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Greek Mouldings of Kos and Rhodes
GREEK MOULDINGS OF KOS AND RHODES (PLATES 108-109) I. INTRODUCTION JT WAS regrettablethat it had not been possibleto makedrawings of the Dodeca- nesian material to include in the study of the profiles of Greek architectural mouldings published by the American School of Classical Studies at Athens in 1936.' Later opportunity arose 2 to make the drawings, full size with a Maco Template,3but their study was unfortunately delayed.4 The material is presented now as a supple- ment to the original volume. Considerations of printing have, however, made advisable certain changes in form as well as format, but it is hoped that this article may be used with the earlier publication without inconvenience, for the material in the two belongs together. It has not been possible to print all the profiles full size as in the original study, but Figure 1 is retained at full scale. It should be noted, then, in making comparison, that all the other profiles here presented, in Figures 2 through 8, are shown at one-half size. Information and comment regarding each profile, formerly presented in tabular form, is here put into catalogue form. All the same information given previously is included except the proportions. These were published originally as part of the proof of the chronological development noted in each type. Since the general lines of development appear now to have become established, it has not been considered essential to record the proportions. Only two of the Twelve Islands have yielded as yet any considerable Greek archi- tectural remains. Rhodes, with its numerous settlements, was an important seat of 1 L. -
Th1rzne CEEK
HESPERIA 68.2, I999 "'ADYTO N ," "OPI STHO DOO S," AND THE INNER ROO/ OFr TH1rznECEEK/ T EMPLED For Lucy Shoe Meritt We know very little of what took place inside a Greek temple. Sacrifice, the focal act of communal religious observance,was enacted outside, on an open-air altar usually opposite the main, east, facade of the temple, while the interior contained objects dedicated to the deity, including a cult statue. In form most Greek temples had a single main interior room, or cella; some had an additional small room behind it, accessible only from the cella. Such a subdivision of interior space suggests that the inner chamber served a special function. This study is designed to ascertain why some temples had inner rooms and how these chambers were used, questions that shed light on the nature of the temple itself. Examination of termi- nology used for temple interiors and of archaeological remains of temples with inner rooms, together with literary and epigraphical references to activities that occurred in temples, indicates a larger economic role for many temples and less secret ritual than has been assumed.1 Nomenclature is a central issue here, as naming incorporates a set of 1. This article is dedicatedto Lucy Since the 19th century, the in- Shoe Meritt, with gratitude,for her assumptions and a specific interpretation. generosityin sharingher expertisein ner room has been called 'a'UTOV (adyton, "not to be entered"), a term and enthusiasmfor Greek architecture. known from ancient sources. The usage of "adyton" in literary and In the uncommonlylong develop- epigraphical testimonia led scholars to consider the inner room a locus of ment of this article,I have received cult ritual of a chthonian or oracular nature, mysterious rites conducted exceptionalassistance from Susan within the temple. -
Classical Orders of Architecture
Classical Orders Of Architecture Dipterocarpaceous Brian waggles, his melodies gutturalises tattlings peripherally. Audiovisual and gaping Lambert accessions merrily and enamelling his ells strongly and hypodermically. Transcendent and gastrointestinal Micheil never lustres his orations! The opening shapes and home, reserving the sequence of ancient buildings, greek states of orders, roughly twice in various aesthetic Columns are classified into target following two types based on the slenderness ratios i Short columns ii Slender thin long columns Version 2 CE IIT Kharagpur Page 12 Figure 1021 5 presents the three modes of quiet of columns with different slenderness ratios when loaded axially. Greek Columns SCHOOLinSITES. Architecture is fun Because it's inherently interesting and find because you will impress your friends by casually dropping things like oh what. Common column shapes include Rectangular Square Circular. AVhile the composition is not classical it trade in good coverage and pleases many. To enforce adherence to classical stylings the film would graduate a President's Committee for the Re-Beautification of Federal Architecture. Roof-only porticos without columns are usually installed over side doors. The expression major classical orders are Doric Ionic and Corinthian The orders describe their form and decoration of Greek and later Roman columns and twin to be widely used in architecture today The Doric order insert the simplest and shortest with no decorative foot vertical fluting and a flared capital. The earliest of contemporary taste for the arrangement of proportion of classical orders of architecture! Super Strong Shapes Liberty science Center. Consider four contemporary stone columns Doric Ionic Corinthian Tuscan These represent a rail of the Classical Order of Architecture. -
