MOSAIC CONNECTION 2018 Tirol - Tschechien Innsbruck - Prag
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빈 공방과 요제프 호프만이 주창한 총체예술(Gesamtkunstwerk) 디자인론의 생성배경과 특성에 관한 연구*
http://dx.doi.org/10.14774/JKIID.2016.25.1.115 Journal of the Korean Institute of Interior Design Vol.25 No.1 Serial No.114 _ 2016. 02 빈 공방과 요제프 호프만이 주창한 총체예술(Gesamtkunstwerk) 디자인론의 생성배경과 특성에 관한 연구* A Study on the generative background and Characteristics of Gesamtkunstwerk Design Theory advocated by Wiener Werkstätte and Josef Hoffmann Author 김홍기 Kim, Hong-Ki / 명예회장, 동양미래대학교 실내환경디자인학과 교수, 공학박사 Abstract In the turn of the twentieth century, Vienna emerged as a great cultural centre that stood at the forefront of developments in music, psychology, and the natural sciences. Equally influential, and still tremendously popular today, are the designs of the Wiener Werkstätte a group that was at the heart of the city’s cultural scene and whose collaborators included such luminaries as the architect Josef Hoffman and the designer Koloman Moser under the slogan of Gesamtkunstwerk. The term "Gesamtkunstwerk" was introduced in the romantic period. It describes the desire for and practice of combining various art forms into a whole, such as performances that combine text, visual arts, various design and architecture. Richard Wagner was one of the early theorists of the concept, inspiring many modernist artists. As a co-founder of the Wiener Werkstätte, Josef Hoffmann had a decisive influence on modern Viennese architecture and Interior design on the basis of the concept of Gesamtkunstwerk. In this view point, this study is to analyze about the generative background and design characteristics of gesamtkunstwerk advocated Wiener Werkstätte. Josef Hoffmann was by all accounts a very successful architect and Interior designer in Vienna. -
Global Austria Austria’S Place in Europe and the World
Global Austria Austria’s Place in Europe and the World Günter Bischof, Fritz Plasser (Eds.) Anton Pelinka, Alexander Smith, Guest Editors CONTEMPORARY AUSTRIAN STUDIES | Volume 20 innsbruck university press Copyright ©2011 by University of New Orleans Press, New Orleans, Louisiana, USA. All rights reserved under International and Pan-American Copyright Conventions. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without prior permission in writing from the publisher. All inquiries should be addressed to UNO Press, University of New Orleans, ED 210, 2000 Lakeshore Drive, New Orleans, LA, 70119, USA. www.unopress.org. Book design: Lindsay Maples Cover cartoon by Ironimus (1992) provided by the archives of Die Presse in Vienna and permission to publish granted by Gustav Peichl. Published in North America by Published in Europe by University of New Orleans Press Innsbruck University Press ISBN 978-1-60801-062-2 ISBN 978-3-9028112-0-2 Contemporary Austrian Studies Sponsored by the University of New Orleans and Universität Innsbruck Editors Günter Bischof, CenterAustria, University of New Orleans Fritz Plasser, Universität Innsbruck Production Editor Copy Editor Bill Lavender Lindsay Maples University of New Orleans University of New Orleans Executive Editors Klaus Frantz, Universität Innsbruck Susan Krantz, University of New Orleans Advisory Board Siegfried Beer Helmut Konrad Universität Graz Universität -
Travel Planner January 2020
Travel Planner January 2020 A PROGRAM OF THE STANFORD ALUMNI ASSOCIATION Experience the extraordinary. Whether you are returning to a favorite destination or visiting a place anew, when you travel with Stanford Travel/Study you embark on a journey of discovery. Our programs are designed for explorers looking not just to see but to experience the world, who are driven by a deep commitment to understanding how the world works. For more than 50 years, Travel/Study has worked in close partnership with Stanford scholars and with travel experts from around the world to create remarkable educational journeys. Join us and experience the extraordinary. 