PLANNER PROJECT 2016... the 80S!
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Short Takes Jazz News Festival Reviews Jazz Stories Interviews Columns
THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC SHORT TAKES JAZZ NEWS FESTIVAL REVIEWS JAZZAMANCA 2020 JAZZ STORIES PATTY WATERS INTERVIEWS PETER BRÖTZMANN BILL CROW CHAD LEFOWITZ-BROWN COLUMNS NEW ISSUES - REISSUES PAPATAMUS - CD REVIEWS OBITURARIES Volume 46 Number 2 April May June Edition 2020 Ed Schuller (bassist, composer) on GM Recordings My name is Eddy I play the bass A kind of music For the human race And with beauty and grace Let's stay on the case As we look ahead To an uncertain space Peace, Music Love and Life" More info, please visit: www.gmrecordings.com Email: [email protected] GM Recordings, Inc. P.O. Box 894 Wingdale, NY 12594 3 | CADENCE MAGAZINE | APRIL MAY JUNE 2016 L with Wolfgang Köhler In the Land of Irene Kral & Alan Broadbent Live at A-Trane Berlin “The result is so close, so real, so beautiful – we are hooked!” (Barbara) “I came across this unique jazz singer in Berlin. His live record transforms the deeply moving old pieces into the present.” (Album tip in Guido) “As a custodian of tradition, Leuthäuser surprises above all with his flawless intonation – and that even in a live recording!” (Frankfurter Allgemeine Zeitung) “Leuthäuser captivates the audience with his adorable, youthful velvet voice.” (JazzThing) distributed by www.monsrecords.de presents Kądziela/Dąbrowski/Kasper Tom Release date: 20th March 2020 For more information please visit our shop: sklep.audiocave.pl or contact us at [email protected] The latest piano trio jazz from Quadrangle Music Jeff Fuller & Friends Round & Round Jeff Fuller, bass • Darren Litzie, piano • Ben Bilello, drums On their 4th CD since 2014, Jeff Fuller & Friends provide engaging original jazz compositions in an intimate trio setting. -
Read Razorcake Issue #27 As A
t’s never been easy. On average, I put sixty to seventy hours a Yesterday, some of us had helped our friend Chris move, and before we week into Razorcake. Basically, our crew does something that’s moved his stereo, we played the Rhythm Chicken’s new 7”. In the paus- IInot supposed to happen. Our budget is tiny. We operate out of a es between furious Chicken overtures, a guy yelled, “Hooray!” We had small apartment with half of the front room and a bedroom converted adopted our battle call. into a full-time office. We all work our asses off. In the past ten years, That evening, a couple bottles of whiskey later, after great sets by I’ve learned how to fix computers, how to set up networks, how to trou- Giant Haystacks and the Abi Yoyos, after one of our crew projectile bleshoot software. Not because I want to, but because we don’t have the vomited with deft precision and another crewmember suffered a poten- money to hire anybody to do it for us. The stinky underbelly of DIY is tially broken collarbone, This Is My Fist! took to the six-inch stage at finding out that you’ve got to master mundane and difficult things when The Poison Apple in L.A. We yelled and danced so much that stiff peo- you least want to. ple with sourpusses on their faces slunk to the back. We incited under- Co-founder Sean Carswell and I went on a weeklong tour with our aged hipster dancing. -
Race, Youth, and the Everyday Rebellion of Rock and Roll, Cleveland, Ohio, 1952-1966
