Vienna: Klimt and the Secession
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Art Nouveau Ukrainian Architecture in a Global Context
Art Nouveau Ukrainian Architecture in a Global Context Author(s): Nelia Romaniuk Source: Kyiv-Mohyla Humanities Journal 6 (2019): 137–148 Published by: National University of Kyiv-Mohyla Academy http://kmhj.ukma.edu.ua/ Art Nouveau Ukrainian Architecture in a Global Context Nelia Romaniuk Zhytomyr National Agroecological University, Department of History Abstract The article is dedicated to Ukrainian Art Nouveau architecture, which became a unique phenomenon in the development of late nineteenth and early twentieth-century architecture. Along with the reality that architecture in Ukraine evolved as a component of the European artistic movement, a distinctive architectural style was formed, based on the development of the traditions of folk architecture and ornamentation. This style produced much innovation in the shaping, decor, and ornamentation of buildings. Significant contributions to the development of architectural modernism in Ukraine were made by Opanas Slastion, Vasyl Krychevskyi, Yevhen Serdiuk, Oleksandr Verbytskyi, Serhii Tymoshenko, Oleksandr Lushpynskyi, Ivan Levynskyi, Dmytro Diachenko, and others. Ukrainian Art Nouveau architecture was represented by five main architectural styles: modernist, folkloric, rationalist, neo-baroque, and Vienna Secession. Due to an attainment of the possibilities embodied in the constructions, developed techniques, and in the design of interior space and external features — such as walls, roofs, doors and windows, columns and balustrades — this style formed its own expressive system, which included a significant number of socially significant types of buildings (dwellings, schools, hospitals, warehouses, government buildings, places of worship). The styles of Ukrainian architectural modernism have not exhausted their potential and may yet have a continuation in contemporary architecture and that of the future. -
A House in the City – in the Context of Secession Aesthetics
MaRia MaLzacheR* a hoUse in the citY – in the conteXt oF secession aesthetics DoM MieszkaLnY w MieŚcie – w kontekŚcie estetYki secesYjnej a b s t r a c t a new image of the house in the city is presented against the background of the secession aesthetics as a manifestation of new attempts, concepts and modernist trends in early 20th-century architecture and denial of the stylistic principles of jaded historical forms of art. the search for a new expression of buildings and achieve- ment of “architectural unity” indicate the dualistic challenge of creating a form os- cillating between utility and aesthetics. the means of expression of the secession aesthetics associated with the aspects of visual perception, as carriers of ideas, sym- bols and semantic connotations in the creation of new transformations of the archi- tectural urban space are analysed on the bases of selected examples: houses in cities and towns of autonomous Galicia. Keywords: house, Secession architecture, aesthetics s treszczenie w artykule przedstawiono zagadnienia związane z kształtowaniem nowego obli- cza domu mieszkalnego w mieście w kontekście estetyki secesyjnej jako przejaw wyrazu nowych dążeń, poglądów i modernistycznych tendencji w architekturze po- czątku XX w. oraz negacji stylistycznego kanonu przeżytych form historycznych. Poszukiwania nowego wyrazu budowli i osiągnięcia „architektonicznej jedności” ukazują dualistyczną dążność kształtowania jej formy oscylującej pomiędzy jej użytecznością a estetyką. Środki wyrazu estetyki secesyjnej związane z aspektem percepcji wizualnej, jako nośniki idei, symboli i konotacji znaczeń w kreowaniu nowej transformacji przestrzeni architektonicznej miasta, zanalizowano na wybra- nych przykładach – domów mieszkalnych ośrodków i miast autonomicznej Galicji. Słowa kluczowe: dom mieszkalny, architektura secesyjna, estetyka * PhD. -
Vienna Guide