2 ALU.MS/GOTRAVEL What’s inside: Current journeys 4–19 Stanford Family Adventures 20–21 Up next: trips in development 22–27 Current journeys at-a-glance 28–29 Private Editions 30 Program information 31 ALU.MS/GOTRAVEL 3 Browse current journeys. How to choose an adventure: ACTIVE ADVENTURES How do you want to travel? Whether it’s heli-hiking, mountain trekking, Look for these icons to find a trip that lets you travel snorkeling or gorilla tracking, these trips are for travelers looking to add an active twist to in (your) style. their next vacation. Active Adventures offer both an exciting outdoor experience and What do you want to learn? the comfort and luxury that are Travel/Study hallmarks. SCheckSUBJECTUBJECT out these “snapshots” CCOUNTROUNTR to learn of the typeYY Sof experiencesUBJECT you can expectC OUNTR on each journey.Y CLASSIC JOURNEYS Longing to recapture the romantic, golden NONSUBJECTEveryNONSUBJECT trip includes a COUNTR StanfordCOUNTR scholarYY who provides Indonesia by Air NONSUBJECT COUNTRY SEPTEMBER 27 TO OCTOBER 10, 2020 age of travel? Journey to superb destina- valuableS UBJECT insight on the C region.OUNTR Look for Ytheir names in (14 DAYS) REGION/STATE tions in the lap of luxury aboard intimate REGION/Sred to get an idea TATof theirE backgrounds and unique Sacred ground. -
The Bel Etage Galler Y Exhibiting a T Tefaf New
Cover_NY18_druckfertig.indd 1 THE BEL ETAGE GALLERY EXHIBITING AT TEFAF NEW YORK SPRING 2018 20.02.18 16:16 2 Vorsatz_NY18.indd 1 20.02.18 17:29 4 1 Detailed descriptions of the objects presented in this catalogue are available for download in German an English from our website www.beletage.com. On request, we will also send these description to you by post or email. WOLFGANG BAUER The German National Library lists this publication in the German National Bibliography. THE BEL ETAGE GALLERY EXHIBITING AT THE TEFAF NEW YORK IMPRINT SPRING 2018 Publisher: bel etage Kunsthandel GmbH, Wien/Vienna Conception and organisation: Wolfgang Bauer 4 – 8 May 2018 Object descriptions, expert: Wolfgang Bauer in cooperation with: Carina Hammer MA, Mag. Agnes Mayrhofer Translation: Tim Sharp, Mag. Sabine Hübler Proofreading: Mag. Sabine Hübler Photos: August Lechner Graphic design: August Lechner Print: Druckerei Berger, Horn All rights reserved © bel etage, Vienna 2018 ISBN-978-3-902117-32-8 Front cover: 20 A-1010 Vienna, Mahlerstraße 15 A-1010 Vienna, Dorotheergasse 12 Back cover: 42 Wolfgang Bauer, Kunsthandel GmbH, phone: +43 1 512 23 79, fax: ext. 99, [email protected], www.beletage.com 2 3 2 MICHAEL THONET Boppard 1796 – 1871 Vienna 1. BOPPARD CHAIR, MODEL II "Laufstuhl" (Lightweight chair) Designed and executed by: Michael Thonet, Boppard, around 1840 or possibly Vienna 1844 The frame is of solid and laminated beech and partially veneered in rosewood. The chair back was completed first in three dimensions using a two-stage process. It was then glued to the seat frame. Both cross struts are missing. -
Vienna Philharmonic Elegant Vienna, Known As the “City of Waltzes,” Is Consid- Ered the World’S Capital for Classical Music
TRIP HIGHLIGHTS PAID PAID PRSRT STD PRSRT PERMIT #601 U.S. POSTAGE BURLINGTON, VT behind the scenes at the Musikverein, home of the Dear Vanderbilt Alumni and Friends, GO Vienna Philharmonic Elegant Vienna, known as the “City of Waltzes,” is consid- ered the world’s capital for classical music. On a music-themed MEET the head of collections for a special tour of journey, explore the places where great composers—Mozart, Esterházy Palace, where Joseph Haydn composed and Haydn, Beethoven, Schubert, Brahms, Mahler, and Schoenberg— premiered many works lived and performed, and visit magnificent concert venues. ATTEND a private piano performance at the home of Go backstage at the Musikverein, home to the Vienna a distinguished professor from the University of Music and Philharmonic Orchestra; see Schönbrunn Palace, where Mozart Performing Arts first performed for Empress Maria Theresa; and visit the home of an acclaimed pianist for a private concert and reception. ENJOY a backstage tour of the State Opera House Other trip highlights include dinner at Mayer am Pfarrplatz, home to Beethoven in 1817, and a special tour of beautiful, VISIT the Spanish Riding School to watch the Lipizzaner Esterházy Palace, where Joseph Haydn composed and premiered horses and receive a special welcome many works. The Steigenberger Hotel Herrenhof, close to the TRAVELING WITH YOU city’s many cultural sites, will be our home for six nights. Jeremy Wilson, Associate Professor But the biggest highlight of this program, without of Trombone at Vanderbilt a doubt, is our faculty study leader, Jeremy Wilson. Before joining the Blair School of Music in 2012, Jeremy University’s Blair School of Music, is spent five years living in Vienna as a member of both the Vienna something of a legend in trombone Philharmonic Orchestra and its sister organization, the orchestra of circles. -