Cleveland State University EngagedScholarship@CSU ETD Archive 2010 The Only Common Thread: Race, Youth, and the Everyday Rebellion of Rock and Roll, Cleveland, Ohio, 1952-1966 Dana Aritonovich Cleveland State University Follow this and additional works at: https://engagedscholarship.csuohio.edu/etdarchive Part of the History Commons How does access to this work benefit ou?y Let us know! Recommended Citation Aritonovich, Dana, "The Only Common Thread: Race, Youth, and the Everyday Rebellion of Rock and Roll, Cleveland, Ohio, 1952-1966" (2010). ETD Archive. 714. https://engagedscholarship.csuohio.edu/etdarchive/714 This Thesis is brought to you for free and open access by EngagedScholarship@CSU. It has been accepted for inclusion in ETD Archive by an authorized administrator of EngagedScholarship@CSU. For more information, please contact [email protected]. THE ONLY COMMON THREAD: RACE, YOUTH, AND THE EVERYDAY REBELLION OF ROCK AND ROLL, CLEVELAND, OHIO, 1952-1966 DANA ARITONOVICH Bachelor of Arts in Communications Lake Erie College May, 2006 submitted in partial fulfillment of requirements for the degree MASTER OF ARTS IN HISTORY at the CLEVELAND STATE UNIVERSITY May, 2010 This thesis has been approved for the Department of HISTORY and the College of Graduate Studies by _____________________________________________ Thesis Chairperson, Dr. Karen Sotiropoulos ___________________________ Department & Date _____________________________________________ Dr. David Goldberg ___________________________ Department & Date _____________________________________________ Dr. Thomas Humphrey ___________________________ Department & Date THE ONLY COMMON THREAD: RACE, YOUTH, AND THE EVERYDAY REBELLION OF ROCK AND ROLL, CLEVELAND, OHIO, 1952-1966 DANA ARITONOVICH ABSTRACT This thesis is a social and cultural history of young people, race relations, and rock and roll music in Cleveland between 1952 and 1966. -
Hitler's American Model
Hitler’s American Model The United States and the Making of Nazi Race Law James Q. Whitman Princeton University Press Princeton and Oxford 1 Introduction This jurisprudence would suit us perfectly, with a single exception. Over there they have in mind, practically speaking, only coloreds and half-coloreds, which includes mestizos and mulattoes; but the Jews, who are also of interest to us, are not reckoned among the coloreds. —Roland Freisler, June 5, 1934 On June 5, 1934, about a year and a half after Adolf Hitler became Chancellor of the Reich, the leading lawyers of Nazi Germany gathered at a meeting to plan what would become the Nuremberg Laws, the notorious anti-Jewish legislation of the Nazi race regime. The meeting was chaired by Franz Gürtner, the Reich Minister of Justice, and attended by officials who in the coming years would play central roles in the persecution of Germany’s Jews. Among those present was Bernhard Lösener, one of the principal draftsmen of the Nuremberg Laws; and the terrifying Roland Freisler, later President of the Nazi People’s Court and a man whose name has endured as a byword for twentieth-century judicial savagery. The meeting was an important one, and a stenographer was present to record a verbatim transcript, to be preserved by the ever-diligent Nazi bureaucracy as a record of a crucial moment in the creation of the new race regime. That transcript reveals the startling fact that is my point of departure in this study: the meeting involved detailed and lengthy discussions of the law of the United States. -
Bolderboulder 10K Results
BolderBOULDER 1986 - BolderBOULDER 10K - results OnlineRaceResults.com NAME DIV TIME ---------------------- ------- ----------- Jon Luff M18 31:14 Jeff Sanchez M20 31:23 Jonathan Hume M18 31:58 Ed Ostrovich M27 32:04 Mark Stromberg M21 32:09 Michael Velasquez M16 32:21 Rick Renfrom M32 32:22 James Ysebaert M22 32:24 Louis Anderson M32 32:25 Joel Thompson M27 32:27 Kevin Collins M31 32:34 Rob Welo M22 32:42 Bill Lawrance M31 32:44 Richard Bishop M28 32:45 Chester Carl M33 32:47 Bob Fink M29 32:51 David Couture M18 32:54 Brent Terry M24 32:58 Chris Nelson M16 33:02 Robert III Hillgrove M18 33:05 Steve Smith M16 33:08 Rick Katz M37 33:11 Tom Donohoue M30 33:14 Dale Garland M28 33:17 Michael Tobin M22 33:18 Craig Marshall M28 33:20 Mark Weeks M34 