DOCSLIB.ORG

Pag 01 OK.Qxd 11/07/2014 20:20 Pægina 1 EL CULTURAL1 Euro

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Pag 01 OK.Qxd 11/07/2014 20:20 Pægina 1 EL CULTURAL1 Euro pag 01 OK.qxd 11/07/2014 20:20 PÆgina 1 EL CULTURAL1 Euro. Venta conjunta e inseparable con El Mundo, y en librerías especializadas 18-24 de julio de 2014 www.elcultural.es Referentes intelectuales de los nuevos movimientos europeos Ideas que mecen la política emergente Un banco para su formación El banco que confía en el potencial de miles de estudiantes es el mismo que en 2013 concedió 22.422 becas y ayudas a universitarios y que apoya los sueños y proyectos de sus 100 millones de clientes en todo el mundo. santander.com/universidades Pag 03ok.qxd 11/07/2014 19:54 PÆgina 3 PRIMERA PALABRA LUIS MARÍA ANSON de la Real Academia Española Lecturas de verano adie discute la sabiduría iberoamericanos de los últimos Expósito como responsable li- Múgica ha escrito un relato literaria de Francisco Ro- cincuenta años sin leer al hom- terario. Gonzalo Santonja ha trepidante que desconcierta. Ndríguez Adrados. Desde bre que ha estado siempre en prologado el libro desde la se- No se arrepentirá el lector que Gilgamés y su influencia en Ho- contacto con los grandes nom- riedad literaria con que siem- se adentre en esta novela sin- mero hasta las vanguardias del bres de las letras, que ha con- pre aborda sus análisis. San- gular. siglo XXI nada escapa al co- tado con la estima de los escri- tonja robustece su crédito nocimiento del académico ni tores cimeros y que nunca cayó intelectual año tras año. Zama- *** a la sagacidad de su análisis crí- en la lisonja porque siempre ha cois habla de Unamuno, de Va- Desde Las ingles celestes he se- tico. Dediqué en su día sendos escrito desde la independencia. lle, de Baroja, de Blasco Ibáñez guido a Román Piña. Nunca artículos en esta página a El Especies en extinción es un libro y por su epistolario de 1938 a me ha defraudado, ni en la no- reloj de la Historia y a El río de la de obligada lectura. Asegura 1971 desfilan los personajes po- vela ni en la poesía ni en La literatura. Ahora el profesor Juan Cruz que se trata de las líticos y literarios de toda una Bolsa de Pipas, la revista litera- Adrados nos ofrece dos nuevos memorias de un periodista que época desde Negrín a Umbral. ria que con tanta eficacia dirige libros: De Historia, Política y So- fue editor. Pues bueno. Juan Apena comprobar que el gé- y que por su calidad se ha si- ciedad y De Lengua española, Hu- Cruz es a ciento por ciento pe- nero epistolar, tan fecundo tuado en lugar de privilegio en manidades y Enseñanza, en los riodista, apenas ensombreci- tiempo atrás, ha sido material- la vida cultural española. En que recoge sus artículos perio- do por la sombra del editor. El mente desterrado por los sms y Los trofeos efímeros regresa a la dísticos de los últimos veinte autor ha agavillado escritos para los e-mail. poesía y lo hace con nervio y años. He releído con asombro narrar sus experiencias vitales con aliento lírico. Román Piña esos artículos que enaltecen no solo en el diario El País sino *** conduce al lector por su mun- al gran periodismo. Respalda- en la ancha vida literaria. Bri- Daniel Múgica es un novelista do más sugerente, para dete- do por un formidable arsenal lla la claridad de su escritura, su que enardece. Tiene una ex- nerse en personas y senti- de cultura, Francisco Rodrí- generosidad en el juicio, su ob- traordinaria capacidad de fa- mientos expresados desde la guez Adrados ha derramado en jetividad al analizar aconteci- bulación y sabe construir la ar- adjetivación certera o la metá- el periódico sabiduría y sentido mientos y personajes. quitectura novelística con fora audaz. “Los ojos en la pira de la actualidad. materiales