2020 SPSP Convention Program
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Lake Forest College Catalog 555 North Sheridan Road • Lake Forest, Illinois 60045 • 847-234-3100 2019-2020
Lake Forest College Catalog 555 North Sheridan Road • Lake Forest, Illinois 60045 • 847-234-3100 2019-2020 This pdf document represents an archived version of the 2019–20 online College Catalog. Information is accurate as of August 1, 2019. For the most up-to-date version of the College Catalog, please consult the online version at lakeforest.edu/academics/catalog TABLE OF CONTENTS General Information ...........................................................................................................................................................................................1 Mission Statement .........................................................................................................................................................................................1 Non-Discrimination Policy ........................................................................................................................................................................1 Privacy Statement ..........................................................................................................................................................................................2 Family Educational Rights Privacy Act ...............................................................................................................................................2 Academic Calendar .............................................................................................................................................................................................3 -
Virtual Conference Contents
Virtual Conference Contents 등록 및 발표장 안내 03 2020 한국물리학회 가을 학술논문발표회 및 05 임시총회 전체일정표 구두발표논문 시간표 13 포스터발표논문 시간표 129 발표자 색인 189 이번 호의 표지는 김요셉 (공동 제1저자), Yong Siah Teo (공동 제1저자), 안대건, 임동길, 조영욱, 정현석, 김윤호 회원의 최근 논문 Universal Compressive Characterization of Quantum Dynamics, Phys. Rev. Lett. 124, 210401 (2020) 에서 모티 브를 채택했다. 이 논문에서는 효율적이고 신뢰할 수 있는 양자 채널 진단을 위한 적응형 압축센싱 방법을 제안하고 이를 실험 으로 시연하였다. 이번 가을학술논문발표회 B11-ap 세션에서 김요셉 회원이 관련 주제에 대해서 발표할 예정(B11.02)이다. 2 등록 및 발표장 안내 (Registration & Conference Room) 1. Epitome Any KPS members can download the pdf files on the KPS homepage. (http://www.kps.or.kr) 2. Membership & Registration Fee Category Fee (KRW) Category Fee (KRW) Fellow/Regular member 130,000 Subscription 1 journal 80,000 Student member 70,000 (Fellow/Regular 2 journals 120,000 Registration Nonmember (general) 300,000 member) Nonmember 150,000 1 journal 40,000 (invited speaker or student) Subscription Fellow 100,000 (Student member) 2 journals 60,000 Membership Regular member 50,000 Student member 20,000 Enrolling fee New member 10,000 3. Virtual Conference Rooms Oral sessions Special sessions Division Poster sessions (Zoom rooms) (Zoom rooms) Particle and Field Physics 01, 02 • General Assembly: 20 Nuclear Physics 03 • KPS Fellow Meeting: 20 Condensed Matter Physics 05, 06, 07, 08 • NPSM Senior Invited Lecture: 20 Applied Physics 09, 10, 11 Virtual Poster rooms • Heavy Ion Accelerator Statistical Physics 12 (Nov. 2~Nov. 6) Complex, RAON: 19 Physics Teaching 13 • Computational science: 20 On-line Plasma Physics 14 • New accelerator: 20 Discussion(mandatory): • KPS-KOFWST Young Optics and Quantum Electonics 15 Nov. -
Afrocentrism Through Afro-American Music: from the 1960’S Until the Early 2000’S
Afrocentrism through Afro-American Music: from the 1960’s until the Early 2000’s by Jérémie Kroubo Dagnini, Department of Anglophone Studies University Michel de Montaigne Bordeaux 3, France. Jérémie Kroubo Dagnini ([email protected]) is a Ph.D. candidate in the Department of Anglophone Studies at the University Michel de Montaigne Bordeaux 3 in France, conducting research on the history of Jamaican popular music in the twentieth century. He is the author of Les origines du reggae: retour aux sources. Mento, ska, rocksteady, early reggae published by L’Harmattan in 2008. Abstract Afrocentrism is an intellectual, political, sociological, historical and cultural movement principally born out of Black people’s constant struggle against racism and oppression. Thus, this ideology dates back to the era of slavery and was born in the Black diaspora as a