Anchoring Two Floating Temples
ANCHORING TWO FLOATING TEMPLES (PLATES 95 AND 96) ATREASURE TROVE of architecturalmembers was discoveredduring the excava- 17~. tions of 1939 and 1959 at the Athenian Agora, built into the Post-Herulian Wall and tower adjacentto the remains known as the Southeast Temple (Fig. 1).1 Among them is a series comprising marble Doric entablature blocks (A 1, B 1-3, C 1, 2, D 1-8), marble Doric column drums and capitals (E 1-6), one Doric anta capital (F 1), and several related wall blocks (G 1-8). The entablature series consists of an epistyle block, three epistyle backers,eight triglyphs, and two metope fragments, all of which had apparently been re- used together on a structureof the early Roman period.2The re-used column drums and capitals belong to four columns of milky white marble which, because of their scale and finding place, have been associatedwith the same Roman structure.The anta capital has the upper part of the anta shaft carvedon it; this shaft has a width which is the same as the lower diameter of the columns and therefore presumably was employed along with the columns in their second use. Incorporatedinto the wall as well, just beneath two of the epistyle backers, are five wall blocks which were set in a row; these are of the same milky white marble-usedfor the columns and are to be associatedwith them. Other blocks from this series now lie on the ground near by. ' See p. 421 below. I would like to thank Alison Adams most warmly for her interest and help in this study, particularly for the dating of the pottery for which she secured the expertise of Kathleen Slane. -
The Fiscal Politics of Pergamon, 188-133 B.C.E
“The Skeleton of the State:” The Fiscal Politics of Pergamon, 188-133 B.C.E. By Noah Kaye A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Ancient History and Mediterranean Archaeology University of California-Berkeley Committee in charge: Professor Emily Mackil Professor Erich Gruen Professor Nikolaos Papazarkadas Professor Andrew Stewart Professor Dylan Sailor Fall 2012 Abstract “The Skeleton of the State:” the Fiscal Politics of Pergamon, 188-133, B.C.E. by Noah Kaye Doctor of Philosophy in Ancient History and Mediterranean Archaeology University of California, Berkeley Professor Emily Mackil, Chair In 188 B.C.E., a Roman commission awarded most of Anatolia (Asia Minor) to the Attalid dynasty, a modest fiefdom based in the city of Pergamon. Immediately, the Roman commissioners evacuated along with their force of arms. Enforcement of the settlement, known as the Treaty of Apameia, was left to local beneficiaries, chiefly the Attalids, but also the island republic of Rhodes. The extraction of revenues and the judicious redistribution of resources were both key to the extension of Attalid control over the new territory and the maintenance of the empire. This dissertation is a study of the forms of taxation and public benefaction that characterized the late Attalid kingdom, a multiscalar state comprised of many small communities, most prominent among them, ancient cities on the Greek model of the polis. It argues that the dynasty’s idiosyncratic choices about taxation and euergetism help explain the success of the Attalid imperial project. They aligned interests and created new collectivities. -
(BUTRINT) in the ARCHAIC and CLASSICAL PERIODS the Acropolis and Temple of Athena Polias
dining in the sanctuary of demeter and kore 1 Hesperia The Journal of the American School of Classical Studies at Athens Volume 86 2017 Copyright © The American School of Classical Studies at Athens, originally published in Hesperia 86 (2017), pp. 205–271. This offprint is supplied for per- sonal, non-commercial use only, and reflects the definitive electronic version of the article, found at <http://www.jstor.org/stable/10.2972/hesperia.86.2.0205>. hesperia Kerri Cox Sullivan, Interim Editor Editorial Advisory Board Carla M. Antonaccio, Duke University Angelos Chaniotis, Institute for Advanced Study Jack L. Davis, University of Cincinnati A. A. Donohue, Bryn Mawr College Jan Driessen, Université Catholique de Louvain Marian H. Feldman, University of California, Berkeley Gloria Ferrari Pinney, Harvard University Thomas W. Gallant, University of California, San Diego Sharon E. J. Gerstel, University of California, Los Angeles Guy M. Hedreen, Williams College Carol C. Mattusch, George Mason University Alexander Mazarakis Ainian, University of Thessaly at Volos Lisa C. Nevett, University of Michigan John H. Oakley, The College of William and Mary Josiah Ober, Stanford University John K. Papadopoulos, University of California, Los Angeles Jeremy B. Rutter, Dartmouth College Monika Trümper, Freie Universität Berlin Hesperia is published quarterly by the American School of Classical Studies at Athens. Founded in 1932 to publish the work of the American School, the jour- nal now welcomes submissions from all scholars working in the fields of -
