Delusion by Laurie Anderson
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Berliner Jazztage the Philharmonie, Berlin, Germany November 7, 1981
Berliner Jazztage The Philharmonie, Berlin, Germany November 7, 1981 The Lounge Lizards was an eclectic musical group founded by saxophonist John Lurie and his brother, pianist Evan Lurie, in 1978. Initially known for their ironic, tongue-in- cheek take on jazz, The Lounge Lizards eventually became a showcase for John Lurie’s sophisticated compositions straddling jazz and many other genres. They were active until about 1998 with the Lurie brothers as the only constant members, though many leading New York City based musicians were members of the group. The group’s name was borrowed from American slang. A lounge lizard is typically depicted as a well-dressed man who frequents the establishments in which the rich gather with the intention of seducing a wealthy woman with his flattery and deceptive charm. - wikipedia + + + + + Thanks to unclewolfi for sharing the show at Dime. Lineage: dvb-s > techno trend tt-premium s2-6400 twin hd > hdd > nero wave editor > flac (mpeg1 layer 2/320 kbps) [radio station - rbb kulturradio] MP3 Version 01. Announcement Gudrun Endress 0:25 02. Incident On South Street 2:17 03. Stompimg At Corona 2:16 04. Announcement John Lurie 0:12 Lounge Lizards Berlin 1981 The 05. The Dancing Gangster 2:58 06. Announcement John Lurie 0:09 07. Sumerian High Life 2:41 08. Announcement John Lurie 0:09 09. Epistrophy 4:40 10. Announcement John Lurie 0:15 11. Ballad 3:12 12. Announcement John Lurie 0:11 13. Conquest Of Rar 2:42 14. Announcement John Lurie 0:21 15. Wangling 2:39 The Lounge Lizards Berlin 1981 The 16. -
HARD REPORT' November 21, 1986 Issue # 6 (609) 654-7272 FRONTRUNNERS ERIC CLAPTON BOB GELDOF "AUGUST" "DEEP in the HEART E.C
THE HARD REPORT' November 21, 1986 Issue # 6 (609) 654-7272 FRONTRUNNERS ERIC CLAPTON BOB GELDOF "AUGUST" "DEEP IN THE HEART E.C. DELIVERS BIG ON OF NOWHERE" HIS MOST HIGHLY ANTICIPATED ALBUM OF IN TERMS OF WRITING AND ROCKING, WE'D THE EIGHTIES! CALL THIS A WORLD CLASS SURPRISE! ATLANTIC THE KINKS KATE BUSH NINNS . "THINK VISUAL" "EXPERIMENT IV" THINK THE 12" IS A BIT THE HIGH PRIESTESS ROUGH? YOU'LL FLIP OF MIND MUSIC RATES OVER "FACTORY" AND AN "A" FOR THIS "LOST AND FOUND" CEREBRAL CONCOCTION! MCA EMI JN OE HWN PE UD SD Fs RD OA My PLUS! ETTRACKS EDDIE MONEY & TIMBUK3 CHARTSTARS * HEADLINES MOST ADDED HOWARD and the FCC 1 The Kinks "Rock & Roll Cities" (MCA) 61 2 Ann Wilson "Best Man in The World" (CAP) 53 3 Bruce Hornsby "Western Skyline..." (RCA) 40 4 Peter Gabriel "Big Time" (GEFFEN) 35 McNUTT To McWKDF HOT NUMBERS ALBUMS Billy Joel "The Bridge" 46-39 (COL) YATES Back in L.A. World Party "Private. 44-38 (CHRY.) Jason/Scorchers"Still..." 37-33 (EMI) Ben Orr "The Lace" 18-14 (E/A) DEBUTS WNEW's McEWEN Stevie Ray Vaughan "Live Alive" #23(EPIC) tubes out Robert Cray "Strong Persuader" #26 (POLY) TRACKS KBC Band "America" 92-71 JOBNAPPERS Van Halen "Rock & Roll Live" 83-63 Europe "The Final Countdown" 89-78 TEXTBOOK: Smithereens "Behind the Wall..." 57-47 GREG GILLISPIE RECORD OF THE WEEK THE STEVE MILLER BAND --FOR HIS FIRST # 1 SINCE 82's "ABRACADABRA"! INSIDE... %tea' &Mai& &Mal& EtiZiraZ CiairlZif:.-.ZaW. CfMCOLZ &L -Z Cad CcIZ Cad' Ca& &Yet Cif& Ca& Ca& Cge. -
The Allman Betts Band
