Bernhardt Hamlet Cast FINAL
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Greg Fitzpatrick
Greg Fitzpatrick Gender: Male Service: no info Height: 5 ft. 8 in. Mobile: 818-648-2878 Weight: 145 pounds E-mail: [email protected] Eyes: Brown Web Site: http://vimeo.com/gre... Hair Length: Regular Waist: 31 Inseam: 32 Shoe Size: 7 1/2 Physique: Athletic Coat/Dress Size: 39R Ethnicity: Caucasian / White, Latin/Hispanic, Mixed Photos Film Credits #RealityHigh Stunt Coordinator Stunt Coordinator The House Stunt Dbl. Nick Kroll Todd Bryant Literally, Right Before Aaron Stunt Double: Justin Long Tim Mikulecky The First Stunt Double: Luke Arnold Dorenda Moore Suburicon Stunts Jeffery Lee Gibson Warcraft Stunt Coordinator, Re Shoots Greg Fitzpatrick Zoolander 2 Stunt Coord/Stunt Dbl. Ben Stiller Paramount Studios/Ben Stiller Dir. Generated on 09/29/2021 01:00:14 pm Page 1 of 7 Luke Lafontaine Night At The Museum 3-The Stunt Dbl. Ben Stiller/Asst. Brad Martin Secret Of The Tomb Coordinator Expelled Stunt Dbl.: Cameron Dallas Kim Koski/Tony Snegoff Godzilla Stunts John Stoneham Jr. The Secret Life Of Walter Mitty Dbl. Ben Stiller Tim Trella The Watch Dbl. Ben Stiller Jack Gill African Gothic Stunt Coordinator The Beautiful Ones Stunts Luke LaFontaine For The Love Of Money Dbl. Hal Ozan Jesse V. Johnson Project Five Stunt Double: David Eigenberg Charlie Brewer Tower Heist Stunt Double: Ben Stiller Jerry Hewitt Real Steel Atom Fight Double Garrett Warren Little Fockers Stunt Double: Ben Stiller Garrett Warren Green Hornet Acting Role / Stunts Andy Armstrong Hawthorne Stunts Kerry Rossal Ironman 2 Stunt Double: Robert Downey Jr. Tom Harper Night At The Museum 2 Stunt Double: Ben Stiller JJ Makaro Angels & Demons Stunts Brad Martin The Soloist Stunt Double: Robert Downey Jr. -
Depictions of Fascism in Contemporary TV Drama
Prace Kulturoznawcze 24, nr 4 | Wrocław 2020 https://doi.org/10.19195/0860-6668.24.4.4 Paweł Kaczmarski ORCID: 0000-0002-9488-0816 University of Wroclaw On the back burner: Depictions of fascism in contemporary TV drama Abstract: The article seeks to describe and examine one of the possible (and arguably increasingly popular) approaches to the subject of fascism in contemporary TV drama: a narrative strategy that is defined by its willingness to go beyond the depiction of fascism as the absolute political Other, but nonetheless aims to produce a compelling and thorough critique of fascism. This is largely achieved by turning the subject of fascism into an ostensibly non-central element of the plot. By examining a number of contemporary TV series (The Crown, The Man in the High Castle, Peaky Blinders, Pennyworth and The Knick), and drawing certain analogies to Jonathan Littell’s The Kindly Ones, I aim to showcase the narrative effectiveness of a thus defined “back-burner” strategy — while link- ing this effectiveness to the formal possibilities opened up by contemporaryTV drama. Keywords: fascism, alternative history, TV series, TV drama, The Man in the High Castle, Peaky Blinders, The Kindly Ones The article seeks to explain how a certain narrative strategy of approaching fascism in contemporary TV drama — one that goes beyond the idea of fascism as the absolute political Other, and avoids placing it at the very centre of the plot — may produce a type of anti-fascist critique that is at once narratively compelling and capable of avoiding some of the affective pitfalls associated with the subject. -
Ent Lab Resume
MIKE PEEBLER SAG-AFTRA, AEA TELEVISION Chicago Med Guest Star NBC Perfect Harmony Co-Star NBC Elemental (Pilot) Lead NatGeo Hawaii 5-0 Guest Star CBS The Infamous (Pilot) Guest Star A&E Chicago PD Guest Star NBC Masters of Sex Guest Star Showtime 2 Broke Girls Co-Star CBS NCIS: Los Angeles Co-Star CBS The Young and the Restless Recurring Guest Star CBS Mad Men Co-Star AMC The Mentalist Guest Star CBS Wendell and Vinnie Guest Star Nickelodeon American Horror Story Co-Star FX Medium Co-Star NBC ER Co-Star NBC NUMB3RS Co-Star CBS Las Vegas Co-Star NBC Scrubs Co-Star NBC/Touchstone Television Talk Show with Spike Feresten Co-Star Fox Best Damn Sports Show Period Recurring Sketch Comedy Player Fox Sports Network FILM Hot Bath Stiff Drink William Dillinger Dir: Matthew Gratzner Valkyrie Lieutenant