The Wife Anton Chekhov
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An Analysis of Hegemonic Social Structures in "Friends"
"I'LL BE THERE FOR YOU" IF YOU ARE JUST LIKE ME: AN ANALYSIS OF HEGEMONIC SOCIAL STRUCTURES IN "FRIENDS" Lisa Marie Marshall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Katherine A. Bradshaw, Advisor Audrey E. Ellenwood Graduate Faculty Representative James C. Foust Lynda Dee Dixon © 2007 Lisa Marshall All Rights Reserved iii ABSTRACT Katherine A. Bradshaw, Advisor The purpose of this dissertation is to analyze the dominant ideologies and hegemonic social constructs the television series Friends communicates in regard to friendship practices, gender roles, racial representations, and social class in order to suggest relationships between the series and social patterns in the broader culture. This dissertation describes the importance of studying television content and its relationship to media culture and social influence. The analysis included a quantitative content analysis of friendship maintenance, and a qualitative textual analysis of alternative families, gender, race, and class representations. The analysis found the characters displayed actions of selectivity, only accepting a small group of friends in their social circle based on friendship, gender, race, and social class distinctions as the six characters formed a culture that no one else was allowed to enter. iv ACKNOWLEDGMENTS This project stems from countless years of watching and appreciating television. When I was in college, a good friend told me about a series that featured six young people who discussed their lives over countless cups of coffee. Even though the series was in its seventh year at the time, I did not start to watch the show until that season. -
This Book Was First Published in 1951 by Little, Brown and Company
This book was first published in 1951 by Little, Brown and Company. THE CATCHER IN THE RYE By J.D. Salinger © 1951 CHAPTER 1 If you really want to hear about it, the first thing you'll probably want to know is where I was born, an what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don't feel like going into it, if you want to know the truth. In the first place, that stuff bores me, and in the second place, my parents would have about two hemorrhages apiece if I told anything pretty personal about them. They're quite touchy about anything like that, especially my father. They're nice and all--I'm not saying that--but they're also touchy as hell. Besides, I'm not going to tell you my whole goddam autobiography or anything. I'll just tell you about this madman stuff that happened to me around last Christmas just before I got pretty run-down and had to come out here and take it easy. I mean that's all I told D.B. about, and he's my brother and all. He's in Hollywood. That isn't too far from this crumby place, and he comes over and visits me practically every week end. He's going to drive me home when I go home next month maybe. He just got a Jaguar. One of those little English jobs that can do around two hundred miles an hour. -
The Good Doctor: the Literature and Medicine of Anton Chekhov (And Others)
Vol. 33, No. 1 11 Literature and the Arts in Medical Education Johanna Shapiro, PhD Feature Editor Editor’s Note: In this column, teachers who are currently using literary and artistic materials as part of their curricula will briefly summarize specific works, delineate their purposes and goals in using these media, describe their audience and teaching strategies, discuss their methods of evaluation, and speculate about the impact of these teaching tools on learners (and teachers). Submissions should be three to five double-spaced pages with a minimum of references. Send your submissions to me at University of California, Irvine, Department of Family Medicine, 101 City Drive South, Building 200, Room 512, Route 81, Orange, CA 92868-3298. 949-824-3748. Fax: 714-456- 7984. E-mail: [email protected]. The Good Doctor: The Literature and Medicine of Anton Chekhov (and Others) Lawrence J. Schneiderman, MD In the spring of 1985, I posted a anything to do with me. “I don’t not possible in this public univer- notice on the medical students’ bul- want a doctor who knows Chekhov, sity; our conference rooms are best letin board announcing a new elec- I want a doctor who knows how to described as Bus Terminal Lite. tive course, “The Good Doctor: The take out my appendix.” Fortunately, The 10 second-year students who Literature and Medicine of Anton I was able to locate two more agree- signed up that first year spent 2 Chekhov.” It was a presumptuous able colleagues from literature and hours each week with me for 10 announcement, since I had never theatre. -
Sydney Program Guide
