Who Is Lord Chaitanya*
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THE BALI TEMPLE RUN Temples in Bali Share the Top Spot on the Must-Visit List with Its Beaches
CULTURE THE BALI TEMPLE RUN Temples in Bali share the top spot on the must-visit list with its beaches. Take a look at some of these architectural marvels that dot the pretty Indonesian island. TEXT ANURAG MALLICK he sun was about to set across the cliffs of Uluwatu, the stony headland that gave the place its name. Our guide, Made, explained that ulu is ‘land’s end’ or ‘head’ in Balinese, while watu is ‘stone’. PerchedT on a rock at the southwest tip of the peninsula, Pura Luhur Uluwatu is a pura segara (sea temple) and one of the nine directional temples of Bali protecting the island. We gaped at the waves crashing 230 ft below, unaware that the real spectacle was about to unfold elsewhere. A short walk led us to an amphitheatre overlooking the dramatic seascape. In the middle, around a sacred lamp, fifty bare-chested performers sat in concentric rings, unperturbed by the hushed conversations of the packed audience. They sat in meditative repose, with cool sandalwood paste smeared on their temples and flowers tucked behind their ears. Sharp at six, chants of cak ke-cak stirred the evening air. For the next one hour, we sat open-mouthed in awe at Bali’s most fascinating temple ritual. Facing page: Pura Taman Saraswati is a beautiful water temple in the heart of Ubud. Elena Ermakova / Shutterstock.com; All illustrations: Shutterstock.com All illustrations: / Shutterstock.com; Elena Ermakova 102 JetWings April 2017 JetWings April 2017 103 CULTURE The Kecak dance, filmed in movies such as There are four main types of temples in Bali – public Samsara and Tarsem Singh’s The Fall, was an temples, village temples, family temples for ancestor worship, animated retelling of the popular Hindu epic and functional temples based on profession. -
Meningkatkan Mutu Umat Melalui Pemahaman Yang Benar Terhadap Simbol Acintya (Perspektif Siwa Siddhanta)
MENINGKATKAN MUTU UMAT MELALUI PEMAHAMAN YANG BENAR TERHADAP SIMBOL ACINTYA (PERSPEKTIF SIWA SIDDHANTA) Oleh: I Gusti Made Widya Sena Dosen Fakultas Brahma Widya IHDN Denpasar Abstract God will be very difficult if understood with eye, to the knowledge of God through nature, private and personification through the use of various symbols God can help humans understand God's infinite towards the unification of these two elements, namely the unification of physical and spiritual. Acintya as a symbol or a manifestation of God 's Omnipotence itself . That what really " can not imagine it turns out " could imagine " through media portrayals , relief or statue. All these symbols are manifested Acintya it by taking the form of the dance of Shiva Nataraja, namely as a depiction of God's omnipotence , to bring in the actual symbol " unthinkable " that have a meaning that people are in a situation where emotions religinya very close with God. Keywords: Theology, Acintya, Siwa Siddhanta & Siwa Nataraja I. PENDAHULUAN Kehidupan sebagai manusia merupakan hidup yang paling sempurna dibandingkan dengan makhluk ciptaan Tuhan lainnya, hal ini dikarenakan selain memiliki tubuh jasmani, manusia juga memiliki unsur rohani. Kedua unsur ini tidak dapat dipisahkan dan saling melengkapi diantara satu dengan lainnya. Layaknya garam di lautan, tidak dapat dilihat secara langsung tapi terasa asin ketika dikecap. Jasmani manusia difungsikan ketika melakukan berbagai macam aktivitas di dunia, baik dalam memenuhi kebutuhan hidup (kebutuhan pangan, sandang dan papan), reproduksi, bersosialisasi dengan makhluk lainnya, dan berbagai aktivitas lainnya, sedangkan tubuh rohani difungsikan dalam merasakan, memahami dan membangun hubungan dengan Sang Pencipta, sehingga ketenangan, keindahan dan kebijaksanaan lahir ketika penyatuan diantara kedua unsur ini berjalan selaras, serasi dan seimbang. -
What the Upanisads Teach
