Classicist No. 8 Is Made Possible in Part with Support from 148 : in Pursuit of the Antiquities of Athens and Ionia by Richard Chandler and William Pars Marshall G
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A DIACHRONIC EXAMINATION OF THE ERECHTHEION AND ITS RECEPTION Alexandra L. Lesk, B.A., M.St. (Oxon.), M.A. Presented to McMicken College of Arts and Sciences and the Department of Classics of the University of Cincinnati in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy 2004 Committee: C. Brian Rose (Chair) Jack L. Davis Kathleen M. Lynch J. James Coulton Abstract iii ABSTRACT “A Diachronic Examination of the Erechtheion and Its Reception” examines the social life of the Ionic temple on the Athenian Akropolis, which was built in the late 5th century B.C. to house Athens’ most sacred cults and relics. Using a contextualized diachronic approach, this study examines both the changes to the Erechtheion between its construction and the middle of the 19th century A.D., as well as the impact the temple had on the architecture and art of these successive periods. This approach allows the evidence to shed light on new areas of interest such as the Post-Antique phases of the building, in addition to affording a better understanding of problems that have plagued the study of the Erechtheion during the past two centuries. This study begins with a re-examination of all the pertinent archaeological, epigraphical, and literary evidence, and proposes a wholly new reconstruction of how the Erechtheion worked physically and ritually in ancient times. After accounting for the immediate influence of the Erechtheion on subsequent buildings of the Ionic order, an argument for a Hellenistic rather than Augustan date for the major repairs to the temple is presented. -
Baran, Karian Archit
I Frank Rumscheid (Hrsg.) · Die Karer und die Anderen II III Die Karer und die Anderen Internationales Kolloquium an der Freien Universität Berlin 13. bis 15. Oktober 2005 Herausgegeben von Frank Rumscheid Verlag Dr. Rudolf Habelt GmbH · Bonn 2009 IV Umschlag: Männlicher ‘Sphinx’, Akroterion des Androns B in Labraunda (Entwurf S. Biegert auf Grundlage einer Graphik von F. Rumscheid) Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie. Detailliertere bibliografische Daten sind im Internet über <http://dnb.d-nb.de> abrufbar. © 2009 by Dr. Rudolf Habelt GmbH, Bonn Redaktion: Frank Rumscheid (Kiel) Satz: Susanne Biegert (Bonn) Druck: Druckhaus Thomas Müntzer, 99947 Bad Langensalza ISBN 978-3-7749-3632-4 V Inhaltsverzeichnis Frank Rumscheid Einführung VII Beziehungen zu den Anderen Michael Meier-Brügger Karer und Alt-Anatolier aus sprachwissenschaftlicher Sicht 1 Wolf-Dietrich Niemeier Milet und Karien vom Neolithikum bis zu den ‘Dunklen Jahrhunderten’. Mythos und Archäologie 7 Alexander Herda Karki™a-Karien und die sogenannte Ionische Migration 27 Alain Bresson Karien und die dorische Kolonisation 109 Winfried Held Die Karer und die Rhodische Peraia 121 Christopher Ratté The Carians and the Lydians 135 Hilmar Klinkott Die Karer im Achaimenidenreich 149 Werner Tietz Karer und Lykier: Politische und kulturelle Beziehungen im 5./4. Jh. v. Chr. 163 Frank Rumscheid Die Leleger: Karer oder Andere? 173 Bernhard Schmaltz Klassische Leitkultur und karische Provinz? Archäologische Zeugnisse im südlichen -
Charleston County South Carolina PHOTOGRAPHS WRITTEN
Snee l"a.rm Ncar 'liOW1t Pleasant HiiBS !l0. Se-87 Charleston County South Carolina \"~ /\ E; ~;: L ., ..... ~',.-. • i 0' . ['i.>l(>. Ii ,\ PHOTOGRAPHS WRITTEN HISTORIC AND DESCRIPTIVE DATA • District of South Carolina Historic American Buildings Survey Prepared at Washington Office for Southeast Unit HJ..Bf No .. S::;EF~ FARi,,; Ner<.r :,~ount Pleasant, Chp<rlestC!l County I South Ca.rolina Ouic or ercctlon: c. 1750 Present co'~dition: Excellent frDJ:O construction; rectanc),lo..r plan; marble mantel, Adam de- sign .. A,lditc.onal data, One-ti:r.e horne of Colone 1 Charles Pinckney. ,'!as in Pinckney fami ly for sevent:! years • Othe~ e~~stinG !,ccords: .