Play Guide for the Great Society
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Lyndon B. Johnson and the Great Society
LYNDON B. JOHNSON AND THE GREAT SOCIETY Books | Articles | Collections | Oral Histories | YouTube | Websites | Podcasts Visit our Library Catalog for a complete list of books, magazines and videos. Resource guides collate materials about subject areas from both the Museum’s library and permanent collections to aid students and researchers in resource discovery. The guides are created and maintained by the Museum’s librarian/archivist and are carefully selected to help users, unfamiliar with the collections, begin finding information about topics such as Dealey Plaza Eyewitnesses, Conspiracy Theories, the 1960 Presidential Election, Lee Harvey Oswald and Cuba to name a few. The guides are not comprehensive and researchers are encouraged to email [email protected] for additional research assistance. The following guide focuses on President Lyndon B. Johnson and his legislative initiative known as the Great Society, an ambitious plan for progressing the socio-economic well-being of American citizens. Inspired by President Kennedy’s policies, the Great Society enacted a series of domestic programs in education, the environment, civil rights, labor, the arts and health, all aimed toward eradicating poverty from American society. BOOKS Dallek, Robert. Flawed Giant: Lyndon Johnson and His Times 1961-73. Oxford: Oxford University Press, 1998. Johnson, Lyndon B. The Vantage Point: Perspective of the Presidency 1963-1969. New York: Rinehart and Winston, 1971. Schenkkan, Robert. All the Way. New York: Grove Press, 2014. Schenkkan, Robert. The Great Society. New York: Grove Press, 2017. Woods, Randall Bennett. Prisoners of Hope: Lyndon B. Johnson, the Great Society, and the Limits of Liberalism. New York: Basic Books, 2016. -
50Th Anniversary Head Start Timeline
Head Start Timeline Delve into key moments in Head Start history! Explore the timeline to see archival photographs, video, resources, and more. 1964 War on Poverty: On Jan. 8, President Lyndon Johnson takes up the cause of building a "Great Society" by declaring "War on Poverty" in his first State of the Union Address. The goal of the War on Poverty is to eradicate the causes of poverty by creating job opportunities, increasing productivity, and enhancing the quality of life. Watch this historic State of the Union Address. The Economic Opportunity Act of 1964 is enacted and includes programs such as: Job Corps, Urban/Rural Community Action, VISTA, Project Head Start and many more. Watch Small Miracles, a short video about these programs. Case for Early Education: As a former teacher in a one-room schoolhouse in Texas, President Johnson believes strongly that education was the key to breaking the cycle of poverty. Moreover, child development experts have found that early intervention programs could significantly affect the cognitive and socio-emotional development of low-income children. State of the Union, 1964 1965 Cooke Report: Dr. Robert Cooke sets up a steering committee of specialists to discuss how to give disadvantaged children a "head start." The committee develops recommendations that feature comprehensive education, health, nutrition and social services, and significant parent involvement. Read the Cooke Report [PDF, 47KB]. Head Start Launch: On May 18, President Lyndon B. Johnson officially announces Project Head Start from the White House Rose Garden. Head Start launches in the summer of 1965, serving more than 560,000 children and families across America in an eight-week summer program through Head Start Child Development Centers throughout the United States. -
Closing Session: Reflections of the History of Head Start Research
4 Million and Counting: Reflections on 40 Years of Head Start Research in Support of Children and Families Presenter: John M. Love 1965--41 years ago. It’s hard to remember what an amazingly eventful year 1965 was: On January 4, President Lyndon Johnson proclaimed the Great Society in his State of the Union address. In February, the U.S. began bombing North Vietnam in operation Rolling Thunder. On Feb. 2, Malcolm X was assassinated. March 7 became known as “Bloody Sunday,” when civil rights marchers began their trek from Selma to Montgomery and were violently confronted by state troopers. A month later, in a one-room schoolhouse in Texas, President Johnson signed into law the Elementary and Secondary Education Act of 1965, which we all know in its latest incarnation as No Child Left Behind. On August 11, the Watts riots began. That year, in Britain, Winston Churchill died—and J. K. Rowling was born. And at the Grammies, Mary Poppins won best recording for children. So with a spoonful of sugar and a ton of sweat and tears, a vast new program for children and families was underway. Within 3 years, Donald Rumsfeld, the new head of the Office of Economic Opportunity (OEO) would have Head Start as part of his responsibility, guiding the country through an early phase of a different war—the War on Poverty. Research began immediately. One of the first studies in the new Head Start context is a dissertation by an enterprising young University of Chicago doctoral candidate, Diana Slaughter, who investigated the maternal antecedents of African American Head Start children’s academic achievement. -