April 22—24, 2015, Vienna, Austria Hotel Park Royal Palace Vienna Guide SIGHTSEEING Vienna is old, Vienna is new… and the sights are so varied: from the magnificent Baroque buildings to “golden” Art Nouveau to the latest architecture. And over 100 museums beckon… ALBERTINA The Albertina has the largest and most valuable graphical collection in the world, including works such as Dürer’s “Hare” and Klimt‘s studies of women. Its latest exhibition presents masterpieces of the Modern era, spanning from Monet to Picasso and Baselitz. As the largest Hapsburg residential palace, the Albertina dominates the southern tip of the Imperial Palace on one of the last remaining fortress walls in Vienna. ANKER CLOCK This clock (built 1911–14) was created by the painter and sculptor Franz von Matsch and is a typical Art Nouveau design. It forms a bridge between the two parts of the Anker Insurance Company building. In the course of 12 hours, 12 historical figures (or pairs of figures) move across the bridge. Every day at noon, the figures parade, each accompanied by music from its era. AUGARTEN PORCELAIN MANUFacTORY Founded in 1718, the Vienna Porcelain Manufactory is the second-oldest in Europe. Now as then, porcelain continues to be made and painted by hand. Each piece is thus unique. A tour of the manufactory in the former imperial pleasure palace at Augarten gives visitors an idea of how much love for detail goes into the making of each individual piece. The designs of Augarten have been created in cooperation with notable artists since the manufactory was established. -
Global Austria Austria’S Place in Europe and the World
Global Austria Austria’s Place in Europe and the World Günter Bischof, Fritz Plasser (Eds.) Anton Pelinka, Alexander Smith, Guest Editors CONTEMPORARY AUSTRIAN STUDIES | Volume 20 innsbruck university press Copyright ©2011 by University of New Orleans Press, New Orleans, Louisiana, USA. All rights reserved under International and Pan-American Copyright Conventions. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without prior permission in writing from the publisher. All inquiries should be addressed to UNO Press, University of New Orleans, ED 210, 2000 Lakeshore Drive, New Orleans, LA, 70119, USA. www.unopress.org. Book design: Lindsay Maples Cover cartoon by Ironimus (1992) provided by the archives of Die Presse in Vienna and permission to publish granted by Gustav Peichl. Published in North America by Published in Europe by University of New Orleans Press Innsbruck University Press ISBN 978-1-60801-062-2 ISBN 978-3-9028112-0-2 Contemporary Austrian Studies Sponsored by the University of New Orleans and Universität Innsbruck Editors Günter Bischof, CenterAustria, University of New Orleans Fritz Plasser, Universität Innsbruck Production Editor Copy Editor Bill Lavender Lindsay Maples University of New Orleans University of New Orleans Executive Editors Klaus Frantz, Universität Innsbruck Susan Krantz, University of New Orleans Advisory Board Siegfried Beer Helmut Konrad Universität Graz Universität -
JASPER JOHNS 1930 Born in Augusta, Georgia Currently Lives
JASPER JOHNS 1930 Born in Augusta, Georgia Currently lives and works in Connecticut and Saint Martin Education 1947-48 Attends University of South Carolina 1949 Parsons School of Design, New York Selected Solo Exhibitions 2009 Focus: Jasper Johns, The Museum of Modern Art, New York 2008 Jasper Johns: Black and White Prints, Bobbie Greenfield Gallery, Santa Monica, California Jasper Johns: The Prints, The Madison Museum of Contemporary Art, Madison, Wisconsin Jasper Johns: Drawings 1997 – 2007, Matthew Marks Gallery, New York Jasper Johns: Gray, Metropolitan Museum of Art, New York 2007 Jasper Johns: From Plate to Print, Yale University Art Gallery, New Haven Jasper Johns: Gray, Art Institute of Chicago; Metropolitan Museum of Art, New York Jasper Johns-An Allegory of Painting, 1955-1965, National Gallery of Art, Washington, DC; Kunstmuseum Basel, Switzerland States and Variations: Prints by Jasper Johns, National Gallery of Art, Washington, D.C. 2006 Jasper Johns: From Plate to Print, Yale University Art Gallery Jasper Johns: Usuyuki, Craig F. Starr Associates, New York 2005 Jasper Johns: Catenary, Matthew Marks Gallery, New York Jasper Johns: Prints, Amarillo Museum of Art, Amarillo, Texas 2004 Jasper Johns: Prints From The Low Road Studio, Leo Castelli Gallery, New York 2003 Jasper Johns: Drawings, The Menil Collection, Houston, Texas Jasper Johns: Numbers, Cleveland Museum of Art, Cleveland; Los Angeles County Museum of Art Past Things and Present: Jasper Johns since 1983, Walker Art Center Minneapolis; Greenville County Museum of -