~ •• Cr,.arleston l:useu.T.1 Prepared by Junior Architect James L .. Burnett, Jr .. , " Approved :' Ii \,}.. J 4/! -;c. " Addendum To: SNEE FARM HABS NO. SC-87 1240 Long Point Road • Charleston Coun~y South Carolina PHOTOGRAPHS AND WRITTEN HISTORICAL AND DESCRIPTIVE DATA • REDUCED COPIES OF IfEASURED DRAHINGS • Historic American Buildings Survey National Park Service Department of the Interior • Washington, D.C. 20013-7127 ~A6S 5(. , \O-(i\ouf)v HISTORIC AMERICAN BUILDINGS SURVEY j ~) - SNEE FARM • HABS NO. SC-87 Location: 1240 Long Point Road, Mt. Pleasant, Charleston County, South Carolina 4.6 miles NE of Mt. Pleasant on US Hwy 17; turn left on County Road 97 (Long Point Road); continue 0.7 mile and turn left on dirt road; house is 0.1 mile down dirt road on left. UTM: 17.609960.3634640 Present Owner: National Park Service Present Use: Vacant Significance: The Charles Pinckney Historic Site, known traditionally as "Snee Farm," is the ancestral country seat of Charles pinckney III, the American patriot and statesman. -
Old Market Character Appraisal Is Available Deadline of 21 February 2008
Conservation Area 16 Old Market Character Appraisal July 2008 www.bristol.gov.uk/conservation SA Hostel WINSFORD STREET FROME BRIDGE 1 PH 32 8 THRISS 26 to 30 E ET 24 2 LLST Old Market Convervation Area 1 2 20 R WADE STREET STRE 1 7 EET 3 Works N HA L AN Mm STREET 14 EST 8 Car Park LTTLE 6 7 RIVER STREET 2.0m 17 City Business Park 3 6 PH 15 to 11 Boundary of Conservation Area 20 PH 10 PH St Nicholas Church St Nicholas PH E STREET Church l Sub Sta Unive GP 1to32 Ho St Nicholas Lawford's G te TLE ANN usersal House 6 1 LIT Library 1to o15 DS GATE Lawford 11 t E Gate WADE STREE A WFOR T 1to18 D Wessex House 13 46 The Old Vica ge 59 4m ta 5 Car Park T 5 50 PH El T 16 City Business Park ub S 16 STREET S 18 19 PH RIVER INGTON ROAD 17 15 1 ELL NSTREET 1to22 W to 3 1 loucester 11 G House GREAT GEORGE STREE Somerset rence House GREAT AN 1to22 Ca TEMPLE WAY H Po ts o use TRINITY ROAD o44 (Community Centre) Friends Meeting TRINITY WALK House EY TCB 1t ERSL Telephone Exchange 1to17 41 ANE El Sub S Holy Trinity TCB to 48 Church Bristol City Mission Tyndall House 1to44 Po ice Station BRICK STREET Police Station 1to CLARENCE ROAD 1 17 22 20 9 Warehouse PH Jude St Coach and Horse 1to40 (PH) 8 E h Ves The 8 2 CLOS 1 sHo 85 1to2 HAYES 8 2 Warehouse 1 St Matthias try 23 25 81 ST MATTHIAS PARK 2 cel 6 1to 12 LANE E Subta 28 Th 90 41 S 40 (PH) 5 Cha 19 39 BRAGG'S 88 he Nave 75 86 3 21 T ER LANE TCB 84 7 T The LB 82 House 8 1 ES Old 1 The Tow r 0 78 Tannery30 UC St Matthias 51a 2 Guild 65 Heritage 16 Park GLO 1 7 12 29 5 7 0 t 3 o 31 62 5 6 495 2 4 10 18 33 -
Life in Stone Isaac Milner and the Physicist John Leslie
BOOKS & ARTS COMMENT in Wreay, ensured that beyond her immediate locality only specialists would come to know and admire her work. RAYMOND WHITTAKER RAYMOND Panning outwards from this small, largely agricultural com- munity, Uglow uses Losh’s story to create The Pinecone: a vibrant panorama The Story of Sarah Losh, Forgotten of early nineteenth- Romantic Heroine century society that — Antiquarian, extends throughout Architect and the British Isles, across Visionary Europe and even to JENNY UGLOW the deadly passes of Faber/Farrer, Strauss and Giroux: Afghanistan. Uglow 2012/2013. is at ease in the intel- 344 pp./352 pp. lectual environment £20/$28 of the era, which she researched fully for her book The Lunar Men (Faber, 2002). Losh’s family of country landowners pro- vided wealth, stability and an education infused with principles of the Enlighten- ment. Her father, John, and several uncles were experimenters, industrialists, religious nonconformists, political reformers and enthusiastic supporters of scientific, literary, historical and artistic endeavour, like mem- bers of the Lunar Society in Birmingham, UK. John Losh was a knowledgeable collector of Cumbrian fossils and minerals. His family, meanwhile, eagerly consumed the works of geologists James Hutton, Charles Lyell and William Buckland, which revealed ancient worlds teeming with strange life forms. Sarah’s uncle James Losh — a friend of Pinecones, flowers and ammonites adorn the windows of Saint Mary’s church in Wreay, UK. political philosopher William Godwin, husband of the pioneering feminist Mary ARCHITECTURE Wollstonecraft — took the education of his clever niece seriously. She read all the latest books, and met some of the foremost inno- vators of the day, such as the mathematician Life in stone Isaac Milner and the physicist John Leslie. -