response to Eurocentrism which views the world from a European perspective, implying superiority of Europeans and more generally Westerners, namely Whites, over non-Europeans, namely non- Whites, especially Blacks. The United States of America being an ancient land of slavery, it is not surprising that Afrocentrism emerged within its society. It has been notably significant from the late 19th onwards and has impacted on different aspects of social life, including literature, politics, religion, economy, sport and music. Since the 1960’s, Afrocentrism has been particularly visible through music which has become an obvious new force in America. Indeed, in the 1960’s, it was an integral part of soul music which accompanied the civil rights movements. Then, it has integrated most genres which followed up such as funk, rap and modern rhythm and blues. -
URL 100% (Korea)
アーティスト 商品名 オーダー品番 フォーマッ ジャンル名 定価(税抜) URL 100% (Korea) RE:tro: 6th Mini Album (HIP Ver.)(KOR) 1072528598 CD K-POP 1,603 https://tower.jp/item/4875651 100% (Korea) RE:tro: 6th Mini Album (NEW Ver.)(KOR) 1072528759 CD K-POP 1,603 https://tower.jp/item/4875653 100% (Korea) 28℃ <通常盤C> OKCK05028 Single K-POP 907 https://tower.jp/item/4825257 100% (Korea) 28℃ <通常盤B> OKCK05027 Single K-POP 907 https://tower.jp/item/4825256 100% (Korea) Summer Night <通常盤C> OKCK5022 Single K-POP 602 https://tower.jp/item/4732096 100% (Korea) Summer Night <通常盤B> OKCK5021 Single K-POP 602 https://tower.jp/item/4732095 100% (Korea) Song for you メンバー別ジャケット盤 (チャンヨン)(LTD) OKCK5017 Single K-POP 301 https://tower.jp/item/4655033 100% (Korea) Summer Night <通常盤A> OKCK5020 Single K-POP 602 https://tower.jp/item/4732093 100% (Korea) 28℃ <ユニット別ジャケット盤A> OKCK05029 Single K-POP 454 https://tower.jp/item/4825259 100% (Korea) 28℃ <ユニット別ジャケット盤B> OKCK05030 Single K-POP 454 https://tower.jp/item/4825260 100% (Korea) Song for you メンバー別ジャケット盤 (ジョンファン)(LTD) OKCK5016 Single K-POP 301 https://tower.jp/item/4655032 100% (Korea) Song for you メンバー別ジャケット盤 (ヒョクジン)(LTD) OKCK5018 Single K-POP 301 https://tower.jp/item/4655034 100% (Korea) How to cry (Type-A) <通常盤> TS1P5002 Single K-POP 843 https://tower.jp/item/4415939 100% (Korea) How to cry (ヒョクジン盤) <初回限定盤>(LTD) TS1P5009 Single K-POP 421 https://tower.jp/item/4415976 100% (Korea) Song for you メンバー別ジャケット盤 (ロクヒョン)(LTD) OKCK5015 Single K-POP 301 https://tower.jp/item/4655029 100% (Korea) How to cry (Type-B) <通常盤> TS1P5003 Single K-POP 843 https://tower.jp/item/4415954 -
Daryl Lowery Sample Songlist Bridal Songs
DARYL LOWERY SAMPLE SONGLIST BRIDAL SONGS Song Title Artist/Group Always And Forever Heatwave All My Life K-Ci & Jo JO Amazed Lonestar At Last Etta James Because You Loved Me Celine Dion Breathe Faith Hill Can't Help Falling In Love Elvis Presley Come Away With Me Nora Jones Could I Have This Dance Anne Murray Endless Love Lionel Ritchie & Diana Ross (Everything I Do) I Do It For You Bryan Adams From This Moment On Shania Twain & Brian White Have I Told You Lately Rod Stewart Here And Now Luther Van Dross Here, There And Everywhere Beatles I Could Not Ask For More Edwin McCain I Cross My Heart George Strait I Do (Cherish You) 98 Degrees I Don't Want To Miss A Thing Aerosmith I Knew I Loved You Savage Garden I'll Always Love You Taylor Dane In Your Eyes Peter Gabriel Just The Way You Are Billy Joel Keeper Of The Stars Tracy Byrd Making Memories Of Us Keith Urban More Than Words Extreme One Wish Ray J Open Arms Journey Ribbon In The Sky Stevie Wonder Someone Like You Van Morrison Thank You Dido That's Amore Dean Martin The Way You Look Tonight Frank Sinatra The Wind Beneath My Wings Bette Midler Unchained Melody Righteous Brothers What A Wonderful World Louis Armstrong When A Man Loves A Woman Percy Sledge Wonderful Tonight Eric Clapton You And Me Lifehouse You're The Inspiration Chicago Your Song Elton John MOTHER/SON DANCE Song Title Artist/Group A Song For Mama Boyz II Men A Song For My Son Mikki Viereck You Raise Me Up Josh Groban Wind Beneath My Wings Bette Midler FATHER/DAUGHTER DANCE Song Title Artist/Group Because You Loved Me Celine Dion Butterfly Kisses Bob Carlisle Daddy's Little Girl Mills Brothers Unforgettable Nat & Natalie King Cole What A Wonderful World Louis Armstrong Popular Selections: "Big Band” To "Hip Hop" Song Title Artist/Group (Oh What A Night) December 1963 Four Seasons 100% Pure Love Crystal Waters 1985 Bowling For Soup 1999 Prince 21 Questions 50 Cent 867-5309 Tommy Tutone A New Day Has Come Celine Dion A Song For My Son Mikki Viereck A Thousand Years Christine Perri A Wink And A Smile Harry Connick, Jr. -
