'They Made Gullah': Modernist Primitivists and The
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Professor Russell Duncan CV [email protected] Personal
INSTITUT FOR ENGELSK , GERMANSK OG ROMANS K KØBENHAVNS UNIVERSIT ET Professor Russell Duncan CV [email protected] Personal: 01.JULY 2011 Citizenship: USA Resident Status: Denmark (since 1998) Home Address: Skaboeshusevænget 1, 5800 Nyborg, Denmark NJALSGADE 130 Born: 30 May 1951, Statesboro, Georgia, USA 2300 COPENHAGEN S DIR 35328577 Education: 1988 Ph.D. History, University of Georgia, Athens, Georgia, USA [email protected] 1984 M.A. History, University of Georgia, Athens, Georgia, USA 1975 M.S. Sociology, Valdosta State University, Valdosta, Georgia, USA 1973 B.S. Political Science (emphasis on Criminal Justice), Georgia Southern University, Statesboro, Georgia, USA Employment: 2004- Professor of History and Social Studies in the English-Speaking World, University of Copenhagen, Denmark 1998-03 Associate Professor, University of Copenhagen, Denmark 1997-98 Professor, Norwegian University of Science and Technology, Trondheim, Norway 1996-97 Associate Professor, Norwegian University of Science and Technology, Trondheim, Norway 1993-96 Associate Professor, John Carroll University, Cleveland, Ohio, USA 1989-93 Assistant Professor, John Carroll University, Cleveland, Ohio, USA 1988-89 Assistant Professor, University of Georgia, Athens, Georgia, USA 1982-88 M.A. and PhD. Student, University of Georgia, Athens, Georgia, USA 1975-82 Flight Instructor/Captain, RF4-C reconnaissance aircraft, United States Air Force, Zweibrücken, Germany 1973-75 Special Agent, Georgia Bureau of Investigation, Atlanta, Georgia, USA Publications: SIDE 2 AF 16 Books: Contemporary America (with Joseph Goddard). 3rd Edition. Contemporary States and Societies Series. London: Palgrave/Macmillan, 2009. Beijing: Renmin University Press, 2009. Bucharest: University of Bucharest Press, 2010. Transnational America: Contours of Modern US Culture (ed. with Clara Juncker), Copenhagen: University of Copenhagen/Museum Tusculanum Press, 2004. -
Medical Racism's Poison
Kenny racism 2016.06.19 Page 1 of 44 Medical Racism’s Poison Pen: The Toxic World of Dr. Henry Ramsay Stephen C. Kenny Unlike many of his physician tutors and student peers, Henry Ramsay, who was a graduate of the Medical College of Georgia, did not manage to defend his white racial capital and status as a slaveholder by serving in the Confederacy. In fact, Ramsay did not even live long enough to see Georgia’s ordinance of secession passed in Milledgeville in January 1861. As the American Medical Gazette commented in a brief obituary notice, “the wayward history of this eccentric and unfortunate man” instead saw a “melancholy termination.” Suggesting widespread public curiosity as to his fate, on September 12, 1856, the Lowell Daily Citizen and News reported that Henry Ramsay had “poisoned himself in his cell, by mixing seeds of the Jamestown weed in a cup of coffee.” With a promise to return to some of Ramsay’s troubling personal foibles, this essay concentrates on medical racism, as seen through the decidedly ordinary and representative career of this slaveholding Southern “country doctor.” John Hoberman, in Black and Blue, a comprehensive survey and analysis of mainstream medicine’s incorporation, development and dissemination of white racial prejudices in the twentieth century, defined the problem as stemming from a fundamental belief of Western racism: “that blacks and whites are opposite racial types, and . that black human beings are less complex organisms than white human beings.” In tandem, these deep-seated racial notions underpinned the fabrication of “a racially differentiated human biology that has suffused the tissues, fluids, bones, nerves, and organ systems of the human body with Kenny racism 2016.06.19 Page 2 of 44 racial meanings” which had a profound effect on medical thought and practice (Hoberman 66). -
University of Cincinnati
