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OSLO Big Winner at the 2017 Lucille Lortel Awards, Full List! by BWW News Desk May
Click Here for More Articles on 2017 AWARDS SEASON OSLO Big Winner at the 2017 Lucille Lortel Awards, Full List! by BWW News Desk May. 7, 2017 Tweet Share The Lortel Awards were presented May 7, 2017 at NYU Skirball Center beginning at 7:00 PM EST. This year's event was hosted by actor and comedian, Taran Killam, and once again served as a benefit for The Actors Fund. Leading the nominations this year with 7 each are the new musical, Hadestown - a folk opera produced by New York Theatre Workshop - and Sweeney Todd: The Demon Barber of Fleet Street, currently at the Barrow Street Theatre, which has been converted into a pie shop for the intimate staging. In the category of plays, both Paula Vogel's Indecent and J.T. Rogers' Oslo, current Broadway transfers, earned a total of 4 nominations, including for Outstanding Play. Playwrights Horizons' A Life also earned 4 total nominations, including for star David Hyde Pierce and director Anne Kauffman, earning her 4th career Lortel Award nomination; as did MCC Theater's YEN, including one for recent Academy Award nominee Lucas Hedges for Outstanding Lead Actor. Lighting Designer Ben Stanton earned a nomination for the fifth consecutive year - and his seventh career nomination, including a win in 2011 - for his work on YEN. Check below for live updates from the ceremony. Winners will be marked: **Winner** Outstanding Play Indecent Produced by Vineyard Theatre in association with La Jolla Playhouse and Yale Repertory Theatre Written by Paula Vogel, Created by Paula Vogel & Rebecca Taichman Oslo **Winner** Produced by Lincoln Center Theater Written by J.T. -
February 26, 2021 Amazon Warehouse Workers In
February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN; -
Advance Program Notes the TEAM National Theatre of Scotland Anything That Gives Off Light Friday, March 1, and Saturday, March 2, 2019, 7:30 PM
Advance Program Notes The TEAM National Theatre of Scotland Anything That Gives Off Light Friday, March 1, and Saturday, March 2, 2019, 7:30 PM These Advance Program Notes are provided online for our patrons who like to read about performances ahead of time. Printed programs will be provided to patrons at the performances. Programs are subject to change. The TEAM National Theatre of Scotland Anything That Gives Off Light North American Premiere A co-production by the TEAM, the National Theatre of Scotland, and Edinburgh International Festival Written by Jessica Almasy, Davey Anderson, Fraser Ayres, Rachel Chavkin, Brian Ferguson, and Sandy Grierson Created in collaboration with Matt Hubbs, Nick Vaughan, Brian Hastert, and Libby King Music and lyrics by the Bengsons Directed by Rachel Chavkin with Associate Director Davey Anderson Cast Red: Jessica Almasy* Brian: Reuben Joseph* Iain: Martin Donaghy* Musicians Jessie Linden* Maya Sharpe* Katrina Yaukey* Director: Rachel Chavkin Associate Director: Davey Anderson Composers: Shaun Bengson and Abigail Nessen-Bengson Designer: Nick Vaughan Lighting Designer: Ted Boyce-Smith Sound Designer and Technical Director: Matt Hubbs Music Director: Ellen Winter Costume Associate: Heather McDevitt Barton Casting Director: Laura Donnelly, CDG Production Stage Manager: Ben Freedman* TEAM Producing Director: Alexandra Lalonde Production Assistant: Ema Zivkovic Music Assistant: Jessica Mqllquham This production of Anything That Gives Off Light is dedicated to our original lighting designer, Chahine Yavroyan, who passed away in November, 2018. Chahine, we carry the flame of your elegance, your good grace, and your beautiful eye in our hearts on this stage every evening. Thank you for your light. -
Kati Mitchell 617-496-2000 X8841 American Repertory Theatre in Association Wi
For Immediate Release: September 12, 2008 Contact: Kati Mitchell 617-496-2000 x8841 American Repertory Theatre in association with the Loeb Drama Center presents the world premiere of The Communist Dracula Pageant by Americans, for Americans with hallucinations, phosphorescence, and bears by Anne Washburn directed by Anne Kauffman October 18 — November 9 Zero Arrow Theatre Cambridge, Mass. — The American Repertory Theatre presents the world premiere of Anne Washburn’s The Communist Dracula Pageant directed by Anne Kauffman, at the A.R.T.’s Zero Arrow Theatre, corner of Arrow Street and Massachusetts Avenue, Cambridge. The production begins performances on Saturday, October 18 and runs through Sunday, November 9; it will be available for press viewing from Wednesday, October 22. “History, peopled with our faces, is not our story. Do not hope to find yourself in history. Look for yourself only in the terrible recesses of your own heart.” — The Communist Dracula