Dir: Bryan Singer A Lonely Place For Dying Lieutenant Roy Hill Dir: Justin Evans Yellow Brook Randy (Supporting) The Vine Studios The New Twenty Mike (Supporting) The Vine Studios Perception James (Featured) Porch Light Pictures Honeyrun Matt (Lead) Sady Productions, LLP Rape of Nia Miles (Lead) Oz Productions THEATER (Partial Listing) Macbeth MacDuff Shakespeare Orange County Hamlet Hamlet Theatricum Botanicum Richard III Duke of Buckingham Shakespeare Orange County Julius Caesar Brutus Theatricum Botanicum Grapes of Wrath Tom Joad Will and Company As You Like It Orlando Theatricum Botanicum Dracula(World Premiere Adaptation) Dr. Seward Theatricum Botanicum Omnium Gatherum (West Coast Premiere) Jeff Theatricum Botanicum The Odyssey Tiresias, Eurylochus Will and Company Pebble In My Shoe (World Premiere) 29 Characters Will and Company Macbeth Macduff Will and Company Radio Show Sanctimonious Kid/Joe Meddling Kidz Productions A Midsummer Night's Dream Demetrius, Bottom Theatricum Botanicum Mirror of La Mancha Cardenio Will and Company King Lear Edmund Theatricum Botanicum Passions of Shakespeare Romeo/Henry V Geffen Playhouse School for Scandal Joseph Surface Dir. -
Horton Foote
38th Season • 373rd Production MAINSTAGE / MARCH 29 THROUGH MAY 5, 2002 David Emmes Martin Benson Producing Artistic Director Artistic Director presents the World Premiere of by HORTON FOOTE Scenic Design Costume Design Lighting Design Composer MICHAEL DEVINE MAGGIE MORGAN TOM RUZIKA DENNIS MCCARTHY Dramaturgs Production Manager Stage Manager JENNIFER KIGER/LINDA S. BAITY TOM ABERGER *RANDALL K. LUM Directed by MARTIN BENSON Honorary Producers JEAN AND TIM WEISS, AT&T: ONSTAGE ADMINISTERED BY THEATRE COMMUNICATIONS GROUP PERFORMING ARTS NETWORK / SOUTH COAST REPERTORY P - 1 CAST OF CHARACTERS (In order of appearance) Constance ................................................................................................... *Annie LaRussa Laverne .................................................................................................... *Jennifer Parsons Mae ............................................................................................................ *Barbara Roberts Frankie ...................................................................................................... *Juliana Donald Fred ............................................................................................................... *Joel Anderson Georgia Dale ............................................................................................ *Linda Gehringer S.P. ............................................................................................................... *Hal Landon Jr. Mrs. Willis ....................................................................................................... -
Fundamental Protections for Non-Biological Intelligences Or: How We Learn to Stop Worrying and Love Our Robot Brethren
Minnesota Journal of Law, Science & Technology Volume 19 Issue 1 Article 6 2018 Fundamental Protections for Non-Biological Intelligences or: How We Learn to Stop Worrying and Love Our Robot Brethren Ryan Dowell University of Minnesota Law School Follow this and additional works at: https://scholarship.law.umn.edu/mjlst Part of the Science and Technology Law Commons Recommended Citation Ryan Dowell, Fundamental Protections for Non-Biological Intelligences or: How We Learn to Stop Worrying and Love Our Robot Brethren, 19 MINN. J.L. SCI. & TECH. 305 (2018). Available at: https://scholarship.law.umn.edu/mjlst/vol19/iss1/6 The Minnesota Journal of Law, Science & Technology is published by the University of Minnesota Libraries Publishing. Note Fundamental Protections for Non-Biological Intelligences or: How We Learn to Stop Worrying and Love Our Robot Brethren Ryan Dowell* INTRODUCTION In the future, it is possible that humans will create machines that are thinking entities with faculties on par with humans. Computers are already more capable than humans at some tasks,1 but are not regarded as truly intelligent or able to think. Yet since the early days of computing, humans have contemplated the possibility of intelligent machines—those which reach some level of sentience.2 Intelligent machines could result from highly active and rapidly advancing fields of research, such as attempts to emulate the human brain, or to develop generalized artificial intelligence (AGI). If intelligent machines are created, it is uncertain whether intelligence would emerge through gradual development or a spontaneous © 2018 Ryan Dowell * JD Candidate 2018, University of Minnesota Law School; BS University of Kansas, 2013. -