Lady Bird Johnson
Lyndon B. Johnson National Historical Park National Park Service U.S. Department of the Interior Lady Bird Johnson I slept, and dreamed that life was beauty. I awoke and found that life was duty. - - From Mrs. Johnson’s embroidered bedroom pillows. Lady Bird Johnson has lived her life with a quiet determination to experience all that this world has to offer. Her endless curiosity and commitment to duty has led her to expand the boundries of the many roles she has played in life. Whether as a daughter, student, wife, mother, political partner, business person, first lady or environmental activist, she has been a subtle, but powerful influence on the people around her and a subtle, but significant influence on American society. Daughter childhood, but not a lonely one. Claudia Alta Taylor was born to Since her two older brothers were Minnie and Thomas Taylor of away at school she found Karnack, Texas on December 22, 1912. companionship with her Aunt Effie Claudia’s nursemaid described her and in the woods around her home. “as pretty as a lady bird,” an Her father, whom she adored, gave appropriate nickname for a child of her nearly complete freedom to roam nature. After her mother’s death in the small town. This made her self- 1918, the five-year-old Lady Bird reliant, but the lack of social Taylor began her life long love affair interaction made her shy and unsure with nature. Hers was a lonesome of herself in public. Student By 1930, Lady Bird Taylor was majoring in history at the University of Texas in Austin. -
Viewer's Guide
SELMA T H E BRIDGE T O T H E BALLOT TEACHING TOLERANCE A PROJECT OF THE SOUTHERN POVERTY LAW CENTER VIEWER’S GUIDE GRADES 6-12 Selma: The Bridge to the Ballot is the story of a courageous group of Alabama students and teachers who, along with other activists, fought a nonviolent battle to win voting rights for African Americans in the South. Standing in their way: a century of Jim Crow, a resistant and segregationist state, and a federal govern- ment slow to fully embrace equality. By organizing and marching bravely in the face of intimidation, violence, arrest and even murder, these change-makers achieved one of the most significant victories of the civil rights era. The 40-minute film is recommended for students in grades 6 to 12. The Viewer’s Guide supports classroom viewing of Selma with background information, discussion questions and lessons. In Do Something!, a culminating activity, students are encouraged to get involved locally to promote voting and voter registration. For more information and updates, visit tolerance.org/selma-bridge-to-ballot. Send feedback and ideas to [email protected]. Contents How to Use This Guide 4 Part One About the Film and the Selma-to-Montgomery March 6 Part Two Preparing to Teach with Selma: The Bridge to the Ballot 16 Part Three Before Viewing 18 Part Four During Viewing 22 Part Five After Viewing 32 Part Six Do Something! 37 Part Seven Additional Resources 41 Part Eight Answer Keys 45 Acknowledgements 57 teaching tolerance tolerance.org How to Use This Guide Selma: The Bridge to the Ballot is a versatile film that can be used in a variety of courses to spark conversations about civil rights, activism, the proper use of government power and the role of the citizen. -
Atlanta's Civil Rights Movement, Middle-Class
“To Secure Improvements in Their Material and Social Conditions”: Atlanta’s Civil Rights Movement, Middle-Class Reformers, and Workplace Protests, 1960-1977 by William Seth LaShier B.A. in History, May 2009, St. Mary’s College of Maryland A Dissertation submitted to The Faculty of The Columbian College of Arts and Sciences of The George Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy January 10, 2020 Dissertation directed by Eric Arnesen James R. Hoffa Teamsters Professor of Modern American Labor History The Columbian College of Arts and Sciences of The George Washington University certifies that William Seth LaShier has passed the Final Examinations for the degree of Doctor of Philosophy as of November 20, 2019. This is the final and approved form of the dissertation. “To Secure Improvements in Their Material and Social Conditions”: Atlanta’s Civil Rights Movement, Middle-Class Reformers, and Workplace Protests, 1960-1977 William Seth LaShier Dissertation Research Committee Eric Arnesen, James R. Hoffa Teamsters Professor of Modern American Labor History, Dissertation Director Erin Chapman, Associate Professor of History and of Women’s Studies, Committee Member Gordon Mantler, Associate Professor of Writing and of History, Committee Member ii Acknowledgements I could not have completed this dissertation without the generous support of teachers, colleagues, archivists, friends, and most importantly family. I want to thank The George Washington University for funding that supported my studies, research, and writing. I gratefully benefited from external research funding from the Southern Labor Archives at Georgia State University and the Stuart A. Rose Manuscript, Archives, and Rare Books Library (MARBL) at Emory University. -