What the Upanisads Teach by Suhotra Swami Part One The Muktikopanisad lists the names of 108 Upanisads (see Cd Adi 7. 108p). Of these, Srila Prabhupada states that 11 are considered to be the topmost: Isa, Kena, Katha, Prasna, Mundaka, Mandukya, Taittiriya, Aitareya, Chandogya, Brhadaranyaka and Svetasvatara . For the first 10 of these 11, Sankaracarya and Madhvacarya wrote commentaries. Besides these commentaries, in their bhasyas on Vedanta-sutra they have cited passages from Svetasvatara Upanisad , as well as Subala, Kausitaki and Mahanarayana Upanisads. Ramanujacarya commented on the important passages of 9 of the first 10 Upanisads. Because the first 10 received special attention from the 3 great bhasyakaras , they are called Dasopanisad . Along with the 11 listed as topmost by Srila Prabhupada, 3 which Sankara and Madhva quoted in their sutra-bhasyas -- Subala, Kausitaki and Mahanarayana Upanisads --are considered more important than the remaining 97 Upanisads. That is because these 14 Upanisads are directly referred to by Srila Vyasadeva himself in Vedanta-sutra . Thus the 14 Upanisads of Vedanta are: Isa, Kena, Katha, Prasna, Mundaka, Mandukya, Aitareya, Taittiriya, Brhadaranyaka, Chandogya, Svetasvatara, Kausitaki, Subala and Mahanarayana. These 14 belong to various portions of the 4 Vedas-- Rg, Yajus, Sama and Atharva. Of the 14, 8 ( Brhadaranyaka, Chandogya, Taittrirya, Mundaka, Katha, Aitareya, Prasna and Svetasvatara ) are employed by Vyasa in sutras that are considered especially important. In the Gaudiya Vaisnava sampradaya , Srila Baladeva Vidyabhusana shines as an acarya of vedanta-darsana. Other great Gaudiya acaryas were not met with the need to demonstrate the link between Mahaprabhu's siksa and the Upanisads and Vedanta-sutra. -
Paradoxes in Jīva Gosvāmī's Concept of the Soul, Path to Perfection And
DOI: 10.11649/a.1625 Article No.: 1625 Dagmara Wasilewska is an Indologist, doctoral student at the University of Silesia’s Faculty of Philology. She teaches at the Department of Oriental Studies and General Linguistics of the University of Silesia’s Institute of English. nr 13/2019 r. e-mail: [email protected] Dagmara Wasilewska Paradoxes in Jīva Gosvāmī’s concept of the soul, path to perfection and liberation Introduction n the most general sense, a paradox (from the Greek parádoxos ‘unexpected, strange’) is a statement that runs contrary to widely held beliefs, and as such seems incomprehensible. IParadox itself is part of a broader category, that of aporia (from the Greek aporiai ‘puzzle, difficulty’), which we could define as an insurmountable obstacle in reasoning, stemming from the inability to decide the value of arguments for and against a given notion, and thus allowing contradictory premises. In logic, a paradox is a statement that, despite valid reasoning from true premises, leads to a self-contradiction (Aduszkiewicz, 2004, p. 379). A par- adox arises when correct, seemingly convincing reasoning based on indisputable premises nevertheless produces an unacceptable conclusion (Piecuch, 2011, p. 31). Matthew Bagger, whose research revolves around the religious uses of paradox, defines it as an apparently absurd statement (e.g. one that entails a self-contradiction), which we are nevertheless ready to accept as true, because it is supported by at least one form of epistemic authority we recognize (Bagger, 2007, p. 3). Reason is, obviously, one form of such authority, but so are testimony, tradition, the opinions of respected specialists and masters, even revelation or divination. -
WIDYA ACCARYA: Jurnal Kajian Pendidikan FKIP Universitas
WIDYA ACCARYA: Jurnal Kajian Pendidikan FKIP Universitas Dwijendra Vol 12 No 1, April 2021 P ISSN: 2085-0018 E-ISSN: 2722-8339 Available Online at http://ejournal.undwi.ac.id/index.php/widyaaccarya/index FUNGSI DAN MAKNA SIMBOL-SIMBOL DALAM PALINGGIH PADMASANA PERSPEKTIF KAJIAN BUDAYA Anak Agung Gde Putera Semadi Fakultas Hukum Universitas Dwijendra Email: [email protected] ABSTRAK Palinggih Padmasana merupakan bangunan suci untuk memuja Ida Sang Hyang Widhi Wasa / Tuhan Yang Maha Esa dalam berbagai manifestasinya. Ia tidak hanya memiliki bentuk yang berbeda-beda, tetapi juga sebutan, fungsi, dan makna simbol-simbol yang berbeda berdasarkan lokasinya. Secara sejarah, keberadaan palinggih ini baru dikenal sekitar abad ke-15 khususnya pada masa pemerintahan Dalem Waturenggong yang ditandai dengan datangnya seorang pendeta Shiwa yang sakti ke Bali bernama Danghyang Dwijendra dengan misi suci menyempurnakan tatanan kehidupan umat Hindu dari Tri Murti. untuk konsep Tri Purusa. Setiap fungsi dan lambang padmasana palinggih benar-benar mencerminkan kemuliaan