DOCSLIB.ORG

Harriet D. Foy and Joniece Abbott-Pratt in the HOUSE THAT WILL NOT STAND, Photo by Joan Marcus Board of Trustees Dear Friends

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Harriet D. Foy and Joniece Abbott-Pratt in the HOUSE THAT WILL NOT STAND, Photo by Joan Marcus Board of Trustees Dear Friends 2017/18 ANNUAL REPORT Harriet D. Foy and Joniece Abbott-Pratt in THE HOUSE THAT WILL NOT STAND, Photo by Joan Marcus Board of Trustees Dear friends- James C. Nicola As we sit and reflect on New York Theatre Workshop’s 2017/18 season, we are humbled by all that our ARTISTIC DIRECTOR community of artists, staff, supporters and audiences brought into the world. We are living in a moment of great uncertainty and cannot express enough gratitude for the artists who have taken this uncertainty head Jeremy Blocker on, grappling with questions of how we move forward both as individuals and as a collective. MANAGING DIRECTOR These questions are daunting and have no single answer. Each individual and community brings their own Barbara Warner Howard CHAIR perspective and imagination. For the first time in many years, we expanded our production capacity from four to five productions, making space for more artists to contend with these pressing questions. And it was a true Kelly Fowler Hunter honor to welcome back four women who have long been part of the NYTW family to helm these ambitious PRESIDENT projects. Allan S. Gordon The season began with Amy Herzog’s deeply human MARY JANE. Anne Kauffman’s quietly stunning VICE CHAIR production celebrated a resilient mother and the power of both fleeting and sustained human connection. As the days grew shorter, we were graced with the haunting and healing melodies of Shaun and Abigail Bengon’s Jack Bamberger VICE PRESIDENT HUNDRED DAYS, reminding us that love and hope bring light in fearful times. Noel E. D. Kirnon Tow Playwright-in-Residence Hammaad Chaudry’s AN ORDINARY MUSLIM brought West London to East 4th TREASURER Street. With the Bhattis, Hammaad gave life to a multifaceted family, complicating the monolithic picture of Islam dominant in Western culture. We were overjoyed for Rachel Chavkin to stage Caryl Churchill’s LIGHT Kathleen Yoh SHINING IN BUCKINGHAMSHIRE. The play celebrates the collective will for a better world while contemplating SECRETARY the possibility of true liberation outside the spiritual realm. And the potential perils of liberation reverberated from 17th century England to 19th century New Orleans, as Beartrice Albans did all she could to protect her Stephen Graham FOUNDING TRUSTEE daughters in Marcus Gardley’s lyrical THE HOUSE THAT WILL NOT STAND. Ayad Akhtar In addition to these five glorious productions, we also instituted a number of new initiatives to further live Claudia Caffuzzi our ambitions. We activated the beautiful renovation of our Fourth Street Theatre with NEXT DOOR at NYTW, Barbara Cutler which provides a home for companies and artists who are producing their own work. This initiative provides Janet Harckham each project with subsidized resources and space for development and performance. We also launched our Hans Humes 2050 Administrative Fellowship, a sister program to our longstanding 2050 Artistic Fellowship, welcoming Susan Peterson Kennedy twelve emerging theatre administrators into our community. Lisa Cleff Kurtz Anthony E. Napoli Heather Randall In writing on LIGHT SHINING IN BUCKINGHAMSHIRE, critic Miram Felton-Dansky, of the sadly defunct Scott Shay Village Voice, described the production in a way that rings true of the greatest aspiration of New York Brian Vollmer Theatre Workshop: Doug Wright “It’s an argument for theater as a place to think out loud, find common cause with people very unlike In Memoriam ourselves, and take the long view of historical change.” Bokara Legendre We are grateful for all of those who make these