May 2020 May WashingtonBluesletter Blues Society www.wablues.org Remembering Wade Hickam COVID-19 Resources for Musicians Special Feature: Th e Allman Betts Band LETTER FROM THE PRESIDENT WASHINGTON BLUES SOCIETY Hi Blues Fans, Proud Recipient of a 2009 You will find lots ofKeeping the Blues Alive Award information in this Bluesletter if you are a musician. Our 2020 OFFICERS editor, Eric Steiner, has kept President, Tony Frederickson [email protected] his eyes open and his ears Vice President, Rick Bowen [email protected] tuned for opportunities that Secretary, Marisue Thomas [email protected] musicians can explore to Treasurer, Ray Kurth [email protected] help them in this challenging Editor, Eric Steiner [email protected] time. He has a real knack for this as he’s worked in public and private sector grant programs. We will continue to print these 2020 DIRECTORS opportunities in both the Bluesletter and post them on our website Music Director, Amy Sassenberg [email protected] (www.wablues.org), and our Facebook page. Please explore these Membership, Chad Creamer [email protected] opportunities and share with your bandmates. Education, Open [email protected] For our members, please continue to practice social distancing, Volunteers, Rhea Rolfe [email protected] wear face masks and stay safe. As we overcome this first wave of Merchandise, Tony Frederickson [email protected] infections and our state reopens, be patient and stay informed as I Advertising, Open [email protected] hope to see all of you out and about once we can go see live music. We will overcome this and be back enjoying all of our favorite THANKS TO THE WASHINGTON BLUES SOCIETY 2020 STREET TEAM playing live music. -
Alex Gibney Film
Mongrel Media Presents A Kennedy/Marshall Production In association with Jigsaw Productions and Matt Tolmach Productions An Alex Gibney Film The ARMSTRONG Lie Official Selection Toronto Film Festival 2013 Distribution Publicity Bonne Smith Star PR 1028 Queen Street West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1H6 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html 2 THE ARMSTRONG LIE Written and Directed by ALEX GIBNEY Produced by FRANK MARSHALL MATT TOLMACH ALEX GIBNEY Director of Photography MARYSE ALBERTI Edited by ANDY GRIEVE TIM SQUYRES, A.C.E. Music by DAVID KAHNE Co-Producers JENNIE AMIAS MARK HIGGINS BETH HOWARD Associate Producers BRETT BANKS NICOLETTA BILLI Music Supervisor JOHN MCCULLOUGH 3 The ARMSTRONG Lie Synopsis In 2008, Academy Award® winning filmmaker Alex Gibney set out to make a documentary about Lance Armstrong’s comeback to the world of competitive cycling. Widely regarded as one of the most prominent figures in the history of sports, Armstrong had brought global attention to cycling as the man who had triumphed over cancer and went on to win bicycling’s greatest race, the Tour de France, a record seven consecutive times. Charting Armstrong’s life-story (and given unprecedented access to both the Tour and the man), Gibney began filming what he initially envisioned as the ultimate comeback story – Armstrong’s return from his 2005 retirement and his attempt to win his eighth Tour. -
Music & Film Memorabilia
MUSIC & FILM MEMORABILIA Friday 11th September at 4pm On View Thursday 10th September 10am-7pm and from 9am on the morning of the sale Catalogue web site: WWW.LSK.CO.Uk Results available online approximately one hour following the sale Buyer’s Premium charged on all lots at 20% plus VAT Live bidding available through our website (3% plus VAT surcharge applies) Your contact at the saleroom is: Glenn Pearl [email protected] 01284 748 625 Image this page: 673 Chartered Surveyors Glenn Pearl – Music & Film Memorabilia specialist 01284 748 625 Land & Estate Agents Tel: Email: [email protected] 150 YEARS est. 1869 Auctioneers & Valuers www.lsk.co.uk C The first 91 lots of the auction are from the 506 collection of Jonathan Ruffle, a British Del Amitri, a presentation gold disc for the album writer, director and producer, who has Waking Hours, with photograph of the band and made TV and radio programmes for the plaque below “Presented to Jonathan Ruffle to BBC, ITV, and Channel 4. During his time as recognise sales in the United Kingdom of more a producer of the Radio 1 show from the than 100,000 copies of the A & M album mid-1980s-90s he collected the majority of “Waking Hours” 1990”, framed and glazed, 52 x 42cm. the lots on offer here. These include rare £50-80 vinyl, acetates, and Factory Records promotional items. The majority of the 507 vinyl lots being offered for sale in Mint or Aerosmith, a presentation CD for the album Get Near-Mint condition – with some having a Grip with plaque below “Presented to Jonathan never been played. -
