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PORÓWNANIA Nr 2 (23), 2018 CZASOPISMO POŚWIĘCONE ZAGADNIENIOM KOMPARATYSTYKI LITERACKIEJ ORAZ STUDIOM INTERDYSCYPLINARNYM

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PORÓWNANIA Nr 2 (23), 2018 CZASOPISMO POŚWIĘCONE ZAGADNIENIOM KOMPARATYSTYKI LITERACKIEJ ORAZ STUDIOM INTERDYSCYPLINARNYM ISSN 1733–165X PORÓWNANIA nr 2 (23), 2018 CZASOPISMO POŚWIĘCONE ZAGADNIENIOM KOMPARATYSTYKI LITERACKIEJ ORAZ STUDIOM INTERDYSCYPLINARNYM [email protected] www.porownania.amu.edu.pl WYDAWNICTWO „POZNAŃSKIE STUDIA POLONISTYCZNE” POZNAŃ 2018 Porównania_23.indd 1 2019-03-18 11:27:46 Porównania_23.indd 2 2019-03-18 11:27:46 Spis treści Emilia Kledzik, Zbigniew Kopeć, Mitologie artystyczne w Europie Środkowej i Wschod- niej po II wojnie światowej ............................................................................................................................9 MITOLOGIE PONOWOCZESNOŚCI Elżbieta Winiecka, Twórca w dobie Internetu. Na przykładach polskiej e-literatury ................13 Mária Bátorová, The Myth of Sacrifice and the Myth of Truth in Slovak Literature after 2nd World War (J. C. Hronský: Andreas Búr Majster and Dominik Tatarka: Farská republika and Essays) ........35 Olena Haleta, A Writer or a Creator of the Textual World: Anthology as a Mirror of the Post-WWII Ukrainian Literature .....................................................................................................................................47 Paweł Tomczok, Mitologie powieściopisarstwa historycznego (na wybranych przykładach z litera- tury polskiej po 1945 roku) ...........................................................................................................................63 (AUTO)MITOLOGIE LITERACKIE Sylwia Nowak-Bajcar, Czy pisarz jest darmozjadem, czyli o społecznych pożytkach „nicniero- bienia”. Proza Srđana Valjarevicia ...............................................................................................................75 Ałła Tatarenko, Prowokacja, bluźnierstwo, intertekstualność: Strategie (auto)mitologizacji w twórczości Savy Damjanova ....................................................................................................................91 Siergiej Kowalow, Wieszcz – błazen – legenda: trajektoria autorska Anatola Sysa .................107 Anna Przybysz, Rekonfiguracja. Dmitrij Głuchowski na gruncie realizmu ...............................127 Marta Tomczok, Mitologie Czajki ...............................................................................................139 Josef Dohnal, Ariel Abganova, Миф, мировое время и модели пространства в постмодернистских произведениях В. Пелевина ...............................................................................151 DEMITOLOGIZACJE Ulyana Fedoriv, Modification of the Socialist Realistic Canon of Ukrainian Literature: Problem of Demitologization .........................................................................................................................................173 Igor Perišić, Komiczna degradacja hierarchii gatunków literackich i figury autora w powieściach Mirjany Đurđević ......................................................................................................................................187 Tatjana Rosić, Niedokończona partia szachów: demistyfikacja figury ofiary i subwersja dyskursu odpowiedzialności w powieści Danas je sreda (Dzisiaj jest środa) Davida Albahariego ..........................201 3 Porównania_23.indd 3 2019-03-18 11:27:46 (AUTO)MITOLOGIE ARTYSTYCZNE Anna Sobiecka, Mitologie artysty świata teatru. Kazimierz Dejmek i Jerzy Grotowski ............213 Tibor Žilka, Pavol Strauss – a genius outsider ..............................................................................227 Kornelia Ćwiklak, Czytanie świata. Henryk Waniek – pisarz, malarz, outsider ......................239 Daria Nowicka, Artysta i mit. Wokół Treści uczuciowej rewolucji Andrzeja Wróblewskiego ...259 TEKSTY NADESŁANE Wacław Forajter, Synowie Stasia. Formy męskości kolonialnej w powieściach młodzieżowych Fer- dynanda Antoniego Ossendowskiego .........................................................................................................279 Joanna Krenz, Narodziny awangardy. Lata osiemdziesiąte jako dekada zwrotna w poezji chińskiej ....297 Hanna Kelner, Imitacja literacka w służbie pamięci kulturowej – analiza porównawcza Nichirin Riichi’ego Yokomitsu i Salammbô Gustave’a Flauberta ...........................................................................317 RECENZJE Maciej Junkiert, Romantyzm i postkolonializm w Europie Środkowowschodniej. [M. Kuziak, B. Nawrocki, red. Romantyzm środkowoeuropejski w kontekście postkolonialnym, cz. I, Warszawa: Wy- dawnictwo IBL PAN, 2017. 743 S.] ...........................................................................................................333 Kinga Piotrowiak-Junkiert, Słowa utracone, słowa odnalezione. [Horváth, Csaba. Megtalált szavak. Kortárs magyar irodalom posztmodernen innen, posztmodernen túl. Budapest: Károli Gáspár Református Egyetem/ L’Harmattan Kiadó 2018. 