de vanguardia. Bien- –escribe– la tempestad de be- *** venido a la tormenta arranca con sos, los latidos, las risas, las can- *** La Fundación Banco Santan- el asesinato del Secretario Ge- ciones que tanta sangre y lá- No puedo ocultar mi predilec- der, que con tanto pulso pre- neral de la ONU que, barni- grima valieron son solo restos, ción por Juan Cruz, a pesar de side Antonio Escámez, ha pu- zado de sangre y escarcha, apa- óxido de trofeos efímeros y no su gran fallo al no haber escri- blicado, en su colección Obra rece uncido a la aguja del vuelve jamás a nuestra boca el to en los periódicos que yo di- Fundamental, diversos escritos edificio Chrysler en Nueva zumo de su piel, la copa de rigí. Sé que está avergonzado de Eduardo Zamacois conden- York, lo que provoca una cri- su tiempo”. No sé si los éxitos por esta circunstancia. Hay que sados en un libro –Cortesanas, sis a la que hace frente el de- literarios de Román Piña es- reconocer en todo caso que re- bohemios, asesinos y fantasmas– al tective Herzog, cuando el tán oxidados. A mí me parece sulta difícil entender el fondo cuidado de Lola Martínez de mundo baila al borde de la ter- que brillan al sol lívido de la de los movimientos literarios Albornoz y Francisco Javier cera guerra mundial. Daniel actualidad. ● 18-7-2014 EL CULTURAL 3 Únetealreto Ability Awards_ Si tienes un proyecto tecnológico que pueda ayudar apersonas condiscapacidad, dependencia oenfermos crónicos, este es tu reto. Losdiezmejores proyectos formaránparte de todo el ecosistema de emprendimiento de Telefónicayasistiránal IAbility Investors Day para presentar su proyecto ante inversores especializados. Inscríbete ya en: ability.openfuture.org Chema Alonso, hacker &emprendedor yPablo Pineda, embajador de los Telefónica Ability Awards 2014. El Patronato de losTelefónica AbilityAwardsestáformado por: Congreso de losDiputados;Ministerio de la Presidencia;Ministerio de Sanidad, Política SocialeIgualdad; Ministerio de Industria,TurismoyComercio;Comunidad de Madrid; Real Patronatosobrediscapacidad;CEOE; CEPYME;CámarasdeComercio; UnainiciativadeTelefónica yKanchi. UGT; CC.OO; CEPES;CERMI;ONCE; Fundación ONCE;CruzRoja Española;Cáritas; El procesocontará conlaevaluación yverificación independientedePwC. Atam;CRUE; IESE;IE; ESADE; TheGlobal Compact; TVEyPwC. Sigue el reto Ability en: pag 05ok.qxd 11/07/2014 20:11 PÆgina 5 18-24 DE JULIO DE 2014 SUMARIO EL CULTURAL 3. PRIMERA PALABRA Lecturas de verano, POR LUIS MARÍA ANSON Presidente Luis María Anson LETRAS Directora 8. Los referentes intelectuales de los nuevos movi- Blanca Berasátegui mientos europeos, POR DANIEL ARJONA Jefes de Redacción 11. Romper huevos sin cascarlos, POR SLAVOJ ZIZEK Nuria Azancot, Javier López Rejas 12. Libro de la semana. En el Gulag, de Luiza Iorda- 12 Jefas de Sección che, POR RAFAEL NÚÑEZ FLORENCIO Paula Achiaga, Bea Espejo 14. VV.AA. Nuestras guerras, POR RICARDO SENABRE 14. Mercedes Abad. La niña gorda, POR ÁNGEL BASANTA Redacción Daniel Arjona, Fernando Díaz de Quijano, 15. Víctor Álamo. Isla Nada, POR CARE SANTOS Alberto Ojeda, Rubén Vique 16. Poesía, POR FRANCISCO JAVIER IRAZOKI 17. Robert Polito. Arte salvaje, POR LAURA FERNÁNDEZ Críticos: Juan Avilés, Rafael Banús, Ángel 18. Eva Figues. La luz y Monet, POR J.M.PARREÑO Basanta, J.M. Benítez Ariza, Túa Blesa, Ernesto 18. VV.AA. Al otro lado del muro, POR ANDRÉS BARBA Calabuig, Pilar Castro, José Luis Clemente, 19. VV.AA. Ciudades de cine, POR MANUEL HIDALGO Antonio Colinas, Jacinta Cremades, Enrique 22 20. Libros más vendidos Encabo, Laura Fernández, Miguel Fernández-Cid, 21. MÍNIMA MOLESTIA, POR IGNACIO ECHEVARRÍA Carlos F. Heredero, J. Andrés-Gallego, Pilar García Mouton, F. García Olmedo, David G. Torres, Álvaro Guibert, Germán Gullón, J. A. Gurpegui, ARTE