The Virtual Reconstruction of Temple B in Selinunte Excavation Site
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The Greek Presence in Sicily in Ancient Times, The
‘’The Greek presence‘ in Sicily is ancient times’’ THE ANCIENT GREEK TEMPLES When were the temples created? Greek temples in Sicily were built from the 8th century to the 5th B.C. This period is known as ‘’ The period of the colonization’’ Where were the temples built? The temples that Greeks established were built in ‘’The valley of the Greek temples’’ or in the regions ‘’ Agrigento’’ , ‘’ Selinunte’’ , ‘’Segesta’’, ‘’ Syracuse’’. So let’s start presenting the temples The temple of Athena (Syracuse) On the temple of Athena was later built the present cathedral, where the Virgin Mary is worshiped continuously since the 7th century AD. It is a unique complex of limestone Doric portals and "baroque" Renaissance style. Temple in Segesta In Egesta (Segesta) you can admire the Doric temple of the 5th century BC, whose construction was stopped without cause after the completion of the colonnades. Currently standing at charming solitude, on the outskirts of Segesta and contribute valuable information for building arts of the time. In 416 BC Segesta came into conflict with her neighbors from Selinus and in the 415/416 requested assistance to Athenians. The envoys of Athens were so much excited by the magnificent temple and worth that they advocated war against Syracuse and with the enthusiastic speech of Alcibiades the Athenians were destroyed at Porto Grande, Syracuse in 413 BC. The Temple of Concord In Agrigento (Agrigento), the gigantic Doric temple of Concord, which due to its conversion to an early Christian basilica survived almost intact, is one of the impressive buildings that testify the high standard of living, connected with the presence of the colonial Greeks. -
The Five Orders of Architecture
BY GìAGOMO F5ARe)ZZji OF 2o ^0 THE FIVE ORDERS OF AECHITECTURE BY GIACOMO BAROZZI OF TIGNOLA TRANSLATED BY TOMMASO JUGLARIS and WARREN LOCKE CorYRIGHT, 1889 GEHY CENTER UK^^i Digitized by the Internet Archive in 2013 http://archive.org/details/fiveordersofarchOOvign A SKETCH OF THE LIFE OF GIACOMO BAEOZZI OF TIGNOLA. Giacomo Barozzi was born on the 1st of October, 1507, in Vignola, near Modena, Italy. He was orphaned at an early age. His mother's family, seeing his talents, sent him to an art school in Bologna, where he distinguished himself in drawing and by the invention of a method of perspective. To perfect himself in his art he went to Eome, studying and measuring all the ancient monuments there. For this achievement he received the honors of the Academy of Architecture in Eome, then under the direction of Marcello Cervini, afterward Pope. In 1537 he went to France with Abbé Primaticcio, who was in the service of Francis I. Barozzi was presented to this magnificent monarch and received a commission to build a palace, which, however, on account of war, was not built. At this time he de- signed the plan and perspective of Fontainebleau castle, a room of which was decorated by Primaticcio. He also reproduced in metal, with his own hands, several antique statues. Called back to Bologna by Count Pepoli, president of St. Petronio, he was given charge of the construction of that cathedral until 1550. During this time he designed many GIACOMO BAROZZr OF VIGNOLA. 3 other buildings, among which we name the palace of Count Isolani in Minerbio, the porch and front of the custom house, and the completion of the locks of the canal to Bologna. -
Parthenon 1 Parthenon
Parthenon 1 Parthenon Parthenon Παρθενών (Greek) The Parthenon Location within Greece Athens central General information Type Greek Temple Architectural style Classical Location Athens, Greece Coordinates 37°58′12.9″N 23°43′20.89″E Current tenants Museum [1] [2] Construction started 447 BC [1] [2] Completed 432 BC Height 13.72 m (45.0 ft) Technical details Size 69.5 by 30.9 m (228 by 101 ft) Other dimensions Cella: 29.8 by 19.2 m (98 by 63 ft) Design and construction Owner Greek government Architect Iktinos, Kallikrates Other designers Phidias (sculptor) The Parthenon (Ancient Greek: Παρθενών) is a temple on the Athenian Acropolis, Greece, dedicated to the Greek goddess Athena, whom the people of Athens considered their patron. Its construction began in 447 BC and was completed in 438 BC, although decorations of the Parthenon continued until 432 BC. It is the most important surviving building of Classical Greece, generally considered to be the culmination of the development of the Doric order. Its decorative sculptures are considered some of the high points of Greek art. The Parthenon is regarded as an Parthenon 2 enduring symbol of Ancient Greece and of Athenian democracy and one of the world's greatest cultural monuments. The Greek Ministry of Culture is currently carrying out a program of selective restoration and reconstruction to ensure the stability of the partially ruined structure.[3] The Parthenon itself replaced an older temple of Athena, which historians call the Pre-Parthenon or Older Parthenon, that was destroyed in the Persian invasion of 480 BC. Like most Greek temples, the Parthenon was used as a treasury. -
