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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
GOOD SUNDAYS CAN CHANGE YOUR ETERNITY This Week I Was
GOOD SUNDAYS CAN CHANGE YOUR ETERNITY This week I was at a conference and heard a Pastor named Mark Hughes from Church on the Rock in Winnipeg tell this story. He and his wife love Kayaking. This past summer they decided to go to Lake of the Woods and Kayak around the Sable Islands in the south of the lake. For Kayakers, that is paradise. The problem is that there are no roads that get you close to them. He saw a road on Google Earth that he figured would be the best route. They set off, kayaks on the roof of their car dressed in beach clothes. After driving down endless gravel roads he came to a gate. There were a number of men standing around drinking coffee and smoking. He waved to them and no one said anything so he kept going. The road was in bad shape so they had to drive slow. After a long time the road ended at the bottom of a gravel pit. He managed to turn the car around and go back the way they came. Eventually they arrived back at the gate. He rolled down the window and asked one of the workmen how to get to the Sable Islands. The workman said “you have to go back to the main road and then head 4 kms west and then take that road to the end. This road only goes to the gravel pit.” What a great description of so many in this world today. They are looking for paradise but wind up in the pit. -
HARD REPORT' November 21, 1986 Issue # 6 (609) 654-7272 FRONTRUNNERS ERIC CLAPTON BOB GELDOF "AUGUST" "DEEP in the HEART E.C
THE HARD REPORT' November 21, 1986 Issue # 6 (609) 654-7272 FRONTRUNNERS ERIC CLAPTON BOB GELDOF "AUGUST" "DEEP IN THE HEART E.C. DELIVERS BIG ON OF NOWHERE" HIS MOST HIGHLY ANTICIPATED ALBUM OF IN TERMS OF WRITING AND ROCKING, WE'D THE EIGHTIES! CALL THIS A WORLD CLASS SURPRISE! ATLANTIC THE KINKS KATE BUSH NINNS . "THINK VISUAL" "EXPERIMENT IV" THINK THE 12" IS A BIT THE HIGH PRIESTESS ROUGH? YOU'LL FLIP OF MIND MUSIC RATES OVER "FACTORY" AND AN "A" FOR THIS "LOST AND FOUND" CEREBRAL CONCOCTION! MCA EMI JN OE HWN PE UD SD Fs RD OA My PLUS! ETTRACKS EDDIE MONEY & TIMBUK3 CHARTSTARS * HEADLINES MOST ADDED HOWARD and the FCC 1 The Kinks "Rock & Roll Cities" (MCA) 61 2 Ann Wilson "Best Man in The World" (CAP) 53 3 Bruce Hornsby "Western Skyline..." (RCA) 40 4 Peter Gabriel "Big Time" (GEFFEN) 35 McNUTT To McWKDF HOT NUMBERS ALBUMS Billy Joel "The Bridge" 46-39 (COL) YATES Back in L.A. World Party "Private. 44-38 (CHRY.) Jason/Scorchers"Still..." 37-33 (EMI) Ben Orr "The Lace" 18-14 (E/A) DEBUTS WNEW's McEWEN Stevie Ray Vaughan "Live Alive" #23(EPIC) tubes out Robert Cray "Strong Persuader" #26 (POLY) TRACKS KBC Band "America" 92-71 JOBNAPPERS Van Halen "Rock & Roll Live" 83-63 Europe "The Final Countdown" 89-78 TEXTBOOK: Smithereens "Behind the Wall..." 57-47 GREG GILLISPIE RECORD OF THE WEEK THE STEVE MILLER BAND --FOR HIS FIRST # 1 SINCE 82's "ABRACADABRA"! INSIDE... %tea' &Mai& &Mal& EtiZiraZ CiairlZif:.-.ZaW. CfMCOLZ &L -Z Cad CcIZ Cad' Ca& &Yet Cif& Ca& Ca& Cge. -
Happy New Year January 2013/Volume 20 Issue 1 Contributors EDITORS Message from Your Editors
CAT - TALES SM HAPPY NEW YEAR January 2013/Volume 20 Issue 1 CONTRIBUTORS EDITORS Message from your editors: Barbara Voss It’s a new year and another 12 issues of Cat- Jim Alleborn Tales to look forward to. Bill and I weren’t St. Bill Voss James residents when Cat-Tales was started Jim Carey [email protected] so many years ago, but we’ve heard it was a Vicki Caruso page or two on mimeographed paper. Thank PUBLISHED BY you to those folks who started something we Gordon Corlew can all be proud of. This is OUR magazine Melody Bellamy and we should all be proud of it. The articles Mary Ann Derks Coastal Printing & Graphics about neighbors giving their time and money Kathy Fitzgerald to benefit others, sharing life and travel ASSOCIATE EDITORS experiences, and giving us tips for our safety Don Hill and well-being (wine is