The Architecture of the Hera I Temple of Paestum: an Archaeological Comparative Study
The architecture of the Hera I temple of Paestum An archaeological comparative study Jolan van der Stelt Cover photo: Hera I temple at Paestum (Norbert Nagel/Wikimedia Commons, License: CC BY-SA 3.0) The architecture of the Hera I temple of Paestum An archaeological comparative study Jolan van der Stelt, S1237047 Bachelor thesis Classical Archaeology Supervisor: Dr. M. E. J. J. van Aerde Leiden University, Faculty of Archaeology Leiden, 15 December 2017, Final version 2 Table of content 1. Introduction ....................................................................................................................................... 4 1.1 Research question .......................................................................................................................... 4 1.2 Greek colonisation and Magna Graecia ........................................................................................ 4 1.3 A historical overview of Poseidonia/Paestum ............................................................................... 7 1.4 The excavations of the Paestum area ............................................................................................. 8 1.5 Surroundings and site context ....................................................................................................... 8 1.6 The temples of Paestum .............................................................................................................. 10 2. The first Hera temple at Paestum ................................................................................................. -
Complete Issue
1: DeVargas Street and San Miguel Church. (Ritch. 1885.) • col. 20 no. 5 • • sept-oct 1978 • new mexico architecture IN THIS ISSUE: A survey of the many architectur al styles in Santo Fe was undertaken by Conran and Lent, Architects in 1976. The survey was conducted under a contract with the City of Santo Fe; it was funded by the City The Architecture of Santa Fe and by a matching grant from the -a survey of Styles 12 Not ional Pork Service. The survey was included in De Prepared by : Conran and Lent, Arch itects sign Preservation in Santa Fe: A Pluralistic Approach, published Jan uary , 1977, in a limited edition by the City of Santo Fe. It is re-printed here with perm ission of the City. John P. Conran, FAIA/FASID and R. Patrick Christopher conducted the A Glossary of Architectural Terms 36 research, the street-by-street survey and wrote the text. The authors are indebted to the following historians for their frequent counsel and re search assistance : Dr. Bainbridge Bunting, Sylvia Cook, Dr. Myra Ellen Jenkins, James Purdy, Daniel Reiley and Michael Weber. Index to Advertisers 42 (Cover: Detail, Olive Rush Studio, Santa Fe) - Official Publication of the New Mexico Society of Architects, A. I. A.- Society Officers Commission for HMA President-George C. Owen John P. Conron , FAIA/FASID-Editor President-Elect-John C. Blond Secretary-Treosurer-Charles E. Nolan, Jr. Ronald K. Hill-Associate Editor Director-Dole L. Crawford Director-Joseph A. Della Longo Director-Ron Hutchinson Bainbridg e Bunting- Editorial Consultant Director-Richard Waggoner Director-Edwin C. -
Devotions and Dynasty: Votive Reliefs and the Pergamon Altar's
DEVOTIONS AND DYNASTY: VOTIVE RELIEFS AND THE PERGAMON ALTAR’S TELEPHOS FRIEZE Klint Ericson A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Art (Art History). Chapel Hill 2009 Approved by: Dr. Mary Sturgeon Dr. Eduardo Douglas Dr. Carol Magee © 2009 Klint Ericson ALL RIGHTS RESERVED ii ABSTRACT KLINT ERICSON: Devotions and Dynasty: Votive Reliefs and the Pergamon Altar’s Telephos Frieze (Under the direction of Dr. Mary Sturgeon) This thesis compares the Telephos Frieze from the Great Altar at Pergamon to Classical and Hellenistic votive reliefs. Previous authors have alluded to connections between votive reliefs and the Telephos Frieze, but this paper demonstrates the similarities and important differences between the frieze and specific votive reliefs. It argues that the Telephos Frieze evokes compositions and pictorial techniques that also occur in processional, banquet, Pan and Nymph, and hero reliefs. The final chapter addresses the function of the Altar and the Telephos Frieze, which were essential elements of Eumenes II’s urban consolidation in the second century B.C.E. This paper concludes that the votive elements of the Telephos Frieze efficaciously associated Attalid dynastic ideology with the personal emotions and beliefs of worshipers, reinforcing dynastic authority within the Pergamene kingdom. iii TABLE OF CONTENTS LIST OF FIGURES…………………………………………………………………………. iv Chapter I. INTRODUCTION……………………………………………………………..… 1 II. CHAPTER 1: EXCAVATION AND SCHOLARSHIP OF THE TELEPHOS FRIEZE……………………………………………………………. 5 1. Early Excavations and Scholarship………………………………………..…. 5 2. Recent Excavations and Scholarship……………………………………….... 9 III. CHAPTER 2: VOTIVES IN CLASSICAL AND HELLENISTIC GREECE…. -