aspirations a reality and have faith that artists will continue to see us through these uncertain times. Gratefully, James C. Nicola Jeremy Blocker Artistic Director Managing Director 2 TABLE OF CONTENTS MISSION & HISTORY 4 SEASON BY THE NUMBERS 5 17/18 SEASON 6 PRODUCTIONS ARTIST WORKSHOP 11 NEXT DOOR 12 2050 FELLOWSHIP 13 PROGRAMS READINGS, WORKSHOPS 15 AND PRESENTATIONS EDUCATION INITIATIVES 16 PUBLIC PROGRAMS 18 2018 SPRING GALA 19 SUPPORTERS 20 NYTW BOARD & STAFF 25 Sanjit De Silva in AN ORDINARY MUSLIM, Photo by Suzi Sadler Abigail Bengson, Reggie D. White, and Shaun Bengson in HUNDRED DAYS, Photo by Joan Marcus MISSION & HISTORY NEW YORK THEATRE WORKSHOP believes that when we collaborate to create and experience art, we come to better know each other and to better understand the world around us. Since our founding by Stephen Graham in 1979, NYTW has empowered visionary theatre-makers through our productions and Artist Workshop Programs as well as nurtured ongoing conversations about living in our contemporary moment through our Education and Community Engagement Initiatives. Each year, NYTW presents a season of five plays that encourages our nearly 50,000 audience members to ask the critical questions of our day. Six of our productions have transferred to Broadway after having their debut at the Workshop: RENT, DIRTY BLONDE, PETER AND THE STARCATCHER, ONCE, and this spring, HADESTOWN and WHAT THE CONSTITUTION MEANS TO ME. Our work has been recognized with the Pulitzer Prize, 17 Tony Awards and numerous Obie, Drama Desk, and Lucille Lortel Awards along with the Lilly Award for commitment to gender equality. 4 2017/18 SEASON “A heartbreaker for anyone human” -The New York Times BY THE MARY JANE NUMBERS: Carrie Coon, Susan Pourfar in MARY JANE, Photo by Joan Marcus “Shines a light in the darkness” 47,980 -New York Magazine Total Audience Members HUNDRED DAYS Abigail and Shaun Bengson in HUNDRED DAYS, Photo by Joan Marcus “AMBITIOUS 267 Performances in & AUDACIOUS” -Time Out New York the 2017/18 Season AN ORDINARY MUSLIM Sanjit De Silva and Ranjit Chowd-hry in AN ORDINARY MUSLIM, Photo by Suzi Sadler 14 “One of the Awards and hottest political Nominations plays in New York.” -Theatermania Mikéah Ernest Jennings, 113 LIGHT SHINING IN BUCKINGHAMSHIRE Artists Matthew Jeffers, Evelyn Spahr, Gregg Mozgala, Rob Campbell in LIGHT SHINING IN BUCKINGHAMSHIRE, Photo by Joan Marcus Collaborated with for “A flash of Productions wondrousness” -The New York Times THE HOUSE THAT WILL NOT STAND Lynda Gravatt, Marie Thomas in THE HOUSE THAT WILL NOT STAND, Photo by Joan Marcus 5 “CARRIE COON OBIE AWARDS Playwriting Amy Herzog HAS QUICKLY Directing Anne Kauffman ESTABLISHED Performance Carrie Coon HERSELF AS AN DRAMA DESK AWARD NOMINATIONS UNCOMMONLY Outstanding Play Outstanding Actress in a Play Carrie Coon GIFTED ACTRESS, LUCILLE LORTEL NOMINATIONS conveying the Outstanding Featured Actress in a Play Liza Colón-Zayas Outstanding Scenic Design Laura Jellinek broadest Outstanding Lighting Design Japhy Weideman spectrum of emotions without LUCILLE LORTEL AWARDS Outstanding Director Anne Kauffman flourish or Outstanding Lead Actress in a Play Carrie Coon embellishment.” Outstanding Sound Design Leah Gelpe - Deadline Carrie Coon in MARY JANE, Photo by Joan Marcus by Photo JANE, Coon in MARY Carrie MARY JANE September 6 – October 29, 2017 By Amy Herzog CREATIVE TEAM Directed by Anne Kauffman SCENIC DESIGN Laura Jellinek COSTUME DESIGN Emily Rebholz 60 performances for a total of 11,768 audience members LIGHTING DESIGN Japhy Weideman SOUND DESIGN Leah Gelpe PROPERTIES DESIGN Kathy Fabian & Propstar The 2017/18 season opened with the New York premiere of MARY JANE written WIG, HAIR & MAKEUP DESIGN Dave Bova & J. Jared Janas by Pulitzer Prize finalist Amy Herzog and directed by two-time Obie-winning STAGE MANAGER Lisa Ann Chernoff Anne Kauffman, two