DOCSLIB.ORG

Robert Spring

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Robert Spring Recital Personnel VOICE Julia Benner Junior, BM Music Education Bonnie Rose Blendowski Junior, BM Music Therapy Hahnna Christianson Sophomore, BM Music Theatre Katie DeMassa Junior, BA Music Brooke Durborow Junior, BM Music Education STUDIO 139: Alana Fingerman Junior, BM Music Education Courtney Hatch Freshman, BA Music STUDENTS OF Helen Hendricks Sophomore, BM Voice Performance Liuyi Jiang Sophomore, BM Music Theatre Ashley Jones Junior, BM Music Education ANDREA PITMAN WILL Isabel Julazadeh Sophomore, BM Music Theatre Brittany Kerr-Petersen Senior, BM Music Therapy Griffin LeBlanc Sophomore, BM Music Theatre Julia Legler Sophomore, BM Music Therapy Ashley Love Freshman, BM Music Therapy Courtney Ray Freshman, BM Music Therapy TigerLilly Ridge Freshman, BM Voice Performance Xingyu Wang Sophomore, BM Music Theatre PIANO Neilson Chen DMA Collaborative Piano STUDIO RECITAL SERIES Galadriel DeMarco MM Music Therapy ORGAN HALL Hongzuo Guo DMA Collaborative Piano APRIL 15, 2019 • 7:30 PM Taylor Hutchinson DMA Collaborative Piano Isidora Jovanovic DMA Piano Performance Olga Kim DMA Collaborative Piano Rosa LoGiudice DMA Collaborative Piano Yi Lu DMA Piano Performance Eliana O’Brien BM Music Education Greg Paladino MM Music Direction for Music Theatre Amanda Sherrill DMA Collaborative Piano Emma Song DMA Collaborative Piano BA – Bachelor of Arts BM - Bachelor of Music MM – Master of Music DMA – Doctorate of Musical Arts Unusual Way Maury Yeston Program from Nine Julia Legler, soprano; Taylor Hutchinson, piano L’Été Cécile Chaminade Disneyland Marvin Hamlisch Julia Benner, soprano; Isidora Jovanovic, piano from Smile Katie DeMassa, mezzo-soprano; Yi Lu, piano I Heard You Singing Eric Coates Bonnie Rose Blendowski, mezzo-soprano; Isidora Jovanovic, piano Neverland Gary Barlow and Eliot Kennedy from Finding Neverland Saper vorreste Giuseppe Verdi Xingyu Wang, baritone; Greg Paladino, piano from Un ballo in maschera Helen Hendricks, soprano; Eliana O’Brien, piano No One Else Dave Malloy from Natasha, Pierre, and the Great Comet of 1812 Amor dormiglione Barbara Strozzi Isabel Julazadeh, soprano; Hongzuo Guo, piano Brooke Durborow, soprano; Emma Song, piano Stars and the Moon Jason Robert Brown Go ‘Way from My Window John Jacob Niles from Songs for a New World Ashley Love, mezzo-soprano; Olga Kim, piano Hahnna Christianson, mezzo-soprano; Amanda Sherrill, piano The Year’s at the Spring Amy Beach My Petersburg Stephen Flaherty Ashley Jones, soprano; Emma Song, piano from Anastasia Griffin LeBlanc, tenor; Neilson Chen, piano I Love All Graceful Things Eric H. Thiman Courtney Hatch, soprano; Isidora Jovanovic, piano Always Starting Over Tom Kitt from If/Then Homeward Bound Marta Keen Liuyi Jiang, mezzo-soprano; Greg Paladino, piano Courtney Ray, soprano; Neilson Chen, piano The Life of the Party Andrew Lippa O del mio dolce ardor Christoph Willibald Gluck from The Wild Party TigerLilly Ridge, soprano; Rosa LoGiudice, piano Alana Fingerman, mezzo-soprano; Yi Lu, piano Joshua Fit the Battle of Jericho arr. Mark Hayes Brittany Kerr-Petersen, soprano; Galadriel DeMarco, piano * * * * * * * * * * * * * * *. Out of respect for the performers and those audience members around you, **There will be a 10-minute intermission** please turn all beepers, cell phones and watches to their silent mode. Thank you. .