117 S.] ...................................................................345 OMÓWIENIA Monika Adamická, Imagology – Ethnic Stereotypes of the V4 Countries [Zelenka Miloš. Tkáč- -Žabáková Lenka, eds., Imagológia ako výskum obrazov kultúry. Nitra: FSŠ UKF v Nitre, 2018. 162 S.] ... 353 Agnieszka Matkowska, O nowych tendencjach w badaniach nad tradycją ustną. Na kanwie książki Raymonda F. Persona From Conversation to Oral Tradition [Raymond F. Person, From Con- versation to Oral Tradition. A Simplest Systematics for Oral Traditions. Routlege: London and New York 2016. 214 S.] .....................................................................................................................................359 Autorzy „Porównań” 2 (23), 2018 (w porządku alfabetycznym) ....................................................365 Porównania_23.indd 4 2019-03-18 11:27:46 ISSN 1733–165X PORÓWNANIA No 2 (23), 2018 JOURNAL ON COMPARATIVE LITERATURE AND INTERDISCIPLINARY STUDIES [email protected] www.porownania.amu.edu.pl WYDAWNICTWO „POZNAŃSKIE STUDIA POLONISTYCZNE” POZNAŃ 2018 Porównania_23.indd 5 2019-03-18 11:27:46 Porównania_23.indd 6 2019-03-18 11:27:46 Contents E m i l i a K l e d z i k , Z b i g n i e w K o p e ć , Artistic mythologies in Central and Eastern Europe after World War II. Introduction ..............................................................................................................................9 MYTHOLOGIES OF POST-MODERNITY E l ż b i e t a W i n i e c k a , The Artist in the Times of The Internet on the Basis of Polish e-Literature ���13 M á r i a B á t o r o v á , The Myth of Sacrifice and the Myth of Truth in Slovak Literature after the Second World War. (J. C. Hronský: Andreas Búr Majster and Dominik Tatarka: Farská Republika and Essays) ���35 Olena Haleta, A Writer, or a Creator of the Textual World: Anthology as a Mirror of the Post-WWII Ukrainian Literature .............................................................................................................47 P a w e ł T o m c z o k , The Mythologies of the Historical Novel .............................................................63 LITERARY (AUTO)MYTHOLOGIES S y l w i a N o w a k - B a j c a r , Is the Writer a Loafer or on the Social Benefits of Doing Nothing. Prose of Srđan Valjarević .......................................................................................................................................75 A ł ł a T a t a r e n k o , Provocation, Sacrilege, Intertextuality: Strategies of (Auto)mythologization In the Creative Works of Sava Damjanov ...............................................................................................................91 S i e r g i e j K o w a l o w , Prophet – Jester – Legend: Author’s Trajectory of Anatol Sys ......................107 A n n a P r z y b y s z , Reconfiguration. Dmitry Glukhovsky and Realism .............................................127 M a r t a T o m c z o k , Czajka’s Mythologies ..........................................................................................139 J o s e f D o h n a l , A b a g a n o v a A s s e l , Myth, World Time and Spatial Model in Postmodern Works by V. Pelevin ...............................................................................................................................................151 DEMYTHOLOGIZATIONS U l y a n a F e d o r i v , Modification of the Socialist Realistic Canon of Ukrainian Literature: Problem of Demythologization ......................................................................................................................................173 I g o r P e r i š i ć , Comic Degradation of Hierarchy of Literary Genres and Figure of the Author in the Novels by Mirjana Đurđević. ......................................................................................................................187 T a t j a n a R o s i ć , Unfinished Chess Game: Demistification of the Figure of the Victim and Subversion of the Discourse of Responsibility in the Novel Today is Wednesday by David Albahari .........................201 7 Porównania_23.indd 7 2019-03-18 11:27:46 ARTISTIC (AUTO)MYTHOLOGIES Anna Sobiecka, Mythologies of an artist of the theatre. Kazimierz Dejmek and Jerzy Grotowski .....213 T i b o r Ž i l k a , Pavol Strauss – A Genius Outsider ...............................................................................227 K o r n e l i a Ć w i k l a k , Reading the World. Henryk Waniek – Author, Painter, Outsider ...................239 D a r i a N o w i c k a , Artist, Myth and Metaphor. Around Treść Uczuciowa Rewolucji of Andrzej Wró- blewski ........................................................................................................................................................259
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