WIEN 1900 Klimt, Schiele Und Ihre Zeit
SAALTEXTE WIEN 1900 Klimt, Schiele und ihre Zeit 26. September 2010 – 16. Januar 2011 FONDATION BEYELER INHALTSVERZEICHNIS WIEN 1900 – Klimt, Schiele und ihre Zeit Einführung 6 Foyer Gustav Klimt: Beethoven-Fries 7 Saal 15 Wiener Secession 8 Saal 16 Klimt, Schiele: Erotisches Kabinett 9 Saal 14/10 Gustav Klimt: Zeichnungen 10 Saal 11 Gustav Klimt: Ölgemälde 12 Saal 12/13 Egon Schiele: Aquarelle, Gouachen 14 Saal 19 Oskar Kokoschka 16 Saal 19 Arnold Schönberg, Richard Gerstl 17 Saal 18 Egon Schiele: Ölgemälde 18 Saal 18/17 Kunst, Architektur, Wiener Werkstätte 20 Katalog / Hörbuch / Musik-CD 23 Saalplan 24 WIEN 1900 – Klimt, Schiele und ihre Zeit Wien um 1900 war eine der Geburtsstätten der Moderne. Die Kaffeehauskultur, die Komponisten und Kabarettisten, Freuds Psychoanalyse, die Experimentierfreude in der Wiener Werk- stätte, aber auch die Skandale um die Wiener Secession zäh- len zu den Phänomenen dieser Zeit. Im Zentrum der grossen Ausstellung zur Wiener Moderne stehen die berühmten orna- mentalen Porträts und Landschaften von Gustav Klimt sowie die ausdrucksstarken Körperdarstellungen von Egon Schiele – und natürlich ihre legendären erotischen Zeichnungen. Klimt und sein genialer Schützling Schiele waren in Wien die zentralen Lichtgestalten. Die Ausstellung vereint eine einzig- artige Auswahl ihrer Meisterwerke aus den grossen Museen und Privatsammlungen der Welt. Porträts des jungen Oskar Kokoschka, Selbstbildnisse des tragischen Richard Gerstl und Werke des Malerkomponisten Arnold Schönberg bilden weitere Höhepunkte. Arbeiten anderer Künstler, Architekten, Möbel- designer und Kunsthandwerker der Wiener Secession und der Wiener Werkstätte zeigen, wie deren enge Zusammenarbeit einen neuen Kunstbegriff kreierte: das Gesamtkunstwerk. In der Ausstellung der Fondation Beyeler werden rund 200 Ölbilder, Aquarelle und Zeichnungen gezeigt, dazu Architek- turmodelle, Möbel, Textilentwürfe, Glas- und Silberobjekte, Künstlerplakate und Fotografien. -
Austrian Food & Wine
AUSTRIAN FOOD & WINE INDEX Austria The Culinary Heart of Central Europe ...........3 BeliebteBeliebte SchmankerlSchmankerlBeliebtePopular Favourites .................................... 10 SchmankerlBeliebte SchmankerlBeliebte Beliebte Roast Pork | Meat Rice | Rissoles | Pasta Ham Bake Schmankerl Schmankerl AusAus Teichen, Teichen,From our Lakes, Rivers and Ponds ............... 16 FlüssenFlüssenAus Teichen, und und Seen Seen FlüssenAus Teichen, und SeenTrout, Char or Whitefish | Pike Dumplings in White Wine Sauce | FlüssenAus Teichen, und Seen Aus Teichen, Flüssen und SeenPaprika Pikeperch | Carp with Root Vegetables Flüssen und Seen GeflüGeflügeltegelte KöstliKöstliGeflüchkeitenchkeitengPoultryelte Delicacies ...................................... 22 KöstliGeflüchkeitengelte KöstliGeflüchkeiten gelte Roast Duck, Martini Goose | Fried Chicken with Potato Salad | Geflügelte Köstlichkeiten Köstlichkeiten Roast Chicken | Creamy Paprika Chicken with Spätzle KlassikerKlassiker vom vom KlassikerMilchkalbMilchkalb vom KlassikerMilchkalbClassic vom Favourites from Veal Meat ................ 28 KlassikerMilchkalb vom Klassiker vom Milchkalb Milchkalb Roast Loin of Veal with Kidneys | Ragout of Veal Lights | Sauteed Calf’s Liver | Wiener Schnitzel with Potato Salad DieDie Wiener Wiener RindfleischkücheRindfleischkücheDie Wiener RindfleischkücheDie Wiener RindfleischkücheDie Wiener Die Wiener RindfleischkücheTraditional Viennese Beef Dishes ................. 34 Rindfleischküche Boiled Beef | Beef Rolls | Braised Shoulder of Beef | ÖsterreichÖsterreich zur zurRoast -
Cu/Hs 211 Vienna's Victuals