UNIVERSITY OF CINCINNATI Date:_December 13, 2006_ I, James Michael Rhyne______________________________________, hereby submit this work as part of the requirements for the degree of: Doctor of Philosophy in: History It is entitled: Rehearsal for Redemption: The Politics of Post-Emancipation Violence in Kentucky’s Bluegrass Region This work and its defense approved by: Chair: _Wayne K. Durrill_____________ _Christopher Phillips_________ _Wendy Kline__________________ _Linda Przybyszewski__________ Rehearsal for Redemption: The Politics of Post-Emancipation Violence in Kentucky’s Bluegrass Region A Dissertation submitted to the Division of Research and Advanced Studies of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Ph.D.) in the Department of History of the College of Arts and Sciences 2006 By James Michael Rhyne M.A., Western Carolina University, 1997 M-Div., Southeastern Baptist Theological Seminary, 1989 B.A., Wake Forest University, 1982 Committee Chair: Professor Wayne K. Durrill Abstract Rehearsal for Redemption: The Politics of Post-Emancipation Violence in Kentucky’s Bluegrass Region By James Michael Rhyne In the late antebellum period, changing economic and social realities fostered conflicts among Kentuckians as tension built over a number of issues, especially the future of slavery. Local clashes matured into widespread, violent confrontations during the Civil War, as an ugly guerrilla war raged through much of the state. Additionally, African Americans engaged in a wartime contest over the meaning of freedom. Nowhere were these interconnected conflicts more clearly evidenced than in the Bluegrass Region. Though Kentucky had never seceded, the Freedmen’s Bureau established a branch in the Commonwealth after the war. -
The German Influence on the Life and Thought of W.E.B. Dubois. Michaela C
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses 1911 - February 2014 2001 The German influence on the life and thought of W.E.B. DuBois. Michaela C. Orizu University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/theses Orizu, Michaela C., "The German influence on the life and thought of W.E.B. DuBois." (2001). Masters Theses 1911 - February 2014. 2566. Retrieved from https://scholarworks.umass.edu/theses/2566 This thesis is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses 1911 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. THE GERMAN INFLUENCE ON THE LIFE AND THOUGHT OF W. E. B. DU BOIS A Thesis Presented by MICHAELA C. ORIZU Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of MASTER OF ARTS February 2001 Political Science THE GERMAN INFLUENCE ON THE LIE AND THOUGHT OF W. E. B. DU BOIS A Master’s Thesis Presented by MICHAELA C. ORIZU Approved as to style and content by; Dean Robinson, Chair t William Strickland, Member / Jerome Mileur, Member ad. Department of Political Science ACKNOWLEDGEMENTS I like would to thank my advisors William Strickland and Dean Robinson for their guidance, insight and patient support during this project as well as for the inspiring classes they offered. Many thanks also to Prof. Jerome Mileur for taking interest in my work and joining my thesis committee at such short notice. -
Rice Fields for Wildlife History, Management Recommendations and Regulatory Guidelines for South Carolina’S Coastal Impoundments
Rice Fields for Wildlife History, Management Recommendations and Regulatory Guidelines for South Carolina’s Coastal Impoundments Editors Travis Folk • Ernie Wiggers • Dean Harrigal • Mark Purcell Funding for this publication provided by US Fish and Wildlife Service’s Coastal Program, Ducks Unlimited, ACE Basin Task Force, NOAA’s ACE Basin National Estuarine Research Reserve, Nemours Wildlife Foundation. The Atlantic Join Venture provided valuable funding for this publication. Citation: Folk , T. H., E.P. Wiggers, D.Harrigal, and M. Purcell (Editors). 