Page 1 of 37 Sydney Program Guide Sun Jul 1, 2012 06:00 THUNDERBIRDS Repeat WS G Sun Probe Follow the adventures of the International Rescue, an organisation created to help those in grave danger in this marionette puppetry classic. 07:00 KIDS WB SUNDAY WS G Hosted by Lauren Phillips and Andrew Faulkner. 07:00 SCOOBY DOO AND THE CYBER CHASE 2001 Repeat G Scooby Doo And The Cyber Chase It's a race to escape when Scooby-Doo and his friends get stuck inside a video game. While sneaking a peek at a laser game based on their own adventures, Scooby and the Mystery Inc. gang are beamed inside the program by a mayhem-causing, menacing monster known as the Phantom Virus. Now, the game must advance successfully through all 10 levels and defeat the virus if Shaggy, Freddy, Daphne and Velma ever plan to see the real world again. 08:30 SCOOBY DOO MYSTERY INCORPORATED Repeat WS G Howl of the Fright Hound When a horrible, mechanized beast begins attacking the town, suspicion points to Scooby. 09:00 THUNDERCATS Repeat WS PG The Forest Of Magi Oar The gang come across a school in an enchanted forest. Cons.Advice: Mild Violence, Supernatural Themes 09:30 YOUNG JUSTICE Repeat WS PG Denial The team volunteers to help track down Kent Nelson, the guardian of the Helm of Fate. They discover that two villainous sorcerers have abducted Nelson and plan to use him to enter the Tower of Fate and steal the Helm. Cons.Advice: Mild Violence, Supernatural Themes 10:00 BATMAN: THE BRAVE AND THE BOLD Repeat WS PG The Criss Cross Conspiracy! The long-retired Batwoman sees an opportunity for revenge against the villain who humiliated her: Riddler. -
Volga River Tourism and Russian Landscape Aesthetics Author(S): Christopher Ely Source: Slavic Review, Vol
The Origins of Russian Scenery: Volga River Tourism and Russian Landscape Aesthetics Author(s): Christopher Ely Source: Slavic Review, Vol. 62, No. 4, Tourism and Travel in Russia and the Soviet Union, (Winter, 2003), pp. 666-682 Published by: The American Association for the Advancement of Slavic Studies Stable URL: http://www.jstor.org/stable/3185650 Accessed: 06/06/2008 13:39 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=aaass. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. We enable the scholarly community to preserve their work and the materials they rely upon, and to build a common research platform that promotes the discovery and use of these resources. For more information about JSTOR, please contact [email protected]. http://www.jstor.org The Origins of Russian Scenery: Volga River Tourism and Russian Landscape Aesthetics Christopher Ely BoJira onrcaHo, nepeonicaHo, 4 Bce-TaKHHe AgoicaHo. -
Peasant Identity and Class Relations in the Art of Stanisław Wyspiański*
28 PEASANT IDENTITY AND CLASS RELATIONS Peasant Identity and Class Relations in the Art of Stanisław Wyspiański* by Weronika Malek-Lubawski Stanisław Wyspiański (1869–1907) was a painter, playwright, and leader of the Young Poland movement of artists who merged the national tradition of history painting with Symbolist visions and elements of Art Nouveau.1 He frequently tackled the theme of Polish class relations in his works, and he was so appreciated during his lifetime that the funeral after his premature death from syphilis turned into a national memorial parade.2 Wyspiańs- ki’s reputation persists into the twenty-first century in Poland, where high school students read his famous drama Wesele [The Wedding] (1901) as part of their general education curriculum, but he is not widely known outside his home country.3 This essay examines The Wedding and Wyspiański’s pastel, Self-Portrait with the Artist’s Wife (1904), in relation to nineteenth-cen- tury Polish sociohistorical discourse on class identity and Wyspiański’s own interclass marriage (Fig. 1). Inspired by the real-life nuptials of Wyspiański’s acquaintance, The Wedding narrates the union of an upper-class poet and a peasant woman in a ceremony that later becomes the stage for supernatu- ral events and patriotic ambitions. Self-Portrait with the Artist’s Wife depicts Wyspiański, an upper-class member of the intelligentsia, and his spouse, a peasant and former domestic servant, wearing costumes that deliberately confuse their class identities. One of Wyspiański's best-known works, it is also his only double portrait in which the artist himself appears. -
Anton Chekhov Analysis