33:21 Sam Wolfe M27 33:23 William Levine M25 33:26 Robert Jr Dominguez M30 33:26 David Teague M32 33:28 Alex Accetta M16 33:29 Dave Dreikosen M32 33:31 Peter Boes M22 33:32 Daniel Bieser M24 33:32 Matt Strand M18 33:33 George Frushour M23 33:34 Everett Bear M16 33:35 Bruce Pulford M31 33:36 Jeff Stein M26 33:40 Thomas Teschner M22 33:42 Mike Chase M28 33:43 Michael Junig M21 33:43 Parrick Carrigan M26 33:44 Jay Kirksey M30 33:46 Todd Moore M22 33:49 Jerry Duckworth M24 33:49 Rick Reimer M37 33:50 RaY Keogh M28 33:50 Dave Dooley M39 33:50 Roger Innes M26 33:50 David Chipman M22 33:51 Brian Boehm M17 33:51 Michael Dunlap M29 33:51 Arthur Mizzi M30 33:52 Jim Tanner M18 33:52 Bob Hillgrove M41 33:52 Ramon Duran M18 33:52 Ken Jr. -
Some Notes on John Zorn's Cobra
Some Notes on John Zorn’s Cobra Author(s): JOHN BRACKETT Source: American Music, Vol. 28, No. 1 (Spring 2010), pp. 44-75 Published by: University of Illinois Press Stable URL: http://www.jstor.org/stable/10.5406/americanmusic.28.1.0044 . Accessed: 10/12/2013 15:16 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. University of Illinois Press is collaborating with JSTOR to digitize, preserve and extend access to American Music. http://www.jstor.org This content downloaded from 198.40.30.166 on Tue, 10 Dec 2013 15:16:53 PM All use subject to JSTOR Terms and Conditions JOHN BRACKETT Some Notes on John Zorn’s Cobra The year 2009 marks the twenty-fifth anniversary of John Zorn’s cele- brated game piece for improvisers, Cobra. Without a doubt, Cobra is Zorn’s most popular and well-known composition and one that has enjoyed remarkable success and innumerable performances all over the world since its premiere in late 1984 at the New York City club, Roulette. Some noteworthy performances of Cobra include those played by a group of jazz journalists and critics, an all-women performance, and a hip-hop ver- sion as well!1 At the same time, Cobra is routinely played by students in colleges and universities all over the world, ensuring that the work will continue to grow and evolve in the years to come. -
Burger to Speak in June
The AIVIof Allegheny • 1) College -1J• Volume 109 , Number 25 Meadville, Pa. Published Since 1876 May 21 , 1986 Casey,Specier,Edgar Burger Win PA Primaries By Vicky Varlotta The contrast between city To Speak Copy Editor controller Tom Flaherty and Pennsylvania primary elect- Mark Singel remained close with ions were held yesterday. The Singel emerging as the winner. In June democratic gubernatorial, Senate Singel held 41% of the vote and lieutenant governor's pri- against Flaherty's 36% with 93% By Beth Kowalski maries dominated the day's of the precincts reported. voting. Elections were also held Singel even led Flaherty in Staff Writer for the republican senate nom- his home county of Allegheny. U.S. Chief Justice Warren ination and several U.S. con- He also emphasized the import- E. Burger will be the 1986 gressional seats. ance of being preferred by commencement speaker at Alle- Former Auditor General gubernatorial candidate Robert gheny College. Robert Casey snapped a string of Casey. On Sunday, June 15, Burger three primary losses and defeat- Singel will face State Senator will sPeak to some 440 graduates ed his hard driving opponent Michael Fisher who ran un- at- commencement according to Edward Rendell, for the Dem- opposed in the Republican pri- Allegheny President Raymond P. ocratic gubernatorial nomina- mary. Shafer. Shafer said that Burger tion. Casey previously lost In the 6th district state will also receive the honorary primaries in 1966,1970 and representative race Gene Rum- doctor of humanities degree 1978. sey captured the republican during the ceremonies. Rendell carried Southeastern nomination over Thomas Swift. -
A G Lim P S E Thrzough T