Executive Producer)
PRODUCTION BIOGRAPHIES STEVEN SODERBERGH (Executive Producer) Steven Soderbergh has produced or executive-produced a wide range of projects, most recently Gregory Jacobs' Magic Mike XXL, as well as his own series "The Knick" on Cinemax, and the current Amazon Studios series "Red Oaks." Previously, he produced or executive-produced Jacobs' films Wind Chill and Criminal; Laura Poitras' Citizenfour; Marina Zenovich's Roman Polanski: Odd Man Out, Roman Polanski: Wanted and Desired, and Who Is Bernard Tapie?; Lynne Ramsay's We Need to Talk About Kevin; the HBO documentary His Way, directed by Douglas McGrath; Lodge Kerrigan's Rebecca H. (Return to the Dogs) and Keane; Brian Koppelman and David Levien's Solitary Man; Todd Haynes' I'm Not There and Far From Heaven; Tony Gilroy's Michael Clayton; George Clooney's Good Night and Good Luck and Confessions of a Dangerous Mind; Scott Z. Burns' Pu-239; Richard Linklater's A Scanner Darkly; Rob Reiner's Rumor Has It...; Stephen Gaghan'sSyriana; John Maybury's The Jacket; Christopher Nolan's Insomnia; Godfrey Reggio's Naqoyqatsi; Anthony and Joseph Russo's Welcome to Collinwood; Gary Ross' Pleasantville; and Greg Mottola's The Daytrippers. LODGE KERRIGAN (Co-Creator, Executive Producer, Writer, Director) Co-Creators and Executive Producers Lodge Kerrigan and Amy Seimetz wrote and directed all 13 episodes of “The Girlfriend Experience.” Prior to “The Girlfriend Experience,” Kerrigan wrote and directed the features Rebecca H. (Return to the Dogs), Keane, Claire Dolan and Clean, Shaven. His directorial credits also include episodes of “The Killing” (AMC / Netflix), “The Americans” (FX), “Bates Motel” (A&E) and “Homeland” (Showtime). -
Steven Soderbergh ( Is
MARCH 1, 2016 | 09:43AM PT BUCHAN/VARIETY/REX/SHUTTERSTOCK Steven Soderbergh (http://variety.com/t/steven-soderbergh/) is reuniting with his “Out of Sight” screenwriter Scott Frank (http://variety.com/t/scott-frank/) for a Netflix (http://variety.com/t/netflix/) limited series titled “Godless (http://variety.com/t/godless/),” Variety has confirmed. The streaming series marks another project in the television landscape for Soderbergh, who’s currently behind “The Girlfriend Experience” at Starz, “The Knick” at Cinemax, “Red Oaks” at Amazon and HBO’s upcoming, highly-secretive interactive “Mosaic.” Soderbergh will serve as an exec producer on “Godless,” while Frank will pen, direct and exec produce the project along with Casey Silver. Netflix has not provided many details on the limited, hourlong series, which is described as a Western set in the 1880s. “Godless” will film in Santa Fe, N.M. “Out of Sight” starred George Clooney and Jennifer Lopez. Since that 1998 film, Frank has gone on to write screenplays for “Minority Report,” “Marley & Me” and “The Wolverine,” among other movies, while Soderbergh directed “Magic Mike,” the “Ocean’s Eleven” franchise and “Traffic,” among others. “Godless” is one of the first limited series to come to Netflix’s booming slate, following the announcement of the “Gilmore Girls” revival, which will be made up of four 90-minute installments. As for Soderbergh’s upcoming projects, the streaming series joins the slew of TV shows he’s working on, following his declaration that he’d be leaving film. (The last movie he worked on was “Magic Mike XXL.”) However, Variety recently reported that he’s ending his retirement (http://variety.com/2016/film/news/steven-soderbergh- channing-tatum-heist-retirement-1201695944/) in that medium with a Channing Tatum movie. -
Sean Elsbernd Prepares for Re-Election Tive Amendment Mandating the Supervisoral Candi- by John Dunbar Newsom Has Been Ratcheted up in 2008