longtime members of our artistic community. MARY JANE is a powerful new play that follows a young mother who navigates the realities CAST (in alphabetical order): of caring for her chronically ill son, from contending with apartment building regulations to facing the intricacies of America’s healthcare system. SHERRY/DR. TOROS Lisa Colon-Zayas MARY JANE Carrie Coon Celebrated by audiences and critics alike, MARY JANE was selected as a New AMELIA/KAT Danaya Esperanza York Times and Time Out New York Critics’ Pick and extended for an additional two weeks. New York Times Critic Jesse Green called it, “the most profound BRIANNE/CHAYA Susan Pourfar and harrowing of Ms. Herzog’s plays, a heartbreaker for anyone human.” RUTHIE/TENKIE Brenda Wehle 6 Abigail Bengson, Jo Lampert, Colette Alexander, Shaun Bengson in HUNDRED DAYS, Photo by Joan Marcus “A LUMINOUS MUSICAL MEMOIR that celebrates and laments the elusive radiance of a shared life.” - The New York Times HUNDRED DAYS November 15 – December 31, 2017 Book by The Bengsons and Sarah Gancher Music & Lyrics by The Bengsons Directed by Anne Kauffman 53 performances for a total of 9,325 audience members Folk-punk duo The Bengsons’ bring audiences HUNDRED DAYS, an uncensored, CREATIVE TEAM exhilarating, and heartwarming music theatre piece that tells the true story of MOVEMENT DIRECTION Sonya Tayeh how Abigail and Shaun Bengson met and fell in love, and how that love unleashed their terror of mortality. Existing somewhere between a musical and rock CO-SCENIC DESIGN Kris Stone & PROPS DESIGN concert HUNDRED DAYS, which is also directed by Anne Kauffman, serves as an evocative parable about how our fears can prevent us from living and loving COSTUME DESIGN Sydney Gallas fully. Selected as a New York Times Critics’ Pick, Ben Brantley described it as, CO-SCENIC & Andrew Hungerford “A luminous musical memoir.” LIGHTING DESIGN SOUND DESIGN Nicholas Pope Produced by special arrangement with Erica Rotstein, Seaview Productions, and Z Space. STAGE MANAGER Lindsey Turteltaub HUNDRED DAYS was originally commissioned, developed and produced by Z CAST (in alphabetical
Load more

Recommended publications
  • OSLO Big Winner at the 2017 Lucille Lortel Awards, Full List! by BWW News Desk May
    Click Here for More Articles on 2017 AWARDS SEASON OSLO Big Winner at the 2017 Lucille Lortel Awards, Full List! by BWW News Desk May. 7, 2017 ​ ​ Tweet Share ​ ​ The Lortel Awards were presented May 7, 2017 at NYU Skirball Center beginning at 7:00 PM EST. This year's event was hosted by actor and comedian, Taran Killam, and once again served as a benefit for The Actors Fund. Leading the nominations this year with 7 each are the new musical, Hadestown - a folk opera produced by New York Theatre Workshop - and Sweeney Todd: The Demon Barber of Fleet Street, currently at the Barrow Street Theatre, which has been converted into a pie shop for the intimate staging. In the category of plays, both Paula Vogel's Indecent and J.T. Rogers' Oslo, current Broadway transfers, earned a total of 4 nominations, including for Outstanding Play. Playwrights Horizons' A Life also earned 4 total nominations, including for star David Hyde Pierce and director Anne Kauffman, earning her 4th career Lortel Award nomination; as did MCC Theater's YEN, including one for recent Academy Award nominee Lucas Hedges for Outstanding Lead Actor. Lighting Designer Ben Stanton earned a nomination for the fifth consecutive year - and his seventh career nomination, including a win in 2011 - for his work on YEN. Check below for live updates from the ceremony. Winners will be marked: **Winner** ​ Outstanding Play Indecent Produced by Vineyard Theatre in association with La Jolla Playhouse and Yale Repertory Theatre Written by Paula Vogel, Created by Paula Vogel & Rebecca Taichman Oslo **Winner** ​ Produced by Lincoln Center Theater Written by J.T.
