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The Aesthetic Terrain of Settler Colonialism: Katherine Mansfield and Anton Chekhov’S Natives
Journal of Postcolonial Writing ISSN: 1744-9855 (Print) 1744-9863 (Online) Journal homepage: http://www.tandfonline.com/loi/rjpw20 The aesthetic terrain of settler colonialism: Katherine Mansfield and Anton Chekhov’s natives Rebecca Ruth Gould To cite this article: Rebecca Ruth Gould (2018): The aesthetic terrain of settler colonialism: Katherine Mansfield and Anton Chekhov’s natives, Journal of Postcolonial Writing, DOI: 10.1080/17449855.2018.1511242 To link to this article: https://doi.org/10.1080/17449855.2018.1511242 Published online: 04 Oct 2018. Submit your article to this journal Article views: 1 View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rjpw20 JOURNAL OF POSTCOLONIAL WRITING https://doi.org/10.1080/17449855.2018.1511242 The aesthetic terrain of settler colonialism: Katherine Mansfield and Anton Chekhov’snatives Rebecca Ruth Gould College of Arts and Law, University of Birmingham, Birmingham, UK ABSTRACT KEYWORDS While Anton Chekhov’sinfluence on Katherine Mansfield is Settler colonialism; Sakhalin; widely acknowledged, the two writers’ settler colonial aesthetics New Zealand; Siberia; Maori; have not been brought into systematic comparison. Yet Gilyak; Russian Empire Chekhov’s chronicle of Sakhalin Island in the Russian Far East parallels in important ways Mansfield’s near-contemporaneous account of colonial life in New Zealand. Both writers are con- cerned with a specific variant of the colonial situation: settler colonialism, which prioritizes appropriation of land over the gov- ernance of peoples. This article considers the aesthetic strategies each writer develops for capturing that milieu within the frame- work of the settler colonial aesthetics that has guided much anthropological engagement with endangered peoples. -
In the Twilight Anton Chekhov
In the Twilight Anton Chekhov Translated by Hugh Aplin ALMA CLASSICS AlmA ClAssiCs ltd London House 243-253 Lower Mortlake Road Richmond Surrey TW9 2LL United Kingdom www.almaclassics.com In the Twilight first published in Russian in 1887 This translation first published by Alma Classics Ltd in 2014 Translation and Notes © Hugh Aplin, 1887 Extra Material © Alma Classics Ltd Cover image © Marina Rodrigues Printed and bound by CPI Group (UK) Ltd, Croydon, CR0 4YY isbn: 978-1-84749-383-5 All the pictures in this volume are reprinted with permission or pre sumed to be in the public domain. Every effort has been made to ascertain and acknowledge their copyright status, but should there have been any unwitting oversight on our part, we would be happy to rectify the error in subsequent printings. All rights reserved. No part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or other- wise), without the prior written permission of the publisher. This book is sold subject to the condition that it shall not be resold, lent, hired out or otherwise circulated without the express prior consent of the publisher. Contents Introduction v In the Twilight 1 Dreams 3 A Trivial Occurrence 12 A Bad Business 23 At Home 29 The Witch 39 Verochka 53 In Court 67 A Restless Guest 75 The Requiem 82 On the Road 88 Misfortune 105 An Event 119 Agafya 125 Enemies 136 A Nightmare 150 On Easter Eve 165 Note on the Text 177 Notes 179 Extra Material 185 Anton Chekhov’s Life 187 Anton Chekhov’s Works 198 Select Bibliography 206 Introduction The early part of Anton Chekhov’s literary career was a period of frenzied writing. -
O MAGIC LAKE Чайкаthe ENVIRONMENT of the SEAGULL the DACHA Дать Dat to Give
“Twilight Moon” by Isaak Levitan, 1898 O MAGIC LAKE чайкаTHE ENVIRONMENT OF THE SEAGULL THE DACHA дать dat to give DEFINITION датьA seasonal or year-round home in “Russian Dacha or Summer House” by Karl Ivanovich Russia. Ranging from shacks to cottages Kollman,1834 to villas, dachas have reflected changes in property ownership throughout Russian history. In 1894, the year Chekhov wrote The Seagull, dachas were more commonly owned by the “new rich” than ever before. The characters in The Seagull more likely represent the class of the intelligencia: artists, authors, and actors. FUN FACTS Dachas have strong connections with nature, bringing farming and gardening to city folk. A higher class Russian vacation home or estate was called a Usad’ba. Dachas were often associated with adultery and debauchery. 