Volumn 20 No. 2 • 821-9443 • www.tpobserver.com • [email protected] • March 2008 then and Now Arden Wood Neighbors, Developers Closer life in the fat lane Neighbor’s PoiNt of VieW DeVeloPer’s MessAge RUMINATIONS OF A FORMER CITIZEN SUPERVISOR By Eric Castongia, Zephyr Real Estate By Robert Mendelsohn, Republic Urban Properties Big Changes presented on the Proposed Arden by Quentin Kopp Wood Development In January, one of our The developers of the proposed housing project daily newspapers which oc- on the Arden Wood property sponsored two work- casionally, like a blind pig shops in February to present their new vision for finding an acorn, identifies the 4.6 acre parcel. In Republic Urban’s words, ‘you taxpayer waste and abuse, talked, we listened’. Their new scheme was a signifi- reported that the Board cant and welcomed departure from the original 13 of Supervisors engaged in and six story towers, which were loudly opposed by fewer meetings while re- neighbors. ceiving vastly higher com- The new scheme consists of four new low-rise pensation than ever before buildings straddling a ‘village drive’ culminating at the relatively recent imposi- a cul-de-sac. Two existing buildings are to stay and tion of election by district. be remodeled as part of the development; building Specifically, in 2002, Charter section 2.100, establish- 701 which is currently staff housing and the director’s ing the compensation and salary of the 11 Board of house. Robert Mendelsohn, President of Republic Over the past year, the West Portal community Supervisors members, was rendered obsolete by a Urban Properties San Francisco Branch, states that has been providing us with their thoughts and ideas Charter amendment that essentially delegated to the although a Planned Unit Development will still be about the project and we have been listening. -
Black Mirror
BLACK MIRROR "SAN JUNIPERO" FINAL SHOOTING SCRIPT Written By Charlie Brooker INCLUDING THE FOLLOWING REVISIONS: ** PINK REVISIONS - DATED 23.11.15 ** ** BLUE REVISIONS - DATED 02.12.15 ** Charlie Brooker C/o House of Tomorrow Shepherds Building Charecroft Way London W14 0EE (c) 2017 Black Mirror Drama Limited. All Rights Reserved This screenplay is the property of Black Mirror Drama Limited (“BMD”). Distribution or disclosure of any information of whatever nature in whatever form relating to the characters, story and screenplay itself obtained from any source including without limitation this screenplay or information received from BMD, to unauthorised persons, or the sale, copying or reproduction of this screenplay in any form is strictly prohibited. This Screenplay is intended to be read solely by BMD employees and individuals under contract to or individuals permitted by BMD. This screenplay contains confidential information and therefore is given for the review on a strictly confidential basis. By reading this screenplay you agree to be bound by a duty of confidence to BMD and its subsidiary companies. BLACK MIRROR "SAN JUNIPERO" 1. 1 EXT. SHORELINE - NIGHT 1 It’s 1987. Coastal California. Silhouetted mountains, moonlit sea. Lights twinkling near the shoreline. We move closer to see the lights of the town of San Junipero. Streetlights. Nightclubs and bars. Cars drifting up and down the main street. The vehicles date from 1987. There's a billboard advertising the movie The Witches of Eastwick. We move closer: 2 EXT. BARKER STREET - CONTINUOUS 2 This is San Junipero's main drag. Along the sidewalk we follow YORKIE, a slightly awkward woman in her early 20s, dressed so as not to stand out. -
KATHRINE GORDON Hair Stylist IATSE 798 and 706
KATHRINE GORDON Hair Stylist IATSE 798 and 706 FILM DOLLFACE Department Head Hair/ Hulu Personal Hair Stylist To Kat Dennings THE HUSTLE Personal Hair Stylist and Hair Designer To Anne Hathaway Camp Sugar Director: Chris Addison SERENITY Personal Hair Stylist and Hair Designer To Anne Hathaway Global Road Entertainment Director: Steven Knight ALPHA Department Head Studio 8 Director: Albert Hughes Cast: Kodi Smit-McPhee, Jóhannes Haukur Jóhannesson, Jens Hultén THE CIRCLE Department Head 1978 Films Director: James Ponsoldt Cast: Emma Watson, Tom Hanks LOVE THE COOPERS Hair Designer To Marisa Tomei CBS Films Director: Jessie Nelson CONCUSSION Department Head LStar Capital Director: Peter Landesman Cast: Gugu Mbatha-Raw, David Morse, Alec Baldwin, Luke Wilson, Paul Reiser, Arliss Howard BLACKHAT Department Head Forward Pass Director: