Jan van Goyen's sketchbook, 1650-1651 Front cover (detail): Jan van Goyen (1596-1656) A town with windmills seen from a distance, 1650-1651 Black chalk and grey wash 96 x 156 mm., no. 13 Jan van Goyen's sketchbook, 1650-1651 22 - 30 January 2021 Mireille Mosler, Ltd. exhibiting at Jill Newhouse Gallery 4 East 81st Street #1B New York, NY 10128 By appointment +1917.362.5585 |
[email protected] | www.mireillemosler.com Jan van Goyen was ambitious in his yearning for prosperity and recognition. Son of a cobbler in Leiden, he was apprenticed at the young age of ten to local painters. After a year of travelling through France, Van Goyen's received his formative training from the landscapist Esaias van de Velde in Haarlem in 1617. Haarlem, center of monochrome still lifes, put Jan van Goyen forward as the first and leading painter of Dutch tonal landscapes. Eventually, Van Goyen moved to the court city, The Hague, where he became head of the Guild of Saint Luke. Regardless his substantial artistic output, Van Goyen was also active as an art collector, dealer, auctioneer, appraiser, tulip and real estate investor. Surrounded by artists, he let the adjoining house to acclaimed fellow landscapist Paulus Potter. Two of Van Goyen's daughters married respectively his student, the genre painter Jan Steen and still life painter Jacques de Claeuw. Van Goyen's portrait by acclaimed colleague Gerard ter Borch confirms his prominent position among the Dutch artworld elite. Van Goyen travelled the length and breadth of the Netherlands recording details of landscape and topography in black chalk.