makna yang tak ternilai, oleh karena itu Padmasana merupakan lambang alam semesta bagi umat Hindu. Melalui perspektif sistem budaya yang disertai dengan penerapan metode analisis deskriptif, topik penelitian ini berhasil dikaji secara kritis, logis, dan sistematis. Kata Kunci: Fungsi, Makna Simbol, Padmasana ABSTRACT Palinggih Padmasana is a sanctified building to worship Ida Sang Hyang Widhi Wasa/God Almighty in His various manifestations. It does not only has a varying fomrs, but olso defferent designation , function, and meaning of symbols which differ based on its location. Historycally, the existence of this palinggih was only known around 15th century especially during the reigin of Dalem Waturenggong which was indicated by the arrival of a powerful Shiwa priest to Bali named Danghyang Dwijendra with a sacred mission of perfecting the order of Hindu life from Tri Murti to Tri Purusa concept. -
Significance of the Auspicious Number 1008 © 2018 Yoga Received: 05-11-2017 Accepted: 06-12-2017 Jai Paul Dudeja
International Journal of Yogic, Human Movement and Sports Sciences 2018; 3(1): 825-829 ISSN: 2456-4419 Impact Factor: (RJIF): 5.18 Yoga 2018; 3(1): 825-829 Significance of the auspicious number 1008 © 2018 Yoga www.theyogicjournal.com Received: 05-11-2017 Accepted: 06-12-2017 Jai Paul Dudeja Jai Paul Dudeja Abstract Professor and Director, Amity The two numbers 108 and 1008 are considered spiritually very auspicious in many religions including University Haryana, Gurgaon, Hinduism, Jainism and Christianity etc. According to the ancient Hindu scriptures we are advised to do Haryana, India chanting (japa) of God’s name or a particular mantra for 108 or 1008 times for a greater impact. In some religions, like in Jainism, many enlightened sages have prefixes as 108 or 1008 before their names. These numbers (108 and 1008) have also relevance in astronomy, astrology and architecture etc. Whereas many workers, including this author, have interpreted the significance of the spiritual and scientific significance of the number 108 [1], not enough work has been reported on the second auspicious number, that is, 1008. This paper describes the significance of this number, 1008 in Hinduism, Jainism, and Christianity, astronomy, astrology and architecture. Keywords: Number 1008, Spirituality, Religion, Significance. 1. Introduction We are often advised by our elders or masters (Gurus) or by our ancient scriptures to chant the name of God or a particular Mantra for 108 or 1008 times for a greater effect. Even a rosary (maala) has got 108 beads. In some religions, like in Jainism, many enlightened sages have prefixes as 108 or 1008 before their names. -
VCD No.36, Audio Cassette No.473, Dated 19.11.00, at T.P.G. Clarification of Murli Dated 13.04.68 (For General Public)
VCD.No.36 T.P.G VCD No.36, Audio Cassette No.473, Dated 19.11.00, at T.P.G. Clarification of Murli dated 13.04.68 (for General public) Today it is the morning class of the 13.04.98. The heading given is: “Sweet children, make your intellect satopradhaan 1 to do service like Mamma and Baba. How will good service take place? Will it take place through the mind, through speech or through actions? We have been doing service through actions since 1936, we continued to do service through speech, but we were not able to spread the message of the arrival of the Father in the world. That is why, now, the Supreme Father Supreme Soul Shiva is telling us again: if you wish to serve just like Mamma and Baba served the world, then make your intellect satopradhaan . The degraded (taamasi ) intellect itself remains sorrowful and makes others sorrowful as well. [Then] how will it spread the message of God? Make the intellect pure (saattvik ). How will you make it [pure]? There is no other support in this world. Everyone has become tamopradhaan 2. At present, each and every human being is tamopradhaan . Everyone is vicious, sinful. The sinful ones will make others also just sinful. All the souls pass through the four stages: satopradhaan in the Golden Age, satosaamaanya 3 in the Silver Age, rajopradhaan 4 in the Copper Age and while being reborn, while playing their roles and while enjoying happiness and sorrow, all the human souls become degraded in the Iron Age. -
Riddu Riddu, Joik Or Rock-N-Roll ?