Abel H. Pozuelo, Javier Hontoria, 22. Mark Manders llega a Santiago de Compostela F. J. Irazoki, Inmaculada E. Maluenda, Joaquín con su primera individual en España, POR MARÍA MARCO Marco, Jacobo Muñoz, Nadal Suau, Rafael 24. Espacios, POR BEA ESPEJO Narbona, Mariano Navarro, R. Núñez Florencio, José Mª Parreño, J. L. Pérez de Arteaga, Román 25. Jordi Colomer en los tejados, POR MARIANO NAVARRO Piña, Arturo Reverter, Carlos Reviriego, Luis 26. Chantal Akerman: casi cine, POR ELENA VOZMEDIANO Ribot, Víctor del Rio, Ascensión Rivas, Carlos 30 27. Asunción Molinos, pan para hoy, POR B. ESPEJO Rodríguez Braun, Sergio Rubira, Octavio Ruiz- 28. Arquitectura. Un siglo de pólvora y vidrio, POR INMA Manjón, Felipe Sahagún, Care Santos, Bernabé E. MALUENDA/ENRIQUE ENCABO Sarabia, S. Sanz Villanueva, Ricardo Senabre, Pedro Tedde de Lorca, J.M. Velázquez-Gaztelu, J. Vidal Oliveras, Rocío de la Villa, Javier Villán, Darío ESCENARIOS Villanueva, L. A. de Villena y Elena Vozmediano 30. Antony repasa toda su carrera en el Teatro Real con un nuevo espectáculo en el que muestsra todas sus Edita Prensa Europea S.L. claves artísticas, POR ABEL HERNÁNDEZ Avenida de San Luis, 25 32. El griego Stathis Livathinos nos habla de la “sal- Madrid - 28033 4637 vaje” Ilíada que presenta en el Festival de Mérida, Tel.: 91 443 64 39-36-43 Fax: 91 443 65 36 www.elcultural.es POR ALBERTO OJEDA [email protected] PORTADA 34. Amelia Ochandiano lleva a Almagro El lenguaje de Presidencia de EL CULTURAL Juan Genovés: tus ojos, de Marivaux, POR JAVIER LÓPEZ REJAS. Calle Recoletos, 21. Tel.: 91 435 26 10. Sintonía, 2010 35. Depardieu recala en el festival de Peralada para in- terpretar Love Letters Director de publicidad: Carlos Piccioni (tel.: 91 443 55 52) 36. El grupo Academia 175 abre una nueva cita con To- [email protected] rroella de Montgrí, POR A. REVERTER EL CULTURAL se vende conjuntamente con el diario EL MUNDO. CINE Imprime Calprint. Dpto. legal: M-4591-2012 37. El amanecer del planeta de los simios devuelve un clásico de la ciencia ficción a la cartelera veranie- Captura este código ga, POR CARLOS REVIRIEGO para entrar en 40. Llega La chica del 14 de julio, revolución y cachi- www.elcultural.es porra, POR RAÚL PEDRAZ 41.
Load more

Recommended publications
  • Laura Marling - Song for Our Daughter Episode 184
    Song Exploder Laura Marling - Song For Our Daughter Episode 184 Hrishikesh: You’re listening to Song Exploder, where musicians take apart their songs and piece by piece tell the story of how they were made. My name is Hrishikesh Hirway. (“Song for Our Daughter” by LAURA MARLING) Hrishikesh: Before we start, I want to mention that, in this episode, there’s some discussions of themes that might be difficult for some: sexual harassment and assault, as well as a mention of rape and suicide. Please use your best discretion. Laura Marling is a singer and songwriter from London. She won the Brit Award for Best British Female Solo Artist - she’s been nominated five times for that, along with the Mercury Prize, and the Grammy for Best Folk Album. Since 2008, she’s released seven albums. The most recent is called Song for Our Daughter. It’s also the name of the song that she takes apart in this episode. I spoke to Laura while she was in her home studio in London. (“Song for Our Daughter” by LAURA MARLING) Laura: My name is Laura Marling. (Music fades out) Laura: This is the longest I've ever taken to write a record. You know, I started very young. I put out my first album when I was 17, and I'm now 30. When I was young, in a really wonderful way, and I think everybody experiences this when they're young, you're kind of a functioning narcissist [laughter], in that you have this experience of the world, in which you are the central character.