2016. Rice fields for wildlife: history, management recom- mendations and regulatory guidelines for South Carolina’s managed tidal impoundments. Nemours Wildlife Founda- tion, Yemassee, South Carolina. Rice Fields for Wildlife History, Management Recommendations and Regulatory Guidelines for South Carolina’s Coastal Impoundments Table of Contents Chapter 1 South Carolina’s Rice Fields: how an agricultural empire created 1 a conservation legacy. Travis Hayes Folk, Ph.D. (Folk Land Management) Chapter 2 Understanding and Using the US Army Corps of Engineers 7 Managed Tidal Impoundment General Permit (MTI GP) (SAC 2017-00835) Travis Hayes Folk, Ph.D. Chapter 3 Management of South Atlantic Coastal Wetlands for Waterfowl 23 and Other Wildlife. R. K. “Kenny” Williams (Williams Land Management Company), Robert D. Perry (Palustrine Group), Michael B. Prevost (White Oak Forestry) Chapter 4 Managing Coastal Impoundments for Multiple Species of Water 39 Birds. Ernie P. Wiggers, Ph.D. (Nemours Wildlife Foundation), Christine Hand (South Carolina Department of Natural Resources), Felicia Sanders (South Carolina Department of Natural Resources) Appendices The ACE Basin Project Travis Hayes Folk, Ph.D. 47 Glossary of Rice Field Terminology 49 References of Supporting Literature 54 Sources for Technical Assistance and Cost Share Opportunities 57 Savannah River Rice Fields, 1936. -
A Finding Aid to the Eldzier Cortor Papers, Circa 1930S-2015, Bulk 1972-2015 in the Archives of American Art
A Finding Aid to the Eldzier Cortor papers, circa 1930s-2015, bulk 1972-2015 in the Archives of American Art Justin Brancato and Rayna Andrews Funding for the 2017 processing of this collection was provided by the Henry Luce Foundation. 2017 December 28 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical Note............................................................................................................. 2 Scope and Content Note................................................................................................. 3 Arrangement..................................................................................................................... 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Biographical Material, 1947-2012............................................................. 5 Series 2: Correspondence, 1970-2015.................................................................... 6 Series 3: Professional Files, -
F. the War of 1812
f. The War of 1812 The large size of the new Mississippi One outstanding territory was misleading. The Indians leader of the Choctaws occupied large portions of the upper in the War of 1812 was territory. Since new settlers were eager for Chief Pushmataha. the rich land, this created constant hostility When the council of the in the early days of the territory. There were Choctaw Nation met to constant disputes about land claims. While decide on whose side the settlers were at peace with the Choctaw they would fight, and Chickasaw tribes, they were unable to Pushmataha pledged make any kind of satisfactory settlement Pushmataha loyalty to the United with the Creek Indians. Then, in 1812, the States and predicted the Creek Indians joined the British and began fall of the Creek fort in the territory. attacks upon settlers. The chief would later die in General Andrew Jackson called upon Washington in 1824, where he was visiting his friends in the Choctaw and Chickasaw his comrade-in-arms, Andrew Jackson. By nations to help defeat the Creeks. At the that time, Jackson was President of the Battle of Horseshoe Bend, General Jackson United States. and his allies defeated the Creek nation. Answer the following questions. 1. The __________________ occupied large portions of the upper Mississippi territory. 2. The settlers were at peace with the Choctaw and Chickasaw tribes, however they were unable to make any kind of satisfactory settlement with the _________________ Indians. 3. In 1812, the Creek Indians joined the ______________ and began attacks upon settlers. 4. General ____________________ called upon his friends in the Choctaw and Chickasaw nations to help defeat the Creeks, which they did in the Battle of ___________________. -