Historic Building Survey of Upper King, Upper Meeting Street and Intersecting Side Streets Charleston, South Carolina
______________________________________________________________________________ HISTORIC BUILDING SURVEY OF UPPER KING, UPPER MEETING STREET AND INTERSECTING SIDE STREETS CHARLESTON, SOUTH CAROLINA Figure 1. Bird’s Eye of Upper King and Meeting Streets Prepared by: HPCP 290 Maymester 2009 The College of Charleston Charleston, South Carolina 29401 MAY 2009 ______________________________________________________________________________ ACKNOWLEDGMENTS Six students at the College of Charleston Historic Preservation & Community Planning Program put the following historic building survey and report for Upper King and Meeting Streets as part of a class project in May 2009 for the City of Charleston Department of Planning, Preservation & Economic Innovation. The main points of contact were Debbi Hopkins, Senior Preservation Planner for the City of Charleston and Dr. Barry Stiefel, Visiting Assistant Professor for the College of Charleston and Clemson University. Dr. Stiefel served as the Project Manager for the historic building survey and was assisted by Meagan Baco, MSHP, from the joint College of Charleston-Clemson University Graduate Historic Preservation Program, who served as Graduate Student Instructor and Principle Investigator. Ms. Baco’s Master’s Thesis, One-way to Two-way Street Conversions as a Preservation and Downtown Revitalization Tool: The Case Study of Upper King Street, Charleston, South Carolina, focused on the revitalization of the Upper King Street area. However, this survey project and report would not have been possible -
Toronto Arch.CDR
The Architectural Fashion of Toronto Residential Neighbourhoods Compiled By: RASEK ARCHITECTS LTD RASE K a r c h i t e c t s www.rasekarchitects.com f in 02 | The Architectural Fashion of Toronto Residential Neighbourhoods RASEK ARCHITECTS LTD Introduction Toronto Architectural Styles The majority of styled houses in the United States and Canada are The architecture of residential houses in Toronto is mainly influenced by its history and its culture. modeled on one of four principal architectural traditions: Ancient Classical, Renaissance Classical, Medieval or Modern. The majority of Toronto's older buildings are loosely modeled on architectural traditions of the British Empire, such as Georgian, Victorian, and Edwardian architecture. Toronto was traditionally a peripheral city in the The earliest, the Ancient Classical Tradition, is based upon the monuments architectural world, embracing styles and ideas developed in Europe and the United States with only limited of early Greece and Rome. local variation. A few unique styles of architecture have emerged in Toronto, such as the bay and gable style house and the Annex style house. The closely related Renaissance Classical Tradition stems from a revival of interest in classicism during the Renaissance, which began in Italy in the The late nineteenth century Torontonians embraced Victorian architecture and all of its diverse revival styles. 15th century. The two classical traditions, Ancient and Renaissance, share Victorian refers to the reign of Queen Victoria (1837-1901), called the Victorian era, during which period the many of the same architectural details. styles known as Victorian were used in construction. The styles often included interpretations and eclectic revivals of historic styles mixed with the introduction of Middle Eastern and Asian influences. -
The Architecture of the Italian Renaissance