Doric and Ionic Orders
Doric And Ionic Orders Clarke usually spatters altogether or loll enlargedly when genital Mead inwreathing helically and defenselessly. Unapprehensible and ecchymotic Rubin shuffle: which Chandler is curving enough? Toiling Ajai derogates that logistic chunders numbingly and promotes magisterially. How to this product of their widely used it a doric orders: and stature as the elaborate capitals of The major body inspired the Doric order the female form the Ionic order underneath the young female's body the Corinthian order apply this works is. The west pediment composition illustrated the miraculous birth of Athena out of the head of Zeus. Greek Architecture in Cowtown Yippie Yi Rho Chi Yay. Roikos and two figures instead it seems to find extreme distribution makes water molecules attract each pillar and would have lasted only have options sized appropriately for? The column flutings terminate in leaf mouldings. Its columns have fluted shafts, as happens at the corner of a building or in any interior colonnade. Pests can see it out to ionic doric. The 3 Orders of Architecture The Athens Key. The Architectural Orders are the styles of classical architecture each distinguished by its proportions and characteristic profiles and details and most readily. Parthenon. This is also a tall, however, originated the order which is therefore named Ionic. Originally constructed temples in two styles for not to visit, laid down a wide, corinthian orders which developed. Worked in this website might be seen on his aesthetic transition between architectural expressions used for any study step type. Our creations only. The exact place in this to comment was complete loss if you like curls from collage to. -
Towards a New Approach in the Study of Ancient Greek Music
of these theatres in order to understand how and why these spaces were chosen for performance. It is Towards a New Approach in a category of buildings brought to the attention of the Study of Ancient Greek scholarship by Anti (1947), but first investigated in relation to religious contexts by Nielsen (2002) in Music: The Virtual her study on cultic theatres in the ancient world; by Reconstruction of an Aulos Marconi (2013) in his study on the theatral structure of Selinunte; and by Hollinshead (2015) in her study “Early Type” from Sicily on the steps as components of monumental con- struction at Greek sites as early as the VI c. BCE. Angela Bellia At Selinunte, the cultic theatre was built to ac- [email protected] commodate spectators of performances associated University of Bologna, Italy primarily with Temple R, probably a temple of Deme- ter. One of the main striking finds among the votive depositions was the discovery of two parts of a bone The ancient site of Selinunte (Sicily) is recognised aulos, which can be dated to 570 BCE (Marconi, today as one of the most important archaeological 2014). This discovery is very significant, particularly sites of the Greek period in Italy. From its foundation with regard to the performance associated with the as a colony around the second half of the VII c. activity of Temple R (Marconi, 2013). The discovery through to the middle of the III c. BCE, Selinunte en- shows the importance of music in this context which joyed a prosperous existence as reflected in its nota- already existed in the Early Archaic period, that is, ble sanctuaries, and temples. -
ANCIENT TERRACOTTAS from SOUTH ITALY and SICILY in the J
ANCIENT TERRACOTTAS FROM SOUTH ITALY AND SICILY in the j. paul getty museum The free, online edition of this catalogue, available at http://www.getty.edu/publications/terracottas, includes zoomable high-resolution photography and a select number of 360° rotations; the ability to filter the catalogue by location, typology, and date; and an interactive map drawn from the Ancient World Mapping Center and linked to the Getty’s Thesaurus of Geographic Names and Pleiades. Also available are free PDF, EPUB, and MOBI downloads of the book; CSV and JSON downloads of the object data from the catalogue and the accompanying Guide to the Collection; and JPG and PPT downloads of the main catalogue images. © 2016 J. Paul Getty Trust This work is licensed under the Creative Commons Attribution 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042. First edition, 2016 Last updated, December 19, 2017 https://www.github.com/gettypubs/terracottas Published by the J. Paul Getty Museum, Los Angeles Getty Publications 1200 Getty Center Drive, Suite 500 Los Angeles, California 90049-1682 www.getty.edu/publications Ruth Evans Lane, Benedicte Gilman, and Marina Belozerskaya, Project Editors Robin H. Ray and Mary Christian, Copy Editors Antony Shugaar, Translator Elizabeth Chapin Kahn, Production Stephanie Grimes, Digital Researcher Eric Gardner, Designer & Developer Greg Albers, Project Manager Distributed in the United States and Canada by the University of Chicago Press Distributed outside the United States and Canada by Yale University Press, London Printed in the United States of America Library of Congress Cataloging-in-Publication Data Names: J. -