    [Show full text]
  • Photo Needed How Little You
    HOW LITTLE YOU ARE For Voices And Guitars BY NICO MUHLY WORLD PREMIERE PHOTO NEEDED Featuring ALLEGRO ENSEMBLE, CONSPIRARE YOUTH CHOIRS Nina Revering, conductor AUSTIN CLASSICAL GUITAR YOUTH ORCHESTRA Brent Baldwin, conductor HOW LITTLE YOU ARE BY NICO MUHLY | WORLD PREMIERE TEXAS PERFORMING ARTS PROGRAM: PLEASESEEINSERTFORTHEFIRSTHALFOFTHISEVENING'SPROGRAM ABOUT THE PROGRAM Sing Gary Barlow & Andrew Lloyd Webber, arr. Ed Lojeski From the first meetings aboutHow Little Renowned choral composer Eric Whitacre You Are, the partnering organizations was asked by Disney executives in 2009 Powerman Graham Reynolds knew we wanted to involve Conspirare to compose for a proposed animated film Youth Choirs and Austin Classical Guitar based on Rudyard Kipling’s beautiful story Libertango Ástor Piazzolla, arr. Oscar Escalada Youth Orchestra in the production and are The Seal Lullaby. Whitacre submitted this Austin Haller, piano delighted that they are performing these beautiful, lyrical work to the studios, but was works. later told that they decided to make “Kung The Seal Lullaby Eric Whitacre Fu Panda” instead. With its universal message issuing a quiet Shenandoah Traditional, arr. Matthew Lyons invitation, Gary Barlow and Andrew Lloyd In honor of the 19th-century American Webber’s Sing, commissioned for Queen poetry inspiring Nico Muhly’s How Little That Lonesome Road James Taylor & Don Grolnick, arr. Matthew Lyons Elizabeth’s Diamond Jubilee in 2012, brings You Are, we chose to end the first half with the sweetness of children’s voices to brilliant two quintessentially American folk songs Featuring relief. arranged for this occasion by Austin native ALLEGRO ENSEMBLE, CONSPIRARE YOUTH CHOIRS Matthew Lyons. The haunting and beautiful Nina Revering, conductor Powerman by iconic Austin composer Shenandoah precedes James Taylor’s That Graham Reynolds was commissioned Lonesome Road, setting the stage for our AUSTIN CLASSICAL GUITAR YOUTH ORCHESTRA by ACG for the YouthFest component of experience of Muhly’s newest masterwork.
    [Show full text]
  • Highly Anticipated Non-Profit Music Venue in Williamsburg, Brooklyn, Announces Opening, Curators, Programming Details and a New Name
    For Immediate Release May 8, 2015 Press Contacts: Blake Zidell, John Wyszniewski and Ron Gaskill at Blake Zidell & Associates: 718.643.9052, [email protected], [email protected], [email protected]. HIGHLY ANTICIPATED NON-PROFIT MUSIC VENUE IN WILLIAMSBURG, BROOKLYN, ANNOUNCES OPENING, CURATORS, PROGRAMMING DETAILS AND A NEW NAME Beginning in October, National Sawdust (Formerly Original Music Workshop) Will Provide Composers and Musicians a State-of-the-Art Home for the Creation of New Work and Will Give Audiences and a Place to Discover Genre-Spanning Music at Accessible Ticket Prices Curators to Include Composers Anna Clyne, Bryce Dessner, David T. Little and Nico Muhly; Pianists Simone Dinnerstein and Anne Marie McDermott; Vocalists Helga Davis, Theo Bleckmann and Magos Herrera; and Violinists Miranda Cuckson and Tim Fain Groups and Artists in Residence to Include Brooklyn Rider, Glenn Kotche (Wilco), Alicia Hall Moran and Zimbabwe’s Netsayi Venue Partners and Collaborators Range from Carnegie Hall's Weill Music Institute and the New York Philharmonic’s CONTACT! to Stanford University and Williamsburg-Based El Puente Center for Arts and Culture National Sawdust +, Created by Elena Park, Will Include National Sawdust Talks as well as Performance Series that Offer Leading Directors and Writers, from Richard Eyre to Michael Mayer, a Platform to Share Their Musical Passions Opening Concerts in October to Feature Terry Riley, John Zorn, Roomful of Teeth, Nico Muhly, Bryce Dessner, Fence Bower Jon Rose, Throat Singer Tanya Tagaq and Others Brooklyn, NY (May 7, 2015) - The non-profit National Sawdust, formerly known as Original Music Workshop, is pleased to announce that its highly anticipated, state-of-the-art, Williamsburg, Brooklyn venue will open this fall.