MFA Boston, Acquisition of Works from Axelrod Collection, Press Release, P
MFA Boston, Acquisition of Works from Axelrod Collection, Press Release, p. 1 Contact: Karen Frascona 617.369.3442 [email protected] MUSEUM OF FINE ARTS, BOSTON, ACQUIRES WORKS BY AFRICAN AMERICAN ARTISTS FROM JOHN AXELROD COLLECTION MFA Marks One-Year Anniversary of Art of the Americas Wing with Display including Works by John Biggers, Eldzier Cortor, and Archibald Motley Jr. BOSTON, MA (November 3, 2011)—Sixty-seven works by African American artists have recently been acquired by the Museum of Fine Arts, Boston (MFA), from collector John Axelrod, an MFA Honorary Overseer and long-time supporter of the Museum. The purchase has enhanced the MFA’s American holdings, transforming it into one of the leading repositories for paintings and sculpture by African American artists. The Museum’s collection will now include works by almost every major African American artist working during the past century and a half. Seven of the works are now displayed in the Art of the Cocktails, about 1926, Archibald Motley Americas Wing, in time for its one-year anniversary this month. This acquisition furthers the Museum’s commitment to showcasing the great multicultural artistry found throughout the Americas. It was made possible with the support of Axelrod and the MFA’s Frank B. Bemis Fund and Charles H. Bayley Fund. Axelrod has also donated his extensive research library of books about African American artists to the Museum, as well as funds to support scholarship. ―This is a proud moment for the MFA. When we opened the Art of the Americas Wing last year, our goal was to reflect the diverse interests and backgrounds of all of our visitors. -
Broadcast & Film
B R O A D C A S T - F I L M - P O S T - I N F O T A I N M E N T T E C H N O L O G Y BROADCAST GLOBAL MEDIA FOR BROADCAST, FILM, POST & INFOTAINMENT & FILM TECHNOLOGY & BUSINESS Inaugural Issue I n f l u e n c e r s KEITAN YADAV, HARRY HINGORANI, P JAYAKUMAR COO & VFX Producer CCO & VFX Supervisor CEO, SHAHRUKH KHAN Toonz Media Group & redchillies.vfx T e c h n o l o g y T r e n d s KIREET KHURANA RAJKUMAR HIRANI Animator & Filmmaker Ace Filmmaker SUSHANT RAI SATISH AGGARWAL VP, Sales – South Asia, MEA Managing Director TVU Networks Visual Technologies Contents 5 Editorial 6 News NEWS... Editor: MANOJ MADHAVAN manoj,[email protected] Shah Rukh Khan’s redchillies.vfx 9 Garnering Critical Acclaim Production: PRASHANT KARANGUTKAR 15 Covid 19 Lockdown Impact on the Entertainment Business Rajkumar Hirani : Ace Filmmaker 17 on Technology Trends in Cinema Editorial & Advertising 19 Gamechanger in the M&E Industry: NürnbergMesse India Pvt. Ltd. Real-Time Virtual Production 312/313, A Wing, 3rd Floor, Dynasty Business Park, Andheri Kurla Road, Andheri (E), Mumbai – 400059. Tel.: +91-22-6216 5313 Satish Aggarwal – The Broadcast Technocrat Par Excellence Mob.: +91-91082 32956 22 Email: manoj,[email protected] www.broadcastandfilm.com Broadcast industry ensures Business 24 Continuity with Cloud-based Solutions Copyright Disclaimer BROADCAST AND FILM Magazine is Digitally published Sushant Rai to Drive Growth for TVU Networks bi-monthly. It is available only through subscription. -
View Exhibition Brochure