    [Show full text]
  • Transgender Representation on American Narrative Television from 2004-2014
    TRANSJACKING TELEVISION: TRANSGENDER REPRESENTATION ON AMERICAN NARRATIVE TELEVISION FROM 2004-2014 A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Kelly K. Ryan May 2021 Examining Committee Members: Jan Fernback, Advisory Chair, Media and Communication Nancy Morris, Media and Communication Fabienne Darling-Wolf, Media and Communication Ron Becker, External Member, Miami University ABSTRACT This study considers the case of representation of transgender people and issues on American fictional television from 2004 to 2014, a period which represents a steady surge in transgender television characters relative to what came before, and prefigures a more recent burgeoning of transgender characters since 2014. The study thus positions the period of analysis as an historical period in the changing representation of transgender characters. A discourse analysis is employed that not only assesses the way that transgender characters have been represented, but contextualizes American fictional television depictions of transgender people within the broader sociopolitical landscape in which those depictions have emerged and which they likely inform. Television representations and the social milieu in which they are situated are considered as parallel, mutually informing discourses, including the ways in which those representations have been engaged discursively through reviews, news coverage and, in some cases, blogs. ii To Desmond, Oonagh and Eamonn For everything. And to my mother, Elaine Keisling, Who would have read the whole thing. iii ACKNOWLEDGMENTS Throughout the research and writing of this dissertation, I have received a great deal of support and assistance, and therefore offer many thanks. To my Dissertation Chair, Jan Fernback, whose feedback on my writing and continued support and encouragement were invaluable to the completion of this project.
    [Show full text]
  • Download the Report
    Oregon Cultural Trust fy2011 annual report fy2011 annual report 1 Contents Oregon Cultural Trust fy2011 annual report 4 Funds: fy2011 permanent fund, revenue and expenditures Cover photos, 6–7 A network of cultural coalitions fosters cultural participation clockwise from top left: Dancer Jonathan Krebs of BodyVox Dance; Vital collaborators – five statewide cultural agencies artist Scott Wayne 8–9 Indiana’s Horse Project on the streets of Portland; the Museum of 10–16 Cultural Development Grants Contemporary Craft, Portland; the historic Astoria Column. Oregonians drive culture Photographs by 19 Tatiana Wills. 20–39 Over 11,000 individuals contributed to the Trust in fy2011 oregon cultural trust board of directors Norm Smith, Chair, Roseburg Lyn Hennion, Vice Chair, Jacksonville Walter Frankel, Secretary/Treasurer, Corvallis Pamela Hulse Andrews, Bend Kathy Deggendorfer, Sisters Nick Fish, Portland Jon Kruse, Portland Heidi McBride, Portland Bob Speltz, Portland John Tess, Portland Lee Weinstein, The Dalles Rep. Margaret Doherty, House District 35, Tigard Senator Jackie Dingfelder, Senate District 23, Portland special advisors Howard Lavine, Portland Charlie Walker, Neskowin Virginia Willard, Portland 2 oregon cultural trust December 2011 To the supporters and partners of the Oregon Cultural Trust: Culture continues to make a difference in Oregon – activating communities, simulating the economy and inspiring us. The Cultural Trust is an important statewide partner to Oregon’s cultural groups, artists and scholars, and cultural coalitions in every county of our vast state. We are pleased to share a summary of our Fiscal Year 2011 (July 1, 2010 – June 30, 2011) activity – full of accomplishment. The Cultural Trust’s work is possible only with your support and we are pleased to report on your investments in Oregon culture.