Anton Chekhov Analysis By Ryan Funes If you were to have gone out on the street and asked anyone about Mark Twain, William Shakespear, or even F. Scott Fitzgerald, you may get a positive response from the person, in that they know of the person. But, if you were to have asked about Anton Chekhov, you would probably get a dumbfounded, confused response. I would not be surprised though by those results, since Chekhov did not really have anything iconic about him or any gimmick, but when I was introduced to his short stories, I was immediatley hooked in by his themes and writing style. I really did not know what to say about the guy, but after reading and looking into his life, he was definitely a skilled dramatist, satirist, and writer. For those who are not too familiar with his life, Anton Chekhov was born in 1860, Taganrog, Russia to the son of a serf and a merchants wife. He lived a fairly well childhood and also did well in school, as he did continue on to become a medical student, and at the same time, an author who started out as a columnist for a Moscow newspaper. While his first short stories were not well recieved at first, along with a bloody play of his being under heavy censorship at the time, he continued on with his writing career, even while under the pressure of supporting his family, whose health was deterring. But, as a result of his writings, Chekhov became well known for his wit and subtle satire in his early writings. -
How Much Land Does a Man Need? by Leo Tolstoy
Lesson Ideas English Language Arts 6-12 How much land does a man need? By Leo Tolstoy How much land does a man need? is a short story written by Leo Tolstoy (1828-1910). In the story, Tolstoy reflects critically on the hierarchy of 19th century Russian society where the poor were deprived and the rich stayed wealthy. Personal belongings, property, and other forms of material wealth were measures of an individual’s worth and determined social class. Land shortage was a major issue in 19th century Russia, and in his story, Tolstoy associates the Devil with the main character’s greed for land. How much land does a man need? inspires discussion about the concepts of how greed and both socio-economic inequalities and injustices can contribute to our desire to “have more,” even if it means taking risks. The story also calls into question additional topics that students can apply to their own lives such as how we anticipate and justify the consequences of our actions when fueled by greed or other motivations. Many of these themes serve a double purpose as they are also relevant to building gambling literacy and competencies. After all, being able to identify our own tendencies toward greed can help us pause and perhaps rethink our decisions. And being mindful that we are more than our wealth can release us of the burden of comparing our and others’ financial value. Pahom sets out to encircle so much land that by the Brief summary afternoon he realizes he has created too big of a circuit. -
Could Chekhovian Humanism Help Us Today?*
Journal of BUON 10: 145-148, 2005 © 2005 Zerbinis Medical Publications. Printed in Greece. MEDICINE AND THE COMMUNITY Could Chekhovian Humanism Help Us Today?* Rajko Igiƒ§ Department of Anesthesiology and Pain Management, John H. Stroger Jr. Hospital of Cook County, Chicago, USA In 1884 Anton Pavlovich Chekhov graduated Doctor-Writer from the Medical School and started working as a physician in a suburban Moscow hospital. Eight years As a young physician, Chekhov started a person- later he set up a general practice in Melikhovo, 70 km al battle with lung tuberculosis, which lasted for 20 south of Moscow, where he spent seven years as a years. On July 15, 1904, Koch’s bacillus ended his cou- country doctor and a writer. There, Chekhov saw rageous battle against the disease. At that time medi- hundreds of patients, made over 1,000 house calls, cine had only modest treatments for this infectious dis- fought against cholera and illiteracy, wrote many sto- ease, such as providing adequate nutrition and rest to ries and two plays: The Seagull and Uncle Vanya. increase the body’s defenses against the tubercle ba- He started his day at five in the morning at his office where he examined patients and performed minor surgical procedures. Chekhov was an idealist and hard- working doctor driven by his dedication to serve pa- tients in rural Russia where corruption and incompe- tence ruled at all levels. He did not charge his pa- tients although he ran a private practice. He frequently even bought for his patients needed medications and gave them useful non-medical advice and financial help. -
About the Book