1 Renée Cox (Jamaica, 1960; lives & works in New York) “Redcoat,” from Queen Nanny of the Maroons series, 2004 Color digital inket print on watercolor paper, AP 1, 76 x 44 in. (193 x 111.8 cm) Courtesy of the artist Caribbean: Crossroads of the World, organized This exhibition is organized into six themes by El Museo del Barrio in collaboration with the that consider the objects from various cultural, Queens Museum of Art and The Studio Museum in geographic, historical and visual standpoints: Harlem, explores the complexity of the Caribbean Shades of History, Land of the Outlaw, Patriot region, from the Haitian Revolution (1791–1804) to Acts, Counterpoints, Kingdoms of this World and the present. The culmination of nearly a decade Fluid Motions. of collaborative research and scholarship, this exhibition gathers objects that highlight more than At The Studio Museum in Harlem, Shades of two hundred years of history, art and visual culture History explores how artists have perceived from the Caribbean basin and its diaspora. the significance of race and its relevance to the social development, history and culture of the Caribbean: Crossroads engages the rich history of Caribbean, beginning with the pivotal Haitian the Caribbean and its transatlantic cultures. The Revolution. Land of the Outlaw features works broad range of themes examined in this multi- of art that examine dual perceptions of the venue project draws attention to diverse views Caribbean—as both a utopic place of pleasure and of the contemporary Caribbean, and sheds new a land of lawlessness—and investigate historical light on the encounters and exchanges among and contemporary interpretations of the “outlaw.” the countries and territories comprising the New World. -
Pulitzer Prize
1946: no award given 1945: A Bell for Adano by John Hersey 1944: Journey in the Dark by Martin Flavin 1943: Dragon's Teeth by Upton Sinclair Pulitzer 1942: In This Our Life by Ellen Glasgow 1941: no award given 1940: The Grapes of Wrath by John Steinbeck 1939: The Yearling by Marjorie Kinnan Rawlings Prize-Winning 1938: The Late George Apley by John Phillips Marquand 1937: Gone with the Wind by Margaret Mitchell 1936: Honey in the Horn by Harold L. Davis Fiction 1935: Now in November by Josephine Winslow Johnson 1934: Lamb in His Bosom by Caroline Miller 1933: The Store by Thomas Sigismund Stribling 1932: The Good Earth by Pearl S. Buck 1931 : Years of Grace by Margaret Ayer Barnes 1930: Laughing Boy by Oliver La Farge 1929: Scarlet Sister Mary by Julia Peterkin 1928: The Bridge of San Luis Rey by Thornton Wilder 1927: Early Autumn by Louis Bromfield 1926: Arrowsmith by Sinclair Lewis (declined prize) 1925: So Big! by Edna Ferber 1924: The Able McLaughlins by Margaret Wilson 1923: One of Ours by Willa Cather 1922: Alice Adams by Booth Tarkington 1921: The Age of Innocence by Edith Wharton 1920: no award given 1919: The Magnificent Ambersons by Booth Tarkington 1918: His Family by Ernest Poole Deer Park Public Library 44 Lake Avenue Deer Park, NY 11729 (631) 586-3000 2012: no award given 1980: The Executioner's Song by Norman Mailer 2011: Visit from the Goon Squad by Jennifer Egan 1979: The Stories of John Cheever by John Cheever 2010: Tinkers by Paul Harding 1978: Elbow Room by James Alan McPherson 2009: Olive Kitteridge by Elizabeth Strout 1977: No award given 2008: The Brief Wondrous Life of Oscar Wao by Junot Diaz 1976: Humboldt's Gift by Saul Bellow 2007: The Road by Cormac McCarthy 1975: The Killer Angels by Michael Shaara 2006: March by Geraldine Brooks 1974: No award given 2005: Gilead by Marilynne Robinson 1973: The Optimist's Daughter by Eudora Welty 2004: The Known World by Edward P. -
A Sketch of the Life of the Celebrated Lorenzo
THE ECCENTRIC PREA CHER : OR A S K ET C H OF T H E L I F E OF T H E C E L EB R ATED L R E N Z D W O O O , A B RID GE D F ROM H I S JO U R NA L ; A ND C ONTA I NING T H E M O S T INTE RE S T ING F A C TS IN H I S E X PE RI E NC E . AL S I GEMENT OF H I S C E LEB R ATE O, AB R D D C H A I N ! s HIS CURIOUS T HOUGHTS ON MATRIMONY ! fl a me “ E . A . R I C E C O . 1 8 4 1 . POWE R P RE S S O F L. HU NTRE S S L O W ' , E PR E FAC . T he de sign of th e followi ng p ages i s to pres ent the c uri ous publi c wi th a c o nn ec ted an d i n telli ible accou n of the earl hi s or th e rav ls an d g t y t y , t e ' the e cc e n tri c i ti e s o f th at theol ogi c al k ni ght er ’ ran Lor zo D o w . Hi s o urnal of whi ch hi s t , e n j , t work i s an abri d m n i s b o h too b ulk an d ge e t , t y l i too x s i v fo r n ra r ad n .