Environmental History, Ecocriticism and the Kentucky Cycle Theresa J
Fall 1999 159 Frontiers: Environmental History, Ecocriticism and The Kentucky Cycle Theresa J- May We abuse land because we regard it as a commodity belonging to us. When we see land as a community to which we belong, we may begin to use it with love and respect... That land yields a cultural harvest is a fact long known, but latterly often forgotten. Aldo Leopold, Sand County Almanac, 19491 In a 1994 issue of Theater, editor Erika Munk laments that, "our play• wrights' silence on the environment as a political issue and our critics' neglect o1 the ecological implications of theatrical form are rather astonishing." She urges theater practice and theater studies toward a new "ecological" frontier: "[cjritics and scholars who want to investigate the way ecologies—physical, perceptual, imagined—shape dramatic forms stand at the edge of a vast, open field." Ecocriticism presents itself, she says, "like the days of contemporary feminism: everything cries out for reinterpretation."2 Robert Schenkkan's The Kentucky Cycle takes up Erika Munk's challenge to put the implications of the environmental crisis and the philosophical reaches of ecological theory on the regional and Broad• way stage. While critical response to The Kentucky Cycle yields a cultural harvest almost as rich as the one Schenkkan reaped from the history of the Cumberland plateau, none of that criticism, ironically, has addressed the play's "ecological" project. Robert Schenkkan hoped The Kentucky Cycle would expose an "Ameri• can mythos" that ravages both landscape and human life.3 In California, The Ken• tucky Cycle appeared to have struck gold. -
Martin Luther King Jr. Day Monday, January 21, 2019
Martin Luther King Jr. Day Monday, January 21, 2019 Find-a-Fact Bulletin Board Scavenger Hunt All day, January 21st – Across Campus This year for MLK Day and as a kick off to Black History Month, departments across campus are working to highlight the contributions of people of color through all aspects of our collective history. With this scavenger hunt activity, bulletin board displays will be available to view on MLK Day, and those interested in participating in the scavenger hunt will have the opportunity to view the displays, vote on their favorites, and turn in completed participation forms that day. Completed forms will be entered into a drawing for a prize to be awarded at the MLK Dinner. “How are you Moving the Dream Forward?” 10:30 AM-11:30 AM, Simon Center Lobby Stop by the Simon Center Lobby and share how you are moving the dream forward in honor of Martin Luther King Jr. Day. Grab a cup of coffee and a donut as well! Your dreams will be displayed in the Simon Center Great Room for the kick off dinner that evening. NEC Gives Back 11:30 AM-1:00 PM, Simon Center Pub Join us to put together kits for the Concord Coalition to End Homelessness and make fleece tie blankets for Project Linus, two amazing o rganizations in New Hampshire. Plus, we’re also collecting donations for the NH SPCA! Drop your donations off at the Simon Center or the Charter Coffeehouse to see if we can collect 50 pounds in donations in ONE day for this organization! Film & Popcorn Noon, Mainstage Theatre Showing the film Selma- Based on the 1965 Selma to Montgomery voting rights marches led by James Bevel, Hosea Williams, Martin Luther King Jr., and John Lewis, this 2014 historical drama film had four Golden Globe nominations. -
THE GREAT SOCIETY Copyright © 2018, Robert Schenkkan
THE GREAT PARTSOCIETY II OF THE LBJ PLAYS BY ROBERT SCHENKKAN DRAMATISTS PLAY SERVICE INC. THE GREAT SOCIETY Copyright © 2018, Robert Schenkkan All Rights Reserved CAUTION: Professionals and amateurs are hereby warned that performance of THE GREAT SOCIETY is subject to payment of a royalty. It is fully protected under the copyright laws of the United States of America, and of all countries covered by the International Copyright Union (including the Dominion of Canada and the rest of the British Commonwealth), and of all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention, the Berne Convention, and of all countries with which the United States has reciprocal copyright relations. All rights, including without limitation professional/amateur stage rights, motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all other forms of mechanical, electronic and digital reproduction, transmission and distribution, such as CD, DVD, the Internet, private and file- sharing networks, information storage and retrieval systems, photocopying, and the rights of translation into foreign languages are strictly reserved. Particular emphasis is placed upon the matter of readings, permission for which must be secured from the Author’s agent in writing. The English language stock and amateur stage performance rights in the United States, its territories, possessions and Canada for THE GREAT SOCIETY are controlled exclusively by DRAMATISTS PLAY SERVICE, INC., 440 Park Avenue South, New York, NY 10016. No professional or nonprofessional performance of the Play may be given without obtaining in advance the written permission of DRAMATISTS PLAY SERVICE, INC., and paying the requisite fee. -