Load more

Recommended publications
  • 617.872.8254 | Rebecca [email protected]
    FOR IMMEDIATE RELEASE: October 16, 2019 Contact: Rebecca Curtiss 617.496.2000 x8841 | 617.872.8254 | [email protected] Creative Team and Cast Announced for American Repertory Theater Premiere of Moby-Dick New Collaboration Between Dave Malloy and Rachel Chavkin To Run December 3, 2019 – January 12, 2020 Download images here. Cambridge, MA – American Repertory Theater (A.R.T.) at Harvard University, under the leadership of Terrie and Bradley Bloom Artistic Director Diane Paulus and Executive Producer Diane Borger, have announced the creative team and cast of Moby-Dick, with music, lyrics, book, and orchestrations by Dave Malloy, developed with and directed by Rachel Chavkin. Performances of the new adaptation of Herman Melville’s classic novel begin Tuesday, December 3 at the Loeb Drama Center in Cambridge, MA. The production opens officially on Wednesday, December 11, 2019 and closes Sunday, January 12, 2020. “We are all in the belly of the whale…” From the creative team behind A.R.T.’s 2015 production of Natasha, Pierre & The Great Comet of 1812 comes an epic musical adaptation of Herman Melville’s iconic American novel. As the egomaniacal Captain Ahab drives his crew across the seas in pursuit of the great white whale, Melville’s nineteenth-century vision of America collides head-on with the present. “I’ve always been fascinated with the surprising ways classic literature can resonate with contemporary times, and Moby-Dick is no exception,” says Malloy. “Melville was writing about America in 1851, as the country was struggling to define itself and reconcile all the conflicts that led inevitably to the Civil War; 170 years later, we’re still talking about the same issues— capitalism, democracy, environmentalism, race.
    [Show full text]
  • PDF Program Download
    Interlochen, Michigan 224th Program of the 59th Year * FESTIVAL 2021 MUSICAL THEATRE SHOWCASE Thursday, May 27, 2021 10:00am, Corson Auditorium “Bye Bye Blackbird” from FOSSE ............................... Music by Ray Henderson Lyrics by Mort Dixon Charlotte Krieger and Company “All Falls Down” from CHAPLIN .............. Music and Lyrics by Christopher Curtis Lindsay Gross “Stay” from THE NOTEWORTHY LIFE OF HOWARD BARNES ... Music by Michael Kooman Lyrics by Christopher Dimond Audree Hedequist “Singin’ in the Rain” from SINGIN’ IN THE RAIN ....... Music by Nacio Herb Brown Lyrics by Arthur Freed Student Choreographers: Mia McManamy, Charlotte Krieger “Nowadays/Hot Honey Rag” from CHICAGO .................... Music by John Kander Lyrics by Fred Ebb Paris Manzanares and Myles Mathews Student Choreographer: Myles Mathews “Don’t Wanna Be Here” from ORDINARY DAYS ..... Music & Lyrics by Adam Gwon JT Langlas “No One Else” from NATASHA, PIERRE AND THE GREAT COMET OF 1812 ......... Music and Lyrics by Dave Malloy Mia McManamy “Run, Freedom, Run” from URINETOWN ...................... Music by Mark Hollmann Lyrics by Mark Hollmann and Greg Kotis Scout Carter and Company “Forget About the Boy” from THOROUGHLY MODERN MILLIE ........................... Music by Jeanine Tesori Lyrics by Dick Scanlan Hannah Bank and Company Student Choreographer: Nicole Pellegrin “She Used to Be Mine” from WAITRESS ........ Music and Lyrics by Sara Bareilles Caroline Bowers “Change” from A NEW BRAIN ......................... Music and Lyrics by William Finn Shea Grande “We Both Reached for the Gun” from CHICAGO .............. Music by John Kander Lyrics by Fred Ebb Theo Gyra and Company Student Choreographer: Myles Mathews “Love is an Open Door” from FROZEN ............ Music & Lyrics by Kristen Anderson-Lopez & Robert Lopez Charlotte Krieger and Daniel Rosales “Being Alive” from COMPANY ...............