Vienna: Klimt and the Secession
Vienna: Klimt and the Secession Travel Passports Airline Seats Please ensure your 10 year British Passport is not Some airlines have the facility to allow you to pre- out of date and is valid for a full three months book your seat prior to arriving at the airport either beyond the duration of your visit. EU, Andorra, by telephone, or online. Please speak to us for Liechtenstein, Monaco, San Marino or Switzerland further information valid national identification cards are also acceptable for travel to Austria. Baggage Visas We advise you to check the baggage allowances British and EU passport holders are not required to carefully as you are likely to be charged the excess have a visa. if you exceed the weight limit. Maximum weights for single bags apply. For all other passport holders please check the visa requirements with the appropriate embassy. With British Airways your ticket includes one hold bag of up to 23kg plus one cabin bag no bigger than Austrian Embassy: 18 Belgrave Mews West, London 56 x 45 x 5 cm and a personal bag (handbag or SW1X 8HU. Tel: (020) 7235 3731. Fax: (020) 7344 computer case) no bigger than 45 x 36 x 20 cm. 0292. E-mail: [email protected] .Web site: http://www.austria.org.uk. Opening hours: Monday Please contact the airline for further information. to Friday 0900-1200 (personal callers), 0900-1645 http://www.britishairways.com (telephone enquiries) and 0900-1200 (visa section). Labels Please use the luggage labels provided. It is useful to have your home address located inside your suitcase should the label go astray. -
Neuheiten Im Herbst 2020 ALBERTINA
GALERIE BEI DER Neuheiten im Herbst 2020 ALBERTINA ZETTER Wir laden Sie herzlich zu unserer Verkaufsausstellung NEUHEITEN IM HERBST 2020 vom 14. September bis 10. Oktober 2020 ein. Wir freuen uns auf Ihren Besuch. Katharina Zetter-Karner und Christa Zetter A-1010 Wien, Lobkowitzplatz 1 Mo-Fr 10-18 Uhr, Sa 11-14 Uhr Tel +43/1/513 14 16, Fax +43/1/513 76 74 [email protected] www.galerie-albertina.at VORWORT PREFACE Vieles, was ganz selbstverständlich für uns gewesen war – der Much of what we took entirely for granted – visiting a museum, Besuch eines Museums, einer Ausstellungseröffnung oder einer an exhibition opening, an art fair –, has suddenly no longer been Kunstmesse –, war in den letzten Monaten auf einmal nicht mehr possible in the last few months. Vienna, which normally has so much möglich. Wien, das normalerweise kulturell so viel zu bieten hat, to offer culturally, has been compelled, Sleeping Beauty-like, to musste in einen erzwungenen Dornröschenschlaf. slumber. Wir haben die Zeit genutzt, um drei spannende Projekte für den We have used the time to prepare three exciting projects for the Herbst vorzubereiten, und sind nach dieser Zwangspause voller autumn and after this enforced break are now full of energy and Tatendrang und Vorfreude. anticipation. Wir starten mit einer umfassenden Herbstausstellung, in der wir We are starting with a comprehensive autumn exhibition, in which traditionsgemäß unsere schönsten Neuerwerbungen aus den we traditionally present our finest new acquisitions in painting, Bereichen Malerei, Bildhauerei und Design präsentieren. sculpture and design. Parallel dazu zeigen wir eine Einzelausstellung des bedeutenden Alongside this, we are showing a solo exhibition of the important Künstlers Valentin Oman, eines Kärntner Slowenen, der diesen Carinthian-Slovenian artist Valentin Oman, who celebrates his Dezember seinen 85. -
Leopold Forstner (1878-1936) – Ein Materialkünstler Im