A G l i m p s e T h r z o u g h T 2A Thursday, February 20,1988 Daily Nexus Join us Thursdays at 5:30 PM for : paI o o o o o o o o ooooooooooooooo G 9 Id $ 5 No Golden Ponies Here Who on earth are The Golden Palominos? The core of bites. the band is drummer and producer Anton Fier and bass Apart from these three songs, the rest of Visions of guitarist Bill Laswell. Visions o f Excess also boasts a Excess shows little promise. “ B oy(G o)” has a full, lengthy list of guest appearances, including Richard heavy sound — a wall of percussion. If it contained more Thompson, John Lydon (a.k.a. Johnny Rotten), Benue melody, it would sound more like R.E.M. Stipe’s voice is Worrel of Talking Heads fame and R.E.M.’s Michael unmistakable but this stuff is just not of the same Stipe. I have never heard of Syd Straw before but she has caliber. The different vocal levels may prevent a sense a unique voice — a lot like Chrissie Hynde, Exene of complete repetitiveness but the song is overly in- 2/20 The New Male-Female Cervenka and Stevie Nicks all in one. cantatory in places. “ Clustering Train” is similar, with Relationship Despite the impressive name-dropping, the album is, too much guitar accompanying Stipe’s drawn-out whine Janice and John Baldwin, Ph.D. as a whole, a bit mediocre. A few songs, however, to be true R.E.M. -
Calendar-May2014.Qxp Layout 1
CommunityCommunity CalendarCalendar May 2014 The City of Biloxi publishes Clay Babies – Studio Activities at the Ohr-O’Keefe ... May 1 - Two Sessions/$10 per child. Come this monthly calendar of make handprint plates for mothers and grandmothers. Ages 3-7. Ohr-O’Keefe Museum of Art. Details, 228-374-5547. public events. If you need Mudslingers Date Night – Studio Activities at the Ohr-O’keefe ... May 1 - Get messy and throw more information about an some pots! 6 p.m.-8 p.m. Ohr-O’Keefe Museum of Art. Details, 228-374-5547. event, contact information is Thursdays in May - The City of Biloxi, Biloxi Bay Chamber, Biloxi Main Street, Biloxi Public Schools, The included with each listing. Biloxi Local History and Genealogy Library (Harrison County Library System) and the University of Events are subject to change or Southern Mississippi History Department produce these events each year in celebration of National cancellation. Preservation Month. Details, 228-435-6339 • May 1 – 5:30-7 p.m. Discover the history and beauty of Cedar Lake Island If you have an item to • May 8 – 5:30 – 7 p.m. Music On The Bay – The Old Brick House submit, information is due • May 15 – 1-3 p.m. Biloxi Schools Open First School District Museum in the State of Mississippi by the 10th of the month. • May 22 – 5:30-7 p.m. Myths, Legends and Bold Faced Lies at the Biloxi Visitors Center Send it by e-mail • May 29 – 5:30-7 p.m. Keesler: As Biloxi As Boiled Shrimp & Barq’s ([email protected]), The Sunshine Boys - Presented by Center Stage .. -
Kenyon Collegian College Archives
Digital Kenyon: Research, Scholarship, and Creative Exchange The Kenyon Collegian College Archives 9-24-1981 Kenyon Collegian - September 24, 1981 Follow this and additional works at: https://digital.kenyon.edu/collegian Recommended Citation "Kenyon Collegian - September 24, 1981" (1981). The Kenyon Collegian. 807. https://digital.kenyon.edu/collegian/807 This Book is brought to you for free and open access by the College Archives at Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in The Kenyon Collegian by an authorized administrator of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. The 9 ,T Kenyon Colleg lanEstablished 1856 C1X, Number 2 Volume Kenyon Collide, (,ambier, Ohio 43022 ThlirsHilV . Jintpmhiir ")A 1 - - " lOfil ' f I. 1 17D1 i ftrnham Gund Presents Preliminary Plans president Jordan Announces Library Expansion Proposal Ihe . i r,J'TS stu?ie.s President Perhaps the most surprising The work on the planning began reported, in