Riddu Riddu, joik or rock-n-roll ? A study of Riddu Riddu Festivála and its role as a cultural tool for ethnic revialization Anastassia Valerievna Leonenko Thesis submitted for the degree: Master of Philosophy in Indigenous Studies Faculty of Social Sciences, University of Tromsø April 2008 Riddu Riđđu, joik or rock-n-roll? A study of Riddu Riđđu Festivála and its role as a cultural tool for ethnic revitalization Anastassia Valerievna Leonenko Thesis submitted for the degree: Master of Philosophy in Indigenous Studies Faculty of Social Sciences, University of Tromsø Norway April 2008 To Alexandre Descomps and our baby II Acknowledgements This master thesis is a result of the contribution of different individuals and organisations. First, I am grateful to the University of Tromsø that opened my path to an international academic milieu by admitting me to the Indigenous Master Programme where I met my classmates from all over the world, Saami professors with personal experience in the indigenous self-determination movement, and other researchers on indigenous issues. Moreover, the Centre for Sámi Studies played an active role in my educational process, by organising seminars (at Skibotn) and conferences (the Forum for Development Cooperation with Indigenous Studies), trips to Finnmark (Karasjok, Kautokeino, Alta) and to Kåfjord (Manndalen) and finally, funding my research project. My gratitude goes as well to the Norwegian State Educational Loan Fund (Lånekassen) and the Centre for Environment and Development (SEMUT) for their financial support that made this research possible. My greatest gratitude and thanks go to my supervisor Bjørn Bjerkli, Associate Professor at the Department of Social Anthropology at the Tromsø University, who devoted a great deal of his time reading and commenting on my work. -
Expressions on Passing of BJ Habibie: Anthropolinguistic Study
RETORIKA: Jurnal Ilmu Bahasa ma w .i x Interreligious Tolerance in Warganet Condolence- expressions on Passing of B.J. Habibie: Anthropolinguistic Study Laily Rahmatika*, Agus Budi Wahyudi, Gallant Karunia Assidik Universitas Muhammadiyah Surakarta [email protected], [email protected], [email protected] Published: 30/04/2021 How to cite (in APA style): Rahmatika, L., Wahyudi, A. B., & Assidik, G. K. (2021). Interreligious Tolerance in Warganet Condolence expressions on Passing of B.J. Habibie: Anthropolinguistic Study. Retorika: Jurnal Ilmu Bahasa, 7(1), 43-49. doi: https://doi.org/10.22225/jr.7.1.2481.43-49 Abstract- The passing of B.J. Habibie is identified as a form of utterance about the existence of interreligious tolerance in Indonesia. Interreligious is intersected with each other in upholding the value of tolerance as manifestation of a sense of Bhineka Tunggal Ika. The research aims to identify the value of tolerance based on potential diversities among interreligious in condolence-expressions. This type of research is a qualitative descriptive study. Data are from Warganet expressions which contain tolerance value. Collecting data uses purposive sampling technique. Data sources are taken from Warganet expressions on Twitter and Instagram. Analyzing data method uses distribution method with markup reading techniques and the equivalent method with referential equivalence technique that refers to the meaning outside of language. The result of this research is that interreligious tolerance is contained in the condolence-expressions in the form of expressions of religious, affection and kinship, and general. Keywords: Condolence-expressions, Interreligious tolerance, Potential Diversities, Passing of B.J. Habibie, Social media I. -
Gaudiya-Sampradaya-Tattva the Nature of the Succession in Gaudiya Vaishnavism
