Gabriel Kahane the Ambassador
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Annual Report 2015–2016
ANNUAL REPORT 2015–2016 NEW YORK PHILHARMONIC 2015–16 ANNUAL REPORT 1 CONTENTS Reflections on the 2015–16 Season 2 Oscar S. Schafer, Chairman 4 Matthew VanBesien, President 6 Alan Gilbert, Music Director 8 Year at a Glance 10 Our Audiences 12 The Orchestra 14 The Board of Directors 20 The Administration 22 Conductors, Soloists, and Ensembles 24 Serving the Community 26 Education 28 Expanding Access 32 Global Immersion 36 Innovation and Preservation 40 At Home and Online 42 Social Media 44 The Archives 47 The Year in Pictures 48 The Benefactors 84 Lifetime Gifts 86 Leonard Bernstein Circle 88 Annual Fund 90 Education Donors 104 Heritage Society 106 Volunteer Council 108 Independent Auditor’s Report 110 2 NEW YORK PHILHARMONIC 2015–16 ANNUAL REPORT THE SEASON AT A GLANCE Second Line Title Case Reflections on the 2015–16 Season 2 NEW YORK PHILHARMONIC 2015–16 ANNUAL REPORT NEW YORK PHILHARMONIC 2015–16 ANNUAL REPORT 3 REFLECTIONS ON THE 2015–16 SEASON From the New York Philharmonic’s Leadership I look back on the Philharmonic’s 2015–16 season and remember countless marvelous concerts that our audiences loved, with repertoire ranging from the glory of the Baroque to the excitement of the second NY PHIL BIENNIAL. As our Music Director, Alan Gilbert has once again brought excitement and inspiration to music lovers across New York City and the world. I also look back on the crucial, impactful developments that took place offstage. Throughout the season our collaboration with Lincoln Center laid a strong foundation for the renovation of our home. -
Laura Marling - Song for Our Daughter Episode 184
Song Exploder Laura Marling - Song For Our Daughter Episode 184 Hrishikesh: You’re listening to Song Exploder, where musicians take apart their songs and piece by piece tell the story of how they were made. My name is Hrishikesh Hirway. (“Song for Our Daughter” by LAURA MARLING) Hrishikesh: Before we start, I want to mention that, in this episode, there’s some discussions of themes that might be difficult for some: sexual harassment and assault, as well as a mention of rape and suicide. Please use your best discretion. Laura Marling is a singer and songwriter from London. She won the Brit Award for Best British Female Solo Artist - she’s been nominated five times for that, along with the Mercury Prize, and the Grammy for Best Folk Album. Since 2008, she’s released seven albums. The most recent is called Song for Our Daughter. It’s also the name of the song that she takes apart in this episode. I spoke to Laura while she was in her home studio in London. (“Song for Our Daughter” by LAURA MARLING) Laura: My name is Laura Marling. (Music fades out) Laura: This is the longest I've ever taken to write a record. You know, I started very young. I put out my first album when I was 17, and I'm now 30. When I was young, in a really wonderful way, and I think everybody experiences this when they're young, you're kind of a functioning narcissist [laughter], in that you have this experience of the world, in which you are the central character. -
History Timeline from 13.7 Billion Years Ago to August 2013. 1 of 588 Pages This PDF History Timeline Has Been Extracted
History Timeline from 13.7 Billion Years ago to August 2013. 1 of 588 pages This PDF History Timeline has been extracted from the History World web site's time line. The PDF is a very simplified version of the History World timeline. The PDF is stripped of all the links found on that timeline. If an entry attracts your interest and you want further detail, click on the link at the foot of each of the PDF pages and query the subject or the PDF entry on the web site, or simply do an internet search. When I saw the History World timeline I wanted a copy of it for myself and my family in a form that we could access off-line, on demand, on the device of our choice. This PDF is the result. What attracted me particularly about the History World timeline is that each event, which might be earth shattering in itself with a wealth of detail sufficient to write volumes on, and indeed many such events have had volumes written on them, is presented as a sort of pared down news head-line. Basic unadorned fact. Also, the History World timeline is multi-faceted. Most historic works focus on their own area of interest and ignore seemingly unrelated events, but this timeline offers glimpses of cross-sections of history for any given time, embracing art, politics, war, nations, religions, cultures and science, just to mention a few elements covered. The view is fascinating. Then there is always the question of what should be included and what excluded. -