Pageant Anne Washburn is one of the most exciting new voices in the American theatre. Her plays are feasts of imagination, with vivid characters, storylines that veer off in surprising directions, a wry sense of comedy, and a playful love of language. The Communist Dracula Pageant is a spectacular example. Drawing from trial transcripts and from Romania’s rich folklore, Washburn dramatizes the final days of Nicolae and Elena Ceausescu, the autocrats who ruled Romania from 1965-1989. This romp across Romanian myth and history exists in three time periods: 1989, when the Ceausescus’ dictatorship fell; 1976, when the dictators, at the height of their powers, commissioned kitschy pageants to celebrate the glory of the Romanian nation; and the fifteenth century, during the reign of Vlad Tepes, the historical Count Dracula. -
Television Academy Awards
2021 Primetime Emmy® Awards Ballot Outstanding Music Composition For A Series (Original Dramatic Score) The Alienist: Angel Of Darkness Belly Of The Beast After the horrific murder of a Lying-In Hospital employee, the team are now hot on the heels of the murderer. Sara enlists the help of Joanna to tail their prime suspect. Sara, Kreizler and Moore try and put the pieces together. Bobby Krlic, Composer All Creatures Great And Small (MASTERPIECE) Episode 1 James Herriot interviews for a job with harried Yorkshire veterinarian Siegfried Farnon. His first day is full of surprises. Alexandra Harwood, Composer American Dad! 300 It’s the 300th episode of American Dad! The Smiths reminisce about the funniest thing that has ever happened to them in order to complete the application for a TV gameshow. Walter Murphy, Composer American Dad! The Last Ride Of The Dodge City Rambler The Smiths take the Dodge City Rambler train to visit Francine’s Aunt Karen in Dodge City, Kansas. Joel McNeely, Composer American Gods Conscience Of The King Despite his past following him to Lakeside, Shadow makes himself at home and builds relationships with the town’s residents. Laura and Salim continue to hunt for Wednesday, who attempts one final gambit to win over Demeter. Andrew Lockington, Composer Archer Best Friends Archer is head over heels for his new valet, Aleister. Will Archer do Aleister’s recommended rehabilitation exercises or just eat himself to death? JG Thirwell, Composer Away Go As the mission launches, Emma finds her mettle as commander tested by an onboard accident, a divided crew and a family emergency back on Earth. -
9 Short Plays from the Longest Year of Our Lives
LONG STORY SHORT 9 SHORT PLAYS FROM THE LONGEST YEAR OF OUR LIVES Sponsored by Linda Archer The Law Office of Steven Edward Buckingham Bob & Bev Howard Meghan Riordan & Chris Prince Debra & Tom Strange A Friend of The Warehouse Theatre THE WAREHOUSE THEATRE RECEIVES GENEROUS SUPPORT FROM THE JEAN T. AND HEYWARD G. PELHAM FOUNDATION AND THE HARRIET WYCHE ENDOWMENT BREAK Featuring MACHETE ORDER A LEG! by Marco Ramirez the 1 Sending our well wishes to by Cammi Stilwell Warehouse Theatre for a THIS IS DEREK by Paul Grellong spectacular show run. GERMS by Dorothy Fortenberry THE DESERT by Janine Salinas Schoenberg WAS HERE by Donald Jolly THE RELIEF OF TRUTH by Avery Sharpe SHOOTS fuelforbrands.com by Kristoffer Diaz HOPE by Bekah Brunstetter THE WAREHOUSE THEATRE PRESENTS LONG STORY SHORT BREAK Featuring MACHETE ORDER A LEG! by Marco Ramirez the 1 Sending our well wishes to by Cammi Stilwell Warehouse Theatre for a THIS IS DEREK by Paul Grellong spectacular show run. GERMS by Dorothy Fortenberry THE DESERT by Janine Salinas Schoenberg WAS HERE by Donald Jolly THE RELIEF OF TRUTH by Avery Sharpe SHOOTS fuelforbrands.com by Kristoffer Diaz HOPE by Bekah Brunstetter THE VIDEOTAPING OR MAKING OF ELECTRONIC OR OTHER AUDIO AND/OR VISUAL RECORDINGS OF THIS PRO- DUCTION OR DISTRIBUTING RECORDINGS OF ANY MEDIUM, INCLUDING THE INTERNET, IS STRICTLY PROHIB- ITED, A VIOLATION OF THE AUTHOR’S RIGHTS AND ACTIONABLE UNDER UNITED STATES COPYRIGHT LAW. FROM THE ARTISTIC DIRECTOR There have been many adjustments we’ve had to make at The Warehouse over the past 15 months. -
New York City Center Names Lear Debessonet As Encores! Resident Director