    [Show full text]
  • [email protected] SEASON VIDEO
    Press Contact: Tim Etheridge, Director of Public Relations 510 647-2917; [email protected] SEASON VIDEO https://bit.ly/3vxhdDQ FOR IMMEDIATE RELEASE BERKELEY REPERTORY THEATRE WILL REOPEN FOR LIVE PERFORMANCES ON OCTOBER 1 Mike Birbiglia and Fran Lebowitz added as limited-run engagements 2021-22 subscription season to return with world premiere of the ripple, the wave that carried me home June 16, 2021 - Berkeley Rep’s leadership announced today that after being closed for a year and a half, the Tony Award-winning theatre will reopen for live performances on Friday, October 1. The 2021-22 subscription season kicks off with a Berkeley Rep commission, Christina Anderson’s the ripple, the wave that carried me home, directed by Miranda Haymon. This world premiere was developed as part of the Theatre’s Ground Floor Summer Residency Lab and explores a family’s response to racial injustice and a daughter’s reckoning with her political inheritance. “We are beyond delighted to finally have a date on which we can all return to our theatres,” says Artistic Director Johanna Pfaelzer. “I know artists and audiences alike have been longing for this moment, when we can once again gather together to share these deeply human stories. We are counting the days ’til October 1!” Berkeley Rep welcomes back playwright Charles L. Mee and director Les Waters for Wintertime, the story of a gloriously eccentric family who arrive at their summer house in the winter woods for supposedly secret rendezvous – and soon bodies collide, doors slam, dishes fly, and everyone’s perfect plans go fantastically awry.
    [Show full text]
  • One Night Stand
    ONE NIGHT STAND ISAAC OLIVER'S LONELY CHRISTMAS DECEMBER 18 @ 7PM ET Written by ISAAC OLIVER Directed by JASON EAGAN ISAAC OLIVER'S LONELY CHRISTMAS DECEMBER 18 @ 7PM ET Written by ISAAC OLIVER Directed by JASON EAGAN FEATURING ISAAC OLIVER JOHN DELUCA THE GAY AGENDA JOHN BEHLMANN AMANDA DUARTE CELISSE HENDERSON THE BENGSONS NAOMI EKPERIGIN DANIEL LOESER THE TEAM Video Editing STIVO ARNOCZY Additional Video DAVID RUTTURA Additional Music NICHOLAS WILLIAMS Show Art GREG KOZATEK THE ARTISTS WOULD LIKE TO THANK David Ruttura, Bryan Kehn, Melanie Hopkins & Rob Shapiro, Blake Lee & Ben Lewis, Kevin Cahoon, Alex Knowlton, Isabel Kim, Ania Parks, Joe's Pub, Melissa Orton, Di Glazer & ICM, Cullen Conly & Mosaic, Ross Harris & Stuart Krichevsky Literary Agency, Meg & John Oliver, Dr. Anthony Fauci, Stacey Abrams, Moderna and Pfizer. Ars Nova operates on the unceded land of the Lenape peoples on the island of Manhahtaan (Mannahatta) in Lenapehoking, the Lenape Homeland. We acknowledge the brutal history of this stolen land and the displacement and dispossession of its Indigenous people. We also acknowledge that after there were stolen lands, there were stolen people. We honor the generations of displaced and enslaved people that built, and continue to build, the country that we occupy today. We gathered together in virtual space to watch this performance. We encourage you to consider the legacies of colonization embedded within the technology and structures we use and to acknowledge its disproportionate impact on communities of color and Indigenous peoples worldwide. We invite you to join us in acknowledging all of this as well as our shared responsibility: to consider our way forward in reconciliation, decolonization, anti-racism and allyship.
    [Show full text]
  • “Preludes” a New Musical by Dave Malloy Inspired by the Music of Sergei Rachmaninoff Developed with and Directed by Rachel Chavkin
    LCT3/LINCOLN CENTER THEATER CASTING ANNOUNCEMENT FOR IMMEDIATE RELEASE, PLEASE EISA DAVIS, GABRIEL EBERT, NIKKI M. JAMES, JOSEPH KECKLER, CHRIS SARANDON, AND OR MATIAS, ON PIANO TO BE FEATURED IN THE LCT3/LINCOLN CENTER THEATER PRODUCTION OF “PRELUDES” A NEW MUSICAL BY DAVE MALLOY INSPIRED BY THE MUSIC OF SERGEI RACHMANINOFF DEVELOPED WITH AND DIRECTED BY RACHEL CHAVKIN SATURDAY, MAY 23 THROUGH SUNDAY, JULY 19 OPENING NIGHT IS MONDAY, JUNE 15 AT THE CLAIRE TOW THEATER REHEARSALS BEGIN TODAY, APRIL 21 Eisa Davis, Gabriel Ebert, Nikki M. James, Joseph Keckler, Chris Sarandon, and Or Matias, on piano, begin rehearsals today for the LCT3/Lincoln Center Theater production of PRELUDES, a new musical by Dave Malloy, inspired by the music of Sergei Rachmaninoff, developed with and directed by Rachel Chavkin. PRELUDES, a world premiere and the first musical to be produced by LCT3 in the Claire Tow Theater, begins performances Saturday, May 23, opens Monday, June 15, and will run through Sunday, July 19 at the Claire Tow Theater (150 West 65th Street). From the creators of Natasha, Pierre & The Great Comet of 1812, PRELUDES is a musical fantasia set in the hypnotized mind of Russian composer Sergei Rachmaninoff. After the disastrous premiere of his first symphony, the young Rachmaninoff (to be played by Gabriel Ebert) suffers from writer’s block. He begins daily sessions with a therapeutic hypnotist (to be played by Eisa Davis), in an effort to overcome depression and return to composing. PRELUDES was commissioned by LCT3 with a grant from the Virginia B. Toulmin Foundation. Paige Evans is Artistic Director/LCT3.