very important for Bill Allen that!) are things we enjoy each month. Tricia Hill Susan Edwards We wish you health and happiness for the new Carol Kidd Betty Lewis year and are hoping to hear from you with any ideas you may have to make this publication Mike Kirsche Paul Maguire even better. Sue Maguire Barbara Lemos Wendy Taylor Nate Lipsen IMPORTANT TELEPHONE NUMBERS Phillip Midgett POA Fire, Rescue or Medical Emergency 911 COMMUNICATIONS (Direct Number for 911 Dispatch) 910-253-7490 John Muuss CHAIR St. James Security-Main Gate 910-253-7177 St. James Security-Main Gate 910-253-7178 Kevin O’Connor Lisa Williamson St. James Town Office 910-253-4730 St. -
Music & Film Memorabilia
MUSIC & FILM MEMORABILIA Friday 11th September at 4pm On View Thursday 10th September 10am-7pm and from 9am on the morning of the sale Catalogue web site: WWW.LSK.CO.Uk Results available online approximately one hour following the sale Buyer’s Premium charged on all lots at 20% plus VAT Live bidding available through our website (3% plus VAT surcharge applies) Your contact at the saleroom is: Glenn Pearl [email protected] 01284 748 625 Image this page: 673 Chartered Surveyors Glenn Pearl – Music & Film Memorabilia specialist 01284 748 625 Land & Estate Agents Tel: Email: [email protected] 150 YEARS est. 1869 Auctioneers & Valuers www.lsk.co.uk C The first 91 lots of the auction are from the 506 collection of Jonathan Ruffle, a British Del Amitri, a presentation gold disc for the album writer, director and producer, who has Waking Hours, with photograph of the band and made TV and radio programmes for the plaque below “Presented to Jonathan Ruffle to BBC, ITV, and Channel 4. During his time as recognise sales in the United Kingdom of more a producer of the Radio 1 show from the than 100,000 copies of the A & M album mid-1980s-90s he collected the majority of “Waking Hours” 1990”, framed and glazed, 52 x 42cm. the lots on offer here. These include rare £50-80 vinyl, acetates, and Factory Records promotional items. The majority of the 507 vinyl lots being offered for sale in Mint or Aerosmith, a presentation CD for the album Get Near-Mint condition – with some having a Grip with plaque below “Presented to Jonathan never been played. -
A G Lim P S E Thrzough T
A G l i m p s e T h r z o u g h T 2A Thursday, February 20,1988 Daily Nexus Join us Thursdays at 5:30 PM for : paI o o o o o o o o ooooooooooooooo G 9 Id $ 5 No Golden Ponies Here Who on earth are The Golden Palominos? The core of bites. the band is drummer and producer Anton Fier and bass Apart from these three songs, the rest of Visions of guitarist Bill Laswell. Visions o f Excess also boasts a Excess shows little promise. “ B oy(G o)” has a full, lengthy list of guest appearances, including Richard heavy sound — a wall of percussion. If it contained more Thompson, John Lydon (a.k.a. Johnny Rotten), Benue melody, it would sound more like R.E.M. Stipe’s voice is Worrel of Talking Heads fame and R.E.M.’s Michael unmistakable but this stuff is just not of the same Stipe. I have never heard of Syd Straw before but she has caliber. The different vocal levels may prevent a sense a unique voice — a lot like Chrissie Hynde, Exene of complete repetitiveness but the song is overly in- 2/20 The New Male-Female Cervenka and Stevie Nicks all in one. cantatory in places. “ Clustering Train” is similar, with Relationship Despite the impressive name-dropping, the album is, too much guitar accompanying Stipe’s drawn-out whine Janice and John Baldwin, Ph.D. as a whole, a bit mediocre. A few songs, however, to be true R.E.M. -
English Song Booklet