1 HISTORYистория & ARCHITECTURE история istoria history дать HISTORY The term “dacha” originally referred to “The Abolition of Serfdom in Russia” by the land given to civil servants and war Alphonse Mucha heroes by the tsar. In 1861, Tsar Alexander II abolished serfdom in Russia, and the middle class was able to purchase dwellings built on dachas. These people were called dachniki. Chekhov ridiculed dashniki. ARCHITECTURE Neoclassicism represented intelligence An example of 19th century and culture, so aristocrats of this time neoclassical architecture attempted to reflect this in their architecture. Features of neoclassical architecture include geometric forms, simplicity in structure, grand scales, dramatic use of Greek columns, Roman details, and French windows. Sorin’s estate includes French windows, and likely other elements of neoclassical style. Chekhov’s White Dacha in Melikhovo, 1893 МéлиховоMELIKHOVO Мéлихово Meleekhovo Chekhov’s estate WHITE Chekhov’s house was called “The White DACHA Dacha” and was on the Melikhovo estate. -
FULL LIST of WINNERS the 8Th International Children's Art Contest
FULL LIST of WINNERS The 8th International Children's Art Contest "Anton Chekhov and Heroes of his Works" GRAND PRIZE Margarita Vitinchuk, aged 15 Novocherkassk, Rostov Oblast, Russia for “The Lucky One” Age Group: 14-17 years olds 1st place awards: Anna Lavrinenko, aged 14 Novocherkassk, Rostov Oblast, Russia for “Ward No. 6” Xenia Grishina, aged 16 Gatchina, Leningrad Oblast, Russia for “Chameleon” Hei Yiu Lo, aged 17 Hongkong for “The Wedding” Anastasia Valchuk, aged 14 Prokhladniy, Kabardino-Balkar Republic, Russia for “Ward Number 6” Yekaterina Kharagezova, aged 15 Novocherkassk, Rostov Oblast, Russia for “Portrait of Anton Chekhov” Yulia Kovalevskaya, aged 14 Prokhladniy, Kabardino-Balkar Republic, Russia for “Oversalted” Valeria Medvedeva, aged 15 Serov, Sverdlovsk Oblast, Russia for “Melancholy” Maria Pelikhova, aged 15 Penza, Russia for “Ward Number 6” 1 2nd place awards: Anna Pratsyuk, aged 15 Omsk, Russia for “Fat and Thin” Maria Markevich, aged 14 Gomel, Byelorussia for “An Important Conversation” Yekaterina Kovaleva, aged 15 Omsk, Russia for “The Man in the Case” Anastasia Dolgova, aged 15 Prokhladniy, Kabardino-Balkar Republic, Russia for “Happiness” Tatiana Stepanova, aged 16 Novocherkassk, Rostov Oblast, Russia for “Kids” Katya Goncharova, aged 14 Gatchina, Leningrad Oblast, Russia for “Chekhov Reading Out His Stories” Yiu Yan Poon, aged 16 Hongkong for “Woman’s World” 3rd place awards: Alexander Ovsienko, aged 14 Taganrog, Russia for “A Hunting Accident” Yelena Kapina, aged 14 Penza, Russia for “About Love” Yelizaveta Serbina, aged 14 Prokhladniy, Kabardino-Balkar Republic, Russia for “Chameleon” Yekaterina Dolgopolova, aged 16 Sovetsk, Kaliningrad Oblast, Russia for “The Black Monk” Yelena Tyutneva, aged 15 Sayansk, Irkutsk Oblast, Russia for “Fedyushka and Kashtanka” Daria Novikova, aged 14 Smolensk, Russia for “The Man in a Case” 2 Masha Chizhova, aged 15 Gatchina, Russia for “Ward No. -
Title Link – Story in English Link – Story in Russian Link – Other
לק"י Title Link – story in English Link – story in Russian Link – other http://chekhov2.tripod.com/035.htm http://bibliotekar.ru/rusChehov/71.ht http://www.gutenberg.org/files/1732/1732-h/1732- m h.htm#link2H_4_0006 In a Strange Land http://www.online- http://chehov.niv.ru/chehov/text/na- literature.com/anton_chekhov/1136/ chuzhbine.htm http://www.online-literature.com/donne/1136/ http://chekhov2.tripod.com/023.htm http://chehov.niv.ru/chehov/text/v- In an Hotel http://www.online- nomerah.htm literature.com/anton_chekhov/1124/ http://www.online- literature.com/anton_chekhov/1264/ http://chehov.niv.ru/chehov/text/v- In Exile http://chekhov2.tripod.com/164.htm ssylke.htm http://en.wikisource.org/wiki/In_Exile http://www.lib.ru/LITRA/CHEHOW/r_c http://chekhov2.tripod.com/113.htm h_week.txt In Passion Week http://www.online- http://chehov.niv.ru/chehov/text/na- literature.com/anton_chekhov/1214/ strastnoj-nedele.htm http://en.wikisource.org/wiki/In_Passion_Week http://chehov.niv.ru/chehov/text/vesn oj.htm http://chehov.niv.ru/chehov/text/vesn In spring oj_1.htm http://www.lib.ru/LITRA/CHEHOW/ves na.txt http://www.lib.ru/LITRA/CHEHOW/vag In the Carriage / In the Wagon on.txt http://chekhov2.tripod.com/129.htm http://www.gutenberg.org/files/1732/1732-h/1732- http://chehov.niv.ru/chehov/text/v- In the Coach - House h.htm#link2H_4_0015 sarae.htm http://www.online- literature.com/anton_chekhov/1230/ http://www.online- http://chehov.niv.ru/chehov/text/v- In the Court literature.com/anton_chekhov/1186/ sude.htm http://chekhov2.tripod.com/085.htm -