1997 Sundance Film Festival Awards Jurors
1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J. -
Shot to Death at the Loft
SATURDAY • JUNE 12, 2004 Including The Bensonhurst Paper Brooklyn’s REAL newspapers Published every Saturday — online all the time — by Brooklyn Paper Publications Inc, 55 Washington St, Suite 624, Brooklyn NY 11201. Phone 718-834-9350 • www.BrooklynPapers.com • © 2004 Brooklyn Paper Publications • 16 pages • Vol. 27, No. 24 BRZ • Saturday, June 19, 2004 • FREE Shot to death at The Loft By Jotham Sederstrom Police say the June 12 shooting happened in a basement bathroom The Brooklyn Papers about an hour before the bar was to close. Around 3 am, an unidentified man pumped at least four shots into A man was shot to death early Saturday morning in the bath- Valdes, who served five years in prison after an arrest for robbery in room of the Loft nightclub on Third Avenue in Bay Ridge. 1989, according to Kings County court records. The gunman, who has Mango / Greg Residents within earshot of the club at 91st Street expressed concern thus far eluded police, may have slipped out the front door after climb- but not surprise at the 3 am murder of Luis Valdes, a Sunset Park ex- ing the stairs from the basement, say police. convict. Following the murder, Councilman Vincent Gentile voiced renewed “That stinkin’ place on the corner,” said Ray Rodland, who has lived support for legislation that would allow off-duty police officers to moon- on 91st Street between Second and Third avenues for 20 years. “Even light as bouncers — in uniform — at bars and restaurants. The bill is Papers The Brooklyn if you’re farther away, at 4 in the morning that boom-boom music currently stalled in a City Council subcommittee for public housing. -
Downbeat.Com March 2014 U.K. £3.50
£3.50 £3.50 U.K. DOWNBEAT.COM MARCH 2014 D O W N B E AT DIANNE REEVES /// LOU DONALDSON /// GEORGE COLLIGAN /// CRAIG HANDY /// JAZZ CAMP GUIDE MARCH 2014 March 2014 VOLUME 81 / NUMBER 3 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes Editorial Intern Kathleen Costanza Design Intern LoriAnne Nelson ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene -
The Evolution of Ornette Coleman's Music And
DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY by Nathan A. Frink B.A. Nazareth College of Rochester, 2009 M.A. University of Pittsburgh, 2012 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2016 UNIVERSITY OF PITTSBURGH THE KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Nathan A. Frink It was defended on November 16, 2015 and approved by Lawrence Glasco, PhD, Professor, History Adriana Helbig, PhD, Associate Professor, Music Matthew Rosenblum, PhD, Professor, Music Dissertation Advisor: Eric Moe, PhD, Professor, Music ii DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY Nathan A. Frink, PhD University of Pittsburgh, 2016 Copyright © by Nathan A. Frink 2016 iii DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY Nathan A. Frink, PhD University of Pittsburgh, 2016 Ornette Coleman (1930-2015) is frequently referred to as not only a great visionary in jazz music but as also the father of the jazz avant-garde movement. As such, his work has been a topic of discussion for nearly five decades among jazz theorists, musicians, scholars and aficionados. While this music was once controversial and divisive, it eventually found a wealth of supporters within the artistic community and has been incorporated into the jazz narrative and canon. Coleman’s musical practices found their greatest acceptance among the following generations of improvisers who embraced the message of “free jazz” as a natural evolution in style. -