    [Show full text]
  • Kati Mitchell 617-496-2000 X8841 American Repertory Theatre in Association Wi
    For Immediate Release: September 12, 2008 Contact: Kati Mitchell 617-496-2000 x8841 American Repertory Theatre in association with the Loeb Drama Center presents the world premiere of The Communist Dracula Pageant by Americans, for Americans with hallucinations, phosphorescence, and bears by Anne Washburn directed by Anne Kauffman October 18 — November 9 Zero Arrow Theatre Cambridge, Mass. — The American Repertory Theatre presents the world premiere of Anne Washburn’s The Communist Dracula Pageant directed by Anne Kauffman, at the A.R.T.’s Zero Arrow Theatre, corner of Arrow Street and Massachusetts Avenue, Cambridge. The production begins performances on Saturday, October 18 and runs through Sunday, November 9; it will be available for press viewing from Wednesday, October 22. “History, peopled with our faces, is not our story. Do not hope to find yourself in history. Look for yourself only in the terrible recesses of your own heart.” — The Communist Dracula Pageant Anne Washburn is one of the most exciting new voices in the American theatre. Her plays are feasts of imagination, with vivid characters, storylines that veer off in surprising directions, a wry sense of comedy, and a playful love of language. The Communist Dracula Pageant is a spectacular example. Drawing from trial transcripts and from Romania’s rich folklore, Washburn dramatizes the final days of Nicolae and Elena Ceausescu, the autocrats who ruled Romania from 1965-1989. This romp across Romanian myth and history exists in three time periods: 1989, when the Ceausescus’ dictatorship fell; 1976, when the dictators, at the height of their powers, commissioned kitschy pageants to celebrate the glory of the Romanian nation; and the fifteenth century, during the reign of Vlad Tepes, the historical Count Dracula.
    [Show full text]
  • UNIVERSES, Whose Theatrical Works Fuse Poetry, Theatre, Jazz, Hip-Hop
    Who Are UNIVERSES? UNIVERSES, whose theatrical works fuse poetry, theatre, jazz, hip-hop, politics, down-home blues and Spanish boleros, came together in 1995 in the open mic scene of New York City. Steven Sapp and Mildred Ruiz-Sapp were performers at the NuYorican Poets Café in Lower Manhattan who blended their talents. William Ruiz (a.k.a. Ninja) auditioned for UNIVERSES in 2004 after graduating from college and became a core member of the ensemble. Over the group’s 20-plus-year career, they have created and/or performed such pieces as The Ride (1998), Blue Suite (a.k.a. Eyewitness Blues) (2004), The Last Word (2005), One Shot in Lotus Position (2006) and others. They presented their pieces at places such as the Actors Theatre of Louisville’s Humana Festival of New American Plays, Berkeley Repertory Theatre and The Public Theater and have performed in Poland, Chile and Colombia. Their first show and one of their better- known works is Slanguage, which premiered in 2001 at the New York Theatre Workshop, directed by Jo Bonney. Since then, they have continued to write and perform nationally acclaimed shows that are socially conscious and rooted in historical narratives and icons. Ameriville, which premiered at the Actors Theatre of Louisville in 2009, focused on their observations of the people affected by, and their social commentary of, the politics surrounding, hurricane-ravaged New Orleans. For Party People, the group interviewed members of the Black Panther Party and the Young Lords to capture the challenges of their activism in the 1960s and the legacies of that work.