PICASSO Les Livres D’Artiste E T Tis R a D’ S Vre Li S Le PICASSO
PICASSO LES LIVRES d’ARTISTE The collection of Mr. A*** collection ofThe Mr. d’artiste livres Les PICASSO PICASSO Les livres d’artiste The collection of Mr. A*** Author’s note Years ago, at the University of Washington, I had the opportunity to teach a class on the ”Late Picasso.” For a specialist in nineteenth-century art, this was a particularly exciting and daunting opportunity, and one that would prove formative to my thinking about art’s history. Picasso does not allow for temporalization the way many other artists do: his late works harken back to old masterpieces just as his early works are themselves masterpieces before their time, and the many years of his long career comprise a host of “periods” overlapping and quoting one another in a form of historico-cubist play that is particularly Picassian itself. Picasso’s ability to engage the art-historical canon in new and complex ways was in no small part influenced by his collaborative projects. It is thus with great joy that I return to the varied treasures that constitute the artist’s immense creative output, this time from the perspective of his livres d’artiste, works singularly able to point up his transcendence across time, media, and culture. It is a joy and a privilege to be able to work with such an incredible collection, and I am very grateful to Mr. A***, and to Umberto Pregliasco and Filippo Rotundo for the opportunity to contribute to this fascinating project. The writing of this catalogue is indebted to the work of Sebastian Goeppert, Herma Goeppert-Frank, and Patrick Cramer, whose Pablo Picasso. -
Concerts from the Library of Congress 2012-2013
Concerts from the Library of Congress 2012-2013 LIBRARY LATE ACME & yMusic Friday, November 30, 2012 9:30 in the evening sprenger theater Atlas performing arts center The McKim Fund in the Library of Congress was created in 1970 through a bequest of Mrs. W. Duncan McKim, concert violinist, who won international prominence under her maiden name, Leonora Jackson; the fund supports the commissioning and performance of chamber music for violin and piano. Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. Please take note: UNAUTHORIZED USE OF PHOTOGRAPHIC AND SOUND RECORDING EQUIPMENT IS STRICTLY PROHIBITED. PATRONS ARE REQUESTED TO TURN OFF THEIR CELLULAR PHONES, ALARM WATCHES, OR OTHER NOISE-MAKING DEVICES THAT WOULD DISRUPT THE PERFORMANCE. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. THE LIBRARY OF CONGRESS Atlas Performing Arts Center FRIDAY, NOVEMBER 30, 2012, at 9:30 p.m. THE mckim Fund In the Library of Congress American Contemporary Music Ensemble Rob Moose and Caleb Burhans, violin Nadia Sirota, viola Clarice Jensen, cello Timothy Andres, piano CAROLINE ADELAIDE SHAW Limestone and Felt, for viola and cello DON BYRON Spin, for violin and piano (McKim Fund Commission) JOHN CAGE (1912-1992) String Quartet in Four Parts (1950) Quietly Flowing Along Slowly Rocking Nearly Stationary Quodlibet MICK BARR ACMED, for violin, viola and cello Intermission *Meet the Artists* yMusic Alex Sopp, flutes Hideaki Aomori, clarinets C.J. -
In This Issue