Bab Ii “Menarikan Sang Liyan” : Feminisme Dalam Industri Musik
BAB II “MENARIKAN SANG LIYAN”i: FEMINISME DALAM INDUSTRI MUSIK “A feminist approach means taking nothing for granted because the things we take for granted are usually those that were constructed from the most powerful point of view in the culture ...” ~ Gayle Austin ~ Bab II akan menguraikan bagaimana perkembangan feminisme, khususnya dalam industri musik populer yang terepresentasikan oleh media massa. Bab ini mempertimbangkan kriteria historical situatedness untuk mencermati bagaimana feminisme merupakan sebuah realitas kultural yang terbentuk dari berbagai nilai sosial, politik, kultural, ekonomi, etnis, dan gender. Nilai-nilai tersebut dalam prosesnya menghadirkan sebuah realitas feminisme dan menjadikan realitas tersebut tak terpisahkan dengan sejarah yang telah membentuknya. Proses historis ini ikut andil dalam perjalanan feminisme from silence to performance, seperti yang diistilahkan Kroløkke dan Sørensen (2006). Perempuan berjalan dari dalam diam hingga akhirnya ia memiliki kesempatan untuk hadir dalam performa. Namun dalam perjalanan performa ini perempuan membawa serta diri “yang lain” (Liyan) yang telah melekat sejak masa lalu. Salah satu perwujudan performa sang Liyan ini adalah industri musik populer K-Pop yang diperankan oleh perempuan Timur yang secara kultural memiliki persoalan feminisme yang berbeda dengan perempuan Barat. 75 76 K-Pop merupakan perjalanan yang sangat panjang, yang mengisahkan kompleksitas perempuan dalam relasinya dengan musik dan media massa sebagai ruang performa, namun terjebak dalam ideologi kapitalisme. Feminisme diuraikan sebagai sebuah perjalanan “menarikan sang Liyan” (dancing othering), yang memperlihatkan bagaimana identitas the Other (Liyan) yang melekat dalam tubuh perempuan [Timur] ditarikan dalam beragam performa music video (MV) yang dapat dengan mudah diakses melalui situs YouTube. Tarian merupakan sebuah bentuk konsumsi musik dan praktik kultural yang membawa banyak makna tersembunyi mengenai konteks sosial (Wall, 2003:188). -
Child from Treichville
The "terrible" child from Treichville Musical lives in Abidjan, Côte d'Ivoire Bente E. Aster Hovedfagsoppgave i sosialantropologi Høst 2004. Universitetet i Oslo Summary In this thesis I investigate modern music genres and performance practices in Abidjan, Côte d’Ivoire. I worked with three band structures, within three different genres: The local pop genre zouglou, the dancehall genre and the reggae genre. I have especially concentrated on reggae, and I compare how it is played and performed in Côte d’Ivoire to how it is perceived in Jamaica. Interestingly enough, reggae sounds different in the two countries, and in my thesis I hope to show the various reasons for this phenomenon. I am interested in the questions: Why do Ivorians listen to reggae, and what do they do in order to adapt it to the Ivorian setting? I claim that a certain social environment produces certain aesthetical preferences and performance practices. In short it produces taste: History and taste go together. Thus styles are historically constructed identity marks. Christopher Waterman has linked various social histories to musical genres and tastes in Nigeria in interesting ways (Waterman 1990). The Ivorian setting creates a sound that is denser and involves a heavier orchestration than the Jamaican one, which is cut down to the core. The two countries have different points of departure and different histories, and one can hear the traces of this in the two versions of reggae. Global inspirations become local expressions to Ivorians. Singers must uphold their local credibility and authenticity, and thereby create a resonance between themselves and their audience. -
A Public Voice – AHRC/BBC Knowledge Exchange Project