PRESS CONTACT: Joe Guttridge, Director, Communications [email protected] 212.763.1279 New York City Center names Lear deBessonet as Encores! Resident Director January 17, 2019/NEW YORK, NY—New York City Center President & CEO Arlene Shuler and Encores! Artistic Director Jack Viertel today announced that Lear deBessonet would join the artistic team at City Center as Encores! Resident Director. In this new role, deBessonet will join Viertel and Music Director Rob Berman as an active member of the Encores! team. She will take part in all discussions surrounding repertoire, production artists, and casting— cultivating relationships with artists new to the series. She will also foster an open dialogue with today’s expanding audience around the social and political themes associated with the genre. In addition, deBessonet will occasionally direct a production for the series. “I can’t think of a better time than our 75th Anniversary Season to welcome Lear as the newest member of our artistic team,” said Arlene Shuler, President & CEO. “City Center has been a home to numerous artists over its history and it is essential that we continue to promote new voices and infuse the art form with fresh ideas. Lear’s perspective, along with Jack and Rob, Off‐Center Artistic Director Anne Kauffman, and Artistic Advisor Jeanine Tesori, will lead us into the next chapter of our history.” “I’m simply thrilled that Lear has agreed to join the Encores! family,” said Jack Viertel, Encores! Artistic Director. “To have someone with her broad understanding of where musical theater has been and where it is going—along with Rob Berman and myself—is going to help us take the program into its next phase armed with wider horizons, full of unexplored possibilities and delights yet undiscovered. -
Southern Comfort
FROM THE NATIONAL ALLIANCE FOR MUSICAL THEAtre’s PresideNT Welcome to our 24th Annual Festival of New Musicals! The Festival is one of the highlights of the NAMT year, bringing together 600+ industry professionals for two days of intense focus on new musical theatre works and the remarkably talented writing teams who create them. This year we are particularly excited not only about the quality, but also about the diversity—in theme, style, period, place and people—represented across the eight shows that were selected from over 150 submissions. We’re visiting 17th-century England and early 20th century New York. We’re spending some time in the world of fairy tales—but not in ways you ever have before. We’re visiting Indiana and Georgia and the world of reality TV. Regardless of setting or stage of development, every one of these shows brings something new—something thought-provoking, funny, poignant or uplifting—to the musical theatre field. This Festival is about helping these shows and writers find their futures. Beyond the Festival, NAMT is active year-round in supporting members in their efforts to develop new works. This year’s Songwriters Showcase features excerpts from just a few of the many shows under development (many with collaboration across multiple members!) to salute the amazing, extraordinarily dedicated, innovative work our members do. A final and heartfelt thank you: our sponsors and donors make this Festival, and all of NAMT’s work, possible. We tremendously appreciate your support! Many thanks, too, to the Festival Committee, NAMT staff and all of you, our audience. -
Bernhardt Hamlet Cast FINAL
IMAGES AVAILABLE FOR DOWNLOAD HERE CAST ANNOUNCED FOR GEFFEN PLAYHOUSE WEST COAST PREMIERE OF “BERNHARDT/HAMLET” FEATURING GOLDEN GLOBE NOMINEE DIANE VENORA AS SARAH BERNHARDT WRITTEN BY THERESA REBECK AND DIRECTED BY SARNA LAPINE ALSO FEATURING NICK BORAINE, ALAN COX, ISAIAH JOHNSON, SHYLA LEFNER, RAYMOND McANALLY, LEVENIX RIDDLE, PAUL DAVID STORY, LUCAS VERBRUGGHE AND GRACE YOO PREVIEWS BEGIN APRIL 7 - OPENING NIGHT IS APRIL 16 LOS ANGELES (February 24, 2020) – Geffen Playhouse today announced the full cast for its West Coast premiere of Bernhardt/Hamlet, written by Theresa Rebeck (Dead Accounts, Seminar) and directed by Sarna Lapine (Sunday in the Park with George). The production features Diane Venora (Bird, Romeo + Juliet) as Sarah Bernhardt. In addition to Venora, the cast features Nick BoraIne (Homeland, Paradise Stop) as Louis, Alan Cox (The Dictator, Young Sherlock Holmes) as Constant Coquelin, Isaiah Johnson (Hamilton, David Makes Man) as Edmond Rostand, Shyla Lefner (Between Two Knees, The Way the Mountain Moved) as Rosamond, Raymond McAnally (Size Matters, Marvelous and the Black Hole) as Raoul, Rosencrantz, and others, Levenix Riddle (The Chi, Carlyle) as Francois, Guildenstern, and others, Paul David Story (The Caine Mutiny Court Martial, Equus) as Maurice, Lucas Verbrugghe (Icebergs, Lazy Eye) as Alphonse Mucha and Grace Yoo (Into The Woods, Root Beer Bandits) as Lysette. It’s 1899, and the legendary Sarah Bernhardt shocks the world by taking on the lead role in Hamlet. While her performance is destined to become one for the ages, Sarah first has to conVince a sea of naysayers that her right to play the part should be based on ability, not gender—a feat as difficult as mastering Shakespeare’s most Verbose tragic hero. -
Play Guide for the Great Society