FALL 2019 IN THIS ISSUE JONATHAN BISS CELEBRATING BEETHOVEN: PART I November 5 DANISH STRING QUARTET November 7 PILOBOLUS COME TO YOUR SENSES November 14–16 GABRIEL KAHANE November 23 MFA IN Fall 2019 | Volume 16, No. 2 ARTS LEADERSHIP FEATURE In This Issue Feature 3 ‘Indecent,’ or What it Means to Create Queer Jewish Theatre in Seattle Dialogue 9 Meet the Host of Tiny Tots Concert Series 13 We’re Celebrating 50 Years Empowering a new wave of Arts, Culture and Community of socially responsible Intermission Brain arts professionals Transmission 12 Test yourself with our Online and in-person trivia quiz! information sessions Upcoming Events seattleu.edu/artsleaderhip/graduate 15 Fall 2019 PAUL HEPPNER President Encore Stages is an Encore arts MIKE HATHAWAY Senior Vice President program that features stories Encore Ad 8-27-19.indd 1 8/27/19 1:42 PM KAJSA PUCKETT Vice President, about our local arts community Sales & Marketing alongside information about GENAY GENEREUX Accounting & performances. Encore Stages is Office Manager a publication of Encore Media Production Group. We also publish specialty SUSAN PETERSON Vice President, Production publications, including the SIFF JENNIFER SUGDEN Assistant Production Guide and Catalog, Official Seattle Manager ANA ALVIRA, STEVIE VANBRONKHORST Pride Guide, and the Seafair Production Artists and Graphic Designers Commemorative Magazine. Learn more at encorespotlight.com. Sales MARILYN KALLINS, TERRI REED Encore Stages features the San Francisco/Bay Area Account Executives BRIEANNA HANSEN, AMELIA HEPPNER, following organizations: ANN MANNING Seattle Area Account Executives CAROL YIP Sales Coordinator Marketing SHAUN SWICK Senior Designer & Digital Lead CIARA CAYA Marketing Coordinator Encore Media Group 425 North 85th Street • Seattle, WA 98103 800.308.2898 • 206.443.0445 [email protected] encoremediagroup.com Encore Arts Programs and Encore Stages are published monthly by Encore Media Group to serve musical and theatrical events in the Puget Sound and San Francisco Bay Areas. -
Biographie De Pablo Picasso
DOSSIER DE PRESSE 1 SOMMAIRE Introduction et informations pratiques 3 Une exposition, deux ensembles thématiques 5 « Picasso Côte d’Azur » « Picasso dans la Collection Nahmad » 7 La famille Nahmad, 50 années au service de l’art 9 Présentation des Commissaires 12 Le parcours scénographique 13 La Biographie de Picasso et dates repères 16 Les séjours de Picasso sur la côte d’Azur 1920-1939 21 Imagier Presse 27 Le Grimaldi Forum 37 Les Partenaires 39 2 INTRODUCTION Cet été, le Grimaldi Forum crée l’événement en produisant l’exposition « Monaco fête Picasso », un hommage rendu à l'occasion du 40ème anniversaire de la disparition de cet artiste mondialement reconnu. La volonté du Grimaldi Forum Monaco est d’offrir un regard inédit sur sa production artistique, révélant non seulement les liens privilégiés qu’il a entretenus avec la Côte d’Azur, mais également une sélection exceptionnelle d’œuvres majeures issues d’une collection privée remarquable. Deux ensembles thématiques illustrent cette exposition à travers 160 œuvres : « Picasso Côte d'Azur » emmènera les visiteurs autour d’Antibes-Juan-les-Pins, Golfe-Juan, Mougins, Cannes, dans cette région qui a tant attiré Pablo Picasso l’été, entre 1920 et 1946, et où la lumière méditerranéenne, la mer et le littoral furent pour lui des sources directes d’inspiration. « Picasso dans la Collection Nahmad » mettra en lumière les chefs-d’œuvre de l’artiste qui occupent une place essentielle dans cette collection unique au monde, de par son importance et sa qualité, constituée par Ezra et David Nahmad durant ces cinquante dernières années. Le commissariat de l’exposition est conjointement assuré par Jean-Louis ANDRAL, Directeur du Musée Picasso d’Antibes, Marilyn McCULLY, spécialiste reconnue de Picasso, et Michael RAEBURN, écrivain qui a collaboré avec elle sur de nombreux ouvrages consacrés à Pablo Picasso. -
617.872.8254 | Rebecca [email protected]
FOR IMMEDIATE RELEASE: October 16, 2019 Contact: Rebecca Curtiss 617.496.2000 x8841 | 617.872.8254 | [email protected] Creative Team and Cast Announced for American Repertory Theater Premiere of Moby-Dick New Collaboration Between Dave Malloy and Rachel Chavkin To Run December 3, 2019 – January 12, 2020 Download images here. Cambridge, MA – American Repertory Theater (A.R.T.) at Harvard University, under the leadership of Terrie and Bradley Bloom Artistic Director Diane Paulus and Executive Producer Diane Borger, have announced the creative team and cast of Moby-Dick, with music, lyrics, book, and orchestrations by Dave