A Public Voice: Access, Digital Story and Interactive Narrative University of Glamorgan Hamish Fyfe Mike Wilson Suzanne Pratt BBC Wales Partners Mandy Rose Karen Lewis This collaborative research project was funded through the AHRC/BBC Knowledge Exchange Programme’s pilot funding call. The aim of the Arts and Humanities Research Council/BBC KEP is to develop a long-term strategic partnership brining together the arts and humanities research communities with BBC staff to enable co- funded knowledge exchange and collaborative research and development. The benefits from the outcomes and outputs of these projects should be of equal significance to both partners. To find out more about the AHRC/BBC KEP please visit the AHRC’s website at: http://www.ahrc.ac.uk 1 Research Partners Professor Hamish Fyfe: [email protected] Professor Mike Wilson: [email protected] Susie Pratt; Academic Researcher: [email protected] 2 Mandy Rose; Creative Director Multi-Platform Mandy Rose: [email protected] Karen Lewis; Director, Storyworks, University of Glamorgan (formerly Partnerships Manager BBC Wales): [email protected] This research has been commissioned to enhance understanding of the methodology and social impact of digital storytelling. The work takes particular cognisance of the BBC’s ‘Capture Wales’ project and ways in which this project has engendered a wide range of community based media activity in Wales. The research has employed a triangulated methodology with survey, case study and focus group components. Considerable emphasis has been placed on deriving qualitative data directly from participants in the process, particularly those in lower socio- 3 economic groups, and to provide insight into mechanisms to develop engagement in issues linked to the ‘digital divide’. -
Religion, Nationalism, and Everyday Performance in Congo
GESTURE AND POWER The Religious Cultures of African and African Diaspora People Series editors: Jacob K. Olupona, Harvard University Dianne M. Stewart, Emory University and Terrence L. Johnson, Georgetown University The book series examines the religious, cultural, and political expres- sions of African, African American, and African Caribbean traditions. Through transnational, cross- cultural, and multidisciplinary approaches to the study of religion, the series investigates the epistemic boundaries of continental and diasporic religious practices and thought and explores the diverse and distinct ways African- derived religions inform culture and politics. The series aims to establish a forum for imagining the centrality of Black religions in the formation of the “New World.” GESTURE AND POWER Religion, Nationalism, and Everyday Performance in Congo Yolanda Covington- Ward Duke University Press Durham and London 2016 © 2016 Duke University Press All rights reserved Printed in the United States of America on acid- free paper ♾ Typeset in Minion Pro and Avenir by Graphic Composition, Inc., Bogart, Georgia Library of Congress Cataloging- in-Publication Data Covington-Ward, Yolanda, [date] author. Gesture and power : religion, nationalism, and everyday performance in Congo / Yolanda Covington-Ward. pages cm—(The religious cultures of African and African diaspora people) Includes bibliographical references and index. isbn 978-0-8223-6020-9 (hardcover: alk. paper) isbn 978-0-8223-6036-0 (pbk. : alk. paper) isbn 978-0-8223-7484-8 (e-book) 1. Kongo (African people)—Communication. 2. Body language—Congo (Democratic Republic) 3. Dance—Social aspects—Congo (Democratic Republic) I. Title. II. Series: Religious cultures of African and African diaspora people. 394—dc23 2015020742 Cover art: Weighing of the spirit (bascule) in worship service, dmna Church, Luozi, 2010. -
A Perceptual Pathway to Bias
PSSXXX10.1177/0956797615627418Freeman et al.Real-Time Race Perception and Mixed-Race Bias 627418research-article2016 Research Article Psychological Science 2016, Vol. 27(4) 502 –517 A Perceptual Pathway to Bias: © The Author(s) 2016 Reprints and permissions: sagepub.com/journalsPermissions.nav Interracial Exposure Reduces Abrupt DOI: 10.1177/0956797615627418 Shifts in Real-Time Race Perception pss.sagepub.com That Predict Mixed-Race Bias Jonathan B. Freeman1, Kristin Pauker2, and Diana T. Sanchez3 1Department of Psychology, New York University; 2Department of Psychology, University of Hawaii at Manoa; and 3Department of Psychology, Rutgers University, New Brunswick Abstract In two national samples, we examined the influence of interracial exposure in one’s local environment on the dynamic process underlying race perception and its evaluative consequences. Using a mouse-tracking paradigm, we found in Study 1 that White individuals with low interracial exposure exhibited a unique effect of abrupt, unstable White-Black