LEOPOLD FORSTNER (1878-1936) – EIN MATERIALKÜNSTLER IM UMKREIS DER WIENER SECESSIONISTEN Martina Dorner-Bauer ist Kunsthistorikerin, Ausstellungskuratorin und an der Universität für Angewandte Kunst in Wien im Be- reich Kunstsammlung & Archiv tätig. Sie ist Gründungsmitglied der Leopold Forstner Gesellschaft: diese wurde 2012 ins Leben gerufen, um Leben und Werk von Leopold Forstner zu erforschen und bekannt zu machen. Sie ist mit der Aufarbeitung des Künstlernachlasses beauftragt und hat 2016 die Monografie „Leopold Forstner – ein Materialkünstler im Umkreis der Wiener Secession“ publiziert. Was haben der berühmteste Walzer der Welt, der Wiener Donauwalzer von Johann Strauss und Leopold Forstner gemeinsam? Im Grunde nichts, und doch verbindet sie etwas: Das Dianabad. Das Dianabad wurde als revolutionäre Badeanstalt der Monarchie 1810 eröffnet. Immer wieder moder- nisiert, wurde sie vor allem in den Wintermonaten zum Ballsaal umfunktioniert, wo Johann Strauss 1867, noch vor der Pariser Weltausstellung diesen Walzer uraufgeführt hatte. Im selben Haus befinden sich Die Badenden, gebannt im Mosaik. 1914-15 erhielt Forstner bereits als etablierter Mosaikkünstler und Inhaber der Wiener Mosaik-Werkstätte den Auftrag, die Entwurfs-kartons zu zeichnen. Die Ausführung der Mosaike übernahm Kriegsbedingt die Firma Anton Dürr/Wien und die Tiroler Glasmalerei und Mosaikanstalt. Ihr verbindendes Element ist also die architektonische Hülle. Das Bad im damaligen Sinne gibt es leider nicht mehr, im Zuge des Neubaus im Jahr 2000 konnten die Mosaike gerettet werden und schmücken heute Eingangshalle und Saunabereich. Bild 1 Das 19. Jahrhundert war ein Zeitalter der Revolutionen, der Umbrüche, der Machtverschiebungen und Wettbewerbe, der Industrialisierung und des Bildungsbürgertums. Die Weltausstellungen warben mit zahlreichen Erneuerungen, üppigen Dekorationen und Demonstrationen. -
ACTP) Focus Area Cultural Heritage (FACH) Strategic Research Agenda (SRA
MMM2007v1.doc Michael Balak Wolfgang Kippes Vienna, February 2007 Austrian Construction Technology Platform (ACTP) Focus Area Cultural Heritage (FACH) Strategic Research Agenda (SRA) MMM Monitoring Maintenance Management Contents: 1. Introduction: Objective and Particulars 2. Strategic Areas of Research and Development: 2.1. Monitoring: 2.1.1. Remote Sensing and Facility and Asset Management 2.1.2. Emission Monitoring – Biomass Furnaces 2.1.3. Indoor Climate Monitoring and Alternative Heating Methods 2.1.4. Historic Buildings Monitoring 2.1.5. Photonics and Laser Technology 2.2. Maintenance: 2.2.1. Lime Technology 2.2.2. Facades 2.2.3. Lacquers and Coatings 2.2.4. Metals and Corrosion 2.2.5. Stone and Stone Surfaces 2.2.6. Concrete Technology 2.2.7. Rising Damp and Drainage 2.2.8. Glass, Mirror, Mosaic 2.3. Management: 2.3.1. Inventory / Archiving 2.3.2. Knowledge Data Bases 2.3.3. Improvement of In-house Processes, Controlling, Calculation, Customer Services 2.4. Horizontal Issues: 2.4.1. Risk Management 2.4.2. Energy Efficiency of Buildings, Building Pass, Quality Certificate 2.4.3. Standardisation 2.4.4. Culture Counts 2.4.5. Disability-friendly Adaptation of Structures 2.4.6. Quality Assurance in Conservation of Monuments 2.4.7.Training and Qualification 1 1. Objective and Particulars: The objective is to add an Austrian contribution to the Strategic Research Agenda (SRA) of the European Construction Technology Platform (ECTP) which is - embedded in both national and international research networks; - represents an Austrian contribution to the newly installed research community in Europe (Seventh Framework Programme of the European Community for Research, Technology Platforms); and - offers a substantial contribution to achieving the political goals set forth in Lisbon. -
Jane Van Nimmen
Jane Van Nimmen Klimt Year in Vienna, Part One Nineteenth-Century Art Worldwide 11, no. 3 (Autumn 2012) Citation: Jane Van Nimmen, “Klimt Year in Vienna, Part One,” Nineteenth-Century Art Worldwide 11, no. 3 (Autumn 2012), http://www.19thc-artworldwide.org/autumn12/van- nimmen-reviews-klimt-year-in-vienna-part-one. Published by: Association of Historians of Nineteenth-Century Art. Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. Nimmen: Klimt Year in Vienna, Part One Nineteenth-Century Art Worldwide 11, no. 3 (Autumn 2012) Klimt Year in Vienna: Part One Half a century ago, the centennial for Gustav Klimt (1862–1918) inspired three exhibitions in Vienna, each with a checklist or modest catalogue. The shows opened on consecutive days in mid-October 1962 and ran for five to eight weeks. Director Fritz Novotny of the Österreichische Galerie (now the Belvedere) displayed nineteen Klimt paintings from its holdings, as well as ten loans from private collectors. The Graphische Sammlung Albertina (now the Albertina) exhibited nearly 250 drawings selected by curator Alice Strobl from public and private collections, including 34 works owned by Rudolf Leopold (founder of the Leopold Museum in 2001). At Christian M. Nebehay’s gallery in the Annagasse (now an antiquarian bookstore still operating under his name), the art dealer and publisher mounted a show of another 150 “significant” Klimt drawings. Nebehay also lent seven works on paper to the Albertina exhibition and published the most substantial of the centennial catalogues (fig. 1). -