THE EARLIER TEMPLE of ARTEMIS at EPHESUS. the Sculpture. THE
THE EARLIER TEMPLE OF ARTEMIS AT EPHESUS. The Sculpture. THE most remarkable characteristic of the temple built in the sixth century was the figure sculpture which surrounded the lower drums of the columns on one or both of the fronts. This feature was certainly not an architectural freak, and the band of figures must either have been thought of as a sculptured dado or derived from Egyptian prototypes such as the sculptured columns of Medinet Abou. Both antecedents may have influ- enced the choice, but the former was a sufficient and the more probable source. The sculptured dado was the first form of sculptured ' frieze'; in ' Mycenaean' palaces dadoes of plain or sculptured slabs faced and protected the lower parts of crude brick walls. The two fragments of slabs with reliefs of oxen from Mycenae in the Elgin collection formed part of such a dado. The great Assyrian and Persian slabs followed the same traditions of structure and decoration, and recent explorations of Hittite sites have shown that the sculptured dado was a fundamental tradition in the arts of Asia Minor. Not only did the sculptured bands of the Nereid Monument, the tomb at Trysa, and the Mausoleum fall in with this rule of the dado, but we find in it the first cause of the sculptured pedestals of the Hel- lenistic temple at Ephesus and of the podium of the Altar of Per- gamon—the king of all dadoes. At the Croesus temple at Ephesus the sculptured band appeared on parts of the walls at the antae as well as on the columns. -
Notes on the Development of the Greek Frieze Brunilde S
Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College Classical and Near Eastern Archaeology Faculty Classical and Near Eastern Archaeology Research and Scholarship 1966 Notes on the Development of the Greek Frieze Brunilde S. Ridgway Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: http://repository.brynmawr.edu/arch_pubs Part of the Classical Archaeology and Art History Commons, and the History of Art, Architecture, and Archaeology Commons Custom Citation Ridgway, Brunilde S. 1966. Notes on the Development of the Greek Frieze. Hesperia 35:188-204. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. http://repository.brynmawr.edu/arch_pubs/62 For more information, please contact [email protected]. NOTES ON THE DEVELOPMENTOF THE GREEK FRIEZE (PLATES 59-60) T HIS paper does not purport to be an exhaustive study of the continuous Greek frieze and of its many problems; it aims rather at recording some observations and suggesting some theories, in the hope of stimulating further discussion and com- ments.7 Certain difficult questions will be touched upon only in so far as they relate to my arguments, with full understanding of the fact that much is still to be learned which might considerably affect the interpretation of the subject. Excavations on the coast of Asia Minor and in the Western colonies are continually producing new material of considerable importance in the study of early architecture, and any com- ments on chronology and development may perhaps appear premature at this point. -
Classicist No. 8 Is Made Possible in Part with Support from 148 : in Pursuit of the Antiquities of Athens and Ionia by Richard Chandler and William Pars Marshall G
THE CLASSICIST NO-8 THE CLASSICIST o Institute of Classical Architecture & Classical America n 8: 2009 20 West 44th Street, Suite 310, New York, NY 10036-6603 - telephone (212) 730-9646 facsimile (212) 730-9649 [email protected] WWW.CLASSICIST.ORG The Classicist at Large 6 : Towards a Renewed Architecture Editor Richard John Designer Essays Tom Maciag 10 : Whitmore’s Palace by Richard Economakis Dyad Communications design office 28 : Albert Simons by Ralph Muldrow Philadelphia, Pennsylvania 34 : The Splendid Inheritance of the Past by Katherine J. Wheeler Production Manager Henrika Dyck Taylor Printer Pimlico Book Company Portfolios Manufactured in China 46 : From the Offices by Richard W. Cameron ©2009 Institute of Classical Architecture & Classical America 84 : Imagination and the Sketch All rights reserved ISBN 978-0-9642601-2-2 ISSN 1076-2922 From the Academies by Elizabeth Meredith Dowling Front Cover: Carl Laubin, Architecture Parlante, 2006, Oil on Canvas, 117 x 204 cm. Private Collection. Back Cover: Carl 94 : Founding Principles at Georgia Tech Laubin, Verismo, 2007, Oil on Canvas, 58 x 121cm. Collection of the Artist. End Papers: Details from Michel Etienne 100 : Notre Dame, Yale, Judson, Prince’s Foundation, Miami, ACBA, and ICA&CA Turgot, Plan de Paris, (Paris 1739). Pages 8–9: J. M. Gandy, A Composition of Various Designs (by courtesy of the Trustees of Sir John Soane’s Museum). Pages 44–45: Duncan Stroik, Detail of Thomas Aquinas College, Santa Paula, California. Pages 92–93: Tim Kelly, YMCA for Manila Naval Base, Georgia Tech MS in Classical Design 2008. Pages 116–17: Leonard Porter, Tai-Yu Burying the Flower Petals, 2002.