category shifting during real-time perception of mixed-race faces, consistent with predictions from a neural-dynamic model of social categorization and computational simulations. In Study 2, this shifting effect was replicated and shown to predict a trust bias against mixed-race individuals and to mediate the effect of low interracial exposure on that trust bias. Taken together, the findings demonstrate that interracial exposure shapes the dynamics through which racial categories activate and resolve during real-time perceptions, and these initial perceptual dynamics, in turn, may help drive evaluative biases against mixed-race individuals. Thus, lower-level perceptual aspects of encounters with racial ambiguity may serve as a foundation for mixed-race prejudice. -
Neuroimaging of Person Perception a Social-Visual Interface
Neuroscience Letters xxx (xxxx) xxx–xxx Contents lists available at ScienceDirect Neuroscience Letters journal homepage: www.elsevier.com/locate/neulet Review article Neuroimaging of person perception: A social-visual interface Jeffrey A. Brooks, Jonathan B. Freeman⁎ Department of Psychology, New York University, 6 Washington Place, New York, NY 10003, United States ARTICLE INFO ABSTRACT Keywords: The visual system is able to extract an enormous amount of socially relevant information from the face, including Social perception social categories, personality traits, and emotion. While facial features may be directly tied to certain percep- Emotion perception tions, emerging research suggests that top-down social cognitive factors (e.g., stereotypes, social-conceptual Face processing knowledge, prejudice) considerably influence and shape the perceptual process. The rapid integration of higher- Top–down effects order social cognitive processes into visual perception can give rise to systematic biases in face perception and Stereotypes may potentially act as a mediating factor for intergroup behavioral and evaluative biases. Drawing on neuroi- Neuroimaging Fusiform cortex maging evidence, we review the ways that top-down social cognitive factors shape visual perception of facial Orbitofrontal cortex features. This emerging work in social and affective neuroscience builds upon work on predictive coding and Anterior temporal lobe perceptual priors in cognitive neuroscience and visual cognition, suggesting domain-general mechanisms that underlie a social-visual interface through which social cognition affects visual perception. The fields of social perception and emotion perception are moti- motion (i.e. walking and other naturalistic movements; [27]), and may vated by an impressive everyday phenomenon: human perceivers are serve to integrate multimodal information in social perception [51,50]. -
City of Angels
ZANFAGNA CHRISTINA ZANFAGNA | HOLY HIP HOP IN THE CITY OF ANGELSHOLY IN THE CITY OF ANGELS The publisher gratefully acknowledges the generous support of the Lisa See Endowment Fund in Southern California History and Culture of the University of California Press Foundation. Luminos is the Open Access monograph publishing program from UC Press. Luminos provides a framework for preserving and reinvigorating monograph publishing for the future and increases the reach and visibility of important scholarly work. Titles published in the UC Press Luminos model are published with the same high standards for selection, peer review, production, and marketing as those in our traditional program. www.luminosoa.org Holy Hip Hop in the City of Angels MUSIC OF THE AFRICAN DIASPORA Shana Redmond, Editor Guthrie P. Ramsey, Jr., Editor 1. California Soul: Music of African Americans in the West, edited by Jacqueline Cogdell DjeDje and Eddie S. Meadows 2. William Grant Still: A Study in Contradictions, by Catherine Parsons Smith 3. Jazz on the Road: Don Albert’s Musical Life, by Christopher Wilkinson 4. Harlem in Montmartre: A Paris Jazz Story between the Great Wars, by William A. Shack 5. Dead Man Blues: Jelly Roll Morton Way Out West, by Phil Pastras 6. What Is This Thing Called Jazz?: African American Musicians as Artists, Critics, and Activists, by Eric Porter 7. Race Music: Black Cultures from Bebop to Hip-Hop, by Guthrie P. Ramsey, Jr. 8. Lining Out the Word: Dr. Watts Hymn Singing in the Music of Black Americans, by William T. Dargan 9. Music and Revolution: Cultural Change in Socialist Cuba, by Robin D.