envisioning resulted the feature of the new complex is the this summer; York states the of the new that building as a "Liberal inclusion of a small art gallery. It people working on it started by Arts Center;" it would provide space would have temperature and studying the Brehm report. They for several different functions. humidity controls, allowing the then began work on making plans The increased library space will be College to increase the quality of the "to help us start thinking in concrete ,4 sufficient to allow for stack shows featured here. The gallery ways." York says that those involved enlargement for the next 20 years. -
Building a Sustainable Natural Resource-Based Economy
Blaine House Conference on Maine’s Natural Resource-based Industry: Charting a New Course November 17, 2003 onference Report With recommendations to Governor John E. Baldacci Submitted by the Conference Planning Committee Richard Barringer and Richard Davies, Co-chairs February 2004 . Acknowledgements The following organizations made the conference possible with their generous contributions: Conference Sponsors The Betterment Fund Finance Authority of Maine LL Bean, Inc. Maine Community Foundation US Fish and Wildlife Service US Forest Service This report was compiled and edited by: Maine State Planning Office 38 State House Station Augusta, ME 04333 (207) 287-3261 www.maine/gov/spo February 2004 Printed under Appropriation #014 07B 3340 2 . Conference Planning Committee Richard Barringer, Co-chair, Richard Davies, Co-chair Professor, Muskie School of Public Service, Senior Policy Advisor, Governor Office USM Dann Lewis Spencer Apollonio Director, Office of Tourism, DECD Former Commissioner, Dept of Marine Resources Roland D. Martin Commissioner, Dept of Inland Fisheries and Edward Bradley Wildlife Maritime Attorney Patrick McGowan Elizabeth Butler Commissioner, Dept of Conservation Pierce Atwood Don Perkins Jack Cashman President, Gulf of Maine Research Institute Commissioner, Dept of Economic and Community Development Stewart Smith Professor, Sustainable Agriculture Policy, Charlie Colgan UMO Professor, Muskie School of Public Service, USM Robert Spear Commissioner, Dept of Agriculture Martha Freeman Director, State Planning Office -
Allmusic ((( Live! at CBGB OMFUG:1977 > Review
allmusic ((( Live! At CBGB OMFUG:1977 > Review ))) Username [E-mail Address] Password [Forgot Password?] Log me in automatically. Home Search Help Center Questions? OverviewReviewCreditsChart & Awards Live! At CBGB OMFUG:1977 Send to Friend jump to allmovie Dead Boys jump to allgame Review by Greg Prato Very little pro-shot, color footage exists of the first wave of CBGB's bands, let alone a full show. But the Dead Boys were one of the few lucky acts to have had an entire show taped (which was done originally for a TV special on the punk rock movement), and the results can now finally be sampled in their entirety on the Live at CBGB 1977 DVD. Perhaps since they knew they were being filmed that night, the bandmembers pull no punches in this performance, especially Stiv Bators, who hands in such an over the top performance that he often collapses on-stage at the end of the numbers. Also interesting is to see what an authentic CB's crowd looked like way back when — few to no Mohawks or safety pins are detected — for the most part, just a regular-looking crowd. Taped right around the time of the release of the group's classic debut, Young Loud & Snotty, many of the expected early faves turn up here in turbocharged form, including "Sonic Reducer," "All This and More," and "What Love Is," as well as an explosive set-closing cover of the Stooges' "Search and Destroy." Also included as a bonus are interviews with all of the group's bandmembers from the same day of the show, as well as a modern-day chat with Cheetah Chrome.