Women and Work in the Middle Ages
Women and Work in the Middle Ages Pat Knapp / Monika von Zell Modern historians are beginning to discover that medieval women made a significant contribution to the economy of the medieval world. In past histories, women were either ignored by men or taken for granted. Neither religious nor romantic literature gives us an accurate accounting of the activities of the real medieval woman. Today, letters, wills, business and legal documents, convent, manor and census records and manuscript illuminations are used to complete our concept of the world of medieval women. It is hoped that this study will assist the female members of the Society for Creative Anachronism, Inc. with their persona research and their attempts to become real medieval women. For women in the Middle Ages played an active role in medieval society, although their economic efforts were affected by their social class, marital status and by the place and time in which they lived. Within the three estates are five groups of women which shall be examined: First—Women from the class that was landed and free; the husband possessed some land and was relatively free of the control of the manorial lord. here we find the yeoman's wife, the knight's wife, the lady of the manor. Second—Religious women. Women from the upper classes, and women of the noble and knightly families, as well as those from well-to-do merchant families, were the principal sources of vocations. Third—Women whose families provided the free burgesses; the citizens of the towns. Chaucer's Wife of Bath was a free townswoman. -
Theatre and the Family: Anton Chekhov, 'The Cherry Orchard' Transcript
Theatre and The Family: Anton Chekhov, 'The Cherry Orchard' Transcript Date: Tuesday, 23 February 2016 - 6:00PM Location: Museum of London 23 February 2016 Theatre and The Family: Anton Chekhov, The Cherry Orchard Professor Belinda Jack Music – Tchaikovsky - https://www.youtube.com/watch?v=7ABGZhFsXYI; Four Seasons, April/Spring (Vladimir Ashkenazy) Good evening and welcome – and thank you for coming. Particularly good to see some familiar faces from previous lectures and particularly my last lecture on Ibsen's A Doll's House as this evening's lecture is something of a companion piece. This extraordinary play poses two particularly intriguing questions. The first is this: how does it hold our attention given the limited amount of action? And the second: is it really a comedy as the playwright himself insisted it was? Jean-Louis Barrault, the French actor and director, summarizes the action of The Cherry Orchard in the following way: 'In Act One, the cherry orchard is in danger of being sold, in Act Two it is on the verge of being sold, in Act Three it is sold, and in Act Four it has been sold' (Laurence Senelick Anton Chekhov, 1985, 124-25) Thus described the play seems devoid of dramatic action. The felling of the Orchard, which is arguably the dramatic climax of the play, takes place off-stage. We only hear the axe as it meets the trunk of the first cherry tree. How could the scenario described by Barrault be construed as 'comic'? Many of you will know the play but in case some of you do not, this is a slightly fuller description than Barrault's. -
About the Book