CU/HS 211 VIENNA’S VICTUALS: A CULTURAL HISTORY OF FOOD AND DRINK IES Abroad Vienna DESCRIPTION: Have the Viennese always eaten schnitzel or wiled away the afternoon in a coffeehouse with strudel and a mélange? How has the history of the Habsburg Empire and the more recent history of the Second Republic affected what the Viennese eat and drink? What is “Viennese cuisine” anyway? With help from the recent turn to food studies in disciplines as diverse as history and hotel management, students will explore why we eat and drink what we do, how those food choices may have been different historically, and how “our” dining and drinking choices differentiate us from “others.” Field trips to Vienna’s iconic markets, historic tavern neighborhoods in Ottakring, chocolate producers, breweries, and cafes breathe life into the history and culture of Vienna’s victuals. CREDITS: 3 CONTACT HOURS: 45 LANGUAGE OF INSTRUCTION: English PREREQUISITES: None. ADDITIONAL COSTS: Estimated total cost for optional food/beverage purchases and tour fees during course-related outings and review assignments: €40-€75 SPECIAL NOTE: Moderate alcohol consumption is an optional component of the course. METHOD OF PRESENTATION: Seminar intermingling Informal lectures with discussion Course-related trips Student presentations Moodle REQUIRED WORK AND FORM OF ASSESSMENT: Assignments will focus on developing writing and presentation skills. Students will keep a journal of course-related outings along with their visits to various other food and beverage-related places. The final project will consist of a choice between a conventional research paper and a creative project (see below for possible projects). -
Inspiration Beethoven
DE | EN 08.12.2020–05.04.2021 INSPIRATION BEETHOVEN EINE SYMPHONIE IN BILDERN AUS WIEN 1900 PRESSEBILDER | PRESS IMAGES 01 01 CASPAR VON ZUMBUSCH CASPAR VON ZUMBUSCH 1830–1915 1830–1915 Reduktion des Denkmals für Ludwig van Beethoven, 1877 Reduction of the memorial to Ludwig van Beethoven, 1877 Bronze, 53 × 24 × 27 cm Bronze, 53 × 24 × 27 cm Belvedere, Wien Belvedere, Vienna Foto: Belvedere, Wien Photo: Belvedere, Vienna 02 02 GUSTAV KLIMT GUSTAV KLIMT 1862–1918 1862–1918 Schubert am Klavier. Schubert at the Piano. Entwurf für den Musiksalon im Palais Dumba, 1896 Study for the music room in Palais Dumba, 1896 Öl auf Leinwand, 30 × 39 cm Oil on canvas, 30 × 39 cm Privatsammlung/Dauerleihgabe im Leopold Museum, Wien Private Collection/Permanent Loan, Leopold Museum, Vienna Foto: Leopold Museum, Wien/Manfred Thumberger Photo: Leopold Museum, Vienna/Manfred Thumberger 03 03 JOSEF MARIA AUCHENTALLER JOSEF MARIA AUCHENTALLER 1865–1949 1865–1949 Elfe am Bach. Für das Beethoven-Musikzimmer Elf at the Brook. For the Beethoven Music Room der Villa Scheid in Wien, 1898/99 of Villa Scheid in Vienna, 1898/99 Öl auf Leinwand, 176,5 × 88,3 cm Oil on canvas, 176,5 × 88,3 cm Andreas Maleta, aus der Victor & Martha Thonet Sammlung, Andreas Maleta, from the Victor & Martha Thonet Collection, Galerie punkt12, Wien gallery punkt12, Vienna Foto: amp, Andreas Maleta press & publication, Wien, 2020 Photo: amp, Andreas Maleta press & publication, Vienna, 2020 04 04 JOSEF MARIA AUCHENTALLER JOSEF MARIA AUCHENTALLER 1865–1949 1865–1949 Elfenreigen. Für das Beethoven-Musikzimmer -
The New Scene of Ukraine 6 - 7 December 2019, Vienna
The New Scene of Ukraine 6 - 7 December 2019, Vienna Program Participants Konstantin Akinsha - Art historian and independent curator, Budapest/Kyiv Konstantin Akinsha is an International curator and art historian, based in Budapest, Hungary. In late 1980s — early 1990s he was one of the major figures in contemporary Ukrainian art. In the last two decades he has been working and living in USA and Europe. For many years he served as the contributing editor of Art News magazine, curated exhibitions of international modernism and Russian avant-garde in major international museums — Belvedere (Vienna, Austria), Neue Galerie (New York, USA) etc. ALISA LOZHKINA - independent curator, Kyiv Alisa Lozhkina is an independent curator and writer based in Kyiv. From 2010–2016 she was the editor in chief of the major Ukrainian art publication — ART UKRAINE magazine. From 2013–2016 she served as a deputy director general National Art and Museum Complex “Mystetskyi Arsenal” (Kyiv, Ukraine). She curated a bunch of large-scale exhibitions in Ukraine and abroad. Contributed to various Ukrainian and international art media. In November 2019 Alisa Lozhkina presented a monograph on the development of Ukrainian art from early modernism till now. The book titled "Permanent Revolution. Ukrainian Art of the XX - early XXI century" was published parallelly in Kyiv by ArtHuss publishing house and in Paris by Nouvelles Editions Place. ALISA LOZHKINA and KONSTANTIN AKINSHA as curatorial duo Alisa Lozhkina and Konstantin Akinsha’s curatorial duo has been focusing on the international presentation of contemporary Ukrainian art since 2014. Right after the revolution on Maidan, they arranged the exhibition “I am a Drop in the Ocean. -