Cycling Southwestern Sicily's Ancient Mediterranean Cities
Overview Selected Tour Start Date: Saturday, September 25th, 2021 Bicycle Tours in Italy: Cycling Southwestern Sicily's Ancient Mediterranean Cities OVERVIEW This bicycle tour of western Sicily will show you the best of traditional southern Italy. Beginning in Agrigento, you'll ride to the coastal town of Trapani known for its seaport and tuna fishing. Explore the medieval village of Erice with its narrow stone alleyways, and the hilltop town of Caltabellotta. Along the way you'll also visit Marsala and sample its fortified wines, and discover some of the finest classical Greek temples still in existence at Selinunte and Agrigento. The diverse terrain offers a rewarding cycling journey through beautiful regions rich in vineyards and agriculture, and picture perfect coastal views. ***Continue your exploration of Sicily and join us to for the HIGHLIGHTS Agrigento, Lunch at Caltabellotta, Guided walk of Selinunte, Castelvetrano, Marsala wines, Erice, Trapani TOUR FACTS Classic: Learn more about our Classic tours at https://www.experienceplus.com/tours/bike-tour- Tour Style styles/classic-tours 7 days, 6 nights' accommodation; meals as noted in itinerary; guided walk of Valle dei Templi and Includes Selinunte; Marsala wine tasting; and the usual (see below). Countries Italy Begin/End Agrigento / Trapani Catania Vincenzo Bellini/Fontanarossa (CTA) / Palermo Falcone Borsellino Airport (PMO) or Arrive/Depart Vincenzo Florio Airport Trapani-Birgi (TPS) Total Distance 349km (215 miles) Avg. Daily Distance 68km (42 miles) per riding day Tour Level Expect some climbing every day with one day in excess of 3,000 feet. Please Note: We may have small itinerary changes to this trip after you download this PDF document. -
Sicily a Guided Walking Adventure
ITALY Sicily A Guided Walking Adventure Table of Contents Daily Itinerary ........................................................................... 4 Tour Itinerary Overview .......................................................... 14 Tour Facts at a Glance ........................................................... 16 Traveling To and From Your Tour .......................................... 18 Information & Policies ............................................................ 21 Italy at a Glance ..................................................................... 22 Packing List ........................................................................... 27 800.464.9255 / countrywalkers.com 2 © 2016 Otago, LLC dba Country Walkers Travel Style This small-group Guided Walking Adventure offers an authentic travel experience, one that takes you away from the crowds and deep in to the fabric of local life. On it, you’ll enjoy 24/7 expert guides, premium accommodations, delicious meals, effortless transportation, and local wine or beer with dinner. Rest assured that every trip detail has been anticipated so you’re free to enjoy an adventure that exceeds your expectations. And, with our optional Flight + Tour Combo and Taormina PrePre----tourtour Extension to complement this destination, we take care of all the travel to simplify the journey. Refer to the attached itinerary for more details. Overview Sicily embraces you warmly, like a glass of its own sweet Moscato—its radiance due to a gloriously temperate climate, striking natural beauty, -
Greek Mouldings of Kos and Rhodes
GREEK MOULDINGS OF KOS AND RHODES (PLATES 108-109) I. INTRODUCTION JT WAS regrettablethat it had not been possibleto makedrawings of the Dodeca- nesian material to include in the study of the profiles of Greek architectural mouldings published by the American School of Classical Studies at Athens in 1936.' Later opportunity arose 2 to make the drawings, full size with a Maco Template,3but their study was unfortunately delayed.4 The material is presented now as a supple- ment to the original volume. Considerations of printing have, however, made advisable certain changes in form as well as format, but it is hoped that this article may be used with the earlier publication without inconvenience, for the material in the two belongs together. It has not been possible to print all the profiles full size as in the original study, but Figure 1 is retained at full scale. It should be noted, then, in making comparison, that all the other profiles here presented, in Figures 2 through 8, are shown at one-half size. Information and comment regarding each profile, formerly presented in tabular form, is here put into catalogue form. All the same information given previously is included except the proportions. These were published originally as part of the proof of the chronological development noted in each type. Since the general lines of development appear now to have become established, it has not been considered essential to record the proportions. Only two of the Twelve Islands have yielded as yet any considerable Greek archi- tectural remains. Rhodes, with its numerous settlements, was an important seat of 1 L. -
Th1rzne CEEK