AGE 2+ About the book Five year old Stella lives with her Granny Maggie by the sea. When Stella’s little seagull friend gets poorly from the plastic stuck in its tummy, Stella wants to do anything she can to try and help. From beach clean-ups to banning plastic straws, her ideas spread around the community and make a huge impact. Thanks to Stella, the little seagull and all its animal friends can live in a better environment—and Stella realises that no matter how small you are, you can still make a big difference. For children aged 2 and upwards. About the author and illustrator GEORGINA STEVENS is a sustainability advisor, writer, and campaigner. She advises organisations and individuals on how they can have a significant positive impact on our planet. She also organises the Be The Change events to help people realise the power we all have to affect major change. When she’s not writing or campaigning, you can find her forest bathing or planting things. See her website at www.georginastevens.org IZZY BURTON is a film director and artist. She makes short films, children’s books, and adverts, and produces designs for the television and film industries. On her rare days off, you’ll find her watching Star Wars, drinking Earl Grey tea (no milk, lemon if there is some) and concocting elaborate plans on how she can feasibly have a dog in her life. See her website at www.izzyburton.co.uk Artwork © Izzy Burton Artwork K71401 @OxfordChildrens www.oxfordchildrens.co.uk Children talking about the environment from the Oxford Corpus Children’s Language Report 2020* In a report which is part of an ongoing language research project, the Children’s Language Data team at Oxford University Press has analysed the children’s writing submitted to the 2020 BBC Radio 2 500 Words competition. -
Radislav Lapushin Personal Education Professional Experience Bibliography
(Updated: January 2017) Radislav Lapushin Personal Department of Germanic and Slavic Languages and Literatures Campus Box # 3160, Dey Hall 422 University of North Carolina at Chapel Hill Chapel Hill, North Carolina 27599-3160 [email protected] Education Ph.D. University of Chicago, Slavic Languages and Literatures (2000-2006). Dissertation (defended with distinction): ‘Dew on the Grass’: The Poetics of Inbetweenness in Chekhov; Director: Anna-Lisa Crone Minor Field: Russian Intellectual History “Kandidat filologicheskikh nauk” (Candidate in Philology). Moscow State University (MGU), Russian Literature (1993). Professional Experience Associate Professor of Russian, University of North Carolina at Chapel Hill (Fall 2012-Present) Assistant Professor of Russian, University of North Carolina at Chapel Hill (Fall 2006-Fall 2012) Bibliography Books Chekhov’s Letters, co-edited with Carol Apollonio (in progress) ‘Dew on the Grass’: The Poetics of Inbetweenness in Chekhov (New York: Peter Lang, 2010 [Middlebury Studies in Russian Language and Literature]), 210 pp. -Reviewed in Russian Review, Slavic Review, Slavic and East European Journal, Slavonic and East European Review, Canadian Slavonic Papers, Chekhovskii Vestnik, Osteuropa Ne postigaemoe bytie: Opyt prochteniia Chekhova [An Incomprehensible Existence: A Reading of Chekhov] (Minsk: Propilei, European Humanitarian University, 1998), 116 pp. Book Chapters “‘Oblaka, oblegavshie nebo…’ (Ideia poeticheskogo v rasskazakh Chekhova)” [“‘The Clouds That Shrouded the Sky…’ (The Concept of the Poetic in Chekhov’s Short Stories)”]. In Tvorchestvo A.P. Chekhova v Svete Sistemnogo Podkhoda. Kollektivnaia Monographiia. Eds. V.K. Zubareva and M. Ch. Larionova. Idyllwild, CA: Charles Schlacks Publisher, 2015, 182-199. “The Poetry of Chekhov's Prose.” Anton Chekhov’s Selected Stories (Norton Critical Edition). -
10 the Pharos/Summer 2012 Anton Chekhov in Medical School— and After
10 The Pharos/Summer 2012 Anton Chekhov in medical school— and after An artist’s flair is sometimes worth a scientist’s brains – Anton Chekhov Leon Morgenstern, MD The author (AΩA, New York University, 1943) is Emeritus it significantly enlarged the scope of my observations and Director of the Center for Health Care Ethics and Emeritus enriched me with knowledge whose true worth to a writer Director of Surgery at Cedars-Sinai Medical Center in Los can be evaluated only by somebody who is himself a doctor; Angeles, and Emeritus Professor of Surgery at the David it has also provided me with a sense of direction, and I am Geffen School of Medicine at UCLA. sure that my closeness to medicine has also enabled me to avoid many mistakes.1p425 t is often overlooked, and sometimes forgotten, that Anton Chekhov, the noted Russian writer of short stories and plays, Medical school was a pivotal juncture in the delicate balance Iwas also a doctor. He was one of the principal authors in between the two careers. It made him into the doctor he was. what has been called the Golden Age of Russian Literature It helped him reach the goal of becoming the writer he was in the mid- and late-nineteenth century, along with Fyodor to be. Dostoevsky, Leo Tolstoy, and Ivan Turgenev. Chekhov was born in Taganrog, a port town founded by In 1879 at the age of nineteen, Anton Chekhov enrolled in Peter the Great on the Sea of Azov in Southern Russia. His the medical school of Moscow University. -