    [Show full text]
  • Concerts from the Library of Congress 2012-2013
    Concerts from the Library of Congress 2012-2013 LIBRARY LATE ACME & yMusic Friday, November 30, 2012 9:30 in the evening sprenger theater Atlas performing arts center The McKim Fund in the Library of Congress was created in 1970 through a bequest of Mrs. W. Duncan McKim, concert violinist, who won international prominence under her maiden name, Leonora Jackson; the fund supports the commissioning and performance of chamber music for violin and piano. Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. Please take note: UNAUTHORIZED USE OF PHOTOGRAPHIC AND SOUND RECORDING EQUIPMENT IS STRICTLY PROHIBITED. PATRONS ARE REQUESTED TO TURN OFF THEIR CELLULAR PHONES, ALARM WATCHES, OR OTHER NOISE-MAKING DEVICES THAT WOULD DISRUPT THE PERFORMANCE. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. THE LIBRARY OF CONGRESS Atlas Performing Arts Center FRIDAY, NOVEMBER 30, 2012, at 9:30 p.m. THE mckim Fund In the Library of Congress American Contemporary Music Ensemble Rob Moose and Caleb Burhans, violin Nadia Sirota, viola Clarice Jensen, cello Timothy Andres, piano CAROLINE ADELAIDE SHAW Limestone and Felt, for viola and cello DON BYRON Spin, for violin and piano (McKim Fund Commission) JOHN CAGE (1912-1992) String Quartet in Four Parts (1950) Quietly Flowing Along Slowly Rocking Nearly Stationary Quodlibet MICK BARR ACMED, for violin, viola and cello Intermission *Meet the Artists* yMusic Alex Sopp, flutes Hideaki Aomori, clarinets C.J.
    [Show full text]
  • Album Booklet
    American Voices Saint Thomas Choir of Men & Boys Fifth Avenue, New York 7 John Scott conductor 18 RES10 Leonard Bernstein (1918-1990) American Voices Chichester Psalms American Choral Music 1. Psalm 108, verse 2; Psalm 100, entire [3:42] 2. Psalm 23, entire; Psalm 2, verses 1-4 [5:54] 3. Psalm 131, entire; Psalm 133, verse 1 [8:20] Randall Thompson (1899-1984) Meg Bragle mezzo-soprano ⁵ 4. Alleluia [5:08] Frederick Teardo organ Anna Reinersman harp Aaron Copland (1900-1990) Maya Gunji percussion 5. In The Beginning [17:02] Saint Thomas Choir of Men & Boys, Nico Muhly (b. 1981) Fifth Avenue, New York Bright Mass with Canons 6. Kyrie [4:07] [4:13] John Scott conductor 7. Gloria 8. Sanctus and Benedictus [2:35] 9. Agnus Dei [3:18] Samuel Barber (1910-1981) 10. Agnus Dei [7:49] Daniel Castellanos (b. 1995) 11. Eternal Light [2:36] About Saint Thomas Choir of Men & Boys and John Scott: Ned Rorem (b. 1923) 12. Sing My Soul [2:17] ‘[...] an intensely dramatic reading [...] Scott and his 13. O God, My Heart is Ready [3:39] magnificent choir capture the fervent writing in all its rich variety’ The Observer arr. Gerre Hancock (1934-2012) 14. Deep River [3:38] ‘[Scott] and his New York forces achieve some memorable results, not least the clarity of their sound’ Choir & Organ Total playing time [74:18] American Voices: American Choral Music Psalm 100 (‘O be joyful in the Lord’) is set of the Berkshire Music Centre in 1940. American music to which no European in an agitated and dance like seven-four Expecting a piece that would be a joyful master of composition could sign his name A man of phenomenal and wide-ranging rhythm that contrasts fittingly with the choral fanfare, the Centre received instead and get away with it.’ It seems extraordinary musical gifts, Leonard Bernstein was one of opening of the second movement, a lyrical this masterpiece of introspection.