Klimt, Kupka, Picasso, and Others – Form Art
KLIMT, KUPKA, PICASSO, AND OTHERS – FORM ART Lower Belvedere 10 March to 19 June 2016 Series C VIII, 1935 1946 Oil on canvas 97 x 105 cm Thyssen-Bornemisza Collections / © Bildrecht, Vienna, 2015 Photo: © Belvedere, Vienna KLIMT, KUPKA, PICASSO, AND OTHERS – FORM ART In the Habsburg Empire during the second half of the nineteenth century, form was more than merely a descriptive concept. It was the expression of a realization, of a particular consciousness. Ultimately, around 1900, form became the basis for a wide variety of non-representational, often ornamental art. The exhibition Klimt, Kupka, Picasso, and Others Form Art, showing at the Lower Belvedere from 10 March to 19 June 2016, explores intellectual constellations and traditions in science, philosophy, and art in the late Habsburg Monarchy, demonstrating a network of connections within an entire cultural region. The show illustrates the continuities and unique characteristics of art in Austria-Hungary. It places a focus on education, demonstrating the great influence this exerts on a cultural region and its enduring contribution to the development of a collective consciousness. Furthermore, it alludes to the fertile ground that from 1900 gave rise to a whole family tree of related art. This will be the first exhibition to explore the common foundations that linked art in the Habsburg Empire and led to the genesis of non-representational art. Klimt, Kupka, Picasso, and Others Form Art embarks on some cultural historical detective work in the former crownlands of the Habsburg Empire and for the first time juxtaposes Czech Cubism with the form art of the Vienna Secession an extremely new -Arco, Director of the Belvedere and 21er H Featuring an unprecedented array of prominent works, the visitor can appreciate this special view of modernism in the Habsburg Empire. -
WHAT Architect WHERE Notes Zone 1: Innere Stadt *** Austrian Postal Savings Bank Otto Wagner Haupteingang Georg Coch-Platz 2
WHAT Architect WHERE Notes Zone 1: Innere Stadt Built in 1906 as the headquarters of the Österreichische Postsparkasse (P.S.K.) bank, formerly the k.k. Postsparcassen-Amt (Imperial-Royal Postal Savings Office). The building is regarded as an important early work of modern architecture, representing Wagner's Austrian Postal Haupteingang Georg first move away from Art Nouveau and Neoclassicism. Through the *** Otto Wagner Savings Bank Coch-Platz 2 main entrance at Georg-Coch-Platz the visitor ascends a flight of stairs to the grand Kassenhalle, where customer services are located. The main hall is thus on the first floor. The hall is designed like an atrium, with a large glass skylight allowing natural light to enter the heart of the building at all times. Mon-Fri (8-15), Thu (8-17.30) The MAK – Austrian Museum of Applied Arts / Contemporary Art is one of the most important museums of its kind worldwide. Founded as the Imperial Royal Austrian Museum of Art and Industry in 1863, today’s museum—with its unique collection of applied arts and as a first-class *** MAK Museum Stubenring 5 address for contemporary art—can boast an incomparable identity. Fun fact: it was the first museum to acquire art work using the cryptocurrency bitcoin. General admission €9.90, €7.50 students, Free admission Tue 18-22. Wed-Sun (10-18), Tue (10-22) Built in 1989 as a roof addition to an existing building. It consists of a Office Extension in Biberstrasse + radical crash of framework draping over edge of older building. 400 * Coop Himmelb(l)au Vienna Falkestrasse square meters of roof space were to be converted into an office, the main element being a central conference-room.