_law_journal Part of the Communications Law Commons, Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Sarah Gamblin, This is No laughing Matter: How Should Comedians Be Able to Protect Their Jokes?, 42 HASTINGS COMM. & ENT. L.J. 141 (2020). Available at: https://repository.uchastings.edu/hastings_comm_ent_law_journal/vol42/iss2/3 This Article is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Communications and Entertainment Law Journal by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. 2 - GAMBLIN_CMT_V42-2 (DO NOT DELETE) 4/8/2020 11:18 AM This is No laughing Matter: How Should Comedians Be Able to Protect Their Jokes? by SARAH GAMBLIN1 The only honest art form is laughter, comedy. You can’t fake it . try to fake three laughs in an hour—ha ha ha ha ha—they’ll take you away, man. You can’t.2 – Lenny Bruce Abstract This note will discuss the current state of protection for jokes and comedy. As it is now, the only protection comics have is self-help, meaning comedians take punishing thefts into their own hands. This note will dive into the reasons why the current legislature and courts refuse to recognize jokes as copyrightable. -
Morgan Wallen's 'Dangerous' Spends Fourth Week at No. 1 on Billboard
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; ENTERTAINMENTBrett Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 8, 2021 Page 1 of 25 Leader; Travis Denning Makes History INSIDE Morgan Wallen’s ‘Dangerous’ Spends Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music GroupFourth Nashville), debuts at No. Week1 on Billboard’s lion at audience No. impressions, 1 upon 16%). Billboard Top Country• Olivia AlbumsRodrigo’s chart dated April 18. In its first week (ending April 9), it earned‘Drivers 46,000 License’ equivalent album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cordingLeads to Hot Nielsen 100 for Music/MRC 4th Data. 200 Albumsand total Country Airplay ChartNo. 1 as “Catch” (Big Machine Label Group) ascends SouthsideWeek, The marks Weeknd Hunt’s second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chart &and CJ fourth Hit Top top 10 10. It follows freshman LP BY KEITH CAULFIELD Young’s first of six chart entries, “Sleep With- Montevallo• Super ,Bowl which Synch arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You Report: Sony/ATV Morgan Wallen’s Dangerous: The Double Album holds demand streams of the album’s songs), album sales Montevallo has earned 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved Walking on Air at No. -
Guitar Basics Christmas (Easy Guitar Tab) Pdf Free Download
GUITAR BASICS CHRISTMAS (EASY GUITAR TAB) PDF, EPUB, EBOOK James Longworth,Nick Walker | 32 pages | 30 Aug 2014 | Faber Music Ltd | 9780571538690 | English | Harlow, United Kingdom Guitar Basics Christmas (Easy Guitar Tab) PDF Book Than ks Reply. J i n g l e B e l l R o c k This classic Christmas song was written by Bobby Helms in and it will almost certainly be a song you stumble upon at Christmas time. Ok Privacy Notice. Guitar Command is a dedicated publisher of music and tuition material for the guitar. Support the site. Bradford Werner on November 28, pm. This gives them more control over the notes and chords being played. There are many different types of chord, each with their own individual sound. Each carol includes lyrics and chord diagrams: either give a solo guitar recital, or accompany a singer or choir. Prepare for the tune to be stick in your head for the rest of the day. Looking for more music? The Ramones. For some awesome beginner guitar chords, check out this article: Guitar Chords For Beginners. The solo is more of a break after the first chorus. Beastie Boys Fight for Your Right to Party This one is just a few measures long and can be easily handled, provided you know how to bend a few notes. This solo is clean, slow and completely attainable, even for the more untried beginners among us. O Holy Night Guitar Chords. Tom Morello must have exhausted his creativity with this song on the verse riff which is awesome , because the chorus riff and solo are pretty "run of the mill. -
2020-RSD-Drops-List.Pdf
THESE RELEASES WILL BE AVAILABLE AUGUST 29TH DROP ARTIST TITLE FORMAT QTY August Marie-Mai Elle et Moi 12” Vinyl 400 August The Trews No Time For Later (Limited Edition) 2XLP 750 August Ron Sexsmith Hermitage (RSD20EX) 12” Vinyl 250 August Milk & Bone Dive 12” Vinyl 250 August You Say Party XXXX (10th Anniversary Limited Edition) 12” LP 200 August Teenage Head Drive In 7” Single 500 August The Neil Swainson Quintet 49th Parallel 500 12” Double August Rascalz Cash Crop 1000 Vinyl 12” Double August Offenbach En Fusion-40th anniversary 500 Vinyl August Ace Frehley Trouble Walkin' LP Penderecki/Don Cherry & The New Eternal August Actions LP 1500 Rhythm August Al Green Green Is Blues Sounds Like A Melody (Grant & Kelly Remix August Alphaville LP by Blank & Jones x Gold & Lloyd) Heritage II: Demos/Alternate Takes 1971- August America LP 1976 August Andrew Gold Something New: Unreleased Gold LP LP RSD August Anoushka Shankar Love Letters EXCL 7" RSD August August Burns Red Bones EXCL August Bastille All This Bad Blood RSD EXCL August Biffy Clyro Moderns LP LP RSD August Billie Eilish Live at Third Man EX 12"RSD August Bob Markley Redemption Song EXCL August Bone Thugs N Harmony Creepin on Ah Come Up RSD EXCL LP RSD August Brian Eno SOUNDTRACK RAMS EXC August Brittany Howard Live at Sound Emporium LP RSD LP RSD August Buffy Sainte-Marie Illuminations EXCL 10" RSD August Buju Banton Trust & Steppa EXCL 7"RSD August Cat Stevens But I Might Die Tonight EXCL August Charli XCX Vroom Vroom EP LP LP RSD August Charlie Parker Jazz at Midnight