    [Show full text]
  • LSA Template
    THEATRE Copyright Lighting &Sound America December 2016 http://www.lightingandsoundamerica.com/LSA.html The Tolstoy Cabaret The Imperial Theatre gets reimagined for Natasha, Pierre and The Great Comet of 1812 By: David Barbour 60 • December 2016 • Lighting &Sound America hat have they done to the Imperial Theatre? style of presentation. The director, Rachel Chavkin, known As you enter it these days, you notice that the for bold, often immersive, staging concepts, has provided lobby has been transformed into a cheerless exactly that. gray bunker, the walls adorned with torn Interestingly, Natasha, Pierre and the Great Comet of posters—many of them in Cyrillic—advertising 1812 traveled a long and winding road to Broadway. It was Russian music acts, among them the notorious first seen in 2012 at Off Broadway theatre company Ars WPussy Riot. Then you pass into the auditorium, and the Nova, followed by an expanded production in a pop-up effect is not unlike the moment in the film The Wizard of tent, Kazino, located downtown in Manhattan’s Oz when Dorothy leaves her black-and-white world Meatpacking District and later in Midtown, only a couple of Kansas farmhouse to enter the Technicolor world of Oz. doors down from the Imperial Theatre. Before Broadway, Red is the predominant color; the room has been turned the show played a tryout engagement at American into a kind of fantasy vision—with contemporary touches Repertory Theatre (ART) in Cambridge, Massachusetts. —of pre-revolutionary Russian nightlife. You could call it Between Ars Nova and the Imperial, the production has the Tolstoy Cabaret.
    [Show full text]
  • Moby-Dick in Rehearsal Photo: Maria Baranova Photo: Welcome!
    TOOLKIT 2019/20 Season Manik Choksi and the cast of of Moby-Dick in rehearsal Photo: Maria Baranova Photo: Welcome! This Toolkit contains resources meant to encourage a deep dive into Moby- Dick, which sails into the A.R.T. in December 2019. This new musical, written and composed by Dave Malloy and directed by Rachel Chavkin, is an adaptation of Herman Melville’s classic American novel. After publishing Moby-Dick in 1851, Melville went from reputed author to one facing a great deal of criticism from the literary community. However, over 150 years later, his book is considered one of the great American novels. This production of Moby-Dick uplifts the genius of Melville’s novel while also bringing contemporary conversations to the story through music, dance, puppetry, and more. The articles, resources, and activities in this Toolkit are curated for the use of learners of all ages, in and out of the classroom, who are looking to take a close look into the world of Moby-Dick. Inside these pages, you will find materials on the development and context of Moby-Dick, including insights from the playwright and an overview of the play, as well as information about the set, costumes, and history of whaling. See you at the theater! BRENNA NICELY ALEXANDRA DANIELS Education & Engagement Education Apprentice Director JULIA SCHACHNIK KATIE HEVERAN Community Engagement Education Intern Apprentice 2 MOBY-DICK TOOLKIT Table of Contents MOBY-DICK: IN PRODUCTION Moby-Dick Summary...................................................................................................................5
    [Show full text]
  • Fingal, Jen Thesis Final
    HOW DO YOU SOLVE A PROBLEM LIKE THE AMERICAN MUSICAL: The Evolution of Musical Theater Producing from Oklahoma! to Rocky the Musical Jennifer Fingal Submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in the Theatre Arts Program of the School of the Arts Columbia University April 30, 2015 Fingal 1 Introduction The contemporary American musical is in a time of crisis. More and more, not-for-profit theaters such as American Repertory Theater in Cambridge and Second Stage Theater in New York, which were founded to produce non-commercial works, are filling their season with musicals based on high-profile movies like Finding Neverland and Little Miss Sunshine. It is far more likely to see a popular musician writing music for a well-known movie turned musical - for instance Sara Bareilles for Waitress which will premiere at A.R.T. August 2015 - than to see a new generation of musical theater writers creating the next Fiddler on the Roof or West Side Story. Out of all the musicals that have opened on Broadway since the 2011-2012 Broadway season, 33.5% have been revivals, 13% have been jukebox musicals of some sort, 33.5% have been based on a high profile movie, and a mere 20% have been based on original or lesser known material. Of that 20%, The Last Ship was written by Sting, and If/Then starred Idina Menzel. First Date, Bridges of Madison County, Chaplin, Hands on a Hardbody, Lysistrata Jones and Leap of Faith, though novel for being original works were not successful at the box office, and only two out of the six were critically acclaimed.