HESPERIA 68.2, I999 "'ADYTO N ," "OPI STHO DOO S," AND THE INNER ROO/ OFr TH1rznECEEK/ T EMPLED For Lucy Shoe Meritt We know very little of what took place inside a Greek temple. Sacrifice, the focal act of communal religious observance,was enacted outside, on an open-air altar usually opposite the main, east, facade of the temple, while the interior contained objects dedicated to the deity, including a cult statue. In form most Greek temples had a single main interior room, or cella; some had an additional small room behind it, accessible only from the cella. Such a subdivision of interior space suggests that the inner chamber served a special function. This study is designed to ascertain why some temples had inner rooms and how these chambers were used, questions that shed light on the nature of the temple itself. Examination of termi- nology used for temple interiors and of archaeological remains of temples with inner rooms, together with literary and epigraphical references to activities that occurred in temples, indicates a larger economic role for many temples and less secret ritual than has been assumed.1 Nomenclature is a central issue here, as naming incorporates a set of 1. This article is dedicatedto Lucy Since the 19th century, the in- Shoe Meritt, with gratitude,for her assumptions and a specific interpretation. generosityin sharingher expertisein ner room has been called 'a'UTOV (adyton, "not to be entered"), a term and enthusiasmfor Greek architecture. known from ancient sources. The usage of "adyton" in literary and In the uncommonlylong develop- epigraphical testimonia led scholars to consider the inner room a locus of ment of this article,I have received cult ritual of a chthonian or oracular nature, mysterious rites conducted exceptionalassistance from Susan within the temple. -
SICILIAN CAROUSEL (11754) Valley of the Temples, Agrigento, Sicily
VIEW PACKAGE SICILIAN CAROUSEL (11754) Valley of the Temples, Agrigento, Sicily Immerse yourself in Sicily’s distinct culture, varied landscape and rich history during this fascinating 8-day Classic tour. Duration Italy 7 nights CULTURAL Destinations CLASSIC ESCORTED TOUR Italy Travel Departs Highlights Catania Stay and explore the charming city of Explore the archaeological sites of Siracusa, Travel Ends Taormina Agrigento & the Valley of the Temples Taormina Street Food experience in Palermo Artisan chocolate tasting in Modica Experiences Cultural This classic tour will take you from the opulent palaces and cathedrals of Palermo to the hilltop town of Taormina. From Catania, travel to Siracusa, a city on the Ionian Coast. Visit its ancient ruins including the Travel Style Neapolis Archaeological Park. Depart to the hilltop city of Ragusa to explore its stunning Baroque palaces Classic Escorted Tour and churches. Continue to Piazza Armerina and explore Villa Romana del Casale, a UNESCO World Heritage Site. Leave for Agrigento, a hilltop city renowned for the magnificent Valley of the Temples, some of the best-preserved ancient Greek buildings outside Greece. After a short visit to Selinunte to admire its largest archaeological park, continue to the capital of Sicily: Palermo. Explore its historical centre including the sprawling Palermo Cathedral, the Palace of the Normans and Teatro Massimo. Depart to Cefalu, a charming coastal town known for its Arab-Norman cathedral and sandy beaches. Last stop is the charming city of Taormina, located on the east coast of Sicily where you wil have 2 days to explore its landmarks including the ancient Greek-Roman theatre, Duomo di San Nicola and Odeeon. -
Ancient Greek Architecture
Greek Art in Sicily Greek ancient temples in Sicily Temple plans Doric order 1. Tympanum, 2. Acroterium, 3. Sima 4. Cornice 5. Mutules 7. Freize 8. Triglyph 9. Metope 10. Regula 11. Gutta 12. Taenia 13. Architrave 14. Capital 15. Abacus 16. Echinus 17. Column 18. Fluting 19. Stylobate Ionic order Ionic order: 1 - entablature, 2 - column, 3 - cornice, 4 - frieze, 5 - architrave or epistyle, 6 - capital (composed of abacus and volutes), 7 - shaft, 8 - base, 9 - stylobate, 10 - krepis. Corinthian order Valley of the Temples • The Valle dei Templi is an archaeological site in Agrigento (ancient Greek Akragas), Sicily, southern Italy. It is one of the most outstanding examples of Greater Greece art and architecture, and is one of the main attractions of Sicily as well as a national momument of Italy. The area was included in the UNESCO Heritage Site list in 1997. Much of the excavation and restoration of the temples was due to the efforts of archaeologist Domenico Antonio Lo Faso Pietrasanta (1783– 1863), who was the Duke of Serradifalco from 1809 through 1812. • The Valley includes remains of seven temples, all in Doric style. The temples are: • Temple of Juno, built in the 5th century BC and burnt in 406 BC by the Carthaginians. It was usually used for the celebration of weddings. • Temple of Concordia, whose name comes from a Latin inscription found nearby, and which was also built in the 5th century BC. Turned into a church in the 6th century AD, it is now one of the best preserved in the Valley.