English Song Booklet SONG NUMBER SONG TITLE SINGER SONG NUMBER SONG TITLE SINGER 100002 1 & 1 BEYONCE 100003 10 SECONDS JAZMINE SULLIVAN 100007 18 INCHES LAUREN ALAINA 100008 19 AND CRAZY BOMSHEL 100012 2 IN THE MORNING 100013 2 REASONS TREY SONGZ,TI 100014 2 UNLIMITED NO LIMIT 100015 2012 IT AIN'T THE END JAY SEAN,NICKI MINAJ 100017 2012PRADA ENGLISH DJ 100018 21 GUNS GREEN DAY 100019 21 QUESTIONS 5 CENT 100021 21ST CENTURY BREAKDOWN GREEN DAY 100022 21ST CENTURY GIRL WILLOW SMITH 100023 22 (ORIGINAL) TAYLOR SWIFT 100027 25 MINUTES 100028 2PAC CALIFORNIA LOVE 100030 3 WAY LADY GAGA 100031 365 DAYS ZZ WARD 100033 3AM MATCHBOX 2 100035 4 MINUTES MADONNA,JUSTIN TIMBERLAKE 100034 4 MINUTES(LIVE) MADONNA 100036 4 MY TOWN LIL WAYNE,DRAKE 100037 40 DAYS BLESSTHEFALL 100038 455 ROCKET KATHY MATTEA 100039 4EVER THE VERONICAS 100040 4H55 (REMIX) LYNDA TRANG DAI 100043 4TH OF JULY KELIS 100042 4TH OF JULY BRIAN MCKNIGHT 100041 4TH OF JULY FIREWORKS KELIS 100044 5 O'CLOCK T PAIN 100046 50 WAYS TO SAY GOODBYE TRAIN 100045 50 WAYS TO SAY GOODBYE TRAIN 100047 6 FOOT 7 FOOT LIL WAYNE 100048 7 DAYS CRAIG DAVID 100049 7 THINGS MILEY CYRUS 100050 9 PIECE RICK ROSS,LIL WAYNE 100051 93 MILLION MILES JASON MRAZ 100052 A BABY CHANGES EVERYTHING FAITH HILL 100053 A BEAUTIFUL LIE 3 SECONDS TO MARS 100054 A DIFFERENT CORNER GEORGE MICHAEL 100055 A DIFFERENT SIDE OF ME ALLSTAR WEEKEND 100056 A FACE LIKE THAT PET SHOP BOYS 100057 A HOLLY JOLLY CHRISTMAS LADY ANTEBELLUM 500164 A KIND OF HUSH HERMAN'S HERMITS 500165 A KISS IS A TERRIBLE THING (TO WASTE) MEAT LOAF 500166 A KISS TO BUILD A DREAM ON LOUIS ARMSTRONG 100058 A KISS WITH A FIST FLORENCE 100059 A LIGHT THAT NEVER COMES LINKIN PARK 500167 A LITTLE BIT LONGER JONAS BROTHERS 500168 A LITTLE BIT ME, A LITTLE BIT YOU THE MONKEES 500170 A LITTLE BIT MORE DR. -
Building a Sustainable Natural Resource-Based Economy
Blaine House Conference on Maine’s Natural Resource-based Industry: Charting a New Course November 17, 2003 onference Report With recommendations to Governor John E. Baldacci Submitted by the Conference Planning Committee Richard Barringer and Richard Davies, Co-chairs February 2004 . Acknowledgements The following organizations made the conference possible with their generous contributions: Conference Sponsors The Betterment Fund Finance Authority of Maine LL Bean, Inc. Maine Community Foundation US Fish and Wildlife Service US Forest Service This report was compiled and edited by: Maine State Planning Office 38 State House Station Augusta, ME 04333 (207) 287-3261 www.maine/gov/spo February 2004 Printed under Appropriation #014 07B 3340 2 . Conference Planning Committee Richard Barringer, Co-chair, Richard Davies, Co-chair Professor, Muskie School of Public Service, Senior Policy Advisor, Governor Office USM Dann Lewis Spencer Apollonio Director, Office of Tourism, DECD Former Commissioner, Dept of Marine Resources Roland D. Martin Commissioner, Dept of Inland Fisheries and Edward Bradley Wildlife Maritime Attorney Patrick McGowan Elizabeth Butler Commissioner, Dept of Conservation Pierce Atwood Don Perkins Jack Cashman President, Gulf of Maine Research Institute Commissioner, Dept of Economic and Community Development Stewart Smith Professor, Sustainable Agriculture Policy, Charlie Colgan UMO Professor, Muskie School of Public Service, USM Robert Spear Commissioner, Dept of Agriculture Martha Freeman Director, State Planning Office -
La Canción De La Semana (13 Al 17 De Noviembre De 2017)
La canción de la semana (13 al 17 de noviembre de 2017) "Deja que te bese” Autor: Alejandro Sanz Alejandro Sánchez Pizarro, más conocido por su nombre artístico Alejandro Sanz (Madrid, 18 de diciembre de 1968), es un cantautor, guitarrista, compositor y músico español. Ha vendido más de 25 millones de copias de sus discos en todo el mundo y ha ganado 20 Grammys Latinos y 3 Grammys americanos. Asimismo, ha realizado colaboraciones con diversos artistas nacionales e internacionales convirtiéndole en uno de los artistas más importantes de la historia de España. Iniciando su impresionante carrera en 1989 con el álbum Los chulos son pa' cuidarlos con el nombre artístico de Alejandro Magno. En 1991 lanzó su segundo álbum —y primero oficialmente como Alejando Sanz— titulado Viviendo deprisa. Alejandro Sanz ha experimentado, buscado y acomodado diferentes estilos. En Si tú me miras y 3, Sanz mostraba su madurez compositiva, pero no