Wolfwalkers Book of Kells, the Ravine: Kilkenny Based Cartoon Saloon Sweeping Academy Award®, Golden Globe, BAFTA Nominations Inner View with Éabha Is on Page 10
est. 2006 May 2021 • Volume 15 - Issue 5 WolfWalkers Book of Kells, The Ravine: Kilkenny Based Cartoon Saloon Sweeping Academy Award®, Golden Globe, BAFTA Nominations Inner View with Éabha is on page 10. which follows two weeks later, on May Editor’s Black 47’s Larry Kirwan’s new novel, 22nd. A Potato a Day Keeps Rockaway Blue, is a captivating read on Is it time for an Irish Unity Referen- Corner an Irish American families’ Post 9-11 dum? An Irish Mexican Fusion Dish? By John O’Brien, Jr. struggles with the loss of their cop son’s Does a potato a day keep the doctor the Doctor Away? life in the collapse of the tower, and away? What happened to the Mass By Dr. Fredrick Peters not broken down and fully absorbed by May 2021 Vol. 15 • Issue 5 Rich stews filled with dense carbohy- the body. Instead, it reaches the large intes- @Jobjr offers an excellent insider look at the Rock? Test your knowledge: Who are Í struggles and heartaches for a multiple the Patriots of Ireland? It’s a puzzle. Publisher & Editor John O’Brien Jr. drates and loaded with calories. When tine where it becomes a source of nutrients considering healthy food options, the for the beneficial bacteria in your gut. Re- first responder family. Is there anything better than live Design/Production Christine Hahn cuisine of Ireland may not seem plausible. search has linked resistant starch to many We are getting excited about the Irish music on St. Patrick’s Day? Will Website Rich Croft Columnists However, if prepared correctly, some of health benefits, including reducing insulin return of live events, with Riverfront Ireland lead the way on Electric Ve- Akron Irish Lisa O’Rourke the traditional Irish staples can actually be resistance, which, in turn, improves blood So Much An Eejit Abroad Conor Makem Irish Festival, Carbon Leaf, Dublin, hicles? Is there always a Donnybrook quite healthy! sugar control. -
The Ones Who Walk Away from Omelas Ursula K
The Ones Who Walk Away From Omelas Ursula K. Le Guin With a clamor of bells that set the swallows soaring, the Festival of Summer came to the city Omelas, bright-towered by the sea. The rigging of the boats in harbor sparkled with flags. In the streets between houses with red roofs and painted walls, between old moss-grown gardens and under avenues of trees, past great parks and public buildings, processions moved. Some were decorous: old people in long stiff robes of mauve and grey, grave master workmen, quiet, merry women carrying their babies and chatting as they walked. In other streets the music beat faster, a shimmering of gong and tambourine, and the people went dancing, the procession was a dance. Children dodged in and out, their high calls rising like the swallows’ crossing flights over the music and the singing. All the processions wound towards the north side of the city, where on the great water-meadow called the Green Fields boys and girls, naked in the bright air, with mud-stained feet and ankles and long, lithe arms, exercised their restive horses before the race. The horses wore no gear at all but a halter without bit. Their manes were braided with streamers of silver, gold, and green. They flared their nostrils and pranced and boasted to one another; they were vastly excited, the horse being the only animal who has adopted our ceremonies as his own. Far off to the north and west the mountains stood up half encircling Omelas on her bay. The air of morning was so clear that the snow still crowning the Eighteen Peaks burned with white-gold fire across the miles of sunlit air, under the dark blue of the sky.