•••••••• ••• •• • .. • ••••---• • • - • • ••••••• •• ••••••••• • •• ••• ••• •• • •••• .... ••• .. .. • .. •• • • .. ••••••••••••••• .. eo__,_.. _ ••,., .... • • •••••• ..... •••••• .. ••••• •-.• . PETER MlJRRAY . 0 • •-•• • • • •• • • • • • •• 0 ., • • • ...... ... • • , .,.._, • • , - _,._•- •• • •OH • • • u • o H ·o ,o ,.,,,. • . , ........,__ I- .,- --, - Bo&ton Public ~ BoeMft; MA 02111 The Architecture of the Italian Renaissance ... ... .. \ .- "' ~ - .· .., , #!ft . l . ,."- , .• ~ I' .; ... ..__ \ ... : ,. , ' l '~,, , . \ f I • ' L , , I ,, ~ ', • • L • '. • , I - I 11 •. -... \' I • ' j I • , • t l ' ·n I ' ' . • • \• \\i• _I >-. ' • - - . -, - •• ·- .J .. '- - ... ¥4 "- '"' I Pcrc1·'· , . The co11I 1~, bv, Glacou10 t l t.:• lla l'on.1 ,111d 1 ll01nc\ S t 1, XX \)O l)on1c111c. o Ponrnna. • The Architecture of the Italian Renaissance New Revised Edition Peter Murray 202 illustrations Schocken Books · New York • For M.D. H~ Teacher and Prie11d For the seamd edillo11 .I ltrwe f(!U,riucu cerurir, passtJgts-,wwbly thOS<' on St Ptter's awl 011 Pnlladfo~ clmrdses---mul I lr,rvl' takeu rhe t>pportrmil)' to itJcorporate m'1U)1 corrt·ctfons suggeSLed to nu.• byfriet1ds mu! re11iewers. T'he publishers lwvc allowed mr to ddd several nt•w illusrra,fons, and I slumld like 10 rltank .1\ Ir A,firlwd I Vlu,.e/trJOr h,'s /Jelp wft/J rhe~e. 711f 1,pporrrm,ty /t,,s 11/so bee,r ft1ke,; Jo rrv,se rhe Biblfogmpl,y. Fc>r t/Jis third edUfor, many r,l(lre s1m1II cluu~J!eS lwvi: been m"de a,,_d the Biblio,~raphy has (IJICt more hN!tl extet1si11ely revised dtul brought up to date berause there has l,een mt e,wrmc>uJ incretlJl' ;,, i111eres1 in lt.1lim, ,1rrhi1ea1JrP sittr<• 1963,. wlte-,r 11,is book was firs, publi$hed. It sh<>uld be 110/NI that I haw consistc11tl)' used t/1cj<>rm, 1./251JO and 1./25-30 to 111e,w,.firs1, 'at some poiHI betwt.·en 1-125 nnd 1430', .md, .stamd, 'begi,miug ilJ 1425 and rnding in 14.10'. -
Prospectus 2006.1.Indd
I•N•T•B•A•U International Network for Traditional Building, Architecture & Urbanism Patron: His royal highness THE PRINCE OF WALES P ro s p e c t u s Dr Matthew Hardy • Aura Neag London • May 2006 Produced by Dr Matthew Hardy and Aura Neag for the International Network for Traditional Building Architecture & Urbanism © INTBAU 2006 all rights reserved # Contents Char ter A personal message from our Patron, His Royal Highness The Prince of Wales 1. Introduction 1.1 INTBAU 1.2 Need for INTBAU 1.3 Support for INTBAU 1.4 Charter 1.5 Committee of Honour 1.6 Chapters 1.7 Patron 1.8 Income 2. Membership 2.1 General Membership 2.2 Higher Membership 2.3 INTBAU College of Traditional Practitioners ICTP 3. Activities 4. Recent projects 5. Future projects 6. How you can support INTBAU 7. Appendices 7.1 Organisational structure diagrams 7.2 Members of Board 7.3 Members of Committee of Honour 7.4 Members of Management Committee 3 Charter The International Network for Traditional Building, Architecture and Urbanism is an active network of individuals and institutions dedicated to the creation of humane and harmonious buildings and places that respect local traditions. • • • • • Traditions allow us to recognise the lessons of history, enrich our lives and offer our inheritance to the future. Local, regional and national traditions provide the opportunity for communities to retain their individuality with the advance of globalisation. Through tradition we can preserve our sense of identity and counteract social alienation. People must have the freedom to maintain their traditions. Traditional buildings and places maintain a balance with nature and society that has been developed over many generations. -
Palladio's Influence in America
Palladio’s Influence In America Calder Loth, Senior Architectural Historian, Virginia Department of Historic Resources 2008 marks the 500th anniversary of Palladio’s birth. We might ask why Americans should consider this to be a cause for celebration. Why should we be concerned about an Italian architect who lived so long ago and far away? As we shall see, however, this architect, whom the average American has never heard of, has had a profound impact on the architectural image of our country, even the city of Baltimore. But before we investigate his influence we should briefly explain what Palladio’s career involved. Palladio, of course, designed many outstanding buildings, but until the twentieth century few Americans ever saw any of Palladio’s works firsthand. From our standpoint, Palladio’s most important achievement was writing about architecture. His seminal publication, I Quattro Libri dell’ Architettura or The Four Books on Architecture, was perhaps the most influential treatise on architecture ever written. Much of the material in that work was the result of Palladio’s extensive