    [Show full text]
  • Art and the Evolution of Science WHAT IS an Asset You Can See, Touch and Feel WORTH?
    Children and Media • Stalking the Wild Ginkgo november-december 2011 • $4.95 Art and the Evolution of Science WHAT IS an asset you can see, touch and feel WORTH? Whether you own non nancial assets such as farm and ranch land, timberland, oil, gas and mineral interests, investment real estate or private businesses, or are considering purchasing * non nancial assets, U.S. Trust has the resources to help you manage them. Our specialists have mud on their boots from real-world, on-the-ground experience. Their rsthand knowledge and deep insight can help you preserve your wealth and your worth. To see how we can help you make the most of your non nancial assets, see our latest thinking at ustrust.com/asset 1.800.U.S. TRUST | ustrust.com/asset * Note: Oil, gas and mineral interests and privately held businesses are not available for direct investment through U.S. Trust. Non nancial assets, such as closely held businesses, real estate, oil, gas and mineral properties, and timber, farm and ranch land, are complex in nature and involve risks including total loss of value. Special risk considerations include natural events (for example, earthquakes or res), complex tax considerations and lack of liquidity. Non nancial assets are not suitable for all investors. Always consult with your independent attorney, tax advisor, investment manager and insurance agent for nal recommendations and before changing or implementing any nancial, tax or estate-planning strategy. Client eligibility may apply. Investment products: Are Not Bank Guaranteed Are Not FDIC Insured May Lose Value U.S. Trust, Bank of America Private Wealth Management operates through Bank of America, N.A.
    [Show full text]
  • Mockumentary Project
    VISION RESIDENCY UNTITLED MOCKUMENTARY PROJECT MARCH 12 & 19 @ 7PM ET Directed by Vision Resident nicHi douglas Featuring DANE FIGUEROA EDIDI, MORTICIA GODIVA, N'YOMI STEWART & TAMARA MAURICE WILLIAMS UNTITLED MOCKUMENTARY PROJECT EPISODES 1 & 2: MARCH 12 @ 7PM ET EPISODES 3 & 4: MARCH 19 @ 7 PM ET THE TEAM Directed by Vision Resident nicHi douglas Written & Performed by DANE FIGUEROA EDIDI, MORTICIA GODIVA, N'YOMI STEWART & TAMARA MAURICE WILLIAMS Director of Photography ADELE OVERBEY Co-Composers TROY ANTHONY & GABBY HENDERSON Music TROY ANTHONY Sound TERESA-ESMERALDA SANCHEZ Gaffer MARLEY CHAPMAN Producer ASHTON MUÑIZ Assistant Director AVA ELIZABETH NOVAK Production Manager & Community Engagement MELISSA MOWRY Production Assistant/Key Grip GALEN POWELL Music for Episode 4 Features the Song "Because of Love" Music & Lyrics GABBY HENDERSON Singer GABBY HENDERSON THE ARTISTS WOULD LIKE TO THANK All of Our Trans Sistren & Kin The World Over - Past, Present & Afro-Future Ars Nova operates on the unceded land of the Lenape peoples on the island of Manhahtaan (Mannahatta) in Lenapehoking, the Lenape Homeland. We acknowledge the brutal history of this stolen land and the displacement and dispossession of its Indigenous people. We also acknowledge that after there were stolen lands, there were stolen people. We honor the generations of displaced and enslaved people that built, and continue to build, the country that we occupy today. We gathered together in virtual space to watch this performance. We encourage you to consider the legacies of colonization embedded within the technology and structures we use and to acknowledge its disproportionate impact on communities of color and Indigenous peoples worldwide.