    [Show full text]
  • Volume I (Final) Proofread
    UCLA UCLA Electronic Theses and Dissertations Title The Influence of Pop Music in the Works of Three Contemporary American Composers: Steven Mackey, Julia Wolfe and Nico Muhly Permalink https://escholarship.org/uc/item/5h4626dd Author Lee, Hyunjong Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles The Influence of Pop Music in the Works of Three Contemporary American Composers: Steven Mackey, Julia Wolfe and Nico Muhly A dissertation submitted in partial satisfaction of the requirements for the degree Doctoral of Philosophy in Music by Hyunjong Lee 2014 © copyright by Hyunjong Lee 2014 ABSTRACT OF THE DISSERTATION The Influence of Pop Music in the Works of Three Contemporary American Composers: Steven Mackey, Julia Wolfe and Nico Muhly by Hyunjong Lee Doctor of Philosophy in Music University of California, Los Angeles, 2014 Professor Ian Krouse, Chair There are two volumes in this dissertation: the first is a monograph, and the second a musical composition, both of which are described below. Volume I These days, labels such as classical, rock and pop mean less and less since young musicians frequently blur boundaries between genres. These young musicians have built an alternative musical universe. I construct five different categories to explore this universe. They are 1) circuits of alternate concert venues, 2) cross-genre collaborations, 3) alternative modes of musical groups, 4) new compositional trends in classical chamber music, and 5) new ensembles and record labels. ii In this dissertation, I aim to explore these five categories, connecting them to recent cultural trends in New York.
    [Show full text]
  • 001-24-PREMIERES PAGES-18/19(47L).Indd
    SEPTEMBRE – OCTOBRE CONCERTS JUILLET SEPTEMBRE OCTOBRE EN SEMAINE 25 025-075-1 CONCERTS septembre-octobre 18/19.indd 25 02/02/2018 17:28 FESTIVAL DAYS OFF DU 30 JUIN AU 8 JUILLET Le festival Days Off, qui fêtera sa 9e}édition, est le temps fort estival dédié aux musiques actuelles à la Philharmonie. Days Off présente des projets spéciaux, des têtes d’affiche rares sur la scène hexagonale comme les dernières émergences. De la pop au rock, en passant par l’électro et des rencontres avec la musique contemporaine, il affiche une diversité de styles et de formes réunis par une certaine vision de la modernité. Événement en ouverture du festival, le prodige Nils Frahm, qui mêle habilement musique électronique et piano acous- tique, a carte blanche pour investir les différents espaces de la Philharmonie. KEREN ANN Parmi les autres temps forts de cette nouvelle édition : le légendaire David Byrne, ex-leader des Talking Heads, DAVID BYRNE vient présenter en exclusivité son nouveau projet après une très longue absence ; Étienne Daho, icône de la pop française, fait son grand retour sur une scène parisienne après le succès de son dernier album ; Keren Ann revisite son répertoire en compagnie du Quatuor Debussy… Avec une vingtaine de groupes ou artistes invités, des soirées thématiques et des créations, le programme de Days Off reflète la richesse des musiques d’aujourd’hui. DAYOFF.FR PROGRAMMATION COMPLÈTE ANNONCÉE EN AVRIL 2018. PHILHARMONIE DE PARIS CITÉ DE LA MUSIQUE PRÉLUDE 27 025-075-1 CONCERTS septembre-octobre 18/19.indd 27 02/02/2018 17:28 FESTIVAL JAZZ À LA VILLETTE DU 30 AOÛT AU 9 SEPTEMBRE Jazz à la Villette, coproduit avec la Grande Halle, est le grand rendez-vous de la rentrée pour tous les amoureux de la note bleue et au-delà.