    [Show full text]
  • June 17 – Jan 18 How to Book the Plays
    June 17 – Jan 18 How to book The plays Online Select your own seat online nationaltheatre.org.uk By phone 020 7452 3000 Mon – Sat: 9.30am – 8pm In person South Bank, London, SE1 9PX Mon – Sat: 9.30am – 11pm Other ways Friday Rush to get tickets £20 tickets are released online every Friday at 1pm Saint George and Network Pinocchio for the following week’s performances. the Dragon 4 Nov – 24 Mar 1 Dec – 7 Apr Day Tickets 4 Oct – 2 Dec £18 / £15 tickets available in person on the day of the performance. No booking fee online or in person. A £2.50 fee per transaction for phone bookings. If you choose to have your tickets sent by post, a £1 fee applies per transaction. Postage costs may vary for group and overseas bookings. Access symbols used in this brochure CAP Captioned AD Audio-Described TT Touch Tour Relaxed Performance Beginning Follies Jane Eyre 5 Oct – 14 Nov 22 Aug – 3 Jan 26 Sep – 21 Oct TRAVELEX £15 TICKETS The National Theatre Partner for Innovation Partner for Learning Sponsored by in partnership with Partner for Connectivity Outdoor Media Partner Official Airline Official Hotel Partner Oslo Common The Majority 5 – 23 Sep 30 May – 5 Aug 11 – 28 Aug Workshops Partner The National Theatre’s Supporter for new writing Pouring Partner International Hotel Partner Image Partner for Lighting and Energy Sponsor of NT Live in the UK TBC Angels in America Mosquitoes Amadeus Playing until 19 Aug 18 July – 28 Sep Playing from 11 Jan 2 3 OCTOBER Wed 4 7.30 Thu 5 7.30 Fri 6 7.30 A folk tale for an Sat 7 7.30 Saint George and Mon 9 7.30 uneasy nation.
    [Show full text]
  • Demarcating Dramaturgy
    Demarcating Dramaturgy Mapping Theory onto Practice Jacqueline Louise Bolton Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds Workshop Theatre, School of English August 2011 The candidate confirms that the work submitted is his/her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. 11 Acknowledgements This PhD research into Dramaturgy and Literary Management has been conducted under the aegis of an Arts and Humanities Research Council Collaborative Doctoral Award; a collaboration between the University of Leeds and West Yorkshire Playhouse which commenced in September 2005. I am extremely grateful to Alex Chisholm, Associate Director (Literary) at West Yorkshire Playhouse, and Professor Stephen Bottoms and Dr. Kara McKechnie at the University of Leeds for their intellectual and emotional support. Special thanks to Professor Bottoms for his continued commitment over the last eighteen months, for the time and care he has dedicated to reading and responding to my work. I would like to take this opportunity to thank everybody who agreed to be interviewed as part of this research. Thanks in particular to Dr. Peter Boenisch, Gudula Kienemund, Birgit Rasch and Anke Roeder for their insights into German theatre and for making me so welcome in Germany. Special thanks also to Dr. Gilli Bush-Bailey (a.k.a the delightful Miss. Fanny Kelly), Jack Bradley, Sarah Dickenson and Professor Dan Rebellato, for their faith and continued encouragement.
    [Show full text]
  • Reminder List of Productions Eligible for the 90Th Academy Awards Alien
    REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx.