Gaudiya-Sampradaya-Tattva The Nature of the Succession in Gaudiya Vaishnavism Svami Sadananda Dasa to Vamandas notebook Mayapur 1950 Into English, within square brackets and footnotes and © Kid Samuelsson and Katrin Stamm Last modified 03.02.2020 What Prabhupad1 pointed out, but could not change, was the fact that the official Caitanya movement actually has nothing to do with Caitanya, and that a true follower of Caitanya is something else than a sentimental, muddled and immoral person, and that a true adherent of Mahaprabhu should be able to profess himself as such without feeling ashamed of himself and fearing that he will be thrown in the same category as those who wrap the mantle of the learned, the bhakta and the cult around their own social, intellectual, spiritual and moral inferiority, and as those who in the name of Mahaprabhu and His cult justify themselves while dealing with more or less shady activities. Soon after Mahaprabhu everything lies in ruins. Shankara tried to squeeze the Absolute into an intellectual, narrow bed. God had to comply with the laws of human logic, and like every system this violates God’s nature. Formlessness is just one of the forms of the manifold forms of the Absolute. Mahaprabhu did not create any new system, nor did Jiva Gosvami. Acintya-bhedabheda2 is an inference, a conclusion, a siddhanta, a conclusion drawn when one considers the Word Revelation as a whole, i.e. when the 1 Bhaktisiddhanta Sarasvati Thakur. 2 Acintya-bheda-abheda. Inconceivable simultaneous distinction and non-distinction. Bheda = distinction, abheda = non-distinction. Acintya = Only cognizable through the realization of the unrestricted import of the Shastram-s. -
A New Approach to Gaudapadakarika
A NEW APPROACH TO GAUDAPADAKARIKA - N. Aiyaswami Sastri Gaudapada's work, that is, his Karika in four chapters, may be regarded an important landmark in the development of the Advaita Vedantic thought. His exposition of Advaitism is unique and without parallel in the Vedantic literature. He does not follow the traditional line of argument for upholding his thesis. The language he has adopted is Buddhistic in many parts. He employed several expressions which are common to Buddhism and its philosophy and which create impression in the mind of readers that the author (Gaudapada) was a follower of Bud dhism (v.V. Bhattacharya's edition of the Karika). It is mysterious indeed why Gaudapada should have at all adopted such an ambiguous language betraying his trustfulness to the Advaitic thought and tradition. He is traditionally regarded a disciple of the sage Suka in the Sveta. up. bhasya ad 1,8, and a grandpl'eceptor of Sri Sankara through Govindabha gavatpada (v.R.D. Karmarkar's edn. ofthe Karika, Introduction). He has, perhaps, been influenced by Buddhism, especially in its later developed form, because he was a native of the Gauda country where Buddhism was a prominent and popular faith in his days. He might have aimed at propagation of Advaitism in the popular language and style of Buddhism which might appeal to the lay as well as the learned men of the society in those days. This appears to be the most plausible explanation of the riddle why Gaudapada adopted such an ambiguous style which being improperly understood would convey the converse of what he intends to convey. -
Lord in Sunda Wiwitan Perception
SSRG International Journal of Medical Science ( SSRG – IJMS ) – Volume 5 Issue 7 – July 2018 Lord in Sunda Wiwitan Perception Etty Saringendyanti,1 Dade Mahzuni2 Department of Philology and History, Faculty of Cultural Sciences, University of Padjadjaran Office: Bandung-Sumedang Hihgway Km 21, Jatinangor, Sumedang, West Java (Indonesia) Abstract How Sunda Wiwitan seeking Lord is a great influences in the development of that culture, theme in this article. Based on Clifford Geertz’s especially religion or belief that Ralph Linton says theory of religion as a cultural system and historical belongs to the core of culture (covert culture).2 method, it is known that historically Lord exists. In The development of religion3 in Sunda Land, 4 searching of Lord, the Sunda Wiwitan teachings of cannot be separated from the influence of the peoples have reference to the result of a combination of Lord's concepts, experiences, dynamics and creativity in managing the universe in which they live at every turn cultural system, so that the process of internal of the period from prehistoric times, Hinduism, adaptation or the "original" elements becomes the Buddhism and Islamic. The concept of Lord in the driving force and more instrumental in cultural Sunda Wiwitan teachings constituted by the belief of change. The process of diffusion is seen as a process ancestral spirits and teachings on the contents of of change, because of the imitation or adoption of the ancient Sundanese script-century 14-17 AD which cultural element from the outside (Abdullah, ed. continues on the indigenous people Baduy and 20121: 331-332). Cultural development in the Kasepuhan Banten Kidul.