The History That Inspired I Dream
GUIDE: THE HISTORY THAT INSPIRED I DREAM Title Sponsor of I Dream The Story of a Preacher from Atlanta A fusion of classical and popular musical traditions and Rhythm & Blues Table of Contents Douglas Tappin: Composer 3 Birmingham Beginnings 8 Introducing I Dream 4 Selma 9 Remembering Childhood 5 End of Dreams 10 Remembering College 6 Timeline 11 Montgomery Years 7 I Dream’s focus is the last 36 hours of Dr. Martin Luther King, Jr.’s life and a series of dreams, premonitions, and reminiscences all leading up to the April 4, 1968 assassination at the Lorraine Motel in Memphis, Tennessee. Statement of Intent It is important for us to reflect on our history. We can’t talk about where we want to go as a society without understanding where we’ve been. The intent of I Dream and the community dialogues surrounding the performances is to explore our society’s recent history and struggle for equality for all citizens by examining the life and legacy of Dr. Martin Luther King, Jr. and his family, all of whom continue to provide inspiration, courage and hope for the future. I Dream is a work about yesterday for today. Douglas Tappin is a writer and composer who was born and educated in the United Kingdom. A former Commercial Attorney and member of the Honorable Society of Lincoln’s Inn, he practiced as a Barrister in England for eleven years. Tappin earned an additional postgraduate degree from Atlanta’s McAfee School of Theology, culminating in the dissertation That There Might Be Inspiration – a critical examination and articulation of transformative music-drama, including through the historical and contemporary works of Handel, Wagner, Puccini, Sondheim, Lloyd Webber and Rice, Boublil and Schönberg. -
Read Ebook {PDF EPUB} the Great Society by Robert Schenkkan the Great Society
Read Ebook {PDF EPUB} The Great Society by Robert Schenkkan The Great Society. Playwright Robert Schenkkan returns to the Great White Way with this second play, celebrating LBJ's presidential legacy. This new work accompanies Schenkkan’s Tony Award-winning All The Way , which saw Bryan Cranston win his first Tony for "Best Actor in a Leading Role in a Play" back in 2014 for his performance as the 1960s American president. All The Way played the Neil Simon Theatre from February 10 through June 29, 2014, taking home the Tony Award for “Best Play.” This production actually marks Schenkkan’s third Broadway outing as a playwright. In the fall of 1993, he made his Broadway debut as a writer with The Kentucky Cycle , which won the Pulitzer Prize for Drama in 1992 and led to his first Tony Award nomination for “Best Play” in 1994. Taking the reins from Bryan Cranston and carrying the LBJ baton into The Great Society , Brian Cox is also no stranger to the Great White Way, of course. Having made his Broadway debut back in February 1985 in Eugene O’Neill’s Strange Interlude , he has gone on to make waves in the theatre with his performances in Yasmina Reza’s Art in 1998, Tom Stoppard’s Rock ‘n’ Roll in 2007, and Jason Miller’s That Championship Season in 2011. A native of Dundee, Scotland, he also boasts a formidable résumé, when it comes to the UK stage. A two-time Olivier Award winner in his own right, he has worked extensively with the Royal Shakespeare Company and the National Theatre, alongside other esteemed establishments around the UK. -
Dinner Table Discussions About Selma
A Dinner Table Discussion: Selma Selma is a historical drama, not a documentary, based on the 1965 voting rights marches from Selma to Montgomery, Alabama. These marches were bravely led by Hosea Williams, James Bevel, and Dr. Martin Luther King Jr. Although the South was legally desegregated by the Civil Rights Act of 1964, discrimination remained rampant, making it nearly impossible for African Americans to exercise their voting rights and responsibilities. For more than 30 years, Facing History and Ourselves has been augmenting our rigorous academic content with compelling films like Selma. In Facing History and Ourselves classrooms, teachers would place this historical motion picture in the larger context of the American Civil Rights Movement. We also believe that the classroom extends into the community, and the important issues raised in the film should be discussed among adolescents and the adults in their lives. Here are some guided questions that a parent or another adult can use to engage youth in a post-viewing discussion of Selma: 1. Which scene in the film stood out to you the most and why? 2. The film is called “Selma” and not Dr. King. Why do you think this name was chosen? 3. What does this film add to your understanding of the Civil Rights Movement? 4. What would you like to know more about? 5. How the world is better today because of what Dr. King and others fought for? 6. What are some ways in which we need to improve to become a more tolerant and inclusive nation? 7. What can you do among your friends and in your school to make sure that you and others are living up to what Dr.