    [Show full text]
  • Anney Perrine
    ANNEY PERRINE Costume Designer www.anneyperrine .com YOUTH IN OREGON • Sundial Pictures • 2015 • Director: Joel David Moore • Producers: Joey Carey, Stefan Nowicki Cast: Frank Langella, Billy Crudup, Christina Applegate CUSTODY • Lucky Monkey Pictures • 2015 • Director: James Lapine • Producers: Katie Mustard, Lauren Versel Cast: Viola Davis, Ellen Burstyn, Hayden Panettiere, Catalina Moreno, Tony Shaloub, Dan Fogler THE PHENOM • Elephant Eye Films • 2014 • Director: Noah Buschel • Producers: Jeff Rice, Kim Jose, Aaron L. Gilbert Cast: Ethan Hawke, Paul Giamatti, Johnny Simmons, Sophie Kennedy Clark, Marin Ireland THE OUTSKIRTS • BCDF Pictures • 2014 • Director: Peter Hutchings • Producers: Brice Del Farra, Claude Del Farra Cast: Eden Sher, Victoria Justice, Peyton List, Ashley Rickards AD INEXPLORATA • Loveless • 2014 • Director: Mark Rosenberg • Producers: Josh Penn, Matthew Parker, Jason Berman Cast: Mark Strong, Sanaa Lathan, Luke Wilson BEFORE WE GO • G4 Productions • 2013 • Director: Chris Evans • Producers: McG, Mark Kassen, Mary Viola Cast: Chris Evans, Alice Eve, Emma Fitzpatrick *Special Presentation: Toronto International Film Festival 2014 ABOUT ALEX • Bedford Falls Co. • 2013 • Dir: Jesse Zwick • Prod: Edward Zwick, Marshall Herskovitz, Robyn Bennett, Adam Saunders Cast: Aubrey Plaza, Max Minghella, Nate Parker, Jason Ritter, Maggie Grace, Max Greenfield *Official Selection: Tribeca Film Festival 2014 MAHJONG AND THE WEST • BCDF Pictures & Apres Visuals • 2013 • Dir: Joseph Muszynski • Prod: Claude Dal Farra, Adam Piotrowicz Cast: Dominic Bogart, Tom Guiry, Louanne Stephens MEDAL OF VICTORY • Warehouse District Productions • 2013 • Director: Joshua Moise • Producer: Jason Schumacher Cast: Richard Riehle, Will Blomker COLD COMES THE NIGHT • Syncopated Films • 2012 • Dir: Tze Chun • Producers: Terry Leonard, Mynette Louie, Rick Rosenthal Cast: Bryan Cranston, Alice Eve, Logan Marshall-Green, Ursula Parker, Leo Fitzpatrick A BIRDER’S GUIDE TO EVERYTHING • Dreamfly Prod.
    [Show full text]
  • The Upstart Crow, Volume XXIX
    Clemson University TigerPrints Upstart Crow (Table of Contents) Clemson University Press Fall 2010 The Upstart Crow, Volume XXIX Elizabeth Rivlin, Editor Clemson University Follow this and additional works at: https://tigerprints.clemson.edu/upstart_crow Recommended Citation Rivlin, Editor, Elizabeth, "The Upstart Crow, Volume XXIX" (2010). Upstart Crow (Table of Contents). 30. https://tigerprints.clemson.edu/upstart_crow/30 This Article is brought to you for free and open access by the Clemson University Press at TigerPrints. It has been accepted for inclusion in Upstart Crow (Table of Contents) by an authorized administrator of TigerPrints. For more information, please contact [email protected]. Vol_XXIX Clemson University Digital Press Digital Facsimile Vol_XXIX Shakesp ear ean Hearing guest edited by Leslie Dunn and Wes Folkerth Contents Essays Leslie Dunn and Wes Folkerth Editors’ Introduction to “Shakespearean Hearing” ....5 Erin Minear “A Verse to this Note”: Shakespeare’s Haunted Songs .................... 11 Kurt Schreyer “Here’s a knocking indeed!” Macbeth and the Harrowing of Hell ... 26 Paula Berggren Shakespeare and the Numbering Clock ..........................................44 Allison Kay Deutermann “Dining on Two Dishes”: Shakespeare, Adaptation, and Auditory Reception of Purcell’s Th e Fairy-Queen ..................................... 57 Michael Witmore Shakespeare’s Inner Music ................................................. 72 Performance Reviews Michael W. Shurgot and Peter J. Smith Th e 2010 Season at London’s Globe Th eatre .........................................................................................................83 Sara Th ompson Th e Royal Shakespeare Company 2009:As You Like It ............. 99 Owen E. Brady Th e 2009 Stratford Festival:Macbeth and Bartholomew Fair ..103 Michael W. Shurgot Th e 2009 Oregon Shakespeare Festival ..............................111 Bryan Adams Hampton Th e 2010 Alabama Shakespeare Festival:Hamlet .....