Written by Robert Schenkkan Directed by Ron Pel us o O cto ber 6 —2 8 , 2 0 1 8 P L AY G UI D E THE PLAY It is 1965 and President Lyndon Baines Johnson is at a critical point in his presidency. He is launching The Great Society, an ambitious set of social programs that would increase funds for health care, education and poverty. He also wants to pass the Voting Rights Act, an act that would secure voting rights for minority communities across the country. At each step, Johnson faces resistance. Conservatives like Senator Everett Dirksen are pushing for budget cuts on his social welfare programs. Dr. Martin Luther King, Jr, is losing patience at the lack of progress on voting rights. With rising discrimination against black communities in America, King takes matters into his own hands, organizing a civil rights protest in Selma, Alabama. Outside the U.S., the crisis in Vietnam is escalating. When the Viet Cong attacks a Marine support base, Johnson is faced with a difficult decision: should he deploy more American troops to fight overseas or should he focus on fighting the war on poverty within the U.S.? Time is ticking and the next presidential election is around the corner. In an America divided by civil rights protests and the anguish of Vietnam War, can Johnson pave the way for a great society? Page 2 MEET THE PLAYWIRGHT — ROBERT SCHENKKAN Robert Schenkkan was born in North Carolina and raised in Texas. He studied theater and discovered his passion for creating original worlds through playwrighting. -
Environmental History, Ecocriticism and the Kentucky Cycle Theresa J
Fall 1999 159 Frontiers: Environmental History, Ecocriticism and The Kentucky Cycle Theresa J- May We abuse land because we regard it as a commodity belonging to us. When we see land as a community to which we belong, we may begin to use it with love and respect... That land yields a cultural harvest is a fact long known, but latterly often forgotten. Aldo Leopold, Sand County Almanac, 19491 In a 1994 issue of Theater, editor Erika Munk laments that, "our play• wrights' silence on the environment as a political issue and our critics' neglect o1 the ecological implications of theatrical form are rather astonishing." She urges theater practice and theater studies toward a new "ecological" frontier: "[cjritics and scholars who want to investigate the way ecologies—physical, perceptual, imagined—shape dramatic forms stand at the edge of a vast, open field." Ecocriticism presents itself, she says, "like the days of contemporary feminism: everything cries out for reinterpretation."2 Robert Schenkkan's The Kentucky Cycle takes up Erika Munk's challenge to put the implications of the environmental crisis and the philosophical reaches of ecological theory on the regional and Broad• way stage. While critical response to The Kentucky Cycle yields a cultural harvest almost as rich as the one Schenkkan reaped from the history of the Cumberland plateau, none of that criticism, ironically, has addressed the play's "ecological" project. Robert Schenkkan hoped The Kentucky Cycle would expose an "Ameri• can mythos" that ravages both landscape and human life.3 In California, The Ken• tucky Cycle appeared to have struck gold. -
617.872.8254 | Rebecca [email protected]
FOR IMMEDIATE RELEASE: October 16, 2019 Contact: Rebecca Curtiss 617.496.2000 x8841 | 617.872.8254 | [email protected] Creative Team and Cast Announced for American Repertory Theater Premiere of Moby-Dick New Collaboration Between Dave Malloy and Rachel Chavkin To Run December 3, 2019 – January 12, 2020 Download images here. Cambridge, MA – American Repertory Theater (A.R.T.) at Harvard University, under the leadership of Terrie and Bradley Bloom Artistic Director Diane Paulus and Executive Producer Diane Borger, have announced the creative team and cast of Moby-Dick, with music, lyrics, book, and orchestrations by Dave Malloy, developed with and directed by Rachel Chavkin. Performances of the new adaptation of Herman Melville’s classic novel begin Tuesday, December 3 at the Loeb Drama Center in Cambridge, MA. The production opens officially on Wednesday, December 11, 2019 and closes Sunday, January 12, 2020. “We are all in the belly of the whale…” From the creative team behind A.R.T.’s 2015 production of Natasha, Pierre & The Great Comet of 1812 comes an epic musical adaptation of Herman Melville’s iconic American novel. As the egomaniacal Captain Ahab drives his crew across the seas in pursuit of the great white whale, Melville’s nineteenth-century vision of America collides head-on with the present. “I’ve always been fascinated with the surprising ways classic literature can resonate with contemporary times, and Moby-Dick is no exception,” says Malloy. “Melville was writing about America in 1851, as the country was struggling to define itself and reconcile all the conflicts that led inevitably to the Civil War; 170 years later, we’re still talking about the same issues— capitalism, democracy, environmentalism, race.