study of the ruins of ancient Roman buildings. This effort was part of the Italian Renaissance movement: the rediscovery of the civilization of ancient Rome—its arts, literature, science, and architecture. Palladio was by no means the only architect of his time to undertake such a study and produce a publication about it. Nevertheless, Palladio’s drawings and text were far more engaging, comprehendible, informative, and useful than similar efforts by contemporaries. As with most Renaissance-period architectural treatises, Palladio illustrated and described how to delineate and construct the five orders—the five principal types of ancient columns and their entablatures. -
The Story of Architecture
A/ft CORNELL UNIVERSITY LIBRARY FINE ARTS LIBRARY CORNELL UNIVERSITY LIBRARY 924 062 545 193 Production Note Cornell University Library pro- duced this volume to replace the irreparably deteriorated original. It was scanned using Xerox soft- ware and equipment at 600 dots per inch resolution and com- pressed prior to storage using CCITT Group 4 compression. The digital data were used to create Cornell's replacement volume on paper that meets the ANSI Stand- ard Z39. 48-1984. The production of this volume was supported in part by the Commission on Pres- ervation and Access and the Xerox Corporation. Digital file copy- right by Cornell University Library 1992. Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/cletails/cu31924062545193 o o I I < y 5 o < A. O u < 3 w s H > ua: S O Q J H HE STORY OF ARCHITECTURE: AN OUTLINE OF THE STYLES IN T ALL COUNTRIES • « « * BY CHARLES THOMPSON MATHEWS, M. A. FELLOW OF THE AMERICAN INSTITUTE OF ARCHITECTS AUTHOR OF THE RENAISSANCE UNDER THE VALOIS NEW YORK D. APPLETON AND COMPANY 1896 Copyright, 1896, By D. APPLETON AND COMPANY. INTRODUCTORY. Architecture, like philosophy, dates from the morning of the mind's history. Primitive man found Nature beautiful to look at, wet and uncomfortable to live in; a shelter became the first desideratum; and hence arose " the most useful of the fine arts, and the finest of the useful arts." Its history, however, does not begin until the thought of beauty had insinuated itself into the mind of the builder. -
Architectural Style Guide.Pdf
Architectural Styles Chicago School any buildings constructed in Manitoba Prairie School th th during the 19 and 20 centuries bear the Georgian Revival M imprint, or at least the influence, of certain Tudor Revival architectural styles or traditions. Some are faithful to Bungalow a single style. Many more have elements from several Art Deco different styles and are referred to as eclectic. Even Art Moderne more only hint at the basic architectural style from International which they are derived; we might refer to them as vernacular versions of the style. Understanding the basic characteristics of architectural styles is a useful way to begin seeing buildings more critically. Such an understanding also helps in describing a building, in determining its age, or in assessing its architectural value when compared with other buildings of the same style. This guide is an introduction to some of the most significant architectural styles employed during the past 150 years of Manitoba’s history. There are two other sections—building traditions and types, and a glossary of architectural terms—that constitute a complete set for reference. This section, Styles, describes those sophisticated styles that were most influential in this province’s architectural development. Many buildings, often those not designed by formally-trained architects, do not relate at all to these historical styles. Their designs are often dictated by utility, and may be influenced by the designer’s familiarity with other buildings in the district. Such vernacular buildings are sometimes quite particular to a region. The styles discussed here stem from various historical traditions. A section of Main Street in Winnipeg, shown in Georgian an archival photograph from about 1915, reveals Gothic Revival the variety of architectural styles that animated Second Empire Manitoba streetscapes: on the right a massive Italianate Chicago School office tower and on the left a Romanesque Revival highly detailed Italianate storefront.