Travel Planner January 2020
Travel Planner January 2020 A PROGRAM OF THE STANFORD ALUMNI ASSOCIATION Experience the extraordinary. Whether you are returning to a favorite destination or visiting a place anew, when you travel with Stanford Travel/Study you embark on a journey of discovery. Our programs are designed for explorers looking not just to see but to experience the world, who are driven by a deep commitment to understanding how the world works. For more than 50 years, Travel/Study has worked in close partnership with Stanford scholars and with travel experts from around the world to create remarkable educational journeys. Join us and experience the extraordinary. 2 ALU.MS/GOTRAVEL What’s inside: Current journeys 4–19 Stanford Family Adventures 20–21 Up next: trips in development 22–27 Current journeys at-a-glance 28–29 Private Editions 30 Program information 31 ALU.MS/GOTRAVEL 3 Browse current journeys. How to choose an adventure: ACTIVE ADVENTURES How do you want to travel? Whether it’s heli-hiking, mountain trekking, Look for these icons to find a trip that lets you travel snorkeling or gorilla tracking, these trips are for travelers looking to add an active twist to in (your) style. their next vacation. Active Adventures offer both an exciting outdoor experience and What do you want to learn? the comfort and luxury that are Travel/Study hallmarks. SCheckSUBJECTUBJECT out these “snapshots” CCOUNTROUNTR to learn of the typeYY Sof experiencesUBJECT you can expectC OUNTR on each journey.Y CLASSIC JOURNEYS Longing to recapture the romantic, golden NONSUBJECTEveryNONSUBJECT trip includes a COUNTR StanfordCOUNTR scholarYY who provides Indonesia by Air NONSUBJECT COUNTRY SEPTEMBER 27 TO OCTOBER 10, 2020 age of travel? Journey to superb destina- valuableS UBJECT insight on the C region.OUNTR Look for Ytheir names in (14 DAYS) REGION/STATE tions in the lap of luxury aboard intimate REGION/Sred to get an idea TATof theirE backgrounds and unique Sacred ground. -
Viennese Taste: Enjoying Food and Drink to the Fullest
Viennese taste: Enjoying food and drink to the fullest Viennese cuisine is the only type of cooking in the world that is named after a city. Vienna is also the only metropolis in the world that grows enough wine within city limits to be worth mentioning. The Viennese coffee house is known around the globe for its informal pleasantness, as an oasis of gemütlichkeit. No wonder that the bistro, wine tavern and cafe are the foundational pillars of Vienna’s culture of food pleasures in all its enticing variety. The Viennese like things simple and pleasant. So Viennese bistros are nice and comfortable. As long as we can remember, these restaurants have been serving up solid, tasty home cooking from schnitzels to goulash, liver with herbs in butter to Kaiserschmarren, a kind of shredded pancakes. This consistency has led to a renaissance of the bistro culture that is celebrated in familiar restaurants such as the Ubl, Gasthaus Wolf and Glacis Beisl as well as the renowned Wirten am Eck'. The enjoyment of a good drop of wine crafted from the 700 hectares of Viennese vineyards is not limited to these places. The most exclusive local restaurants have long featured Viennese Riesling and Pinot Blanc (Weissburgunder). And the Wiener Gemischter Satz. This specialty, which has even been awarded the DAC seal of quality, involves growing the grapes of at least three different white wine varieties and pressing them together. Especially the guests at the heurige enjoy young and old Viennese wines along with the hearty delicacies from the buffet. These romantic and cozy taverns can be found by the dozen in the wine villages at the edge of the city such as Grinzing, Nussdorf, and Stammersdorf.