    [Show full text]
  • Hould Ward Final Document 2013 Resume
    ANNANN HOULDHOULD--WARDWARD designer Broadway PUMPBOYS AND DINETTES (postponed spring 2012) John Doyle, dir. PEOPLE IN THE PICTURE Leonard Foglia, dir. FREEMAN OF COLOR George C. Wolfe, dir. 2011 Drama Desk Nomination A CATERED AFFAIR John Doyle, dir. 2008 Drama Desk Nomination COMPANY John Doyle, dir. DANCE OF THE VAMPIRES John Rando, dir. MORE TO LOVE Jack O'Brien, dir. LITTLE ME Rob Marshall, dir. DREAM Wayne Cilento, dir. ON THE WATERFRONT Adrian Hall, dir. THE MOLIERE COMEDIES Michael Langham, dir. BEAUTY AND THE BEAST Rob Roth, dir. 1994 Tony Award 1994 American Theater Wing Design Award 1994 Outer Critics Circle Award Nomination TIMON OF ATHENS Michael Langham, dir. IN THE SUMMER HOUSE Joanne Akalaitis, dir. 1994 American Theater Wing Design Nomination 3 MEN ON A HORSE John Tillinger, dir. ST. JOAN Michael Langham, dir. FALSETTOS James Lapine, dir. INTO THE WOODS James Lapine, dir. 1989 Los Angeles Drama Critics Circle Award 1988 Tony Nomination 1988 Outer Critics Circle Nomination 1988 Drama Desk Nomination HARRIGAN N’ HART Joe Layton, dir. 1985 Maharam Award Nomination SUNDAY IN THE PARK WITH GEORGE James Lapine, dir. 1984 Tony Nomination 1984 Drama Desk Nomination 1984 Maharam Award Winner Coutier Design EARTHA KITT Concert Gowns BRIAN BOITANO Skating Competition Costume, Skate America Hould-Ward Design, Film Center Building, 630 9th Ave., Ste. 1205, New York, NY 10036 e-mail: [email protected] phone: (212) 262-7480 Delacourte – Public Theater – Central Park MERRY WIVES OF WINDSOR Dan Sullivan, dir MIDSUMMER NIGHTS DREAM Dan Sullivan, dir. HAMLET Oskar Eustus, dir. OPERA KING ROGER (Mariusz Kwiecien) Santa Fe Opera 2012 Stephen Wadsworth,dir PETER GRIMES (Anthony Dean Griffey) Metropolitian Opera 2008 John Doyle, dir.
    [Show full text]
  • 617.872.8254 | Rebecca [email protected]
    FOR IMMEDIATE RELEASE: October 16, 2019 Contact: Rebecca Curtiss 617.496.2000 x8841 | 617.872.8254 | [email protected] Creative Team and Cast Announced for American Repertory Theater Premiere of Moby-Dick New Collaboration Between Dave Malloy and Rachel Chavkin To Run December 3, 2019 – January 12, 2020 Download images here. Cambridge, MA – American Repertory Theater (A.R.T.) at Harvard University, under the leadership of Terrie and Bradley Bloom Artistic Director Diane Paulus and Executive Producer Diane Borger, have announced the creative team and cast of Moby-Dick, with music, lyrics, book, and orchestrations by Dave Malloy, developed with and directed by Rachel Chavkin. Performances of the new adaptation of Herman Melville’s classic novel begin Tuesday, December 3 at the Loeb Drama Center in Cambridge, MA. The production opens officially on Wednesday, December 11, 2019 and closes Sunday, January 12, 2020. “We are all in the belly of the whale…” From the creative team behind A.R.T.’s 2015 production of Natasha, Pierre & The Great Comet of 1812 comes an epic musical adaptation of Herman Melville’s iconic American novel. As the egomaniacal Captain Ahab drives his crew across the seas in pursuit of the great white whale, Melville’s nineteenth-century vision of America collides head-on with the present. “I’ve always been fascinated with the surprising ways classic literature can resonate with contemporary times, and Moby-Dick is no exception,” says Malloy. “Melville was writing about America in 1851, as the country was struggling to define itself and reconcile all the conflicts that led inevitably to the Civil War; 170 years later, we’re still talking about the same issues— capitalism, democracy, environmentalism, race.
    [Show full text]