Michael Mann Cast: Viola Davis, Wei Tang, Leehom Wang, John Ortiz, Ritchie Coster FOXCATCHER Department Head Annapurna Pictures Director: Bennett Miller Cast: Steve Carell, Channing Tatum, Mark Ruffalo, Siena Miller, Vanessa Redgrave Winner: Variety Artisan Award for Outstanding Work in Hair and Make-Up THE MILTON AGENCY Kathrine Gordon 6715 Hollywood Blvd #206, Los Angeles, CA 90028 Hair Stylist Telephone: 323.466.4441 Facsimile: 323.460.4442 IATSE 706 and 798 [email protected] www.miltonagency.com Page 1 of 6 AMERICAN HUSTLE Personal Hair Stylist to Christian Bale, Amy Adams/ Columbia Pictures Corporation Hair/Wig Designer for Jennifer Lawrence/ Hair Designer for Jeremy Renner Director: David O. Russell -
Edition 3 | 2018-2019
by Theresa Rebeck directed by David Kennedy August 14 – September 1 THE HOWARD J. AIBEL THEATER CENTER WHAT’S INSIDE FROM ARTISTIC DIRECTOR MARK LAMOS 7 TITLE PAGE 11 THE CAST 13 PROGRAM NOTES 15 WHO’S WHO 21 ANNUAL CONTRIBUTORS 28 MAN OF LA MANCHA BOARD OF TRUSTEES AND STAFF 39 SEPTEMBER 25 – OCTOBER 13 ABOUT THE PLAYHOUSE 44 WRITTEN BY DALE WASSERMAN MUSIC BY MITCH LEIGH LYRICS BY JOE DARION DIRECTED BY MARK LAMOS WINNER OF 5 TONY AWARDS, INCLUDING BEST MUSICAL! The use of photographic or recording THOUSAND PINES devices is strictly prohibited. OCTOBER 30 – NOVEMBER 17 BY MATTHEW GREENE For the enjoyment of all patrons, DIRECTED BY AUSTIN PENDLETON WORLD PREMIERE FROM OUR NEW WORKS CIRCLE INITIATIVE please silence mobile phones, tablets, and other electronic devices. HERSHEY FELDER PRESENTS JOIN THE CONVERSATION WestportCountryPlayhouse DECEMBER 5–22, 2018 adapted and directed by HERSHEY FELDER based on the book @WCPlayhouse THE CHILDREN OF WILLESDEN LANE by Mona Golabek and Lee Cohen wcplayhouse WestportPlayhouse THE UNDERSTUDY 3 WCP | FROM THE ARTISTIC DIRECTOR Dear Friends, Welcome to the third production of our 88th season, There is superb work being done by actors in all The Understudy, Theresa Rebeck’s comedy of life back- fields right now: television, film, and in the hun- stage and onstage, of the overlap of drama and reality, dreds of non-profit regional theaters across our and the one’s infringement on the other, something country. The Understudy celebrates, analyzes and that often becomes the norm in our profession. explores the comedy and drama in the clash of acting “cultures” that can occasionally result in a Casting any production is always a challenge, and certain kind of casting. -
Board of Directors. I Want to Make Sure That There’S a Diversity Ourselves — We Live with Them for Long Periods of of Voices Being Published by DPS
ISSUE 16 DRAMATISTS PLAY SERVICE SPRING 2015 ROUND TABLE with JOHN PATRICK SHANLEY, Dramatists Play Service POLLY PEN, and LYNN NOTTAGE is very fortunate not just to publish and license the best BY PETER HAGAN, PRESIDENT American playwrights, but also to have four of them sit on our the publishing conversation. As a woman of always going to be slightly different from that of the color, I also see my role as one of advocacy; agents. Our plays are creative extensions of Board of Directors. I want to make sure that there’s a diversity ourselves — we live with them for long periods of of voices being published by DPS. time; we keep them close and protected until we release them into the world. The founding charter of the Play Service, back in As time has gone by, have you seen your Then we entrust our plays 1936, called for the Board to be split evenly position as a playwright member change? to others for safekeeping: between playwrights (all members of the initially agents, and eventually Dramatists Guild) and agents. Back then, the star John Patrick Shanley: When I first served on publishing companies like playwrights included Howard Lindsay, George the Board, I was skeptical and challenging DPS. For better or worse, Abbott, and Sidney Howard. Today our stars are and, frankly, young. But over time I morphed agents can approach the Donald Margulies, Polly Pen, Lynn Nottage, and from opponent to colleague. business of publishing with John Patrick Shanley, who have been members a certain level of objectivity of the board ranging from five years (Nottage) to PP: Ways of thinking about how theatrical and distance; however, it’s over 20 (Shanley).