    [Show full text]
  • One Night Stand
    ONE NIGHT STAND THE (VIRTUAL) WILDNESS MAY 26 @ 7PM ET Text by KYLE JARROW & LAUREN WORSHAM Songs by KYLE JARROW Directed by ASHLEY TATA THE (VIRTUAL) WILDNESS MAY 26 @ 7PM ET FEATURING DAVID BLASHER LINDSEY FORD SHARONE SAYEGH LILLI COOPER KYLE JARROW LAUREN WORSHAM JEFF FERNANDES JAMIE MOHAMDEIN KEVIN WUNDERLICH THE TEAM Text by KYLE JARROW & LAUREN WORSHAM Songs by KYLE JARROW Incidental Music by KEVIN WUNDERLICH Directed by ASHLEY TATA Video Design EAMONN FARRELL Associate Producer ALEXA SPIEGEL Stage Manager KATIE KAVETT Captions KAREN O'HARA AT CAPTIONACCESS THE ARTISTS WOULD LIKE TO THANK Ars Nova and PlayCo for believing and supporting Sky-Pony; ALL the Spiegel sisters, but especially Alexa; Ashley, Eamonn and Katie Kavett aka masters of chaos; Oona and Petra Jarrow, Sky-Pony babies and Connie Ennis, buddy and wrangler. Ars Nova operates on the unceded land of the Lenape peoples on the island of Manhahtaan (Mannahatta) in Lenapehoking, the Lenape Homeland. We acknowledge the brutal history of this stolen land and the displacement and dispossession of its Indigenous people. We also acknowledge that after there were stolen lands, there were stolen people. We honor the generations of displaced and enslaved people that built, and continue to build, the country that we occupy today. We gathered together in virtual space to watch this performance. We encourage you to consider the legacies of colonization embedded within the technology and structures we use and to acknowledge its disproportionate impact on communities of color and Indigenous peoples worldwide. We invite you to join us in acknowledging all of this as well as our shared responsibility: to consider our way forward in reconciliation, decolonization, anti-racism and allyship.
    [Show full text]
  • Composer/Performer
    Composer/Performer A Great Big World Say Something Aaron Copland Little Horses (The) Aaron Copland Twelve Poems of Emily Dickinson Abba Dancing Queen Abba Fernando Abba Gimme, Gimme, Gimme A Man After Midnight Abba Knowing Me, Knowing You Abba S.O.S. Abba Winner Takes It All (The) Adam Guettel Light in the Piazza (The) Adam Guettel Passegiata Adele Chasing Pavements Adele Hello Adele Love Song Adele Rolling in the Deep Adele Skyfall Adele Someone Like You Adolphe Adam O, Holy Night Aerosmith Dream On A-Ha Take On Me Air Supply One That You Love (The) Alan Jackson It's 5 O'Clock Somewhere Alan Menken Be Our Guest Alan Menken Colors of the Wind Alan Menken Happy Working Song Alan Menken Home Alan Menken I See the Light Alan Menken I Won't Say Alan Menken Kiss the Girl Alan Menken Part of Your World Alan Menken Proud of Your Boy Alan Menken Santa Fe Alan Menken So Close Alan Menken Under the Sea Alan Menken Whole New World (A) Alanis Morissette Hand in My Pocket Alanis Morissette Head Over Feet Alanis Morissette Ironic Albert Hague You're a Mean One, Mr. Grinch Alessia Cara Here Alex Anderson Mele Kalikimaka Alicia Keys Fallin' Alicia Keys If I Ain't Got You Alicia Keys No One Alicia Keys Superwoman Alice Merton No Roots Amy Winehouse Rehab Amy Winehouse Valerie Amy Winehouse You Know I'm No Good Andrew Lippa Beethoven Day Andrew Lippa Crazier than You Andrew Lippa Just Around the Corner Andrew Lippa My New Philosophy Andrew Lloyd Webber All I Ask of You Andrew Lloyd Webber Another Suitcase in Another Hall Andrew Lloyd Webber As If We Never
    [Show full text]