AGE 2+ About the book Five year old Stella lives with her Granny Maggie by the sea. When Stella’s little seagull friend gets poorly from the plastic stuck in its tummy, Stella wants to do anything she can to try and help. From beach clean-ups to banning plastic straws, her ideas spread around the community and make a huge impact. Thanks to Stella, the little seagull and all its animal friends can live in a better environment—and Stella realises that no matter how small you are, you can still make a big difference. For children aged 2 and upwards. About the author and illustrator GEORGINA STEVENS is a sustainability advisor, writer, and campaigner. She advises organisations and individuals on how they can have a significant positive impact on our planet. She also organises the Be The Change events to help people realise the power we all have to affect major change. When she’s not writing or campaigning, you can find her forest bathing or planting things. See her website at www.georginastevens.org IZZY BURTON is a film director and artist. She makes short films, children’s books, and adverts, and produces designs for the television and film industries. On her rare days off, you’ll find her watching Star Wars, drinking Earl Grey tea (no milk, lemon if there is some) and concocting elaborate plans on how she can feasibly have a dog in her life. See her website at www.izzyburton.co.uk Artwork © Izzy Burton Artwork K71401 @OxfordChildrens www.oxfordchildrens.co.uk Children talking about the environment from the Oxford Corpus Children’s Language Report 2020* In a report which is part of an ongoing language research project, the Children’s Language Data team at Oxford University Press has analysed the children’s writing submitted to the 2020 BBC Radio 2 500 Words competition. -
Et Tu, Dude? Humor and Philosophy in the Movies of Joel And
ET TU, DUDE? HUMOR AND PHILOSOPHY IN THE MOVIES OF JOEL AND ETHAN COEN A Report of a Senior Study by Geoffrey Bokuniewicz Major: Writing/Communication Maryville College Spring, 2014 Date approved ___________, by _____________________ Faculty Supervisor Date approved ___________, by _____________________ Division Chair Abstract This is a two-part senior thesis revolving around the works of the film writer/directors Joel and Ethan Coen. The first seven chapters deal with the humor and philosophy of the Coens according to formal theories of humor and deep explication of their cross-film themes. Though references are made to most of their films in the study, the five films studied most in-depth are Fargo, The Big Lebowski, No Country for Old Men, Burn After Reading, and A Serious Man. The study looks at common structures across both the Coens’ comedies and dramas and also how certain techniques make people laugh. Above all, this is a study on the production of humor through the lens of two very funny writers. This is also a launching pad for a prospective creative screenplay, and that is the focus of Chapter 8. In that chapter, there is a full treatment of a planned script as well as a significant portion of written script up until the first major plot point. iii TABLE OF CONTENTS Page Chapter - Introduction VII I The Pattern Recognition Theory of Humor in Burn After Reading 1 Explanation and Examples 1 Efficacy and How It Could Help Me 12 II Benign Violation Theory in The Big Lebowski and 16 No Country for Old Men Explanation and Examples -
Wolfwalkers Book of Kells, the Ravine: Kilkenny Based Cartoon Saloon Sweeping Academy Award®, Golden Globe, BAFTA Nominations Inner View with Éabha Is on Page 10
est. 2006 May 2021 • Volume 15 - Issue 5 WolfWalkers Book of Kells, The Ravine: Kilkenny Based Cartoon Saloon Sweeping Academy Award®, Golden Globe, BAFTA Nominations Inner View with Éabha is on page 10. which follows two weeks later, on May Editor’s Black 47’s Larry Kirwan’s new novel, 22nd. A Potato a Day Keeps Rockaway Blue, is a captivating read on Is it time for an Irish Unity Referen- Corner an Irish American families’ Post 9-11 dum? An Irish Mexican Fusion Dish? By John O’Brien, Jr. struggles with the loss of their cop son’s Does a potato a day keep the doctor the Doctor Away? life in the collapse of the tower, and away? What happened to the Mass By Dr. Fredrick Peters not broken down and fully absorbed by May 2021 Vol. 15 • Issue 5 Rich stews filled with dense carbohy- the body. Instead, it reaches the large intes- @Jobjr offers an excellent insider look at the Rock? Test your knowledge: Who are Í struggles and heartaches for a multiple the Patriots of Ireland? It’s a puzzle. Publisher & Editor John O’Brien Jr. drates and loaded with calories. When tine where it becomes a source of nutrients considering healthy food options, the for the beneficial bacteria in your gut. Re- first responder family. Is there anything better than live Design/Production Christine Hahn cuisine of Ireland may not seem plausible. search has linked resistant starch to many We are getting excited about the Irish music on St. Patrick’s Day? Will Website Rich Croft Columnists However, if prepared correctly, some of health benefits, including reducing insulin return of live events, with Riverfront Ireland lead the way on Electric Ve- Akron Irish Lisa O’Rourke the traditional Irish staples can actually be resistance, which, in turn, improves blood So Much An Eejit Abroad Conor Makem Irish Festival, Carbon Leaf, Dublin, hicles? Is there always a Donnybrook quite healthy! sugar control.