Gardner Thesis Final Draft
THE OTHER COLLECTIVES OF THE LEFT: READING BLACK LEFT FEMINISMS IN SITES OF TRANSATLANTIC CULTURAL PRAXIS by TIA-SIMONE GARDNER JENNIFER SHOAFF, COMMITTEE CHAIR STACY MORGAN RACHEL RAIMIST A THESIS Submitted in partial fulfillment of the requirements for the degree of Master of Arts the Department of Gender and Race Studies in the Graduate School of The University of Alabama TUSCALOOSA, AL 2013 Copyright Tia-Simone Gardner 2013 ALL RIGHTS RESERVED ABSTRACT Paul Gilroy writes, “It would appear that there are large questions raised about the direction and character of Black culture and art if we take the powerful effects of even temporary experiences of exile, relocation, and displacement into account” (Paul Gilroy, The Black Atlantic, 18). Transnationality and citizenship are tangled discourses, acted out in real time, on real people, effecting not only the exiled, relocated, and displaced as individuals, but the communal relations they leave, enter, and/or produce. In this research, grounded in issues of collective cultural praxis, I examine the relationship between lived experience, mechanizations of power, and how collectivity –in the formation of community action groups and artists collectives. I argue that in this way cultural production is instrumental in the transgressing of the real and imaged borders of race, nation, gender, and class. I look at the cultural work of Afro-Caribbean, and American exile, Claudia Jones, American Lorraine Hansberry, and Black artist collectives working in and between the U.S. and U.K. My central argument is that by looking at the work of Black radicals, specifically Black left feminists and their strategic use of collaborative cultural practice, we can deepen our understanding of the strategic use of cultural in bringing about social change.
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