June 2020 Volume 87 / Number 6
JUNE 2020 VOLUME 87 / NUMBER 6 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow. -
A G Lim P S E Thrzough T
A G l i m p s e T h r z o u g h T 2A Thursday, February 20,1988 Daily Nexus Join us Thursdays at 5:30 PM for : paI o o o o o o o o ooooooooooooooo G 9 Id $ 5 No Golden Ponies Here Who on earth are The Golden Palominos? The core of bites. the band is drummer and producer Anton Fier and bass Apart from these three songs, the rest of Visions of guitarist Bill Laswell. Visions o f Excess also boasts a Excess shows little promise. “ B oy(G o)” has a full, lengthy list of guest appearances, including Richard heavy sound — a wall of percussion. If it contained more Thompson, John Lydon (a.k.a. Johnny Rotten), Benue melody, it would sound more like R.E.M. Stipe’s voice is Worrel of Talking Heads fame and R.E.M.’s Michael unmistakable but this stuff is just not of the same Stipe. I have never heard of Syd Straw before but she has caliber. The different vocal levels may prevent a sense a unique voice — a lot like Chrissie Hynde, Exene of complete repetitiveness but the song is overly in- 2/20 The New Male-Female Cervenka and Stevie Nicks all in one. cantatory in places. “ Clustering Train” is similar, with Relationship Despite the impressive name-dropping, the album is, too much guitar accompanying Stipe’s drawn-out whine Janice and John Baldwin, Ph.D. as a whole, a bit mediocre. A few songs, however, to be true R.E.M. -
June 2018 Serving Tarrytown, Sleepy Hollow, Irvington, Scarborough-On-Hudson and Ardsley-On-Hudson Vol
6 » Fake News Forum 14 » Local Lacrosse Star 17 » New Area Eateries Your Most Trusted Source for Local News and Events June 2018 Serving Tarrytown, Sleepy Hollow, Irvington, Scarborough-on-Hudson and Ardsley-on-Hudson Vol. XIII No. 6 Cuomo Reasserts New Bridge is On Track Student Hosts for 2018 Completion Forum on Gun Violence by Barrett Seaman by Anna Young He said it again—in early May: “We’re on time and on budget.” With mass shootings a recurring incident He’d said it before several times, notably at the nationwide, an Irvington High School stu- grand opening of the northern span of the new dent hosted a special gathering at the Ir- Mario M. Cuomo Bridge to two-way traffic last vington Town Hall Theater on May 23 to August. But that was before several news organi- discuss measures that would put an end to zations reported that overruns and labor disputes the rash of gun violence and mass shootings threatened to send its overall cost, officially still in schools. $3.9 billion, over the $4 billion mark and further Sophomore Sam Roth organized the ac- delay the grand opening of the southern, eastbound tion-fueled symposium after he was awarded span, currently projected to occur before year’s end. a grant from the Irvington Education Foun- Both The Journal News and POLITICO New York A mammoth chunk of the Tappan Zee’s center span is carted away by barge to dation’s Innovation Fund. The organization serve as a fish habitat off Long Island. ran stories in March saying that TZ Constructors, encourages students to submit ideas for cre- the main contractor for both the construction of of the contingencies and that some of them will be adjusted down- ative, entrepreneurial or enrichment initia- the new bridge and the demolition of the old one, was filing for ward.