    [Show full text]
  • For Immediate Release / August 27, 2021 San
    Public Relations San Francisco Symphony (415) 503-5474 [email protected] www.sfsymphony.org/press Click here to access the Online Press Kit, which includes a PDF of this press release, performance video and photos, artist headshots, and program notes. FOR IMMEDIATE RELEASE / AUGUST 27, 2021 SAN FRANCISCO SYMPHONY RELEASES DIGITAL AUDIO RECORDING OF NICO MUHLY’S THROUGHLINE ON SFS MEDIA AUGUST 27, 2021 Throughline features contributions from all eight SF Symphony Collaborative Partners with members of the San Francisco Symphony Audio recorded in 24-bit/96kHz high-resolution; digital release available for streaming and download via major retailers worldwide Available now at sfsymphony.org/nicomuhly SAN FRANCISCO—The San Francisco Symphony and Music Director Esa-Pekka Salonen release Collaborative Partner Nico Muhly’s Throughline on SFS Media, available now wherever music is streamed and downloaded. Commissioned by the San Francisco Symphony and recorded September 22–25, 2020 in Davies Symphony Hall and around the globe, Throughline received its world premiere as part of the digital concert event “Throughline: San Francisco Symphony—From Hall to Home,” which was first broadcast on Bay Area public television and streamed online November 14, 2020. Muhly's "work of remarkable expressive power" (San Francisco Chronicle) offers a kinetic and seamlessly collaborative musical experience that captures the vibrant individualism of its performers. Throughline is available now in 24-bit/96kHz studio master-quality as a digital download and streaming via all major retailers worldwide. For more information, program notes, and performance video footage, visit sfsymphony.org/nicomuhly, and check out this promotional video clip to get ESA-PEKKA SALONEN, MUSIC DIRECTOR some insights about Throughline from composer Nico Muhly himself.
    [Show full text]
  • 125 Commissions Project and Premieres
    18|19 COMMISSIONS PROJECT Carnegie Hall’s commitment to the music of tomorrow continues with the fourth year of its five-year project during which at least 125 new works will be commissioned from today’s leading composers. Through the 125 Commissions Project, Carnegie Hall expands upon its history as the preeminent venue where music history is made. Launched during the Hall’s 125th anniversary season in 2015, the project features new solo, chamber, and orchestral music from both established and emerging composers, including John Adams, Thomas Adès, Timo Andres, Donnacha Dennehy, Bryce Dessner, Philip Glass, Sofia Gubaidulina, Brad Mehldau, Nico Muhly, Steve Reich, Frederic Rzewski, Caroline Shaw, Tyshawn Sorey, Chris Thile, and Jörg Widmann. As part of the project, Carnegie Hall has sought to partner with co-commissioners as much as possible in order to maximize the number of performances for new each work. As part of the 125 Commissions Project, Kronos Quartet and Kronos Performing Arts Organization continue Fifty for the Future: The Kronos Learning Repertoire. Collaborating with many diverse partners over five seasons, Kronos is co-commissioning 50 new works by 25 men and 25 women devoted to contemporary approaches to the string quartet, designed expressly for the training of students and emerging professionals. Composers commissioned to write works for previous seasons included Fodé Lassana Diabaté, Rhiannon Giddens, Garth Knox, Aleksandra Vrebalov, Wu Man, and Karin Rehnqvist. Commissions for the 2018–2019 season include works written by Bryce Dessner, Susie Ibarra, Jlin, Vladimir Martynov, Missy Mazzoli, Misato Mochizuki, Terry Riley, Henry Threadgill, Mario Galeano Toro, and Lu Yun.
    [Show full text]
  • Nico Muhly by Adam Baer
    The PlayerPlayer:: Nico Muhly By Adam Baer Last spring at the New York concert space The Kitchen, the energetic, always adventurous composer Nico Muhly performed what may have been a first: a work that involved “playing” human hair. Well, not literally. As violist Nadia Sirota, one of several collaborators on stage, bowed the notes, Muhly imitatively stroked and plucked the long red tresses of three women lying above him on slabs. The playful bit of performance art drew chuckles from the admiring crowd, which included Björk and artist Matthew Barney, who had come no doubt expecting some theater. The concert—played on a stage set of bones, skulls, and webs of braided rope created by the Icelandic artist Shoplifter—was classic Muhly, straddling the line between campy and brilliant, between unabashedly affected and profoundly beautiful. At just 27, Muhly is a rare specimen in the music world: Classically trained yet fearless and rangy, he’s embraced by the establishment but perpetually pursuing experimental work. Muhly’s current projects He accomplished all of this—and more— include composing a new work for the while working for Philip Glass (a Metropolitan Opera (unheard of for someone multifaceted job he started as a joint under 30) and a score for a Scott Rudin- Columbia-Juilliard student) and maintaining produced Hollywood film. Last year he wrote a performance schedule that has put him on a piece for the Paris Opera Ballet and a such varied stages as London’s Royal soundtrack for Isaac Mizrahi’s New York Academy of Music, Symphony Hall in Fashion Week runway show.