Malloy, developed with and directed by Rachel Chavkin. Performances of the new adaptation of Herman Melville’s classic novel begin Tuesday, December 3 at the Loeb Drama Center in Cambridge, MA. The production opens officially on Wednesday, December 11, 2019 and closes Sunday, January 12, 2020. “We are all in the belly of the whale…” From the creative team behind A.R.T.’s 2015 production of Natasha, Pierre & The Great Comet of 1812 comes an epic musical adaptation of Herman Melville’s iconic American novel. As the egomaniacal Captain Ahab drives his crew across the seas in pursuit of the great white whale, Melville’s nineteenth-century vision of America collides head-on with the present. “I’ve always been fascinated with the surprising ways classic literature can resonate with contemporary times, and Moby-Dick is no exception,” says Malloy. “Melville was writing about America in 1851, as the country was struggling to define itself and reconcile all the conflicts that led inevitably to the Civil War; 170 years later, we’re still talking about the same issues— capitalism, democracy, environmentalism, race. -
PDF Program Download
Interlochen, Michigan 224th Program of the 59th Year * FESTIVAL 2021 MUSICAL THEATRE SHOWCASE Thursday, May 27, 2021 10:00am, Corson Auditorium “Bye Bye Blackbird” from FOSSE ............................... Music by Ray Henderson Lyrics by Mort Dixon Charlotte Krieger and Company “All Falls Down” from CHAPLIN .............. Music and Lyrics by Christopher Curtis Lindsay Gross “Stay” from THE NOTEWORTHY LIFE OF HOWARD BARNES ... Music by Michael Kooman Lyrics by Christopher Dimond Audree Hedequist “Singin’ in the Rain” from SINGIN’ IN THE RAIN ....... Music by Nacio Herb Brown Lyrics by Arthur Freed Student Choreographers: Mia McManamy, Charlotte Krieger “Nowadays/Hot Honey Rag” from CHICAGO .................... Music by John Kander Lyrics by Fred Ebb Paris Manzanares and Myles Mathews Student Choreographer: Myles Mathews “Don’t Wanna Be Here” from ORDINARY DAYS ..... Music & Lyrics by Adam Gwon JT Langlas “No One Else” from NATASHA, PIERRE AND THE GREAT COMET OF 1812 ......... Music and Lyrics by Dave Malloy Mia McManamy “Run, Freedom, Run” from URINETOWN ...................... Music by Mark Hollmann Lyrics by Mark Hollmann and Greg Kotis Scout Carter and Company “Forget About the Boy” from THOROUGHLY MODERN MILLIE ........................... Music by Jeanine Tesori Lyrics by Dick Scanlan Hannah Bank and Company Student Choreographer: Nicole Pellegrin “She Used to Be Mine” from WAITRESS ........ Music and Lyrics by Sara Bareilles Caroline Bowers “Change” from A NEW BRAIN ......................... Music and Lyrics by William Finn Shea Grande “We Both Reached for the Gun” from CHICAGO .............. Music by John Kander Lyrics by Fred Ebb Theo Gyra and Company Student Choreographer: Myles Mathews “Love is an Open Door” from FROZEN ............ Music & Lyrics by Kristen Anderson-Lopez & Robert Lopez Charlotte Krieger and Daniel Rosales “Being Alive” from COMPANY ............... -
Nicholas Phan | Tenor Gabriel Kahane | Piano Sunday, July 18, 2021 | 2PM NICHOLAS PHAN Tenor GABRIEL KAHANE Piano
Nicholas Phan | Tenor Gabriel Kahane | Piano Sunday, July 18, 2021 | 2PM NICHOLAS PHAN Tenor GABRIEL KAHANE Piano Sunday, July 18, 2021 | 2pm Herbst Theatre I. SCHUBERT Frühlingsglaube, D. 686 MATTHEW Final Privacy Song ZAPRUDER SCHUBERT Lied eines Schiffers an die Dioskuren, D. 360 II. SARAH KIRKLAND How Graceful Some Things Are, SNIDER Falling Apart SCHUBERT Im Haine, D. 738 CAROLINE SHAW And So III. SCHUBERT Aus Heliopolis I, D. 753 SARAH KIRKLAND Mad Song SNIDER ESPERANZA Little Fly SPALDING 2 IV. SCHUBERT Frühlingssehnsucht from Schwanengesang, D. 957 Nachtstück, D. 672 V. SCHUBERT Des Fischers Liebesglück, D. 933 VI. GABRIEL KAHANE Final Privacy Song (World Premiere) Commissioned by San Francisco Performances Matthew Zapruder’s poem, which provides the text for the work, was commissioned for the occasion by the composer. VII. SCHUBERT Wandrers Nachtlied II, D. 768 Nicholas Phan is represented by Opus 3 Artists 470 Park Avenue South, 9th Floor, New York, NY 10016 opus3artists.com Gabriel Kahane is represented