fue hasta 1997 con la publicación de Más que incluía singles como Y, ¿si fuera ella?, Corazón partío o Amiga mía cuando Alejandro Sanz se convirtió en leyenda de la música en español, siendo este disco el más vendido en la historia de España y uno de los imprescindibles en lengua hispana. Siendo ya una figura consolidada dio el paso definitivo hacia el mercado americano, El alma al aire dejaba entrever ese cambio de sonidos flamencos, latinos y rockeros confirmados en No es lo mismo y El tren de los momentos . En 2009 salió a la venta Paraíso Express, que incluía el exitoso dueto con la artista norteamericana Alicia Keys llamado Looking for Paradise . -
The History of Rock Music - the Eighties
The History of Rock Music - The Eighties The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) Singer-songwriters of the 1980s (These are excerpts from my book "A History of Rock and Dance Music") Female folksingers 1985-88 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. Once the effects of the new wave were fully absorbed, it became apparent that the world of singer-songwriters would never be the same again. A conceptual mood had taken over the scene, and that mood's predecessors were precisely the Bob Dylans, the Neil Youngs, the Leonard Cohens, the Tim Buckleys, the Joni Mitchells, who had not been the most popular stars of the 1970s. Instead, they became the reference point for a new generation of "auteurs". Women, in particular, regained the status of philosophical beings (and not only disco-divas or cute front singers) that they had enjoyed with the works of Carole King and Joni Mitchell. Suzy Gottlieb, better known as Phranc (1), was the (Los Angeles-based) songwriter who started the whole acoustic folk revival with her aptly-titled Folksinger (? 1984/? 1985 - nov 1985), whose protest themes and openly homosexual confessions earned her the nickname of "all-american jewish-lesbian folksinger". She embodied the historic meaning of that movement because she was a punkette (notably in Nervous Gender) before she became a folksinger, and because she continued to identify, more than anyone else, with her post- feminist and AIDS-stricken generation in elegies such as Take Off Your Swastika (1989) and Outta Here (1991). -
Xerox University Microfilms 900 North Zaab Road Ann Arbor, Michigan 49100 Ll I!
INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality Is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good (mage of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
Karen Mantler by Karen Mantler
Karen Mantler by Karen Mantler I was conceived by Carla Bley and Michael Mantler at the Newport Jazz Festival in 1965. Born in 1966, I was immediately swept into the musician's life on the road. After having checked me at the coatroom of the Berlin Jazz Festival, to the horror of the press, my parents realized that I was going to have to learn to play an instrument in order to be useful. But since I was still just a baby and they couldn't leave me alone, they had to bring me on stage with them and keep me under the piano. This is probably why I feel most at home on the stage. In 1971, when I was four, my mother let me have a part in Escalator Over The Hill and the next year I sang on another of her records, Tropic Appetites. By 1977 I had learned to play the glockenspiel, and I joined the Carla Bley Band. I toured Europe and the States with her several times and played on her Musique Mecanique album. After playing at Carnegie Hall in 1980, where I tried to steal the show by pretending to be Carla Bley, my mother fired me, telling me "get your own band". I realized that I was going to have to learn a more complicated instrument. After trying drums, bass, and flute, which I always lost interest in, I settled on the clarinet. I joined my elementary school band and quickly rose to the head of the clarinet section. The band director let me take the first improvised solo in the history of the Phoenicia (a small town near Woodstock, NY) elementary school.