    [Show full text]
  • Curated by Nico Muhly Soundbox
    FOCUS CURATED BY NICO MUHLY SOUNDBOX 1 “The theme of this SoundBox is Focus, a notion I’m trying to explore in various senses of the word.” —Nico Muhly 2 Esa-Pekka Salonen SAN FRANCISCO SYMPHONY MUSIC DIRECTOR San Francisco Symphony Music Director Esa-Pekka Salonen has, through his many high-profile conducting roles and work as a leading composer, shaped a unique vision for the present and future of the contemporary symphony orchestra. Salonen recently concluded his tenure as Principal Conductor & Artistic Advisor for London’s Philharmonia Orchestra and he is Artist in Association at the Finnish National Opera and Ballet. He is a member of the faculty of the Colburn School in Los Angeles, where he developed and directs the pre-professional Negaunee Conducting Program. Salonen is the Conductor Laureate for both the Swedish Radio Symphony Orchestra and the Los Angeles Philharmonic, where he was Music Director from 1992 until 2009. Salonen co-founded— and from 2003 until 2018 served as the Artistic Director for—the annual Baltic Sea Festival. 3 The Orchestra Esa-Pekka Salonen, Music Director SECOND VIOLINS CELLOS Michael Tilson Thomas, Music Director Laureate Dan Carlson, Principal Vacant, Principal Herbert Blomstedt, Conductor Laureate Dinner & Swig Families Chair Philip S. Boone Chair Daniel Stewart, San Francisco Symphony Youth Helen Kim, Associate Principal Peter Wyrick, Associate Principal Orchestra Wattis Foundation Music Director Audrey Avis Aasen-Hull Chair Peter & Jacqueline Hoefer Chair Ragnar Bohlin, Chorus Director Jessie Fellows, Assistant Principal Amos Yang, Assistant Principal Vance George, Chorus Director Emeritus Vacant Vacant The Eucalyptus Foundation Second Century Chair Lyman & Carol Casey Second Century Chair FIRST VIOLINS Raushan Akhmedyarova Barbara Andres Alexander Barantschik, Concertmaster David Chernyavsky The Stanley S.
    [Show full text]
  • Allegro Februaryallegro 2021 L Volume 122, No
    ADVERTISING SUPPLEMENT ASSOCIATED MUSICIANS OF GREATER NEW YORK www.Local802afm.org/allegro FebruaryAllegro 2021 l Volume 122, No. 2 AUDITIONS, JOB POSTINGS AND SPECIAL OFFERS (Almost every ad is “clickable” – try it!) To advertise in Allegro, contact [email protected] This advertising supplement, plus all Allegro articles and content, are posted at www.Local802afm.org/allegro n ADVertising AJS WOODWIND REPAIR Fine sax, flute and clarinet repair since 1988 Anthony Salimbene, proprietor (973) 798-2928 PHOTO BY: [PHIL H] VIA FLICKR.COM BY: PHOTO Facebook.com/AJSWoodwindRepair Marianne Gythfeldt, clarinet • Jesse Mills, violin • Malcolm Merriweather, voice Ursula Oppens, piano • George Rothman, orchestra • Frank Cassara, percussion Lars Frandsen, guitar • Douglas Geers, David Grubbs, Johanna Devaney, sonic arts Jason Eckardt, Douglas Cohen, Wang Jie, Polina Navarinskaya, Dalit Warshaw, composition • Jonathan Zalben, media scoring 2 Allegro | February 2021 n ADVertising INCOME tax PREParatION INCOME TAX 40 YEARS’ EXPERIENCE SERVICE Specializing in the Over 30 years’ experience prepARING INCOME TAX RETURNS FOR preparation of income tax MUSIC IANS returns for musicians and l Get every deduction allowable by law entertainers l Professional expertise at a reasonable rate l Electronic filing available (refunds in 1 week) OZER TAX ASSOCIATES, INC. DON AIBEL TAX ATTORNEY AND FORMER LOCAL 802 member [email protected] 145 West 57th Street, 10th floor, New York, NY 10019 (212) 245-4870 (212) 765-7532 (phone); (201) 767-5583 (fax) [email protected]
    [Show full text]