by MKI Artists One Lawson Lane, Suite 320, Burlington, VT 05401 mkiartists.com Hamburg Steinway Model D, Pro Piano, San Francisco 3 ARTIST PROFILES Nicholas Phan is SF Performances’ Vocal Artist-in-Residence Emer- itus (2014–18) and appears for the third time in a mainstage con- cert. SF Performances presents Gabriel Kahane for the fourth time. Described by the Boston Globe as “one of the world’s most re- markable singers,” American tenor Nicholas Phan is increas- ingly recognized as an artist of distinction. An artist with an incredibly diverse repertoire that spans nearly 500 years of music, he performs regularly with the world’s leading orches- tras and opera companies. -
Echoes of the Gothic in Early Twentieth- Century Spanish Music
Echoes of the Gothic in Early Twentieth- Century Spanish Music Jennifer Lillian Hanna ORCID: 0000-0002-2788-9888 Submitted in total fulfilment of the requirements of the Master of Music (Musicology/Ethnomusicology) November 2020 Melbourne Conservatorium of Music Faculty of Fine Arts and Music University of Melbourne ii Abstract This thesis explores traces of the Gothic in music and related artforms concerning Spain in the early twentieth century, drawing together a number of case studies with varied proximity to Manuel de Falla and his artistic milieu. A range of Gothic perspectives are applied to a series of musical works, repertories, constructions of race, modes of performance and stage personae, and this examination is preceded by an overview of Gothic elements in their nineteenth-century precursors. The connection between Granada’s Alhambra and the Gothic is based not only on architectural style, but also nocturnal and supernatural themes that can be traced back to the writings of Washington Irving. The idea of Alhambrism and Romantic impressions of the Spanish Gypsy, both of which are associated with the magical, primitive, mystic and nocturnal elements of the Gothic, are also related to constructions of flamenco and cante jondo. The Romantic idea of the Spanish gypsy evolved into primitivism, and attitudes that considered their culture archaic can be placed in a Gothic frame. Flamenco and the notion of duende can also be placed in this frame, and this idea is explored through the poetry and writings of Federico García Lorca and in his interaction with Falla in conceiving the Cante jondo competition of 1922. -
001-24-PREMIERES PAGES-18/19(47L).Indd
SEPTEMBRE – OCTOBRE CONCERTS JUILLET SEPTEMBRE OCTOBRE EN SEMAINE 25 025-075-1 CONCERTS septembre-octobre 18/19.indd 25 02/02/2018 17:28 FESTIVAL DAYS OFF DU 30 JUIN AU 8 JUILLET Le festival Days Off, qui fêtera sa 9e}édition, est le temps fort estival dédié aux musiques actuelles à la Philharmonie. Days Off présente des projets spéciaux, des têtes d’affiche rares sur la scène hexagonale comme les dernières émergences. De la pop au rock, en passant par l’électro et des rencontres avec la musique contemporaine, il affiche une diversité de styles et de formes réunis par une certaine vision de la modernité. Événement en ouverture du festival, le prodige Nils Frahm, qui mêle habilement musique électronique et piano acous- tique, a carte blanche pour investir les différents espaces de la Philharmonie. KEREN ANN Parmi les autres temps forts de cette nouvelle édition : le légendaire David Byrne, ex-leader des Talking Heads, DAVID BYRNE vient présenter en exclusivité son nouveau projet après une très longue absence ; Étienne Daho, icône de la pop française, fait son grand retour sur une scène parisienne après le succès de son dernier album ; Keren Ann revisite son répertoire en compagnie du Quatuor Debussy… Avec une vingtaine de groupes ou artistes invités, des soirées thématiques et des créations, le programme de Days Off reflète la richesse des musiques d’aujourd’hui. DAYOFF.FR PROGRAMMATION COMPLÈTE ANNONCÉE EN AVRIL 2018. PHILHARMONIE DE PARIS CITÉ DE LA MUSIQUE PRÉLUDE 27 025-075-1 CONCERTS septembre-octobre 18/19.indd 27 02/02/2018 17:28 FESTIVAL JAZZ À LA VILLETTE DU 30 AOÛT AU 9 SEPTEMBRE Jazz à la Villette, coproduit avec la Grande Halle, est le grand rendez-vous de la rentrée pour tous les amoureux de la note bleue et au-delà.